These are what we call the 'YMMV items.' Things that some people find in this work. We call them 'your mileage might vary' because not everyone sees these things in the same way. This starts discussions in the trope lists, a thing we don't want. Please use the discussion page if you'd like to discuss any of these items.
"The Seventh Seal", the impressive retelling of Ingmar Bergman's famous film.
"Get Behind Me" from the same album.
Broken Base: Some of his fans, such as Marc Almond, revere his Walker Brothers and late 60s solo work, and can't stand the more recent stuff from Tilt onwards. He also has younger fans who love everything from Tilt onwards and regard his earlier stuff as bizarrely middle-of-the-road.
Covered Up: His versions of Jacques Brel's "Mathilde", "Jackie" and "Ne Me Quitte Pas" ("If You Go Away") are often considered the definitive English versions.
Dork Age: Or as Scott calls it, his "wilderness years".
Ear Worm: Of the later work, "Farmer in the City".
Funny Moments: One wouldn't expect any from his recent nightmare music, but "SDSS1416+13B (Zercon, A Flagpole Sitter)" from Bish Bosch throws so many put-down one-liners that it manages to be hilarious despite the dissonance and crippling wailing. "Jolson and Jones" from The Drift also features a saxophone donkey, plus the line "I'll punch a donkey in the streets of Galway!"
Magnum Opus: Good arguments can be made for Scott 4 and The Drift. A good argument could be made for both, since they might as well have been made by two different people.
True Art Is Incomprehensible: Though if the 30 Century Man documentary showed anything, it's that Scott doesn't take himself too seriously. He just writes and records what's in his head, warped as that head may be.