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alt title(s): Wonder Woman
That's right, look at the sparklies... *Punch!*

"Not even girls want to be girls so long as our feminine archetype lacks force, strength, and power. Not wanting to be girls, they don't want to be tender, submissive, peace-loving as good women are. Women's strong qualities have become despised because of their weakness. The obvious remedy is to create a feminine character with all the strength of Superman plus all the allure of a good and beautiful woman."
- William Moulton Marston

''All the world's been waiting for you/And the power you possess/In your satin tights/Fighting for our rights/And the old red, white and blue!"
- From the Wonder Woman TV series.

The first prominent female hero in The DCU the history of comic books, and generally considered the greatest of the superheroines was created in the 1940s. Wonder Woman is distinguished by her indestructible bracelets, which deflect bullets, and her enchanted lasso, which compels men to tell the truth and puts animals to sleep.

She was created in 1940 by psychologist William Moulton Marston (then an educational consultant to DC Comics) along with his wife Elizabeth Holloway Marston, as a deliberate counterpoint to the all-male stable of "ubermenschen" published by DC at the time. Marston was remarkably free of the era's usual prejudices about and disdain for women, and intentionally designed the character to embody his image of an idealized strong, unconventional and independent female.

As a historical note, Marston was also vital in the development of the polygraph ("lie detector") — which may be why Wonder Woman's lasso forces criminals to speak the truth. Marston also had unconventional sexual views (He and his wife had a third partner, Olive Byrne— unconventional by today's standards, grounds for arrest and/or public stoning in 1940), including a belief that a certain amount of bondage was healthy. Thus, many of his stories had elements of this; see the "Suffering Sappho!" section of Superdickery.com for some examples.

Due to the deal Marston struck with DC, for a long time (at least through 1986), DC had to publish at least four issues of Wonder Woman each year or lose the rights to the character. This may have been one of the reasons that she was one of the few superheroes who continued publishing during The Interregnum, along with Superman, Batman, and a handful of others. Her longevity is certainly one reason that contributed to her being one of DC's "Big Three"—as Frank Miller described it, Wonder Woman, Superman, and Batman are all the "gods" of the DC Universe, and the rest are all "just" heroes. Also possibly playing a big role: her visibility in the Superfriends cartoon, as noted below; it's possible the only reason Aquaman didn't join the Big Three was because his powers sucked, but still, for a long time he was probably more recognizable than Green Lantern or The Flash.

Originally, Wonder Woman's powers were relatively limited, compared to her contemporaries. She was strong, but not as strong as Superman; she was fast, but not as fast as the Flash. She couldn't fly, but she could "glide on air currents". Most of her powers were gadget-based; the bullet-deflecting bracelets, the Lasso of Truth, the invisible jet. The Silver Age version of the character was stated as having the Strength of Hercules and the Speed of Mercury, deities who were shown to be a match for Superman and Flash, respectively, in other series; Wonder Woman herself battled Superman to a standstill in a the tabloid-sized special comic "Superman versus Wonder Woman."

The bosomy, raven-haired Amazon heroine was never as well-known by the general public as the other "big heroes" until the 1970s, thanks to Shannon Farnon, her voice actress on Superfriends, and Lynda Carter, who portrayed her in prime time. In addition, feminists loved her, as evidenced by her being on the cover of the premiere issue of the movement's flagship magazine, Ms..

At the same time, however, Wonder Woman was undergoing a Re Tool; with the popularity of shows like The Avengers and Charlies Angels, and their visions of strong Action Girls, she lost her powers, took up martial arts under inscrutable old Oriental guy I Ching, and became Undercover Agent Diana Prince. Ironically, this period was mostly ended by the above feminists, such as Gloria Steinem, who protested the depowering of a strong female character. As a result, Diana was repowered and rejoined the Justice League, and the whole episode is considered a Dork Age.

