A detective in the Manhattan Special Victims Unit, which investigates sex crimes. She is primarily partnered with Elliot Stabler, until he retires. She is tough, empathetic, and completely dedicated to her job, to the point that she is seen as having no personal life. Her dedication sometimes wreaks havoc on her emotional state as she empathizes with victims of sexual assault, having been the child of rape. She has allowed her compassion for victims of abuse to sometimes cloud her professional judgment and impede her ability to remain impartial. As of the 15 January 2014 episode, she is in command of the SVU squad.
Badass: She is an intelligent, highly effective police officer.
Big Good: In season 15, after Cragen's retirement.
Boobs of Steel: Olivia's cup size grew quite noticeably following Mariska Hargitay's real life pregnancy between seasons 7 and 8. However having a more ample bosom has done little to slow down Benson's character when it comes to chasing after and subduing perps.
Career Versus Man: In her own words, when men find out what she does for a living, they either "pull away or move in too close". When men are willing to stay with her something will happen to make them leave, either professionally or accidentally. As of Season 14, she is a relationship with Detective Cassidy.
Child by Rape: Her mom was raped, resulting in Benson's birth. In later seasons, when Olivia begins connecting with her half-brother, it's implied that Olivia's mother may have lied about being raped in order to keep Olivia from contacting her father.
Dirty Harriet: Went undercover as a prostitute once, and as a madam later.
Even the Girls Want Her: Not just because of the Les Yay with Alex; in several episodes, women blatantly hit on her. When girls who are watching just to perv on Stabler start making comments about her chest, you know this trope applies.
Hollywood Atheist: Early on, she would occasionally mock the belief in God, Stabler's in particular, in light of all they deal with on a daily basis and her own childhood. This was toned down overtime.
I Need a Freaking Drink: The way we see her dealing with her dysfunctional team at the end of "Jersey Breakdown." Olivia is shown emptying the last of a bottle of wine. Then she gets a call from her partner's ex-wife... and immediately after hanging up, hauls out a new bottle to crack it open.
A detective and now a Sergeant in the Manhattan Special Victims Unit. A conspiracy theorist and dedicated detective, Munch is first partnered with Brian Cassidy, whom he thinks of as a kind of younger brother, alternately poking fun at him and imparting (often questionable) advice on life and women. When Cassidy leaves the precinct in 2000, Munch is briefly partnered with Monique Jeffries, and then with Odafin Tutuola. He and the gruff, uncompromising Tutuola get off to a rough start, but gradually came to like and respect each other. As of the Season 15 episode "Wonderland Story", he has retired from the Special Victims Unit, although he has taken a role as an investigator for the DA's office, allowing him to have a recurring role.
Friend to All Children: Though he won't actually admit to liking them, he is very good at working with young children, as well as very kind to them.
Hidden Depths: He seemed quite happy to get into a public pillow fight in "Authority".
Kavorka Man: And freaking how, although not nearly as showcased as in Homicide.
Long Runners: At the end of season 14, Richard Belzer will have played Munch for 20 years (and 21 seasons) as a regular on two different shows (along with cameos and crossover appearances on 8 others), tying him with (or putting him one year ahead of, if measuring by seasons) Kelsey Grammer as Frasier Crane (on Cheers and Frasier), James Arness as Matt Dillon and Milburn Stone as Doc Adams (both on Gunsmoke) as American television's longest running live action character.
Out of Focus: In later seasons. Munch is often underused, Season 9 featured him in only about half of the episodes and overall Munch has missed 65 episodes of SVU compared to just three episodes of Homicide.
Paper-Thin Disguise: Whenever Munch goes undercover, this usually ensues, and it's a rare instance of this trope being both Played for Laughsand weirdly effective. In one episode his undercover "disguise" as a pedophile involved no more than dressing slightly differently and smiling.
Properly Paranoid: He's appeared in an X-Files crossover. With a world like that in the background, he has every right to be a little paranoid.
Put on a Bus: He retires from the Special Victims Unit in Season 15's "Wonderland Story", although Belzer has stated he'd like to return in the future.
Real Life Writes the Plot: According to ThatOtherWiki, this is because every time Munch appears in an episode, the producers have to pay royalty fees to David Simon, author of Homicide: A Year on the Killing Streets, the book which Homicide: Life on the Street is based on. In fact, besides Simon, the producers also had to get permission from Tom Fontana and Barry Levinson, the executive producers of Homicide: Life on the Street. Thankfully, both men agreed to waive their royalty rights.
NBC has always had to pay David Simon when Munch made an appearance and yet in early years he made frequent appearances, the problem is not money (which they make tons of) but the fact that the writers just can't seem to write Munch, possibly because they feel they can't live up to Homicide's standards.
What Could Have Been: Originally, upon Homicide's cancellation and after hearing that Benjamin Bratt was leaving the original series, Belzer suggested to Dick Wolf that Munch become Lennie Briscoe's new partner, since they had originally teamed in three Homicide crossovers. Wolf loved the idea, but had already cast Jesse L. Martin as Det. Ed Green.
Almost certainly Actor On Board given the content of his books and stand-up comedy act. Read "UF Os, JFK, and Elvis: Conspiracies You Don't Have To Be Crazy To Believe" for a good example.
When Belzer was on Homicide he was most definitely a case of Actor on Board, given he described Munch as being 'Me as a cop', and the writers wrote to Belzer's strengths. It's no surprise that the character hasn't lost these traits in his transfer to SVU.
Cap. Donald Cragen
Played By: Dann Florek
The Captain of the Special Victims Unit. As SVU Commanding Officer, he is portrayed as a somewhat stern but understanding father figure to the detectives who work under him, often giving them a great deal of leniency because he trusts their ability to get results. Retires at the end of Season 15's Amaro's One-Eighty, giving command of the Squad to the newly promoted Sgt. Benson.
Badass Grandpa: He's obviously over 50, and he's still capable of handing perps their asses, albeit he does this rarely. Surprisingly, he also refuses to use more force than is absolutely necessary, as he is the most heroic member of the cast.
One episode in one of the earlier seasons shows that while he's not an avid video gamer, he's actually a quite talented one, easily beating a game that neither Munch or Fin could get past the first level on.note They were playing the game to get insight into a adolescent suspect who was obsessed with it and had problems separating fantasy and reality. The climax of the game mirrored the crime scene exactly.
A sadder example occurs in Season 14 when Cragen is forced to admit he solicited prostitutes out of loneliness and desperation for companionship.
Sharp-Dressed Man: Casual attire for him his a dress shirt and suspenders, at minimum.
