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Index wick removal


* AcceptableTargets: In-universe, the Albanians are this.
-->'''Ames:''' Why Albania?
-->'''Brean:''' Why not?
-->'''Ames:''' What have they done to us?
-->'''Brean:''' What have they done ''for'' us? What do you know about them?
-->'''Ames:''' Nothing.
-->'''Brean:''' See? They keep to themselves. Shifty. Untrustable.

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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/wag_the_dog_9.jpg]]

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[[quoteright:350:https://static.%%
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[[quoteright:300:https://static.
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* TheUnreveal: We never get to know if the president did, in fact, have sex with the Firefly Girl.

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* TheUnreveal: We never get to know if the president did, in fact, have sex with the Firefly Girl. It is in fact invoked by Connie who says right from the start that he ''isn't interested'' in finding out what really happened.
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* ArtisticLicenseAwards: Motss repeatedly rants that there is no Oscar for producing. However, the producer is the one who receives the award for Best Film.

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* ArtisticLicenseAwards: Motss repeatedly rants that there is no Oscar for producing. However, the producer is the one who receives the award for Best Film. The implication being that Motss hates there is no specific "Best Producer of the Year, everyone else can suck it" award and the Best Film is a "[[ItsAllAboutMe team effort]]" award, so to speak.



* ItsAllAboutMe: Motss goes off the deep end by the end of the film, ranting about how he'll tell the media everything because he wants the credit for pulling it off, not the reward he was offered. He's so insulted that he hasn't got any prestige or media attention that he shrugs off Brean's warnings and makes it clear that he wants everyone to know. [[spoiler: And it gets him killed.]]

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* ItsAllAboutMe: Motss goes off the deep end by the end of the film, ranting about how he'll tell the media everything because he wants the credit for pulling it off, not the reward he was offered. He's so insulted that he hasn't got any prestige or media attention that he shrugs off Brean's warnings and makes it clear that he wants everyone to know. [[spoiler: And it gets him killed.]]]] He also complains at one point that there are no Academy Awards for producers - the producer gets to take home the "Best Picture" Oscar, sure, but that one's a "team effort" award, so to speak.
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* TooDumbToLive: Despite Brean's repeated warnings that anyone who revealed any detail of the coverup to the public would be killed, [[spoiler:Motss, at the end, vocally insists he be given credit for the whole operation and threatens to expose the fake war towards this end. It's strongly implied he's murdered as a result.]]
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* DudeWheresMyRespect: Stanley compares being a movie producer to being a plumber: ''"do your job right and nobody should notice. But when you fuck it up, everything gets full of shit."''

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* AffablyEvil: Conrad Brean is friendly and soft-spoken. He's also a ruthless, amoral political operative who will stop at nothing (even murder) to achieve his aims.



* SmartPeoplePlayChess: Subverted. After a particularly devious play in their campaign to create a fake war, the film producer remarks to the spin doctor, "I'll bet you're great at chess." The spin doctor replies, "I would be, if I could remember how all the pieces moved."

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* SmartPeoplePlayChess: Subverted. After a particularly devious play in their campaign to create a fake war, the film producer Motss remarks to the spin doctor, Brean, "I'll bet you're great at chess." The spin doctor Brean replies, "I would be, if I could remember how all the pieces moved."
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Hoffman's character's name is Motss. One T, two Ss. Also paring back entries that were presumably copied verbatim from the corresponding trope pages.





* CaughtByArrogance: A Hollywood director gets tapped as part of a campaign to get a [[SleazyPolitician sleazy president]] reelected by inventing a fake war and making the president look like a competent wartime leader. However at the end of the film the director is absolutely furious that the president's bumbling campaign team and their [[StylisticSuck genuinely awful campaign ads]] are getting all the credit for the president's reelection and the director will never be able to reveal the truth. He declares that he's going to tell the truth about what happened... [[KilledToUpholdTheMasquerade and promptly suffers a fatal]] "[[TheCoronerDothProtestTooMuch heart attack]]".

