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* BattleAgainstTheSunset: The battle between Shinji, Asuka, and Rei against the Angel-possessed Unit-03 in [[Recap/NeonGenesisEvangelionEpisode18Ambivalence Episode 18]] takes place against the setting sun. This battle was iconic enough to be recreated in ''Anime/RebuildOfEvangelion''.

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Trope was cut/disambiguated due to cleanup


* CouldHaveAvoidedThisPlot: If Shinji and Asuka would have just taken the time to express their feelings and frustrations with each other, Asuka's synchronization rate wouldn't have plummeted and Shinji wouldn't have caused TheEndOfTheWorldAsWeKnowIt.



* ForWantOfANail:
** A number of the AlternateUniverse works differ in varying degrees. ''Evangelion ANIMA'' in particular takes place three years after the anime wherein Third Impact never happens in part due to Kaji staying alive to warn NERV of SEELE's planned attack.
** If Shinji and Asuka would have just taken the time to express their feelings and frustrations with each other, Asuka's synchronization rate wouldn't have plummeted and Shinji wouldn't have caused TheEndOfTheWorldAsWeKnowIt.


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* WhatIf: A number of the AlternateUniverse works differ in varying degrees. ''Evangelion ANIMA'' in particular takes place three years after the anime in a universe where the Third Impact never happens in part due to Kaji staying alive to warn NERV of SEELE's planned attack.
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* OurClonesAreDifferent: It is gradually revealed that Rei is actually several different clones of the same person. One horrific scene even includes a massive vat filled with lifeless clone bodies of Rei, currently without having her memories and personality implanted. Rei herself is a [[TwoDonorClone mishmash]] between Yui Ikari and the second [[OurAngelsAreDifferent Angel]], Lilith, looking like the former with blue hair and red eyes.
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Heroes Want Redheads is now a disambiguation; note that 'redheaded love interest' is not a trope on its own.


** And then you have the scene where Shinji and Asuka kiss. Asuka likes Shinji and offers to kiss him, but she treated it like a game to waste time in case he was going to reject her (saying she was bored, pinching his nose...). And since Shinji stood still, gasping for air instead of kissing her back or hugging her, she thought he had rejected her and ran off. The sad thing is [[HeroesWantRedheads Shinji DID like Asuka]], but because of how mean she's been to him and her treating it like a game, he didn't think she liked him back and he did not dare to do anything. So instead of getting them closer, their kiss made Shinji feel worse about himself and contributed to Asuka's breakdown (that scene played during her MindRape).

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** And then you have the scene where Shinji and Asuka kiss. Asuka likes Shinji and offers to kiss him, but she treated it like a game to waste time in case he was going to reject her (saying she was bored, pinching his nose...). And since Shinji stood still, gasping for air instead of kissing her back or hugging her, she thought he had rejected her and ran off. The sad thing is [[HeroesWantRedheads Shinji DID like Asuka]], Asuka, but because of how mean she's been to him and her treating it like a game, he didn't think she liked him back and he did not dare to do anything. So instead of getting them closer, their kiss made Shinji feel worse about himself and contributed to Asuka's breakdown (that scene played during her MindRape).
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Disambiguated/renamed


** [[SeinfeldIsUnfunny This stance has become increasingly disputed in more recent years, however, thanks to a combination of said pop-culture osmosis alongside the much wider availability of older mecha anime and tokusatsu]]. It's become known that ''Evangelion'' drew heavily from ''Anime/SpaceRunawayIdeon'' and the ''Franchise/{{Ultraman}}'' series. Given that ''Ideon'' was directed by Creator/YoshiyukiTomino, who has been known to play around with already existing mecha tropes some 15-20 years before ''Evangelion'' even was concieved, the more dedicated retro anime circles have started to think of ''Evangelion'' as a ''revival'' of the late 70s-early 80s cynicism rather than a completely new deconstruction. It just so happened that the newer deconstructor was brought first to the States instead.

to:

** [[SeinfeldIsUnfunny [[OnceOriginalNowCommon This stance has become increasingly disputed in more recent years, however, thanks to a combination of said pop-culture osmosis alongside the much wider availability of older mecha anime and tokusatsu]]. It's become known that ''Evangelion'' drew heavily from ''Anime/SpaceRunawayIdeon'' and the ''Franchise/{{Ultraman}}'' series. Given that ''Ideon'' was directed by Creator/YoshiyukiTomino, who has been known to play around with already existing mecha tropes some 15-20 years before ''Evangelion'' even was concieved, the more dedicated retro anime circles have started to think of ''Evangelion'' as a ''revival'' of the late 70s-early 80s cynicism rather than a completely new deconstruction. It just so happened that the newer deconstructor was brought first to the States instead.



* UnbuiltTrope: Many examples (leading to its SeinfeldIsUnfunny status among some modern viewers).

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* UnbuiltTrope: Many examples (leading to its SeinfeldIsUnfunny OnceOriginalNowCommon status among some modern viewers).
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Yui's body broke down into LCL during her contact experiment with Unit-01


* PoweredByAForsakenChild: The Evas themselves. They're made from the remains of angels imprinted with the minds and spirits of their respective pilots' mothers. Unit-01 completely absorbed Shinji's mother, leaving her lifeless body behind, while Unit-02 caused Asuka's mother to develop a dissociative disorder that eventually led to her suicide. It's implied that the remains of her soul entered Unit-02 after her death. Units -03 and -04 had more successful results but still required a (somewhat less) dangerous bonding process. The pilots themselves can also be considered said forsaken child, since piloting the Eva Units inevitably causes psychological damage. The synchronization process merges the minds of the pilot with the Eva, and high synchronization levels lead to hallucinations, dissociation, and sharing the experience that can only be felt by a human mind trapped inside a BodyHorror cyborg.

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* PoweredByAForsakenChild: The Evas themselves. They're made from the remains of angels Angels imprinted with the minds and spirits souls of their respective pilots' mothers. Unit-01 completely absorbed Shinji's mother, leaving her lifeless body behind, while only trace amounts of genetic material which were used to create Rei Ayanami. Unit-02 caused only absorbed the maternal part of Asuka's mother to develop mother; she developed a dissociative disorder that eventually led to her suicide. It's suicide, and it's implied that the remains of her soul entered Unit-02 after her death. Units -03 and -04 had more successful results but still required a (somewhat less) dangerous bonding process. The pilots themselves can also be considered said forsaken child, since piloting the Eva Units inevitably causes psychological damage. The synchronization process merges the minds of the pilot with the Eva, and high synchronization levels lead to hallucinations, dissociation, and sharing the experience that can only be felt by a human mind trapped inside a BodyHorror cyborg.
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Small typo


* PoweredByAForsakenChild: The Evas themselves. They're made from the remains of angels imprinted with the minds and spirits of their respective pilots' mothers. Unit-01 completely absorbed Shinji's mother, leaving her lifeless body behing, while Unit-02 caused Asuka's mother to develop a dissociative disorder that eventually led to her suicide. It's implied that the remains of her soul entered Unit-02 after her death. Units -03 and -04 had more successful results but still required a (somewhat less) dangerous bonding process. The pilots themselves can also be considered said forsaken child, since piloting the Eva Units inevitably causes psychological damage. The synchronization process merges the minds of the pilot with the Eva, and high synchronization levels lead to hallucinations, dissociation, and sharing the experience that can only be felt by a human mind trapped inside a BodyHorror cyborg.

to:

* PoweredByAForsakenChild: The Evas themselves. They're made from the remains of angels imprinted with the minds and spirits of their respective pilots' mothers. Unit-01 completely absorbed Shinji's mother, leaving her lifeless body behing, behind, while Unit-02 caused Asuka's mother to develop a dissociative disorder that eventually led to her suicide. It's implied that the remains of her soul entered Unit-02 after her death. Units -03 and -04 had more successful results but still required a (somewhat less) dangerous bonding process. The pilots themselves can also be considered said forsaken child, since piloting the Eva Units inevitably causes psychological damage. The synchronization process merges the minds of the pilot with the Eva, and high synchronization levels lead to hallucinations, dissociation, and sharing the experience that can only be felt by a human mind trapped inside a BodyHorror cyborg.
Willbyr MOD