Team Dad: As opposed to active leadership of the detectives. Many of the characters actually do see him like a father figure. In "Russian Brides," as part of an undercover operation in which Cragen poses as a lonely, vulnerable older man, he admits to feeling this way about his people in turn.
A detective in the Manhattan Special Victims Unit. He was raised in Harlem and he served in the United States Army, where he saw combat in Mogadishu. A former undercover narcotics detective, Tutuola replaced Monique Jeffries after she left the squad in 2000. He transferred out of narcotics after his partner was shot. Unfortunately, he ends up cutting off ties with this partner, and his crazy daughter goes on a such murderous rampage that they have to call in Eames and the Anti-Terrorism Taskforce.
Big Screwed-Up Family: Let's see, a gay son who resents him, an ex-wife who was raped by her own father, producing a son who committed murder and got away scot free…, and a brother in law who gets out of jail only to be falsely arrested on Christmas Eve… yep, definitely a nice family.
Disappeared Dad: Fin's undercover work in Narcotics often resulted in him being gone for weeks if months at a time, leaving Ken to essentially grow up without a father, which later caused significant tension between them. Eventually, the amount of Fin's undercover stretches brought he and his wife to divorce.
Fire-Forged Friends: He and Munch used to not get along. In later seasons, they were quite willing to go the extra mile to help each other out.
A Friend in Need: To Rollins, both when she's getting screwed over by her sister and when she later appears to be in over her head with gambling debts.
Gay Bravado: Generally rolls with it whenever he's Mistaken for Gay alongside Munch or Lake. He also fusses at Amaro for not being dressed well enough when they go undercover in a gay club.
Heel Realization: The episode "Strain" has him discover that his son Ken is gay, and Fin is initially exasperated about this development. After seeing the grief of another father who was estranged from his gay son and lost him suddenly, Fin realizes that justified or not, he was largely absent from Ken's childhood, and the distance between him and his son will only grow if he cannot accept him. The episode ends with Fin calling Ken.
Heel Face Door Slam: Despite Fin and Ken mostly repairing their relationship, Ken is still hesitant to introduce his fiance Alejandro out of fear of Fin's reaction. Because of this, Fin doesn't get to meet Alejandro before Alejandro is brutally beaten into a coma, and deeply regrets it.
Hidden Depths: According to the official Twitter Account, Fin enjoys Shakespearan tragedies, his favorite being Cymbeline.
Only Sane Man: He seems to be the only one who's aware of just how messed up everyone in SVU is. There actually came a point where he, like many in the audience, just wrote Stabler off as an out-of-control lunatic. He wasn't shy about it either, describing Stabler as "a head case" to both Cragen and to Stabler's face.
Out-of-Character Moment / Jerkass Ball: That time he took a page out of UnStabler's book and threatened to gouge an uncooperative suspect's eyes out with a spoon. He actually produced the spoon, too.
Papa Wolf: First appears in the seventh season episode "Strain", when Ken is under investigation. While Fin is more stable in his methods than Elliot, he could still give him a good run for his money. After some initial strain, he extended this to his future son-in-law.
When He Smiles: Fin often scowls and is quite convincing as a tough, intimidating cop, but the occasional times when he has a genuinely happy smile, such as the ending to "Haunted", his face positively transforms.
A senior detective in Manhattan's 16th Precinct, also known as the Special Victims Unit, which investigates sex crimes. He is one of the original members of the squad. A former Marine and a dedicated detective, he has a 97 percent closure rate, but his dedication can turn to obsession and cause him to take cases personally. His dedication to the job also makes him the target for several IAB investigations during the course of his 12-year career at SVU.
Abusive Parents: Hinted at if not outright stated that his father the sane parent was abusive. Also could be considered this with his own children though he is regretful about it.
Anti-Hero: Though fundamentally good and wishing to protect the public and catch criminals, he bends the law to get it done, frequently brutalizes suspects, and is very bigoted and close-minded on sexuality issues.
Berserk Button: Do not, under any circumstances, mess with his kids (or Olivia) in any way. He has also shown himself to be very protective of Casey as well.
One example had him bash a pedo's face in Just for having an old school picture of his youngest daughter. Justified as the Pedo in question had it on a database designed to basically give other pedo's something to masturbate to so they don't go raping kids for real.
Black and White Morality: Deconstructed in "Nocturne". He finds out that the victim (who was molested by his piano teacher) had molested a young boy himself at his piano teacher's insistence. He knows he's a victim, but he pretty much wants to kill him at this point (for obviousreasons).
A minor example is the fact that bipolar disorder runs in his side of the family. In the episode "Turmoil", he nearly strangles his son Dickie when he answers his question, "Have you lost your mind?", with, "I'm not the first Stabler to do so, am I?".
Characterization Marches On: It's strange to see him in earlier seasons actually spending time with his kids (reading bedtime stories, playing soccer with his daughter) considering his interaction (or lack thereof) with them in later seasons.
Parents as People: Don't get us wrong - Stabler loves his kids. He is, however, far from a perfect parent, and he knows it.
Put on a Bus: Starting Season 13. Forced to shoot and kill a teenage girl to stop her from killing someone is pretty much enough for him to retire.
Raised Catholic: "I try to be a good Catholic, try to raise my kids to be good Catholics..." Lampshaded that he's not as good a Catholic as he'd like to be. When Olivia questions his Black and White Morality going against Christian teachings of infinite patience and forgiveness, he casually replies, "Jesus was perfect, I'm not."
Semper Fi: Served as a Marine during Desert Storm and has a Marine Corps tattoo on his arm. One suspect even refers to him as a "Jarhead cop."
A NYPD detective who has transferred to the Special Victims Unit from Warrants and Narcotics. Initially, Amaro did not see eye to eye with his new partner, Detective Benson, mainly because she was adjusting to having him as a partner instead of Elliot Stabler. After their rocky start, Amaro and Benson begin to have a mutual respect for each other and work well together.
More than one villain has contacted his family, leading to a predictably enraged reaction.
Violence against women is another one, if the way he goes off on the perp attacking Rollins in "Double Strands" is any indication. It's also implied in "Amaro's One-Eighty" when the grand jury prosecutor zeroes in on the fact that Amaro was defending a female officer as a possible reason why he used excessive force.
Big Brother Instinct: Has a tendency to "helpfully" get involved in other people's problems, Rollins' in particular.