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* CaughtByArrogance: A Hollywood director gets tapped as part of a campaign to get a [[SleazyPolitician sleazy president]] reelected by inventing a fake war and making the president look like a competent wartime leader. However at At the end of the film the director film, Motss is absolutely furious that the president's bumbling campaign team and their [[StylisticSuck genuinely awful campaign ads]] are getting all the credit for the president's reelection and the director reelection, while Motss will never be able to reveal the truth.truth about his role in creating the fake war story. He declares that he's going to tell the truth about what happened... [[KilledToUpholdTheMasquerade and promptly suffers a fatal]] "[[TheCoronerDothProtestTooMuch heart attack]]".



* ExecutiveMeddling: An In-Universe example. During the filming of the fake footage of the Albanian war, Motts wants to have the refugee holding a calico kitten as she's seen "escaping", but when the President is informed of this during filming he insists for whatever reason that the kitten be white. Motts is less than pleased to say the least.
--> '''Motts:''' [[LampshadeHanging I hate it when they start to meddle.]] [[TranquilFury Can we have a white one please, he wants a white one...]]
* TheFaceless: The film almost always has the main characters talking to "the president" on the phone. The one time the President is on camera, he is in shadows and seen from the back only. On the other hand, his opponent is frequently shown in TV ads and on talk shows. His name isn't said either- his campaign ads just have 'Re-elect the President' as a tag line.

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* ExecutiveMeddling: An In-Universe example. During the filming of the fake footage of the Albanian war, Motts Motss wants to have the refugee holding a calico kitten as she's seen "escaping", but when the President is informed of this during filming he insists for whatever reason that the kitten be white. Motts Motss is less than pleased to say the least.
--> '''Motts:''' '''Motss:''' [[LampshadeHanging I hate it when they start to meddle.]] [[TranquilFury Can we have a white one please, he wants a white one...]]
* TheFaceless: The film almost always has the main characters talking to "the president" on the phone. The one time the President is on camera, he is in shadows and seen from the back only. On the other hand, his opponent is frequently shown in TV ads and on talk shows. His name isn't said either- either - his campaign ads just have 'Re-elect the President' as a tag line.



* HopeSpot: After he gets shot the first time, Motts stares at [[spoiler:Willie Schumann]]'s body and excitedly yells to the others that the man's still alive, only to be [[InstantlyProvenWrong cut off by a second gunshot.]]

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* HopeSpot: After he [[spoiler:Willie Schumann]] gets shot the first time, Motts Motss stares at [[spoiler:Willie Schumann]]'s the body and excitedly yells to the others that the man's still alive, only to be [[InstantlyProvenWrong cut off by a second gunshot.]]



* InventedIndividual: To make the entirely fake war in Albania more "real" Hollywood producer Stanley Motss (Dustin Hoffman) creates the personality of a special operations soldier: "Old Shoe". A series of setbacks (including the fact that the person they used died before his staged return) forces them to explain his death. They even mount an AstroTurf memorial by throwing tennis shoes in trees.

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* InventedIndividual: To make the entirely fake war in Albania more "real" Hollywood producer Stanley "real", Motss (Dustin Hoffman) creates the personality of a special operations soldier: "Old Shoe". A series of setbacks (including the fact that the person they used died before his staged return) forces them to explain his death. They even mount an AstroTurf memorial by throwing tennis shoes in trees.



* POVSequel: Producer Stanley Motss claims to have made an extremely successful film re-telling Moby Dick from the perspective of the white whale.

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* POVSequel: Producer Stanley Motss claims to have made an extremely successful film re-telling Moby Dick ''Moby Dick'' from the perspective of the white whale.



** The terrible "You don't change horses in midstream" ads and how much Motts hates them.

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** The terrible "You don't change horses in midstream" ads and how much Motts Motss hates them.



* ShoutOut: "When the fit hits the shan" was, famously, the line that inspired Creator/RogerZelazny to write ''Literature/LordOfLight''. Since a proposed film version was part of the [=CIA=] operation to rescue hostages from the Iranian embassy siege in 1979, it may be a subtle hint as to this film's real life inspiration.