Changed: 24

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None


* GenreDeconstruction: Arguably the TropeCodifier for modern anime. The series has an axe to grind with the entire SuperRobot MechaShow genre, which becomes ironic given it's sheer pop-cultural osmosis.

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* GenreDeconstruction: Arguably the TropeCodifier for modern anime. The series has an axe to grind with the entire SuperRobot MechaShow genre, which becomes ironic given it's its sheer pop-cultural osmosis.



** [[SeinfeldIsUnfunny This stance has become increasingly disputed in more recent years, however, thanks to a combination of said pop-culture osmosis alongside the much wider availability of older mecha anime and tokusatsu]]. It's become known that ''Evangelion'' drew heavily from ''[[Anime/SpaceRunawayIdeon Ideon]]'' and the ''[[Franchise/{{Ultraman}} Ultraman]]'' series. Given that ''Ideon'' was directed by Creator/YoshiyukiTomino, who has been known to play around with already existing mecha tropes some 15-20 years before ''Evangelion'' even was concieved, the more dedicated retro anime circles have started to think of ''Evangelion'' as a ''revival'' of the late 70s-early 80s cynicism rather than a completely new deconstruction. It just so happened that the newer deconstructor was brought first to the States instead.

to:

** [[SeinfeldIsUnfunny This stance has become increasingly disputed in more recent years, however, thanks to a combination of said pop-culture osmosis alongside the much wider availability of older mecha anime and tokusatsu]]. It's become known that ''Evangelion'' drew heavily from ''[[Anime/SpaceRunawayIdeon Ideon]]'' ''Anime/SpaceRunawayIdeon'' and the ''[[Franchise/{{Ultraman}} Ultraman]]'' ''Franchise/{{Ultraman}}'' series. Given that ''Ideon'' was directed by Creator/YoshiyukiTomino, who has been known to play around with already existing mecha tropes some 15-20 years before ''Evangelion'' even was concieved, the more dedicated retro anime circles have started to think of ''Evangelion'' as a ''revival'' of the late 70s-early 80s cynicism rather than a completely new deconstruction. It just so happened that the newer deconstructor was brought first to the States instead.
Is there an issue? Send a MessageReason:
None


** However, in the more recent years, [[SeinfeldIsUnfunny this stance has become increasingly disputed thanks to a combination of said pop-culture osmosis alongside the much wider availability of older mecha anime and tokusatsu]]: it's become known that ''Evangelion'' drew heavily from ''[[Anime/SpaceRunawayIdeon Ideon]]'' and the ''[[Franchise/{{Ultraman}} Ultraman]]'' series. Given that ''Ideon'' was directed by Creator/YoshiyukiTomino, who has been known to play around with already existing mecha tropes some 15-20 years before ''Evangelion'' even was concieved, the more dedicated retro anime circles have started to think of ''Evangelion'' as a ''revival'' of the late 70s-early 80s cynicism rather than a completely new deconstruction. It just so happened that the newer deconstructor was brought first to the States instead.

to:

** However, in the more recent years, [[SeinfeldIsUnfunny this This stance has become increasingly disputed in more recent years, however, thanks to a combination of said pop-culture osmosis alongside the much wider availability of older mecha anime and tokusatsu]]: it's tokusatsu]]. It's become known that ''Evangelion'' drew heavily from ''[[Anime/SpaceRunawayIdeon Ideon]]'' and the ''[[Franchise/{{Ultraman}} Ultraman]]'' series. Given that ''Ideon'' was directed by Creator/YoshiyukiTomino, who has been known to play around with already existing mecha tropes some 15-20 years before ''Evangelion'' even was concieved, the more dedicated retro anime circles have started to think of ''Evangelion'' as a ''revival'' of the late 70s-early 80s cynicism rather than a completely new deconstruction. It just so happened that the newer deconstructor was brought first to the States instead.
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* PeculiarPenguin: Misato's pet penguin Pen-Pen is introduced while taking a steamy ( as opposed to the typical cool water preference of a penguin) bath and then, once Shinji is terribly affected by this sight and comes to tell Misato about it, naked no less, Pen-Pen simply walks in and goes to his capsule habitat, and takes a contemptuous side glance at Shinji before walking in.
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Removed gushing (thread)


'''''[[TropeCodifier The]]''''' MechaShow GenreDeconstruction.
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Just For Pun cleanup, cutting misuse.


** ''End'' features a couple. The "Shinji wanking" sequence is an Unsexy Discretion Shot; we hear what's going on but only see the [[JustForPun output]]. Later on, Shinji is treated to a trippy flashback of Misato and Kaji screwing around in college. We mostly just see their feet, but the movement (and Misato's squealing) during the scene makes it decidedly more graphic than any of the TV sex scenes.

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** ''End'' features a couple. The "Shinji wanking" sequence is an Unsexy Discretion Shot; we hear what's going on but only see the [[JustForPun output]].output. Later on, Shinji is treated to a trippy flashback of Misato and Kaji screwing around in college. We mostly just see their feet, but the movement (and Misato's squealing) during the scene makes it decidedly more graphic than any of the TV sex scenes.
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Disambig


* SpellMyNameWithAnS:
** Somewhat justified with Ka(w)oru. The Japanese spelling would correctly be transcribed Kaworu, but the "w," depending on speaker, can become near silent to totally nonexistent. More generally, the "o" particle in the language is in fact "wo," but with the same issue, typically being transcribed without the "w" in romaji. The synch tests a few minutes into episode 24 show that the official romanization of his name is "Kaworu." This also shows up on the Mass-Produced Evas' dummy plugs.
** Asuka's last name as well. Is it Soryu, or perhaps Souryu or Sohryu?
** Suzuhara too. Depending on who you ask, he’s Touji, Toji, Tohji, or even Tôji.
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None


** An in-universe example for whoever came up with the "Second Impact" cover story. Regardless of speed, a meteor as small as they described would airburst from friction, not capable of surviving our atmosphere long enough to hit the ground. Also, regardless of speed or angle, it would take a ''gigantic'' (dozens or hundreds of kilometers) stellar body to knock the Earth's axis off enough to cause the changes in seasons shown (for that matter, how would Adam's self-destruct be forceful enough to cause that?). Not to mention that an impact that destructive would hurl a shitload of ejecta into the atmosphere, causing a global nuclear winter that would lead to far more negative long-term effects than shown in the show (maybe Adam's explosion was focused up and out, not down?).

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** An in-universe example for whoever came up with the "Second Impact" cover story. story, which was that the cause was a tiny meteorite (10 cm/4 inches wide) traveling at 95% of light speed. Regardless of speed, a meteor as that small as they described would airburst from friction, not capable of surviving our atmosphere long enough to hit the ground. Also, regardless of speed or angle, it would take a ''gigantic'' (dozens or hundreds of kilometers) stellar body to knock the Earth's axis off enough to cause the changes in seasons shown (for that matter, how would Adam's self-destruct be forceful enough to cause that?). Not to mention that an impact that destructive would hurl a shitload of ejecta into the atmosphere, causing a global nuclear winter that would lead to far more negative long-term effects than shown in the show (maybe Adam's explosion was focused up and out, not down?). ''How'', exactly, a meteorite could travel that fast without some kind of outside interference is also never given a justification.

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Dewick of Daylight Horror.


%%* DarkestHour:
%%** One might argue that they already go here in the battle between Unit 01 and Unit 03, and again in Unit 01 vs. the last Angel.



* DaylightHorror: The Third Impact begins on a beautiful, sunny day.