Break the Haughty: His heart's generally in the right place, but Amaro has a touch of the Ineffectual Loner when he joins SVU, and is distinctly unafraid to challenge his squadmates on what he regards as poor police work. The episodes "Undercover Blue" and "Amaro's One-Eighty" sharply humble him on both counts. Combined with the failure of his marriage, by the end of season 15 he's pretty much in Heroic BSOD territory.
The Charmer: Can be this when dealing with difficult suspects or witnesses, to Guile Hero levels. Perhaps most spectacularly when he out-manipulates Rollins' Manipulative Bastard sister, and manages to talk a very hostile grand jury into not indicting him.
Manipulative Bastard: On the other side of the coin, both Benson and his own wife have called Amaro out on trying to slip an interrogation into an otherwise innocuous conversation.
Consummate Liar: Amaro is really, really good at Lying to the Perp. Such as the episode where he opens an interrogation with an absolute whopper of a lie, and then uses the lie to shamelessly manipulate the suspect's religious guilt, and then does that so successfully that the perp regards Amaro as a "brother in Christ" and spills everything.
Cruel to Be Kind: In "October Surprise," Amaro gets in Barba's face with taunts of being a sellout who went away to Harvard and forgot where he came from. However, Amaro's purpose is to drive home to Barba exactly how his old friend Muñoz is manipulating him (especially given that Barba had just pulled an uncharacteristicallyrisky stunt to help Muñoz).
Disappeared Dad: His father walked out when he was a kid. Unlike most examples, Amaro indicates he doesn't miss him at all due to the Domestic Abuse he inflicted on Amaro's mother, and even states they "threw a party" when he left.
Friend to All Children: As the father to a little girl he's generally good with kids, but Amaro really exemplifies this trope in "Born Psychopath" when he manages to talk down a psychopathic child on a killing spree. He successfully defuses the situation, but gets shot in the chest as a result of his reluctance to use too much force. And then even after being shot, he shields the kid with his own body to prevent the police from shooting him because he can't countenance the killing of a child, even a sociopathic one. Amaro firmly stands by that decision even after Benson points out it's pure luck he wasn't shot in the head or some other part of the body not covered by his bulletproof vest.
Go Through Me: When vigilantes shoot at his house, Amaro immediately rushes to shield his daughter with his own body.
Guile Hero: Especially compared to his predecessor Stabler, Amaro usually prefers to quietly manipulate suspects into confessing and is excellent at pretending to take their side.
He Cleans Up Nicely: Invoked in his first episode when he arrives from Narcotics scruffy and bearded. Cragen orders him to wear a jacket and tie.
Honey Trap: He's been the target of at least two, but wasn't stupid enough to fall for either. He's also acted as a honeytrap himself, having flirted Rollins' sister Kim into incriminating herself on tape.
Laser-Guided Karma: Gets in in two ways after he's arrested in the season 15 finale. On the bad karma side, that time Amaro punched the crap out of an undercover Murphy? Comes back to bite him hard, as now-CO Murphy refuses to waste any favors getting Amaro his old job back at SVU. On the good karma side, Rollins gets the charges against Amaro dropped, which is a nice callback to the episode in which Amaro saved Rollins from murder charges.
My Greatest Failure: Failing to understand his wife's PTSD after she returned from Iraq, leading to the failure of their marriage, or so he admits to Rollins.
Nice Job Breaking It, Hero: He attempts to help Rollins by infiltrating her Gamblers Anonymous group and exposing her sponsor-slash-lover as a womanizing sleazebag. However, since it relates to the case of the week, it also more or less forces Barba to expose Rollins' private life in open court. She's badly humiliated, and arguably this is part of what helps push her Off The Wagon.
No Good Deed Goes Unpunished: His attempt to save a fellow officer's life in "Amaro's One Eighty" causes Amaro to come under investigation by Internal Affairs, nearly lose his badge, get falsely tarred by the public as a racist, and have his house shot at by vigilantes who only by pure luck miss Amaro's mother and young daughter.
Noodle Incident: While investigating a college football hazing incident, Amaro references his own time on a school football team and tells Fin "I did things I'm not proud of" in the name of team unity. What those things were is never elaborated upon.
Also goes into this mode in Undercover Blue when he discovers he'd fathered a child while undercover. When he discovers the child's stepfather is involving the kid in drug deals, Amaro is pissed.
Person as Verb: In one episode Rollins starts to cast doubt on a seemingly ironclad confession by a suspect, and Cragen tells her not to "go Amaro" on him.
Properly Paranoid: His obsessive checking of bathroom stalls in the season 13 finale/season 14 premiere is a little OTT, but justified by the fact that he was individually targeted for a Frame-Up.
Raised Catholic: Amaro falls closer to the devout end of the spectrum; however, he professes a very firm belief in divorce due to his parents' abusive relationship, and has no hesitation when a case requires them to go after a Pedophile Priest.
Ship Tease: With Rollins, of whom he's quite protective.
Star-Crossed Lovers: With Cynthia, the sister of a drug kingpin in whose organization Amaro went undercover.
Suspiciously Similar Substitute: Amaro joined the show shortly after Elliot left. Like Elliot, Amaro is a Catholic family man with a tumultuous relationship with his wife. He's also shown himself to be slightly unhinged (pulling a gun on an uncooperative witness), though time will tell whether he goes as crazy as Elliot.
What the Hell, Hero?: He gets a spectacular one from Rollins after he infiltrates her Gamblers Anonymous group.
Det. Amanda Rollins
Played By: Kelli Giddish
A detective from Atlanta, Georgia, who moves to New York City to join the Special Victims Unit. Rollins appears to be a detective who is very anxious to do her job, often being told not to get ahead of herself by Detectives Benson and Amaro, and Captain Cragen.
Blackmail Is Such an Ugly Word: Averted, as she doesn't even bother with a euphemism when she blackmails Wilkes' wife into getting the charges against Amaro dropped.
Cain and Abel: Her relationship with Kim is eventually revealed to be this.
Chekhov's Classroom: One episode opens with the SVU team undergoing routine training. Rollins is established as an excellent shot, but also as having a blind spot about a female domestic violence victim who actually turns out to be aggressive. Later in the episode, Rollins' scheming younger sister Kim uses both of these traits as part of a Batman Gambit to get Rollins to kill her abusive boyfriend so that she (Kim) can collect an insurance payout on him.
Sister Bear: Kim recalls how she threatened to shoot a guy in the knees if he bothered their mother again when they were kids.
