1 | * MarketBasedTitle: Several of the novels were renamed for the American market. Sometimes the reasoning behind the changes isn't apparent. |
2 | ** ''A Surfeit of Lampreys'', which was a play on the surname of a family at the center of the case, was retitled ''Death of a Peer'', which was also accurate, since the central crime of the tale was the murder of the head of the family, who was a marquis. |
3 | ** ''Swing Brother Swing'' became ''A Wreath for Rivera'', perhaps over the central word "Brother"? |
4 | ** ''Opening Night'' was renamed ''Night at the Vulcan'', possibly because so many of her works were set in theatres, making the original title too general. |
5 | ** ''Off With His Head'' became ''Death of a Fool''. |
6 | ** ''Death at the Dolphin'' became ''Killer Dolphin'', scrapping alliteration for a more active word "Killer". |
7 | ** Curiously, the idiomatic title ''Black as He's Painted'' wasn't changed for the U.S. market, though the expression is more British than American. |
8 | * ValuesDissonance: |
9 | ** Even the purest young girls smoke like chimneys. Hell, everyone smokes like chimneys. |
10 | ** Averted and played straight in ''Opening Night''. On one hand, an actress is raped by her husband; all consider it rape, something the average person wouldn't have done in that time period. On the other hand, the love story involves a 20-year-old woman and a 45-year-old man who, it is revealed later, is her distant cousin. (They share a remarkable resemblance despite their distant relationship, so much so that she's hired to play his daughter.) |
11 | ** The overt homophobia of some of her novels, especially ''Death in Ecstasy'' and ''Singing in the Shrouds''. |
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