** However, in the more recent years, [[SeinfeldIsUnfunny this stance has become increasingly disputed thanks to a combination of said pop-culture osmosis the much wider availability of older mecha anime and tokusatsu]]: it's become known that ''Evangelion'' drew heavily from ''[[Anime/SpaceRunawayIdeon Ideon]]'' and the ''[[Franchise/{{Ultraman}} Ultraman]]'' series. Given that ''Ideon'' was directed by Creator/YoshiyukiTomino, who has been known to play around with already existing mecha tropes some 15-20 years before ''Evangelion'' even was concieved, the more dedicated retro anime circles have started to think of ''Evangelion'' as a ''revival'' of the late 70s-early 80s cynicism rather than a completely new deconstruction. It just so happened that the newer deconstructor was brought first to the States instead.

to:

** However, in the more recent years, [[SeinfeldIsUnfunny this stance has become increasingly disputed thanks to a combination of said pop-culture osmosis alongside the much wider availability of older mecha anime and tokusatsu]]: it's become known that ''Evangelion'' drew heavily from ''[[Anime/SpaceRunawayIdeon Ideon]]'' and the ''[[Franchise/{{Ultraman}} Ultraman]]'' series. Given that ''Ideon'' was directed by Creator/YoshiyukiTomino, who has been known to play around with already existing mecha tropes some 15-20 years before ''Evangelion'' even was concieved, the more dedicated retro anime circles have started to think of ''Evangelion'' as a ''revival'' of the late 70s-early 80s cynicism rather than a completely new deconstruction. It just so happened that the newer deconstructor was brought first to the States instead.
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nvm it was put on a recap page