Daddy Issues: Temporary Sargent Murphy points out she's had "complicated" relationships with men, particularly if they're authority figures (see: her former sergeant who assaulted her and the Gamblers Anonymous sponsor who slept with her; this even extends to non-romantic relationships as she stuck up for Cragen after the dead hooker incident and is willing to give the benefit of a doubt a Woody Allen (incest)/Roman Polanski (fled overseas)-type suspect).
Rollins: My father was a gambler until mom nagged him out of the house. Murphy: Did you ever think she had a reason for doing that?
Foolish Sibling, Responsible Sibling: Amanda's sister Kim has substance abuse issues and an abusive boyfriend who she set up to be shot by Amanda (she has a history of threatening him) for insurance money which she forged her sister's name to; she also knows about the gambling debts. When Amanda learns the whole truth and Amaro gets Kim on tape, she skips town along with all of her sister's possessions — literally, the only things Amanda has left is her fridge, an ice tray, and Kim's goodbye note.
Honey Trap: She's acted as bait to catch more than one criminal.
Humiliation Conga: Between "Rapist Anonymous" and "Gambler's Fallacy," season 15 is this for her.
Karma Houdini: Deconstructed. So deconstructed. Her gambling debts cause her to stumble into working for the owner of a sketchy gambling parlor, then rescued by an undercover cop working as the owner's enforcer, who gets her involved in the case. It backfires partially as the wife of an involved party gets raped, getting SVU involved and nearly blowing Rollins' cover; when the dust clears, the undercover cop commends Rollins for her work and tells her to stay clean, but a furious Benson, not happy with being put on the spot as a newbie squad commander (including lying to Amaro and Fin about what Rollins was up to), says that if SVU wasn't so understaffed, Rollins would be on her way to a new department. Borders on Pyrrhic Victory, as a matter of fact.
Love Makes You Dumb: Poor Amanda had this publicly exposed in "Rapist Anonymous." Additionally, the blackmail stunt she pulled to save Amaro from prison time has a strong chance of turning out this way.
My God, What Have I Done?: Has a heartbreaking moment of this when she realizes she's been manipulated by her sister into killing a man.
Never Live It Down: Her gambling addiction is this for Rollins in-universe, although somewhat deservedly as its consequences constantly pop up.
Properly Paranoid: She is the first to seriously suspect William Lewis of being Not So Harmless, even when the SVU squad doesn't officially have anything to hold him on. On the flip side, in "Dissonant Voices," Rollins is the only person who suspects the allegations against the music teacher are false, and is unsympathetic to the other characters' My God, What Have I Done? reaction when they realize she's right and they've ruined his life.
Trapped by Gambling Debts: Rollins initially gets out of the debts she owes due to the guy going to prison, but even after that she's haunted by them, most notably when Kim uses her gambling problem as part of her Frame-Up of Amanda, and then later in Season 15 when she falls Off The Wagon and gets sucked into Murphy's undercover operation as a result.
That One Case: A rapist she'd tracked along the eastern seaboard resurfaces in New York in one episode.
Detective Chester Lake transferred to the Manhattan SVU from the Brooklyn Special Victims Unit at the end of the eighth season and was partnered with Detective Fin Tutuola. He is of Native American ancestry, specifically Mohawk, and speaks proudly of his ancestors, noting that many of them helped to build the city's skyscrapers and subway tunnels. He also used to compete as an amateur mixed martial artist under the name "Naptime", but had to quit after tearing his ACL. Lake suffers from insomnia and often takes walks at night when he cannot sleep.
Broken Bird: Although in this case, it happens during the series, not before it.
Characterization Marches On: It's weird to see her going out of her way for a victim or witness when she wouldn't have given a damn when she first started working for SVU. It's also weird to see her almost never use a connection after her first episode.
Crusading Lawyer: When it suits the plot. Most notably, she goes to Africa in season 11 to work with the ICC.
And then again in "Scorched Earth."
Defrosting Ice Queen: In her first run, she can be accurately described as "bitchy". Contrast post-WPP Alex, who is way friendlier and helpful, as long as she's not in court.
Everyone Loves Blondes: Many viewers considered her to be "hair porn", especially in her more recent appearances.
Friend to All Children: Rarely seen, but her interactions with young children (and one victim with Down's Syndrome) are a complete 180 from her normal personality. She even smiles.
Older than They Look: 45, the same age as Olivia according to a screenshot in "Ghost" showing her date of birth. Stephanie March is much younger than this, and definitely far younger than Mariska Hargitay playing Olivia, the inversion of this trope.
Commuting on a Bus: Has been in the main cast in two separate timespans, as well as several guest appearances.
Refuge in Audacity: In "Guilt": "So, I violated somebody's constitutional rights. I didn't violate the defendant's constitutional rights, so suck it up and admit my evidence." The judge reluctantly allows it through, though Alex does get a 30-day suspension for this and later has problems with other cases she presents before the judge in question.
Sugar and Ice Personality: Much more sugar as of late, as she's learned to save the frigidness for situations when it's actually useful. Otherwise, do not fuck with her in court, or just seasons 2-4 in general. Because when it comes to ice, she's the queen.
Badass Pacifist: This man has been in the room with many psychopaths, and more than one has tried to kill him. This has not stopped him from doing his job once.
Berserk Button: Endangerment of the mentally ill; he has a rare loss of temper, leading to a public shouting match, when Stabler deliberately sends a paranoid-schizophrenic suspect into a violent psychotic breakdown in order to get information. Not only could this have hurt the suspect, it could have cost the both of them their jobs had Casey Novak not risked her own job to cover it up.
When a pedophile rights group in "Hardwired" claims that persecuting them is no different than homophobia, he angrily says that "Pseudoscience like this insults my intelligence as a psychiatrist and my humanity as a gay man."
But Not Too Gay: He comes out in season 11 but never as much as mentions a past relationship.
Characterization Marches On: In his first appearance, Huang sports glasses, a perv-stache and his interest in the criminal mind seems vaguely prurient. An episode later, he's glasses-less, clean-shaven, his hair is immaculate, and he's a sensitive and trusted confidant to Olivia.
Flanderization: In the early seasons, he wears standard suits, or, very occasionally, sweater vests. By season 11, the sweaters are almost all he wears.
Hard Head: Played with: he took an absolutely brutal concussion from the perp in "Execution," but made a perfect recovery. However, it was mentioned that he was in the hospital at least overnight, and he was absent from the next episode, indicating that he might have taken a while to recover.
Have I Mentioned I am Gay?: In the episodes "Hardwired" and "Father Dearest". He mentions being gay, but always conveniently stays single.