Later, she was revamped for Crisis on Infinite Earths by the comics legend George Perez. She was powered-up, giving her flight, and tying her much more to Greek mythology and a mission as a messenger of peace to "Man's World". Furthermore, she considered a Secret Identity obviously counterproductive in that role, so she stayed with her new friends, Julia Kapatelis, a classical Greek scholar, and her daughter Vanessa. Futhermore, Steve Trevor was revised to be old enough to be Diana's father, thus precluding the cliche romance; instead, he romanced Etta Candy. However, it turns out that he is indirectly linked to Diana's home since his mother, Diana Trevor, crash landed there and died helping the Amazons defeat a monster, making her a deeply honored hero to them.

In addition, she was simultaneously made much more naïve and tougher. The naïveté is such that Wonder Woman could not conceive of a woman being an enemy, which made the time when the Cheetah tried to con her out of her lasso an extremely upsetting moment. The toughness comes from being a classically trained warrior who is ready to kill as necessary and with no regrets, such as when she decapitated the villainous god Deimos. At the same time, her supervillain enemies became much more credible threats as in how the Cheetah was changed from a normal woman in a silly cheetah suit to a villain who became a powerful and deadly were-cheetah who is a real challenge to Diana in battle.

In recent stories, she's suffered from a negative reaction in-universe, between escalating her role as emissary, leading to accusations of forcing her beliefs on people; killing a villain with telepathic control of Superman because she felt it was the only way to stop him; and reluctantly getting involved in a war between the Amazons and Man's World. In the wake of all this, she regained (or rather gained for the first time in this continuity) her Diana Prince: Secret Agent identity in order to connect with people. Many fans were not pleased.

A popular (and therefore cheapened) way to escalate the drama in Wonder Woman stories (or Crisis Crossovers) recently has been to threaten Paradise Island... and then make good on the threat. The Amazons have been all-but-destroyed by Darkseid, themselves (in two civil wars), Imperiex, Hera, OMACs and, most recently, Granny Goodness in the wake of Amazons Attack.

Currently, Wonder Woman's series is in the hands of Gail Simone. Her supporting cast is being revisited and she's up against a powerful monster called Genocide. The tale is epic, twisty and generally well received. Gail is the first woman to have ever written Wonder Woman's comic for a long period of time and deeply loves the character.

In order to tie in with a promotional campaign, her current book will soon skip from issue 45 to issue 600.

She has appeared in these other media...
  • The Brady Kids (1972): The character's first appearance in animation. The Brady kids meet Wonder Woman and together they are accidentally transported back to the time of the ancient Olympic Games. The kids plan to compete in the marathon and beat the Greek athletes to qualify for the race. Wonder Woman persuades the kids to disqualify themselves, explaining that if they win the race they will change the course of history. It's all kind of surreal.
  • That one TV movie with Cathy Lee Crosby as a non-powered Blonder Woman.
  • Wonder Woman: A 1974–77 show starring Lynda Carter. It is dated, but fondly remembered.
    • Thankfully, the prototype series was not made— it was originally planned as an ultra-campy Sit Com and had WW as a delusional Hollywood Homely single girl who imagines herself a beautiful superhero.
  • Superfriends: Alongside the male heroes of DC Comics.
  • Justice League: Voiced by Susan Eisenberg as a princess fresh from Paradise Island, and a little naive. She had a budding relationship with Batman. Her origin story was retooled to fit with the series narrative, which left out much of the comic origin, though it was revisited in later episodes.
  • Justice League The New Frontier: An animated Direct To Video based on the acclaimed comic series by Darwyn Cooke. This Wonder Woman was closely tied with her classic origin but examined the change from the Golden Age to the Silver Age. She was voiced by Lucy Lawless of Xena Warrior Princess fame— and her personality was a little Xena-ish too.
  • Wonder Woman: A newer DTV produced by Bruce Timm but set in its own continuity and focusing exclusively on her, intending to embrace the classic origin in full. She is voiced by Keri Russell.
  • Wonder Woman The Movie: A live action theatrical film that has been "almost about to be made" for about one and a half eternities.

Tropes associated with Wonder Woman include:


WolverineComic BooksWormy