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* ShoutOut: "When the fit hits the shan" was, famously, the line that inspired Creator/RogerZelazny to write ''Literature/LordOfLight''. Since a proposed film version was part of the [=CIA=] CIA operation to rescue hostages from the Iranian embassy siege in 1979, 1979 (as dramatised in ''Film/{{Argo}}''), it may be a subtle hint as to this film's real life inspiration.
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Commented out a zce


* BlackComedy

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* %%* BlackComedy
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* CaughtByArrogance: A Hollywood director gets tapped as part of a campaign to get a [[SleazyPolitician sleazy president]] reelected by inventing a fake war and making the president look like a competent wartime leader. However at the end of the film the director is absolutely furious that the president's bumbling campaign team and their [[StylisticSuck genuinely awful campaign ads]] are getting all the credit for the president's reelection and the director will never be able to reveal the truth. He declares that he's going to tell the truth about what happened... [[KilledToUpholdTheMasquerade and promptly suffers a fatal]] "[[TheCoronerDothProtestTooMuch heart attack]]".
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Propaganda Piece is no longer YMMV, but non-propaganda examples are being removed

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* PropagandaPiece: "[[https://www.youtube.com/watch?v=enH2igVo55U The American Dream]]" is a song that about protecting US borders from immigrants.
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''Wag the Dog'' is a 1997 political {{black comedy}} film, co-written by Creator/DavidMamet and directed by Barry Levinson.

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''Wag the Dog'' is a 1997 political {{black comedy}} film, co-written by Creator/DavidMamet and directed by Barry Levinson.Creator/BarryLevinson.

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* GenghisGambit: The plan to manufacture a war with Albania distracts the media from the president's scandals, but it also unites the country around its current leader against the foreign enemy.



* NoCelebritiesWereHarmed: Dustin Hoffman based Motss look and mannerisms on real-world producer Creator/RobertEvans. Evans is said to have joked on occasion that he was ''really'' good in that film.

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* NoCelebritiesWereHarmed: Dustin Hoffman based Motss Motss's look and mannerisms on real-world producer Creator/RobertEvans. Evans is said to have joked on occasion that he was ''really'' good in that film.



** Despite being knee-deep in a cover-up that has far wider implications, Winifred is more obsessed with ensuring there are no illegal immigrants involved.
*** The farmer that rescues them after the plane crash actually turns out to be an illegal immigrant. The next scene shows him being fast-tracked into US Citizenship.

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** Despite being knee-deep in a cover-up that has far wider implications, Winifred is more obsessed with ensuring there are no illegal immigrants involved. \n*** The farmer that rescues them after the plane crash actually turns out to be an illegal immigrant. The next scene shows him being fast-tracked into US Citizenship.
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* SuspiciouslyAproposMusic: Quickly pressed into vinyl and smuggled into the Library of Congress.
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* FromBadToWorse: At the very end of the film, but there's a news flash telling us that an Albanian terrorist organisation has claimed responsibility for a recent bombing. We don't find out if it's real or fake, who's running things now that [[spoiler: Motss is dead]], or why, if it's real, they'd want the war to continue.
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** [[{{Squick}} You sure you wanna know?]]
** There's another example: at the end of the film, there's a news flash telling us that an Albanian terrorist organisation has claimed responsibility for a recent bombing. We don't find out if it's real or fake, who's running things now that [[spoiler: Motss is dead]], or why, if it's real, they'd want the war to continue.
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* AdamWesting: Willie Nelson shows up as a thinly veiled copy of himself, portrayed as a redneck corporate sellout who never actually manages to complete a song they want him to record.

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* AdamWesting: Willie Nelson Music/WillieNelson shows up as a thinly veiled copy of himself, portrayed as a redneck corporate sellout who never actually manages to complete a song they want him to record.
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* PapaWolf: One of these becomes a pretty big SpannerInTheWorks when he sees the mentally ill man poached to serve as "Schumann" trying to molest his daughter and blows him away with a shotgun... and then gives him a CoupDeGrace when Motss points out (with very short-lived relief) that he's not dead yet.
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Conrad decides to create a fictional war with UsefulNotes/{{Albania}}. He recruits Hollywood producer Stanley Motss (Creator/DustinHoffman) to create the illusion of the ongoing war. Actors play war orphans, an army convict is cast as a war hero, etc. All broadcast by American networks as real news. They take advantage of the relative obscurity of Albania among the public to make up details as they go.

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Conrad decides to create a fictional war with UsefulNotes/{{Albania}}. He recruits Hollywood producer Stanley Motss (Creator/DustinHoffman) to create the illusion of the ongoing war. Actors play war orphans, an army convict (Creator/WoodyHarrelson) is cast as a war hero, etc. All broadcast by American networks as real news. They take advantage of the relative obscurity of Albania among the public to make up details as they go.
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* AdamWesting: Willie Nelson shows up as a thinly veiled copy of himself, portrayed as a redneck corporate sellout who never actually manages to complete a song they want him to record.