Jurisdiction Friction: Huang's position as a psychiatrist and a member of the FBI occasionally puts him at odds with the rest of the team; on the other hand, he also readily uses FBI resources to help them. Seems to be just as much a personality conflict with Stabler as anything else.
Non-Action Guy: Partially justified as he's not a cop. However, it's not entirely justified because he is an FBI agent.
Only Sane Man: Willing to point out that dating someone who looks prepubescent but is over the age of consent isn't illegal, among other things. He often seems frustrated with the detectives, especially Stabler, when they go over the line.
Out-of-Character Moment/OOC Is Serious Business: Two in season eleven. One where he is openly angry at a pedophile group comparing themselves to gay men, and another where he kidnaps a teenager and gives him an illegal drug to cure his heroin addiction.
Put on a Bus: Beginning season 13 with no mention at all, unlike Stabler, whose departure was dealt with in several episodes. It is hinted that he might be working with the FBI full time again.
The Profiler: Often called upon to play this role if needed. More commonly, he evaluates suspects after they've already been arrested.
Reassigned to Oklahoma: Reassigned sometime between the end of season 12 and the end of season 13. He is clearly miserable about having to return to Oklahoma at the end of Born Psychopath.
Screw the Rules, I'm Doing What's Right: In one episode, the detectives were faced with a man who ran a rehab clinic for teenagers, yet kept his patients hooked on heroin to get money from the parents. There was a drug that could instantly cure one patient, in particular, of his addiction, but it was illegal. Huang had the drug administered to him anyway, then turned himself in. He got thirty days suspension, but it was Worth It.
The Shrink: Incidentally, he can hop between all three subtypes depending on the episode.
Not So Stoic: As mentioned under Berserk Button, he does not appreciate homophobia or mistreatment of the mentally ill. The only times he's been seen getting more than mildly annoyed are when presented with one of the above.
The main Medical Examiner for the SVU, she has a snarky personality and varrying levels of importance - she's the only cast member to have been promoted to opening titles and still regularly appear after leaving them.
Ambiguously Bi: Hinted at in her first few episodes. Casey is shown to be a very Tomboyish individual, riding her bike to work, wearing hoodies in the office, and being awfully knowledgeable about fishing (fairly innocuous). Then it's revealed she plays softball (slightly less innocuous). And then, this exchange with a witness happened:
Ian: James used to always talk about how happy he was that he was gay. He said guys are so much more fun.
Casey: *laughs* Yeah, I agree with James.
Anti-Hero: Frequently bends the rules in order to do the right thing- or at least what she thinks is the right thing.
Beauty Mark: One of the many benefits of being played by Diane Neal.
Broken Bird: Specially because her schizophrenic fiancé was drug-addicted and abusive, and and after she finally kicked him out, he died in the streets.) There's also the episode in which she gets the crap beaten out of her by a man angry that she's prosecuting his sister's rapist.
Ms. Fanservice: What results when a former model with a raspy voice plays a character that wears a lot of tight skirts. Especially in later seasons when the makeup department started layering on the eyeshadow.
Refuge in Audacity: She subpoenaed the Secretary of Defense. Arthur Branch was not amused.
Retcon: Her disbarrment, despite being stated on screen as such, was eventually declared a censure later on down the line, likely so she can have further appearances. In fairness, the character who delivered the news could very easily have gotten wrong information/made an assertion based on absolutely no evidence whatsoever.
Greylek's assertion about Casey is totally in line with her character.
Indeed Elizabeth Donnelly's exact words were "censure, possible suspension."
Shoo Out the New Guy: Gets put on the bus rather quickly in "Lead" note Her only and final appearance is in the episode's Cold Open and replaced by Cabot. And the season hadn't reached the halfway point.
Temporary Scrappy: Was brought on after Casey's censure and suspension at the end of the previous season, didn't endear herself to fans very much, was replaced with Alex in "Lead", mid-episode.
What the Hell, Hero?: Goaded a suspect into attacking her, just so she made sure she didn't get away with her alleged crime.
A.D.A Rafael Barba
Played By: Raúl Esparza
The latest A.D.A. to work with the SVU, Barba is a bit more fierce than his predecessors, and usually less willing to bend the rules for a victory, unless it's personal- such as allowing Benson to lie on the stand during her kidnapper's trial. He's also a little… eccentric, with his flashy clothes and occasional vacations.
Ambiguously Gay: Speculation is rampant as to whether he's gay or bisexual. The one consensus seems to be that he is definitely not straight. The coordinated (and pastel!) suspenders, pocket squares, and ties certainly don't help.
Ambiguously Bi: This is more likely. October Surprise confirmed that he is attracted to women, but he also has Ho Yay with Amaro and, strangely, a few suspects; the one from the infamous belt incident, the perp who attacked other gay men in Criminal Hatred, and the crowner: Comic Perversion. He called the perp good-looking, to which the perp replied that he "wasn't so bad himself, but he didn't swing that way" (and Barba said nothing about himself); when Barba referenced what the perp did to his victims, the perp said, "I didn't realize we were having a menage a trois"; and when Barba mentioned the victim having bruising and tearing from violent anal sex, "I'm sure you've been there, bruised that, right?" Barba seems to point out that the male perps are "good-looking" quite a lot, actually. It also helps that his actor, Raúl Esparza, is an out bi man himself and already seems to share a lot of background with Barba.
Hero with Bad Publicity: He saves his childhood friend Eddie from getting hung out to dry by Alex Muñoz, but publicly, Barba is the one branded as a disloyal Sellout for tanking Muñoz's chance to be New York's first Hispanic mayor.
Honor Before Reason: Barba all but explicitly admits to this in "Comic Perversion" when he openly regrets allowing Olivia to talk him into taking a nigh-unwinnable case. Risking his career to help his treacherous friend Muñoz qualifies as well.
Humiliation Conga: October Surprise, from around halfway through until the end. Yelina, his ex-girlfriend and best friend Alex's wife, taunts him about their former relationship; Alex throws it in his face again while Barba is trying to help him; Amaro gets angry at him and threatens to report him while throwing his past in his face; he learns that Alex has been sexting underage girls and must go after him; Alex once again insults him and uses Yelina against him, saying they both think he's jealous of Alex, and questions how much money Rafael is getting to go after him (implying that he truly DOES think Rafael is a sellout); Alex does a press conference and calls Barba a sellout again, "the lapdog of this city's aristocracy", resulting in the poor people of the city turning on Barba; he drowns his sorrows with Amaro and Benson before going to Alex's arraignment and is heckled by the reverend who worked Alex's campaign.