* LockerMail: Asuka opens her locker to see a pile of letters for her. However, despite loving all of the attention, she stomps on the letters since her eyes are only for Kaji.
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* LockerMail: Asuka opens her locker to see a pile of letters for her. However, despite loving all of the attention, she stomps on the letters since her eyes are only for Kaji.
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* GenreDeconstruction: Arguably the TropeCodifier for modern anime. The series has an axe to grind with the entire SuperRobot MechaShow genre, which becomes ironic given it's sheer pop-cultural osmosis.
** The basic premise of the show, at first, seems absolutely formulaic; an OrdinaryHighSchoolStudent [[FallingIntoTheCockpit falls into the cockpit]] of a HumongousMecha designed by his father. He is the last hope for humanity in a war against various alien lifeforms called "Angels." However, it is quickly shown that using ''fourteen-year-old children'' as ''[[ChildSoldier child soldiers]]'' in extremely traumatic battles against [[EldritchAbomination Lovecraftian horrors]] is, to put it bluntly, not very nice and ''certainly'' not the kind of idealistic "insert-positive-emotion-here conquers all obstacles" affair that previous {{super robot|Genre}} shows portrayed it as. Case in point, Shinji's first battle almost kills him and he only is bailed out at the last second by a DeusExMachina. It also played with the following mecha tropes:
** Changed the mecha from an unfeeling machine with unlimited energy that is easily repaired to a biological entity that bleeds, feels pain, needs an extension cord for power, and may even have a personality.[[note]]The Jet Alone episode illustrates that said unfeeling machine with unlimited energy wouldn't actually be as useful as it's typically portrayed as in most mecha shows since it can be easily sabotaged by rival factions, would be surrounded by bureaucracy that makes it next to impossible to get anything done in a crisis, and its vaunted unlimited energy source can be just as much of a danger as the enemy the mecha was created to fight. Plus, a simple machine has limits that would make it useless against creatures with powers that border on reality warping.[[/note]]
** Most {{super robot|Genre}} shows have a teenage mecha pilot and a long-absent father who designed the mecha. So ''Evangelion'' shows how traumatizing it would be for a real teen to fight in a giant robot -- and what kind of father would abandon his son to design the robot. In short, Gendo Ikari is in the running for worst anime dad ever.
** Half the cast is made up of what seem at first to be stereotypical anime characters. As the series progresses, however, they are revealed to be severely messed-up people with the same sort of problems that would be expected of real-life {{tsundere}}s, [[HardDrinkingPartyGirl hard drinking party girls]], and {{lovable sex maniac}}s. Shinji's ShrinkingViolet nature also gets ripped into, viciously, as he's been forced into a gender role he has no training or capability to handle.
** Quite a few old super robot shows featured mysterious, alien villains with very lightly defined motivations; cue the relentless attacks of the Angels, alien (or not) assailants on whose motives, constituents or psychology we have a little idea of, simply malevolent [[MacGuffin MacGuffins]] to enable the story to play with 'giant robot' tropes. They also happen to get progressively [[NightmareFuel creepier]], and more unexplainably eldritch as the show progresses. Most importantly, there is an emphasis on showing the fear and uncertainty that comes with fighting an enemy that is just plain undefinable, thus showing how it just takes a little to turn an idealistic, formulaic Super Robot anime into a depressing CosmicHorrorStory. Various factions within the series vie for the opportunity to take down the Angels in the way they deem most appropriate, with the winner, of course, being the one that [[TheresNoKillLikeOverkill causes the most collateral damage.]]
** Tokyo 3 is all but destroyed by the end of the series, and its populace is either dead or evacuated -- a sharp contrast to the likes of most examples of the CityOfAdventure. The constant warfare tears the city apart and eventually NERV no longer has the funds to repair it.
** In some ways, ''Eva'' resembles the early days of the RealRobotGenre. Shinji Ikari has quite a few similarities with [[Anime/MobileSuitGundam Amuro Ray]], the most iconic mecha protagonist in anime history. While Amuro's relationship with his father is not nearly as bad as Shinji's, Amuro's father ''does'' go insane while building the RX-78 and due to his injuries in the first episode (which Amuro himself caused). Amuro is just as "whiny" as Shinji, but is forced to accept responsibilities in the military hierarchy and grows to maturity through that. Even his reaction to his accidental [[spoiler: killing of Lalah]] resembles Shinji's after [[spoiler: killing Kaworu]].
** However, in the more recent years, [[SeinfeldIsUnfunny this stance has become increasingly disputed thanks to a combination of said pop-culture osmosis the much wider availability of older mecha anime and tokusatsu]]: it's become known that ''Evangelion'' drew heavily from ''[[Anime/SpaceRunawayIdeon Ideon]]'' and the ''[[Franchise/{{Ultraman}} Ultraman]]'' series. Given that ''Ideon'' was directed by Creator/YoshiyukiTomino, who has been known to play around with already existing mecha tropes some 15-20 years before ''Evangelion'' even was concieved, the more dedicated retro anime circles have started to think of ''Evangelion'' as a ''revival'' of the late 70s-early 80s cynicism rather than a completely new deconstruction. It just so happened that the newer deconstructor was brought first to the States instead.
Willbyr MOD

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* ChildSupplantsParent: One of ''many'' interpretations of the series. Interviews with Creator/HideakiAnno [[WordOfGod suggest that he was actually aiming for this]], since Shinji has a [[WellDoneSonGuy love]]-hate relationship with his [[AbusiveParents father]] and motherhood is a central theme of the series. Most importantly, one of Shinji's love interests, [[EmotionlessGirl Rei]], turns out to be clone of [[ParentalIncest Yui]], while Yui's soul is housed inside his Eva. In the manga, Gendo also turns out to have harbored feelings of jealousy towards Shinji for "stealing" Yui away from him. This is even lampshaded in Shinji's ({{Blooper Reel}}s only) rant:
-->And what's an [[HumongousMecha Eva]]? Is that like, a [[LampshadeHanging Freudian]] thing?