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** Willie Nelson's character singing songs about the things he was hired to help distract from.
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* BlackComedyRape: Willie Schumann gets rather...''amorous'' when he sees a farmer's overweight daughter in tight shorts after not taking his meds. [[spoiler: Unsurprisingly, this gets him shot by her father.]]


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* HopeSpot: After he gets shot the first time, Motts stares at [[spoiler:Willie Schumann]]'s body and excitedly yells to the others that the man's still alive, only to be [[InstantlyProvenWrong cut off by a second gunshot.]]
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* AwardBaitSong: Viciously skewered with "[[https://www.youtube.com/watch?v=enH2igVo55U The American Dream]]".

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* TheFaceless: The film almost always has the main characters talking to "the president" on the phone. The one time the President is on camera, he is in shadows and seen from the back only. On the other hand, his opponent is frequently shown in TV ads and on talk shows. His name isn't said either- his campaign ads just have 'Re-elect the President' as a tag line.



* InvisiblePresident: The film almost always has the main characters talking to "the president" on the phone. The one time the President is on camera, he is in shadows and seen from the back only. On the other hand, his opponent is frequently shown in TV ads and on talk shows. His name isn't said either- his campaign ads just have 'Re-elect the President' as a tag line.
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None


Conrad decides to create a fictional war with UsefulNotes/Albania. He recruits Hollywood producer Stanley Motss (Creator/DustinHoffman) to create the illusion of the ongoing war. Actors play war orphans, an army convict is cast as a war hero, etc. All broadcast by American networks as real news. They take advantage of the relative obscurity of Albania among the public to make up details as they go.

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Conrad decides to create a fictional war with UsefulNotes/Albania.UsefulNotes/{{Albania}}. He recruits Hollywood producer Stanley Motss (Creator/DustinHoffman) to create the illusion of the ongoing war. Actors play war orphans, an army convict is cast as a war hero, etc. All broadcast by American networks as real news. They take advantage of the relative obscurity of Albania among the public to make up details as they go.
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Conrad decides to create a fictional war with Albania. He recruits Hollywood producer Stanley Motss (Creator/DustinHoffman) to create the illusion of the ongoing war. Actors play war orphans, an army convict is cast as a war hero, etc. All broadcast by American networks as real news. They take advantage of the relative obscurity of Albania among the public to make up details as they go.

to:

Conrad decides to create a fictional war with Albania.UsefulNotes/Albania. He recruits Hollywood producer Stanley Motss (Creator/DustinHoffman) to create the illusion of the ongoing war. Actors play war orphans, an army convict is cast as a war hero, etc. All broadcast by American networks as real news. They take advantage of the relative obscurity of Albania among the public to make up details as they go.



* NoCelebritiesWereHarmed: Dustin Hoffman based Motss look and mannerisms on real-world producer RobertEvans. Evans is said to have joked on occasion that he was ''really'' good in that film.

to:

* NoCelebritiesWereHarmed: Dustin Hoffman based Motss look and mannerisms on real-world producer RobertEvans.Creator/RobertEvans. Evans is said to have joked on occasion that he was ''really'' good in that film.



* ShoutOut: "When the fit hits the shan" was, famously, the line that inspired Creator/RogerZelazny to write Literature/''LordOfLight''. Since a proposed film version was part of the [=CIA=] operation to rescue hostages from the Iranian embassy siege in 1979, it may be a subtle hint as to this film's real life inspiration.

to:

* ShoutOut: "When the fit hits the shan" was, famously, the line that inspired Creator/RogerZelazny to write Literature/''LordOfLight''.''Literature/LordOfLight''. Since a proposed film version was part of the [=CIA=] operation to rescue hostages from the Iranian embassy siege in 1979, it may be a subtle hint as to this film's real life inspiration.
Is there an issue? Send a MessageReason:
None

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* ShoutOut: "When the fit hits the shan" was, famously, the line that inspired Creator/RogerZelazny to write Literature/''LordOfLight''. Since a proposed film version was part of the [=CIA=] operation to rescue hostages from the Iranian embassy siege in 1979, it may be a subtle hint as to this film's real life inspiration.

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