Jerk with a Heart of Gold: His charm is rather like a shark's — beautiful and deadly. And he's not exactly the nicest person around. But every so often, his softer side slips through.
Jerkass Façade: Seems to have become this instead in Season 15. He actually tears up while giving a summation in a murder case based on Treyvon Martin, and he promises a rape victim that he's in her corner and that he's only pushing her hard because defense will. Unlike in his first episode, he goes softer on her when she needs it. He also has become close to the squad, especially Olivia. He still acts tough in court or when challenged, but otherwise, he's really not a Jerkass anymore.
Latino Is Brown: Esparza has stated he rarely gets to play Latino roles thanks to this trope, and is thrilled that Barba averts this.
Love Makes You Crazy: In "Funny Valentine," Barba admits to a touch of this regarding the girl he was in love with in high school:
Barba: She could have massacred my whole family and I would have looked the other way.
Barba: I'm already on my fourth cup. (Note that this scene takes place early in the morning, and throughout the day he is seen drinking at least two more cups.)
And in another episode:
Rollins: (After Barba talks fast enough that the detectives can't get a word in edgewise) You ever think about going off caffeine?
Barba: That would be a no. So, why are we here?
Mutual Envy: With his childhood friend Alex Muñoz. Muñoz is jealous of Barba getting a scholarship to Harvard and leaving their old barrio; Barba is envious of him because his mom said Alex would one day be the mayor of New York but never said that about him, and because Muñoz married the girl Barba loved (and probably still loves).
Negated Moment of Awesome: In "Reasonable Doubt," anticipation builds for Barba's cross-examination of the Woody Allen-Roman Polanski stand-in defendant. Barba himself can barely contain his eagerness to rip the guy to pieces on the witness stand. However, anyone hoping for a "Twenty-Five Acts" level of verbal beatdown is left disappointed, as the defendant flees the country in the middle of the trial.
Not So Stoic: Normally snarky and unflappable, Barba is visibly emotional during his summation in "American Tragedy" and when looking at the perp's fantasies of torturing young boys in "Thought Criminal."
Only Sane Man: Inherited this role from Huang. Perhaps the best proof of this is Jersey Breakdown; at the end Benson is drinking, Rollins is gambling, and Nick is stalking his ex wife, but he isn't shown to be doing anything but his normal routine.
OOC Is Serious Business: Taking an actual illegal career risk to help his old friend Muñoz "get out in front" of the case that's building against him. Given Barba's ambition and the fact that he's normally a strict Rules Lawyer, it shows just how deep his loyalty to Muñoz goes.
Also, allowing Benson to perjure herself in Psycho/Therapist shows both how much he cares about her and how desperate he is to put Lewis away.
Rules Lawyer: Prefers to manipulate the system, rather than defy or challenge it. Prime examples are Lessons Learned and Downloaded Child.
Self-Made Man: Grew up in a poor neighborhood; when he and Benson are investigating an elite private high school, Barba mentions he would have given anything to be able to attend, but bitterly notes "the only kids they took from my neighborhood were athletes." He eventually earned a scholarship to Harvard, and made the most of it.
Ship Tease and UST: Plenty of it with Benson, to the point that they are the Fan-Preferred Couple over Benson and Cassidy. Examples include walking so closely together in Funny Valentine that they almost appear to be holding hands, talking about old loves as they do so; Benson being constantly concerned for Barba in October Surprise and even agreeing to give his friend the benefit of the doubt because he asked, and at the end, when Barba expresses doubt over doing the right thing, pats his hand; and Barba making it clear that harming Benson in any way is his Berserk Button in episodes such as Betrayal's Climax.
Sugar and Ice Personality: Though snarky and somewhat distant with most of his coworkers (minus Benson) and other people he encounters at work, when we see him interacting with his friends and best friend's wife, who also happens to be his ex-girlfriend in October Surprise, he is warm and kind. He hugs all of them at various points and gives big smiles (which account for four of the maybe five times he is shown smiling in the series.)
The Dandy: He is obsessed with his immaculate suits.
The One Who Made It Out: Grew up in an extremely poor barrio in the Bronx with his two childhood friends, Alex Muñoz and Eddie Garcia. Eddie and Alex stayed in the barrio, and Alex "single-handedly saved the neighborhood", while Barba took a scholarship to Harvard and never looked back. Not only does Alex resent him for this, it's implied that fellow Cuban-American Amaro disapproves as well. And once Muñoz gets charged with possession of child pornography and solicitation of a minor because of Barba, he gets the poor people who supported Muñoz to turn against Barba as well.
Took a Level in Kindness: In his first episode, Barba doesn't seem to care for the victim at all and at one point reduces her to tears. Over the rest of the 14th season, he softened to where he was as much of a shark as ever in the courtroom but showed his softer side for the victims. Then, in season 15, this is taken Up to Eleven when he cries over one case, often promises the victims he is in their corner and goes gentler on them when they need it, and is shown being especially gentle to younger people. It is implied that William Lewis' attack on Olivia, which he blames himself for, may be the main reason for this.
Worth It: When Amaro calls him out on the foolishness of risking his job for his Ungrateful Bastard friend Muñoz, Barba shrugs and basically dares Amaro to report him. Later averted. Though he didn't get in trouble, Muñoz's ungrateful, entitled attitude ends up leading him to insult Barba on national television. Barba no longer thinks it was worth it.
You Look Familiar: Raul Esparza had one-off roles on both the Mothership and Criminal Intent.
Det. Brian Cassidy
Played By: Dean Winters
A detective formerly employed by the Special Victims Unit. He started out as a naive newcomer to the squad, but he couldn't take the graphic nature of the crimes and transferred to narcotics. Flashforward to the Season 13 finale, and we find him undercover and far less naive. He is now a recurring character, and stuck working at IAB. Oh, and he's dating and living with Benson.
Break the Cutie: Done purposely in-universe, in Cassidy's first season, when Cragen sends him to investigate a particularly brutal gang rape to see if he can handle SVU. He can't.
Characterization Marches On: He returns for the Season 13 finale totally different—they might as well be different characters. He went from being the overly passionate rookie to a pervy perp who enables and has sex with underage sex traffickers. He's actually playing a part while undercover, although he's still far more gruff than his first appearances.
There was also the implication that he might have been a dirty cop, although this turned out to be false.
I'm a Man, I Can't Help It: Averted when he's presented with a test while undercover, ordered to "break in" a prostitute. He takes her into a room but makes an excuse and does not actually have sex with her. Later, after the prostitute accuses him of rape, the prosecutor tries to use this trope against him in court anyway.