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* ChildSupplantsParent: One of ''many'' interpretations of the series. Interviews with Creator/HideakiAnno [[WordOfGod suggest that he was actually aiming for this]], since Shinji has a [[WellDoneSonGuy love]]-hate relationship with his [[AbusiveParents father]] and motherhood is a central theme of the series. Most importantly, one of Shinji's love interests, [[EmotionlessGirl Rei]], turns out to be a clone of [[ParentalIncest Yui]], while Yui's soul is housed inside his Eva. In the manga, Gendo also turns out to have harbored feelings of jealousy towards Shinji for "stealing" Yui away from him. This is even lampshaded in Shinji's ({{Blooper Reel}}s only) rant:
-->And what's an [[HumongousMecha Eva]]? Is that that, like, a [[LampshadeHanging Freudian]] thing?

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* ChildSupplantsParent: One of ''many'' interpretations of the series. Interviews with Creator/HideakiAnno [[WordOfGod suggest that he was actually aiming for this]], since Shinji has a [[WellDoneSonGuy love]]-hate relationship with his [[AbusiveParents father]] and motherhood is a central theme of the series. Most importantly, one of Shinji's love interests, [[EmotionlessGirl Rei]], turns out to be clone of [[ParentalIncest Yui]], while Yui's soul is housed inside his Eva. In the manga, Gendo also turns out to have harbored feelings of jealousy towards Shinji for "stealing" Yui away from him. This is even lampshaded in Shinji's ({{Blooper Reel}}s only) rant:
-->And what's an [[HumongousMecha Eva]]? Is that like, a [[LampshadeHanging Freudian]] thing?



** Misato and Kaji's relationship, once it is revealed that she may have been using him as a [[OedipusComplex replacement for her father]].

to:

** Misato and Kaji's relationship, once it is revealed that she may have been using him as a [[OedipusComplex [[ChildSupplantsParent replacement for her father]].



* OedipusComplex: One of ''many'' interpretations of the series. Interviews with Creator/HideakiAnno [[WordOfGod suggest that he was actually aiming for this]], since Shinji has a [[WellDoneSonGuy love]]-hate relationship with his [[AbusiveParents father]] and motherhood is a central theme of the series. Most importantly, one of Shinji's love interests, [[EmotionlessGirl Rei]], turns out to be clone of [[ParentalIncest Yui]], while Yui's soul is housed inside his Eva. In the manga, Gendo also turns out to have harbored feelings of jealousy towards Shinji for "stealing" Yui away from him. This is even lampshaded in Shinji's ({{Blooper Reel}}s only) rant:
-->And what's an [[HumongousMecha Eva]]? Is that like, a [[LampshadeHanging Freudian]] thing?
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None


'''''[[TropeCodifier The]]''''' MechaShow {{Deconstruction}}.

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'''''[[TropeCodifier The]]''''' MechaShow {{Deconstruction}}.
GenreDeconstruction.
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'''''[[TropeCodifier The]]''''' MechaShow {{Deconstruction}}.

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Catchphrase is an index, and examples are to be moved to Character Catchphrase or other catchphrase-related tropes


* CatchPhrase: In the anime, Shinji is constantly saying "I mustn't run away!"; also Asuka's repeated refrain of "What are you, ''[[UsefulNotes/{{Baka}} stupid?]]''" Let's also not forget all the times when Gendou tells Fuyutsuki to "handle the rest of this" "Scenario" and variants of "So," "Yes," and "I understand."



* CharacterCatchphrase: In the anime, Shinji is constantly saying "I mustn't run away!"; also Asuka's repeated refrain of "What are you, ''[[UsefulNotes/{{Baka}} stupid?]]''" Let's also not forget all the times when Gendou tells Fuyutsuki to "handle the rest of this" "Scenario" and variants of "So," "Yes," and "I understand."



** Shinji: "I mustn't run away, I mustn't run away, I mustn't run away..." (Used as ArcWords, to the extent that they're practically his CatchPhrase)

to:

** Shinji: "I mustn't run away, I mustn't run away, I mustn't run away..." (Used as ArcWords, to the extent that they're practically his CatchPhrase)catchphrase)
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It's not In Universe and not a statement made by the creative team, so it doesn't count.


