YMMV / Un-Go

  • Big-Lipped Alligator Moment: In the fourth episode "House, Unmasked", Shinjuurou gets pleasured (against his will, mind) by an AI in the body of a plush doll. A roughly eight inch tall plush doll. It starts out as a cute gag and then just escalates wildly.
  • Critical Research Failure: Public Prosecutor Office agents having firearms. But there can be a case for this as Artistic License, given that Japan had just went through a war and had strict laws due to being a victim of terrorist attacks alongside its Cyberpunk setting.
  • Crowning Music of Awesome: Just listen to it! The opening "How to go" and the ending "Fantasy" are shining examples of this trope. From the series proper, we have "Light" and "Beautiful dreamer".
  • Fridge Brilliance: The dream-like, disjointed way Episode 7 is presented may grate on your nerves at first... but then you realize that it's how it's supposed to be. The Novelist is dictating the story and plot, and if he feels like using a non-linear narrative, than so much the worse for Shinjuurou and for us.
    • Watch the last episode. Now watch the ED. See who the arrows are pointing to?
  • Viewer Gender Confusion: Inga. Can turn into a woman, is referred to as a bishounen on the official website, and was not referred to with gender pronouns in the first episode.
  • The Woobie: Both Shinjuurou and Inga, once the prequel finally gives them some backstory. Shinjuurou has had a lot of stuff taken away from him (family, friends, homes, professions, a name), and Inga is an orphaned Anthropomorphic Personification shunned by other proper Gods and sealed away into a statue before Shinjuurou freed her.