Jerk with a Heart of Gold: When he returns in season 13, he's not the friendliest guy, but he is ultimately on the side of good.
Nice Job Breaking It, Hero / Must Make Amends: When Cassidy is on trial for rape, his lawyer's attempt to discredit Amaro's testimony unwittingly causes it to come to light that Amaro has a son he never knew about... which comes as a complete shock to Amaro himself, who only learns the news when he gets suddenly sued for child support. On top of that, Amaro then discovers his son is being groomed as a drug runner by his stepfather, and goes full Papa Wolf about getting the kid out of there. Cassidy, who had meant to make Amaro look bad on the witness stand but not to throw his life into total chaos, ends up helping Amaro take down the drug dealer stepfather.
Put on a Bus: Sex Crimes became too much for him so Cragen recommends his transfer to Narcotics.
The Bus Came Back: Returned in the Season 13 finale, "Rhodium Nights", as an undercover cop, and has now become a recurring character and Benson's boyfriend.
Back on the bus after amicably breaking up with Benson.
Real Life Writes the Plot: Cassidy's breakup with Benson coincides with Dean Winters' other television show getting picked up.
Token Evil Teammate: While not neccesarily evil, he is stuck at IAB for the foreseeable future.
Windmill Crusader: Simply believes it is a matter of time before SVU cops go bad, and as such focuses on their department in particular. This extends to people who work with SVU, such as FBI Agent Dr. Huang, who the Internal Affairs Board doesn't even have jurisdiction over.
Lt. Declan Murphy
Played By: Donal Logue
Badass: His introduction episode establishes him as this.
The Cast Showoff: Murphy's repeated undercover assignments show off Donal Logue's ability to do an Irish accent.
Idiot Ball: Mistakenly assumed the picture a girl drew of her abuser was her coach. The girl, a terrified nine-year-old child who was browbeaten and pressured by her and Elliot into making the accusation, went along with it to put a stop to it. It actually was the local Jerk Jock, and after Elliot realizes the huge fuck-up, he gets the dude caught.
Because You Were Nice to Me: The reason that Stuckey didn't want to kill Benson, although he was still willing to when she walked in on him about to kill Stabler.
Beware the Nice Ones: Does not take criticism well. At all. Although to be fair: while he was annoying, he also didn't need every single other character in the show bullying him. It eventually gets to the point where even his meaningful contributions get shot down.
Temporary Scrappy: Everyone in the SVU absolutely hated him for being extremely annoying and doing many screw ups (such as calling the press to a crime scene to nearly cutting a body by using his shovel). By the end hardly anyone did not roll their eyes when he walked in. And then he gets dangerous. Thankfully, he's only around for a few episodes.
Fire-Forged Friends: In their first episode together, Benson was devastated because Ellis got a guilty rapist off the hook. By midway through Season 14, after finding themselves on the same side several times, they have come to like and respect each other a great deal.
Good Is Not Dumb: He's compassionate and extends himself to help Benson many times, but he needs only the smallest of verbal clues to figure out her relationship with EADA Hayden and use it to his advantage.
Hero Antagonist: Despite occasionally being at loggerheads with the SVU squad, it becomes clear that Ellis is genuinely committed to his principles.
Played By: CCH Pounder
Played By: Ned Eisenberg
Smug Snake: Often seems to actually take pleasure in getting obviously guilty people off the hook.
Played By: Viola Davis
Played By: Peter Riegert
Played By: David Thornton
Played By: Joe Grifasi
Played By: Nia Vardalos
Beware the Silly Ones: She appears kind of frumpy and goofy, but is capable of handing Barba his ass in court.
Foil: To Rafael Barba. Both her fashion sense and verbal style are more coarse and blunt compared to Barba's suit porn and sharp tongue, yet she's a strong adversary.
Anti-Villain: While he's a defense attorney, he's not a bad guy at all; he's shown to get along with former student Alex and, later, Casey quite well. His biggest concern is making sure his clients get a fair defense; specifically, he takes cases where he feels the defendants are having their constitutional rights violated. Even if he personally doesn't agree with their views, he maintains that everyone has rights under the law. The only thing really "bad" about him is that he's on the opposite side of the protagonists, and this eventually changes when he becomes a judge.
Heel-Face Turn: Not immediately. He starts out serving as the defense for the side opposite the SVU team, but by the time he's a judge, he's not nearly as much of douchebag.
Rules Lawyer: Very strict on his constitutional law interpretations.
Smug Snake: Comes off this way at first. However, he does temper this with being a Graceful Loser, and being willing to admit when he's only defending his client due to a legal interest and does not approve of their actions personally. For example, when defending a Neo Nazi who killed a Jewish child and a black child on a playground:
Casey: Have you had a conversation with him?
Barry: Yes, and I find every word he spews morally repugnant. But his speech, despicable as it may be, doesn't entitle anyone to trample all over his constitutional rights, now, does it?
Running Gag: Whenever Dana arrives, Elliot gets hurt: first time, Elliot got shot by a neo-Nazi; second time, he was knocked out by a bomb; third time, Dana actually hurts Elliot as a result of a bullet ricocheting and hitting him in the arm. The only reason he wasn't hurt in her later appearances was because he was Put on a Bus.
His character made a point of frequently changing his alias as he traveled across the country to evade police (either by switching his first and last names or altering their spelling)and when the SVU squad first holds him for questioning, he is reluctant to tell them when and where he was born and makes up a bunch of lies instead. Despite the fact that his character is the main focus for at least 4 episodes, Lewis' life before he dedicated his life to being a criminal is never discovered; probably because by the time NYPD realized just who and what they were dealing with, his origins were no longer a priority.
In the Season 15 premiere, he actually tells a very disturbing story from his childhood which he implies was the root of him becoming a heartless, criminal. he watched his father beat and rape his babysitter right in front of him.
Evil Gloating: Lewis thoroughly enjoys doing this, particularly to scare/piss off Benson. He is so twisted that he was willing to testify in open court that he raped and sodomized Benson after he kidnapped her, even though he did no such thing and clearly just wanted to see her humiliated in front of her peers.
Face of an Angel, Mind of a Demon: The fact that he was a violent psychopath who enjoyed causing others pain and suffering seemed to be his only unattractive trait. Lewis often used his charming good looks to help trick women into seeing him as just an innocent, misunderstood creature rather than the reincarnation of pure evil itself (whenever he does manage to lawyer up, said lawyer is ALWAYS female).
Various people have pointed out that Lewis seemed to have a thing for redheads (or vice versa).
