Comic Book: Superman: Secret Identity
Maybe I had a 'secret identity,' but then when you think about it, don't we all? A part of ourselves very few people ever get to see. The part we think of as 'me.' The part that deals with the big stuff. Makes the real choices. The part everything else is a reflection of.
— Clark KentSuperman: Secret Identity is an 2004 Elseworld story based on the idea behind Superboy-Prime from Crisis on Infinite Earths, but executed as a standalone non-canonical story without ties to the larger DC universe.On an Earth much like our own, where superheroes don't exist but Superman comics do, Mr. and Mrs. Kent decide to name their newborn boy Clark, as a homage to the fictional superhero. He is frequently bullied in school (and later in his life, at work) for his non-existent powers, and people try to jokingly hook him up with girls named Lois. One day on a weekend trip, however, the teenage Clark discovers that, seemingly out of nowhere, he has acquired real superpowers that seem to match Superman's in all aspects.From that point onwards, he decides to secretly use his powers for public good, adopting a Superboy and later Superman costume. Later, as an adult, he starts collaborating with the US government agent Malloy and settles down with one of the former joke-hook-ups, Lois Chaudhari, whom he develops genuine feelings for.
Provides examples of:
- Ascended Fanboy: Well sort of; Clark isn't a fanboy - in fact, the constant teasing has pretty much put him off comics.
- Cassandra Truth: Invoked by Clark, who wears an actual Superman costume to make reports of his heroics unbelievable.
- Celebrity Paradox: A deconstruction of the trope, in a sense.
- Chronic Hero Syndrome: Much like his namesake, Clark suffers from this, though he does his best to keep it in check. But, since the day he saved the teen during the flood, there was no turning back. Lois even reminds him of this when he considers retiring to protect his soon to be born children because she knows how much he would agonize over things he couldn't fix.
- Clark Kenting:
- Averted, and as such, Clark has to take care to hide his face when in the costume. This is made easier by his Super Speed and costume - the latter leads most people to dismiss the stories about him out of hand.
- When he starts working more closely with the government, he uses facial inserts and other techniques to subtly change his appearance, and burns his fingerprints off glasses with low-power heat vision. Malloy still figures it out eventually, but keeps it to himself.
- Da Chief: Subverted with Ms. Mittelmark at The New Yorker. She offers Clark supportive and constructive criticism on his writing, but all it takes is her saying his name when Clark comes very close to laying into one of his co-workers after another bad Superman joke, then calmly telling him she needs one of his pieces by the afternoon without even looking at him.
- From Bad to Worse: Averted. You expect it to, but it never does. If anything, the opposite!
- The Greatest Story Never Told: Even after The Unmasqued World in the Distant Finale, Clark states that he is keeping his superpowers secret, along with the rest of his family, apparently just because he likes having a quiet life.
- Hand Wave: This is how the presented explanation for Clark's powers can be described; although it's only hypothesized by Clark himself based on available information about his place of birth, and never confirmed definitely to be the real cause.
- Happily Ever After
- Happily Married: Clark's parents were this, and later so is Clark and Lois.
- If I Wanted You Dead...: Through several mostly harmless pranks with national security, Clark makes it blatantly clear to Malloy that he could have taken the entire government down if he wanted to, and is more useful as an ally — lest the government pushes him into becoming what they fear him to be.
- Lampshade Hanging: Clark constantly notes how implausible his powers are.Malloy: Talk about hiding in plain sight.
- M.I.B.: The government agents are portrayed as this.
- Never Heard That One Before: "It's not funny. It never was."
- Painting the Medium: The narration is printed on Clark's typewriter; in the final part, he switches to a computer, and the appearance of the "bubbles" changes accordingly.
- Phlebotinum Battery: Subverted. When Clark's powers start weakening slightly in middle age, he tries to copy the comics and flies close to the Sun. He just gets an impressive winter tan.
- Reasonable Authority Figure: Malloy
- Reconstruction: Of the superhero genre and Superman in particular.
- Rousseau Was Right
- Sanity Slippage: Not on Clark's end. In the first book he contacts a reporter named Wendy Case so he can have an outlet to express himself to the outside world about who he is and what he wants to do, but he cuts ties with her when he realizes she tried to videotape him without his knowledge. Sometime later, it's clear that the fame and hunger for making this story her's got to Wendy's head, and she stages a bomb scare. The last we hear of her is that she was getting psychiatric evaluation.
- Scrapbook Story: Presented in first-person perspective, as Clark's unpublished autobiography.
- Secret Keeper: Lois. It's also eventually revealed that Malloy found out "Superman"'s real identity years ago, but didn't tell him or anyone else.
- Shout-Out: The art shifts at the end, including one in the style of Bruce Timm.
- Steven Ulysses Perhero: Clark is explicitly named after the fictional Superman's public identity. Guess what powers he ends up with.
- Semi-Justified/Handwaved: Clark mentions something about how he may have subconsciously molded his latent powers to fit his moniker.
- He avoided naming his children after any Superman characters. Though that doesn't stop his kids from naming their children after Superman characters.
- They Would Cut You Up: And actually try to - after doing the same thing to plenty of others, including a few kids. (His relationship with the government gets better eventually.)
- This Is Reality: Just about throughout the whole thing. To further drive the point home, each issue opens with a page from an old Superman comic, contrasting with the "realistic" collage-like art of the main comic. (For bonus points, each of those opening panels is an in-universe object — a Superman-themed gift someone gives to Clark, much to his annoyance.)
- Time Skip: The first issue is set while Clark is a teen, probably around 15 or so. The second and third are both set while he is in his mid-twenties to early thirties. The fourth starts when he is probably in his early fifties, and fades out with him being so old he can't fly unassisted.
- The Unmasqued World: The finale.
- Troll: A non-malicious version. Clark's daughters love giving him Superman gag gifts during Christmas and his birthday just to mess with him, though the both love him dearly.
- Subverted with the teasing Clark gets from his friends and coworkers about his name. He truly finds it annoying but at times tries not to let it bother him. By the time he meets Lois Chaudhari he'd been set up in almost two dozen blind dates with a bunch of Loises, Lanas, and at one point a Cat Grant. After he's abducted by the government and nearly vivisected, Clark very nearly gives one of his coworkers a beat down after hearing another Superman joke.
- Also the pranks Clark plays with the government to hammer his point to Malloy, like replacing classified papers for a meeting with old Superman comics.