Literature / Young Royals
is a series of novels for children by Carolyn Meyer, based on the lives of historical royalty. It began with The House of Tudor
but has been expanded to other countries and time periods. As of 2013, there are nine books in the series:
- Mary, Bloody Mary (1999), about Mary I of England
- Beware, Princess Elizabeth (2001), about Mary's half-sister Elizabeth I
- Doomed Queen Anne (2002), about Elizabeth's mother Anne Boleyn
- Patience, Princess Catherine (2004), about Mary's mother Catherine of Aragon
- Duchessina: A Novel of Catherine de Medici (2007)
- The Bad Queen: Rules and Instructions for Marie-Antoinette (2010)
- Cleopatra Confesses (2011), about the last Ptolemaic pharaoh
- The Wild Queen: The Days and Nights of Mary, Queen of Scots (2012)
- Victoria Rebels (2013), about Queen Victoria
Each book features inside looks at what the lives of each girl would have been like, including daily routine, protocol, out-of-the-ordinary experiences, and first-hand views of the lives of the people surrounding each of them. The portrayal of each royal is biased according to the position of the observing royal and it provides an interesting window into the life of royalty.
Tropes present in these books include:
- Arranged Marriage: As was the case in her Real Life, Mary in Mary, Bloody Mary has a number of marriages arranged for her throughout her childhood.
- Brother-Sister Incest: One of the possibilities batted about for poor Mary is to marry her to Henry Fitzroy, the Duke of Richmond - who is her father's son by one of his mistresses. To her deep relief, this one never gets beyond the rumor stage.
- Christianity Is Catholic: Truth in Television for the earlier Tudor novels, right up until Henry VIII wants his divorce and creates the Church of England.
- Coattail-Riding Relative: Seen in The Wild Queen. When Mary marries the Dauphin of France, her French uncles (her mother's brothers) think they can use her marriage to gain political influence.
- Consummation Counterfeit: In Patience, Princess Catherine, newlyweds Catherine of Aragon and Arthur Tudor use goats' blood as proof of consummation so they don't have the pressure of having to consummate the night of their wedding for the bedding ceremony. They never actually have sex together, but the "proof" (along with some cuddle sessions in the same chambers) causes problems when Arthur dies and Catherine wants to marry his brother Henry, as a church doctrine prohibits the marriage of a widow to the brother of her deceased husband if the marriage was legal and had been consummated.
- Fairytale Wedding Dress: Antonia's beautiful gown of cloth of silver shimmers in the candlelight and makes her feel very elegant, from head to toe a princess.
- God Save Us from the Queen!: Everybody hates Anne Boleyn in Doomed Queen Anne, claiming that she has magic powers and that she is wicked because of her sixth finger and the mole on her neck.
- Hollywood History: In Mary, Bloody Mary, the titular princess is named Princess of Wales at the age of nine. This never happened in Real Life; although Mary was invested with the arms and seal of the Prince of Wales, allowed to live in the official seat at Ludlow, and regarded by her contemporaries as effectively being Princess of Wales, she was never given that title.
- Mission from God: Mary believes, at the end of Mary, Bloody Mary, that she has been given one. She is described as having a vision in which she hears a voice from heaven urging her to live and become Queen of England, so that she can return her country to the Catholic faith.
- Modest Royalty: Austrian ladies never wore anything like the French gowns, with the enormous skirts draped over gigantic panniers (hoops) tied on either side of the hip.
- No Name Given: In Mary, Bloody Mary, the titular princess eavesdrops on a conversation between three ladies of the court; we never learn their names and Mary refers to them by what they're wearing - Yellow Satin, Green Silk and Midnight Blue.
- Pimped-Out Dress: In The Bad Queen, when Antonia receives the French gowns. she sees that they are laden with lace, ribbons, flowers, feathers, beads, and fringe, and they sparkle with jewels.
- Princess in Rags: Catherine of Aragon in Patience, Princess Catherine chooses to live in poverty rather than going home to Spain, in hopes of marrying her late husband's brother, who will soon be crowned King of England.
- In Mary, Bloody Mary both mother and daughter choose solitary poverty, instead of conceding to Henry VIII's demands. Devout Catholics, they refuse to accept him as head of the Church of England - nor will they accept the notion that Henry's marriage to Catherine was illegitimate, and that they have been reduced in title to "Dowager Princess of Wales" and "The Lady Mary, the King's daughter." Historians have noted that Catherine might have accepted her own loss of status, except that doing so would have cast aspersions on Mary's position as her father's heir.
- Sibling Rivalry: Part and parcel of the Tudor stories. Mary, in particular, finds her claims to the throne pitted against those of first her bastard half-brother Henry, Earl of Richmond, and later her half-sister Princess Elizabeth.
- Wicked Stepmother: Mary, Bloody Mary paints Anne Boleyn in this light. Anne is repeatedly cruel to Mary, taking away her servants and forcing her to act as a servant herself. Worst of all (in Mary's opinion), she creates a huge wedge between Mary and the father she idolizes. How much of this is Truth in Television will never really be known, but the real Mary definitely hated the real Anne, seeing her as the reason for her parents' marital problems. The real Anne was not overly fond of the real Mary, either; she once famously remarked that "I am her death, and she is mine."
- By stark contrast, the end of the story sees Henry VIII married to Jane Seymour, who was a kindly stepmother to both Mary and Elizabeth, and persuaded Henry to allow his daughters to return to court. Mary in particular was very fond of her and even served as chief mourner when Jane died after the birth of Edward VII.
- The Woman Wearing the Queenly Mask: Marie Antoinette in The Bad Queen wants the people to see her in a splendid new gown. After the people ignore and insult her, she puts on a brave face because she doesn't want to let them see how much they have hurt her.