One of the most disturbing traits about him is that he is not a stereotypical criminal; Lewis is charming, handsome, intelligent and articulate and he knows it, which is why he uses these traits to his advantage when he goes on his crime sprees and it is also how he manages to escape trial and conviction multiple times.
From Nobody to Nightmare: Pretty much how his character progresses from when he is first introduced until his ultimate death.
Gentle Giant: Pablo Schreiber's real-life disposition. At 6'5'', while incredibly menacing and intimidating as the loathsome William Lewis, Schreiber is in reality by all accounts a "friendly goofball" with an easy-going personality.
Admitted that he often hugged Mariska Hargitay after filming their intense scenes together.
He-Man Woman Hater: Slightly zigzagged. He mostly victimizes women, as his main goal is to traumatize them long enough to cause permanent lifelong damage. However he was shown having no problem with killing men in cold blood (either because they were in his way or he simply felt like it). One could argue that killing a person quickly is more humane than torturing someone for hours (or days) at a time until they are begging for death as a means of escaping their agony.
Invincible Villain: He appears to be this for a while due to him cheating death more than once.
He (basically) admits in one episode that this is pretty much his whole purpose for living, and makes no apologies for it.
Mean Character, Nice Actor: Pablo Schreiber's amazing performance as the vile William Lewis caused many fans of the show to fuse his character with his real life persona; to the point where he was receiving hateful and threatening messages. Schreiber himself has admitted that in the future he plans on playing the 'good guy' more often so people can see what a truly sweet person he is.
There are a handful of photos on the internet of he and his on-screen arch enemy (Mariska Hargitay) being quite chummy with one another when they weren't filming.
Not Quite Dead: Olivia Benson (seemingly) beats him to death with a metal bedpost while he is handcuffed to a bed. It is later discovered that he not only survived, but died and came back to life no less than 4 times on his way to the hospital; the beating however does leave Lewis with permanent physical damage; he ends up being deaf in his left ear and partially blind in his left eye. Later on he suffers a seizure due to an overdose of a prescription drug and appears to be dying but survives that as well. In an even more bizarre twist, the medical doctors who were treating him cannot figure out how or why this occurred, stating that according to their findings, "He should still be dead." In the end he meets his demise by taking his own life: a single gunshot to the skull.
Not-So-Harmless Villain: He's initially picked up for flashing and seems like a garden variety perv, until he's not.
More often than not, averted for this character. William Lewis is a bona fide violent psychopath, is frequently impulsive with his actions, shows very little remorse for his actions and lacks empathy for others. If anything any time he exhibited "normal" behavior, it was usually a front used to mask his true mentality and intentions.
Offstage Villainy: Subverted in the Season 15 premiere episode "Surrender Benson". While it is clear that Lewis has tortured and violated Olivia physically, much of his abuse isn't seen on-screen and much about her ordeal is left up to the imagination of the audience. For example the episode begins with Olivia slowly regaining consciousness (she's gagged, bound to a chair and lying on the floor). Moments later the audience can clearly see an ashtray laying near her head, filled with cigarette butts, her face is also swollen and bruised. It can only be implied what Lewis did to her before the start of the episode.
Also in the scene at the beach house, after Lewis tosses (a still bound and gagged) Olivia onto the bed, she gestures to him that she needs to use the toilet. After watching her struggle for a moment to stand up on her own, he helps her up and they appear to start to make their way to the bathroom down the hall but that's where the scene ends. Again, the audience has to paint a picture for themselves what happens after that (no doubt something humiliating and degrading on Olivia's part).
For the record, SVU has a habit of repeatedly recycling the last names of characters throughout the run of the series, despite the fact that these characters are clearly not related in any way. It's usually portrayed as just being a "coincidence".
Soft-Spoken Sadist: Lewis tended to speak in a soft, sweet tone when threatening/torturing his victims, which made him all the more frightening.
Except in the episode "Psycho/Therapist" when he was cross-examining/humiliating Olivia Benson when she had to testify against him in court; watching this seemingly always stoic psychopath suddenly fly into a raging fit is possibly more terrifying than when he used his light and breathy tone.
Villains Never Lie: One of the cruel ironies about his screwed up personality; Lewis tended to only lie when trying to plead his "innocence" front of the police, in front of his attorney or in open court. However whenever he was already engaging in illegal activity, he rarely lied or bluffed, even calling himself "a man of his word", especially if you happen to be his next potential victim. Basically if he said he was going to do something to you (or to someone else), it was pretty much a done deal. Sadly, there was virtually NO limit to the things that he did.
He tended not to lie to Olivia when it was just the two of them alone. For example when Lewis is driving a stolen car with Liv laying bound and gagged in the backseat and the car gets pulled over by a cop. Lewis tells Liv that if the cop notices that anything is amiss, he will kill him ("One move and he's dead.") Unfortunately the young male cop does begin to get suspicious of Lewis' behavior but just as he's barely beginning to question Lewis about what's in the back seat, he briefly stuns the cop by punching him in the face, takes the cops gun, then shoots him in the head point-blank.
Would Hit a Girl / Would Hurt a Child: Strongly subverted. Lewis' main reason for existing seemed to be for the purpose of sexually humiliating women. Even worse, he made no exceptions when it came to the age of his victims; from women in their 60's to a girl in her mid-teens.
Lewis didn't seem to have anything against assaulting pre-pubescent girls as well. In the episode "Surrender Benson" when Lewis is just a few seconds away from removing Olivia's pants in order to rape her he is interrupted by the unannounced arrival of the cleaning woman knocking on the front door. He answers the door, apparently intent on getting rid of the cleaning woman and doesn't seem very interested in her until he notices that she's brought her 5-year-old daughter along, which seems to suddenly spark his interest and he immediately ushers both mother and daughter inside the house. He later comments that the 5-year-old girl (named 'Luisa') is "a cutie" in a tone that is far from innocent.
In "Beast's Obsession" Lewis kidnaps a 12-year-old girl, and makes several sickening comments about her being on the cusp of puberty (just on the verge of becoming a woman but still physically resembling a child). He makes possibly the most revolting comment when talking to Olivia Benson about the young girl, stating quite bluntly that he's "going to be her first" (a statement that pretty much speaks for itself). moments after leading a handcuffed Olivia to where the young, frightened girl is tied up by her arms, he gives Olivia an ultimatum: to either let herself be raped by Lewis and force the girl to watch, or she can choose to let him rape the girl first while Olivia watches instead. He makes it clear that he is fine either way.