* FrankenVehicle: {{Conversed}} in the audio commentary for ''Death and Rebirth''. The cast and crew joke that the change in paint scheme for Eva Unit-00 was due to not being able to find matching parts after it was damaged.
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* FrankenVehicle: {{Conversed}} in the audio commentary for ''Death and Rebirth''. The cast and crew joke that the change in paint scheme for Eva Unit-00 was due to not being able to find matching parts after it was damaged.

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Merged into a useful note


* SenpaiKohai:
** Maya sees Ritsuko as her sempai, but Ritsuko doesn't reciprocate.
** Surprisingly absent from Shinji's school, where all pupils seem to be the same age and in the same grade. This is a deliberate subversion, as all of the students in Shinji's class are potential Eva pilots.
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* IncestSubtext: Episode 17 reveals that Rei has romantic feelings for Shinji (though the full extent of them is never revealed), and it's implied throughout the series that he felt the same way about her. Though neither character is aware of it, the truth of the matter is that they're technically siblings due to the fact that Rei was created using DNA from Shinji's mother, Yui.
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* ProductPlacement: Yebisu/Yebichu beer is seen prominently, episode 2 features an actual Sony TV and Mitsubishi Fuso trucks, and you can actually buy Shinji's Walkman, almost--it's a real DAT (Digital Audio Tape) player, again made by Sony[[note]]model [=WMD-DT1=]. The artists just changed the DAT logo to SDAT, and added a non-existent LCD panel to the player[[/note]]. Asuka plays a UsefulNotes/SegaSaturn in episode 23.
* PsychosexualHorror: Parts of Shinji's ordeal are related to his attraction to Asuka and the early urges of his puberty. Indeed, in ''The End of Evangelion'', part of the finale is Asuka, Misato and Rei asking him whether he wants to have sex with them.

to:

* ProductPlacement: Yebisu/Yebichu beer is seen prominently, episode 2 features an actual Sony TV and Mitsubishi Fuso trucks, and you can actually buy Shinji's Walkman, almost--it's almost -- it's a real DAT (Digital Audio Tape) player, again made by Sony[[note]]model [=WMD-DT1=]. The artists just changed the DAT logo to SDAT, and added a non-existent LCD panel to the player[[/note]]. Asuka plays a UsefulNotes/SegaSaturn in episode 23.
* PsychosexualHorror: Parts of Shinji's ordeal are related to the urges and sexual frustration of early puberty and his physical attraction to Asuka Asuka, Misato (further complicated by the fact that she is also a parental figure), and the early urges Rei ([[spoiler:who also turns out to be a parental figure of his puberty. sorts, in more than one sense]]). Indeed, in ''The End of Evangelion'', part of the finale is Asuka, Misato Misato, and Rei asking him whether he wants to have sex with them.
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commented out Zero Context Example


* PsychoStrings:
** Unit 00's {{leitmotif}} and its derivative, "The Beast."
** ''End'' also has the track "The End of Midsummer."

to:

* %%* PsychoStrings:
** %%** Unit 00's {{leitmotif}} and its derivative, "The Beast."
** %%** ''End'' also has the track "The End of Midsummer."
Is there an issue? Send a MessageReason:
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* PsychosexualHorror: Parts of Shinji's ordeal are related to his attraction to Asuka and the early urges of his puberty. Indeed, in The End of Evangelion, part of the finale is Asuka, Misato and Rei asking him whether he wants to have sex with them.
* PsychoStrings:
** Unit 00's {{leitmotif}} and its derivative, "The Beast."

to:

* PsychosexualHorror: Parts of Shinji's ordeal are related to his attraction to Asuka and the early urges of his puberty. Indeed, in The ''The End of Evangelion, Evangelion'', part of the finale is Asuka, Misato and Rei asking him whether he wants to have sex with them.
them.
* PsychoStrings:
PsychoStrings:
** Unit 00's {{leitmotif}} and its derivative, "The Beast." "

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