Criminally underrated Shoegazing
band from the late 80s to mid 90s. The members consisted of Ian Masters (bass/vocals), Graeme Naysmith (guitar), and Chris Cooper (drums) and formed in Leeds, England in 1987.
Their early sound vaguely reflected what would become their signature sound. It resembled more of early Primal Scream
jangle pop. Then, after signing to 4AD records and meeting the Cocteau Twins
, the band slowly morphed into a more Dream Pop
oriented sound. After several acclaimed EP's, the band released their first album titled The Comforts Of Madness
in 1990. The album, met with critical praise and warm underground sales, found the Saints in middle of their transition to Shoegazing.
In the next two years, they would adopt Lush
member, Mariel Barham for a fellow vocalist. Their next album, In Ribbons
featured much more aggressive guitar riffs, while not straining too terribly far from what the band was best at.
The next two years proved to be incredibly difficult for the band. With 4AD shifting is focus on more Slowcore
type bands like American Music Club and Red House Painters
, the band faced even less promotion than they originally received. Frustrated, Ian Masters left the band to find more success elsewhere, and the band released it's final album, Slow Buildings
in 1994. After the album flopped heavily (critically and financially), and the subsequent tour left the band with little money, the group split in 1996.
If it were somehow possible to have a Shoegazing band overshadowed by even more awesome than all the other ones who weren't My Bloody Valentine
, these guys are it. With high production qualities for their day, choir-boy like vocals, and unique songwriting approaches, this band would not have been so easily passed off into the past if it weren't for 4AD's mismanagement of their albums.
Pale Saints present us with the following tropes: