Motel of the Mysteries
by David Macaulay is a lavishly illustrated book about Howard Carson, a future archaeologist who stumbles upon an extraordinarily well-preserved ancient tomb — or so he thinks. Actually, it's a 20th-century hotel room.
Tropes featured include:
- All Hail the Great God Mickey!: Items recovered include the Great Altar (the television) and the Sacred Urn (the toilet); the general assumption of all the future archaeologists is that everything they find is religiously significant.
- Ancient Astronauts: Parodied. The book's discussion of freeways could be taken, practically word-for-word, from a present-day von Dänikenite's description of the Nazca lines.
- Apocalypse How: The complete burial of North America in junk mail, ranking somewhere between Class 0 and Class 1.
- Cloud Cuckoolander: Aside from coming to mistaken conclusions about everything they find, Howard Carson and Harriet Burton are people of extremely bizarre habits of mind.
- When the door of the "tomb" is first opened, Howard begins lighting matches but is unable to see anything — Harriet has to remind him of the electric spotlight standing only a few feet away.
- By the time Howard finds the entrance to the "inner chamber" (read: "bathroom"), Harriet has already numbered and catalogued it, thinking it to be another wall decoration.
- When the dig at the motel slows down, Howard begins suffering from extremely bizarre nightmares (involving being the only human in a troupe of circus horses) and Harriet demands a chance to wear some of the items of "clothing" they have found.
- Not that these two are the only such people in the book. When The Museum puts on an exhibition of the recovered items, the official in charge solves the congestion problem by installing a gently sloping floor and giving "a well-oiled pair of roller skates" to every visitor.
- Curse: Mirroring the legends of cursed Egyptian tombs, everyone who excavates the Motel dies in some strange way. Carson himself is killed by a rabid dromedary.
- Entertainingly Wrong: Most of the deductions in the book have some logic behind them. That doesn't mean they're right...
- Future Imperfect: The entire book runs on this. Most of its humor comes from the contrast between the awestruck tone of the text and the highly mundane illustrations which make it clear just how skewed a view of the 20th century the future archaeologists have.
- The Merch: In-universe. The last few pages describe the gift shop items sold by the museum in conjunction with the Motel exhibit. They include a graffiti-covered section of bathroom wall (available in alabaster or 24-karat gold), a crystal paperweight containing a reproduction of the artificial plant from the hotel corridor, a set of handcrafted marble coasters reproducing the appearance of the cheap acoustic tiles from the "tomb's" ceiling, and so on.
- No Celebrities Were Harmed: Currant Bunliffe (Sir Barry Cunliffe); Heinrich von Hooligan (Erich von Däniken); Howard Carson and Harriet Burton (Howard Carter and Harry Burton).
- Punny Name: The book was written after Tutenkhamon's relics were displayed iin the U.S. The hotel's name? The Toot'n'Come On.
- Toilet Humor: The deadpan descriptions of various bathroom items sometimes verge on this.
- The image of Carson, in full regalia, kneeling before the Sacred Urn has to be seen to be believed.
- The fact that the occupants' clothes are strewn around the "tomb" instead of hanging off their skeletons is a very subtle hint as to what they had just finished doing when the apocalypse hit.
- The coffee set inspired by the Sacred Urn.