This is a subtrope of The Epic
in which the course of an actual military campaign in some combination of Real Life
or traditional history is the main subject. Because of this the plot, setting, and characters will come pre-constructed. This decreases flexibility but saves work for the author, though he still has enough to do. It is written from an authorial omniscience perspective and shows the viewpoint of one Historical-Domain Character
after another on both sides. It has the advantage that Battle Epics
are usually written about a Real Life Crowning Moment of Awesome
. This type leans heavily on special effects.
If the title of a movie is the same as the name by which a campaign is recorded in historical accounts, that is a clue that this is a Battle Epic.
This trope is Older Than Feudalism
. However it is most common in films
. Sometimes it can be a TV mini series
- The Battle of Maldon: Fragmentary Old English epic poem about a historical battle between Anglo-Saxons and Vikings in the 990s CE.
- The Iliad: Possibly Trope Maker. It was thought to be essentially historical (if not in every detail) by the listeners.
- Romance of the Three Kingdoms: Likely more close to history than Iliad.
- The Song of Roland: Medieval epic around the clash of Franks and Saracens at Roncesvalles in the Pyrenees, 778 CE.note
- Tßin Bˇ C˙ailnge a.k.a. The Cattle Raid of Cooley: Ancient Irish prose epic about a war between the two enemy kingdoms Connacht and Ulster.
- "Tale of Styrbj÷rn": An exiled Viking prince battles his uncle for the kingdom of Sweden. A short tale thanks to its extreme condensation, but epic in scope.
- Quite a few stories and settings from Dungeons & Dragons are war-centric. A few splatbooks even have rules on how to run an entire war, including rules for army combat and so on, showing the game's Chainmail roots.
- A frequent situation in Warhammer, for both its RPGs and wargame, if the name wasn't enough of a giveaway.