* AcceptableTargets: Obviously, New Age's religious cults, hippies and pacifists in general.
* AdaptationDisplacement: Creator/JohnMilius's film is likely what many think about when they hear the name Conan the Barbarian and not the Howard stories. And it's very likely that Conan = Arnold for many people. Anyone who plays Conan gets compared to him. Conan [[OlderThanTheyThink dates back to 1932]], older than Franchise/{{Superman}}.
* {{Anvilicious}}: According to [[http://www.overthinkingit.com/2011/08/10/conan-the-liberal/ this Overthinking It article]] the 1980s Conan movies have strong feminist, anti-racist and atheistic themes. Of course, the major screenwriter of the first film ''is'' Creator/OliverStone, which lends some credence to that. On the flip side of that coin, though, director and co-screenwriter Creator/JohnMilius self-identifies as conservative/libertarian in his personal views, Conan himself is a fiercely independent warrior who eventually becomes a king on his own steam, and the film explicitly shows Conan praying to Crom (albeit in a backhanded fashion) and that there is an afterlife when [[spoiler:Valeria briefly comes BackFromTheDead.]]
** This is a possible case of TruerToTheText: In the original Conan stories by Robert Howard [[ValuesDissonance there are some problems with the treatment of women and non-whites]] yet there also [[FairForItsDay surprisingly positive portrayals as well]]. On the subject of theism and atheism; Conan did revere gods, chief among them Crom, in Robert Howard's stories but considered it best not to draw their attention, coming across as spiritual and acknowledging gods but not religious.
** Also, how the Children of Doom are portrayed--particularly in their introduction--could easily be seen as a major TakeThat to hippies of TheSixties.
* AudienceColoringAdaptation: The movie visually builds upon the Marvel comics and Creator/FrankFrazetta's art before it. Parodies like ''Film/{{UHF}}'''s [[http://www.youtube.com/watch?v=mZHoHaAYHq8 ''Conan the Librarian'']] tend to mock Arnold's distinctive accent.
* SugarWiki/AwesomeMusic: Music/BasilPoledouris' work on this film is considered as one of the best movie soundtracks ever made. In fact, there are some music critics who consider this score to be one of the greatest classical music compositions of the 20th century.
** To highlight some tracks, "Riders of Doom" is an epic anthem worthy of an army's final stand.
** [[http://www.youtube.com/watch?v=5ZY2mRG5mzg ''Anvil of Crom'']] or [[http://www.youtube.com/watch?v=NkMhRvEmG6s ''Riddle of Steel.'']] With so little dialogue, John Milius asked Basil Poledouris to write a [[Creator/RichardWagner Wagnerian]] {{opera}}tic score that would carry the whole movie, including the nearly-wordless first ''half-hour''. "Riddle of Steel"'s later middle section was slightly reworked into no less than three trailers for ''VideoGame/TheLegendOfZeldaOcarinaOfTime'', ''Ocarina of Time 3D'', and ''VideoGame/TheLegendOfZeldaTwilightPrincess'').
* CompleteMonster: The [[EvilSorcerer evil]] [[BigBad Thulsa]] [[DoomyDoomsOfDoom Doom]] starts by slaughtering Conan's village, decapitating Conan's mom while he stands next to her and selling the children as slaves just so that he can obtain weapons of fine steel from the barbarians. Later in the film, he orders a young woman to jump to her death to illustrate how much control he has over his followers before ordering Conan to be crucified. Shortly after that, we find out that he and his followers practice cannibalism. He proceeds to kill [[spoiler: Valeria, probably Conan's greatest love in the movie-verse]], with a snake arrow. After Rexor and his army's defeat in the Battle of the Mounds, Thulsa coldly tries to do the same thing to the Princess after deeming her [[YouHaveOutlivedYourUsefulness no longer useful to him]].
* CultClassic: The film was cultic in due time because of its extreme masculinity and shocking for that time of violence. He can also be like that now, if you are a fan of Arnold and bodybuilding.
* GatewaySeries: Although the film is associated with bodybuilding only indirectly, at one time it became a huge advertisement for this type of sport and Arnold in particular. Most people who started to pump muscles under the impression of his acting career, most likely will say that they did it under the impression of this film.
* MemeticMutation:
** If not Film/{{Terminator}}, then for many people Arnold would forever remain Conan.
** Even people who haven't seen the movie can quote the "what is best in life?" scene (although the original is attributed to the real UsefulNotes/GenghisKhan, an expy of which is in the scene).
** Prologue Mako is so epic that it was later copied many times and parodied in other films.
* GeniusBonus: They actually got Turko-Mongol paganism right when they had Subotai (Hyrkanian, basically the Hyborian equivalent of Mongols and Turks) proclaim that he worshiped the Everlasting Sky. In Turko-Mongol paganism, the most important god is Tengri - Lord of the Eternal Blue Sky. In fact, it's more accurate to actual pre-Islamic Turkic beliefs than the original Howard stories were, where the Hyrkanians worship ''Erlik'', who in actual Turkic paganism, is an evil demon and the primary adversary of Tengri.
* HoYay:
** This strange scene, where the priest examines Conon's chest with the words "you have a beautiful body, you should not be afraid to show it!"
** And so, we have a scene of orgies, where the approximate ministers of the cult are making love and eating with human meat. But where are the two main assistants of Tulsa Doom? When the battle begins, they appear together and half-dressed...
* {{Narm}}: Conan's grunts of pain don't sound very convincing. This is most noticeable during his very first gladiator fight.
* NarmCharm: Although many of the quieter scenes are actually well done, a good portion of the movie is {{narm}}. Awesome, glorious narm that fits both the setting and the story like a glove, somehow managing to be incredibly moving when in many other movies it would be just plain ol' {{Narm}} without any of the charm.
* NightmareFuel: Although the film itself may seem amusing in our time, his hints of cultist cannibalism are still quite oppressive.
* OneSceneWonder:
** Creator/MaxVonSydow's performance as King Osric is half pure glorious HamAndCheese, part [[TookTheBadFilmSeriously unusually heartfelt]], and is often singled out by critics.
** The camel who gets punched out by Conan. It returns in the sequel, where it suffers the same fate.
** Conan's father only gets one scene and one speech. It's all he needs.
* SignatureScene: Many, but mostly monologues of Conan's father and Tulsa Doom about steel and power and the orgy scene together with the kitchen of cannibals.
* SeinfeldIsUnfunny: Although now the film can have a lot of NarmCharm or even seem StealthParody on old fantasy films, at one time it was so shocking and revolutionary in its masculinity that it became almost a revelation for the then teenagers and boys. Now, after more than 20 years and after several generations of various horror and action films, it's very difficult to believe that when the film was considered to be extremely cruel or even "fascist".
* StrangledByTheRedString: Pay close attention to all of Conan and Valeria's scenes together after they first meet. He doesn't say ''one line'' to her!
* UnfortunateImplications:
** As [[http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19820101/REVIEWS/201010313/1023 Roger Ebert noted]] as early as the film's release: Conan becomes a Germanic superman with a black arch-enemy. (As hinted by his name, the original Conan was Celtic (or rather, his people were ancestors of the Celts) and in his original stories he had no arch-enemy at all. Also, the literary Thulsa Doom has blue eyes and straight hair and is swarthy rather than truly black; rather than seeming like an African, his race was intended to be that of a mysterious, mystical people that had vanished from the world long ago.)
*** Also, the literary Thoth-Amon (the other inspiration for the film's Thulsa Doom) while being non-white and wicked [[AntiVillain had several noble qualities]].
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