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* DesignatedVillain: Menelaus, arguably. He's the [[SacredHospitality moral victor]] in his dispute with Paris, and so the film gives him a number of KickTheDog moments (as well as having heroic characters slander him as a warmongering BloodKnight... when his very first scene has him [[InformedFlaw making peace with his enemies because he's tired of war]]) to try and tip back the scales. AdaptationalVillainy is also working against him here.

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* DesignatedVillain: Menelaus, arguably. He's the [[SacredHospitality moral victor]] in his dispute with Paris, and so the film gives him a number of KickTheDog moments (as well as having heroic characters slander him as a warmongering BloodKnight... when his very first scene has him [[InformedFlaw making peace with his enemies because he's tired of war]]) to try and tip back the scales. Also, it's clear that Agamemnon, his own brother and the true villain, exploits his plight to satisfy his own greed. AdaptationalVillainy is also working against him here.


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* UnintentionallySympathetic: Sure, Menelaus was willing to wage war over losing his wife, which is too far. But his hospitality was exploited, his wife cheated on him and his brother used him for his own selfish ambitions, meaning that he is a victim even [[AdaptationalVillainy in this adaptation]].
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** "Imagine a king who [[BadassInCharge fights his own battles]]. Wouldn't that be a sight." (Insert name of warrior king here.)

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** "Imagine a king who [[BadassInCharge fights his own battles]].battles. Wouldn't that be a sight." (Insert name of warrior king here.)
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** The film expects us to empathize with Paris at least to an extent, (he is admittedly a much more mature person by the end of the film instead of the petulant child he was at the start of it) but the whole Trojan War being somewhat his fault (he gave Agamemnon the pretext he needed to launch an invasion), his extremely petty and infantile reasons for doing so (which involve stealing another man’s wife, albeit a trophy wife who bore no love for him, which is especially bad when you consider, as a handsome and charming young prince of Troy, he can presumably have just about any woman he wants), and his DirtyCoward behavior, both in the duel with Menelaus (he makes a big deal about how he’s going to settle it just between the two of them, only to pussy out and ''beg'' his brother to save him when he begins to lose after he explicitly said that he wouldn’t do that, leading to the truce being broken and more bloodshed on both sides) and his treacherous killing of Achilles (shooting him with an arrow whilst his backed turned and he's standing literally ''right next to Paris's own cousin'') in revenge for his killing of Hector (which you can of course easily argue is just as much Paris's fault, perhaps even ''more'' so), plus the fact that [[SparedByTheAdaptation he apparently gets to survive]] [[KarmaHoudini completely unscathed despite all the ruined lives he is partially responsible for by the end of the film]], make him '''very''' hard to sympathize with.

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** The film expects us to empathize with Paris at least to an extent, (he is admittedly a much more mature person by the end of the film instead of the petulant child he was at the start of it) but the whole Trojan War being somewhat his fault (he gave Agamemnon the pretext he needed to launch an invasion), his extremely petty and infantile reasons for doing so (which involve stealing another man’s wife, albeit a trophy wife who bore no love for him, which is especially bad when you consider, as a handsome and charming young prince of Troy, he can presumably have just about any woman he wants), and his DirtyCoward behavior, both in the duel with Menelaus (he makes a big deal about how he’s going to settle it just between the two of them, only to pussy out and ''beg'' his brother to save him when he begins to lose after he explicitly said that he wouldn’t do that, leading to the truce being broken and more bloodshed on both sides) and his treacherous killing of Achilles (shooting him with an arrow whilst his backed back is turned and he's standing literally ''right next to Paris's own cousin'') in revenge for his killing of Hector (which you can of course easily argue is just as much Paris's fault, perhaps even ''more'' so), plus the fact that [[SparedByTheAdaptation he apparently gets to survive]] [[KarmaHoudini completely unscathed despite all the ruined lives he is partially responsible for by the end of the film]], make him '''very''' hard to sympathize with.
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** "Imagine a king who [[BadassInCharge fights his own battles]]. Wouldn't that be a sight." (Insert name of warrior king here.)

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Editing Tip 6: Be sure this example isn't here already.


* HoYay: When Achilles gives his RousingSpeech, Eudoras is seen looking at him in a way that's clearly meant to show how much he respects Achilles - but ends up looking like he's gazing lovingly at a crush. Understandable, because-- again--Creator/BradPitt in a skirt.
* HoYay: Achilles's RousingSpeech before taking the beach of Troy has several shots of Eudoras looking at him proudly, not unlike that of a lover. His devotion to Achilles likewise seems romantic at times, and they even part with Achilles kissing him on the forehead.

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* HoYay: When Achilles gives his RousingSpeech, Eudoras is seen looking at him in a way that's clearly meant to show how much he respects Achilles - but ends up looking like he's gazing lovingly at a crush. Understandable, because-- again--Creator/BradPitt in a skirt.
* HoYay: Achilles's RousingSpeech before taking the beach of Troy has several shots of Eudoras looking at him proudly, not unlike that of a lover. His
skirt. In addition, his devotion to Achilles likewise seems romantic at times, and they even part with Achilles kissing him on the forehead.

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* BetterOnDVD: The Director's Cut is widely considered to be superior. It includes more sex and violence, more CharacterDevelopment (especially for Odysseus and Priam) and there's more of the actual Sacking of Troy.


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* ImprovedByTheReCut: The Director's Cut is widely considered to be superior. It includes more sex and violence, more CharacterDevelopment (especially for Odysseus and Priam) and there's more of the actual Sacking of Troy.

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* CriticalBacklash: Despite being roasted by critics and seen as only mildly entertaining at best when it first came out, there are many fans who enjoy the movie on its own merits; enjoying the action scenes, spectacular production values and characterization of several figures.



* HoYay: Achilles's RousingSpeech before taking the beach of Troy has several shots of Eudoras looking at him proudly, not unlike that of a lover. His devotion to Achilles likewise seems romantic at times, and they even part with Achilles kissing him on the forehead.



* JustHereForGodzilla: Although the impetus for starting the war, Helen is actually in the film less than one would expect. However, she has plenty of fans for Diane Kruger's beauty and subtly heart-breaking performance. Indeed, this is one of the more sympathetic takes on Helen - where she was more commonly seen as either a CosmicPlaything, DamselInDistress or ManipulativeBitch beforehand. Many would watch the movie just for Helen.



* MemeticLoser: Among wrestling fans, Nathan Jones getting killed in a CurbStompBattle in the film's prologue is seen as a punchline to his disappointing WWE run.



* TheyWastedAPerfectlyGoodCharacter: Even with the film going for a {{Demythification}} approach, it could have been fun to still include Cassandra in some way and have her come across as a madwoman whose prophecies [[MaybeMagicMaybeMundane are ultimately proved right]].



* WTHCastingAgency: Creator/BradPitt as Achilles [[BrokenBase was quite a stretch]] among audiences. Creator/GarrettHedlund as Patroclus is a close second.

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* WTHCastingAgency: WTHCastingAgency:
**
Creator/BradPitt as Achilles [[BrokenBase was quite a stretch]] among audiences. audiences at the time, but there are many who enjoy him in the role.
**
Creator/GarrettHedlund as Patroclus is a close second.second, with his awkward uneven performance not quite cutting it.
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* AluminumChristmasTrees:
** Achilles being portrayed as blond seems like AdaptationalDyeJob except he is actually described as golden-haired in the myths.
** Patroclus actually was a kinsman of Achilles and they were not lovers in the Iliad, but merely close friends. The portrayal of them as lovers is Post-Homeric.
** The equipment of the armies in the movies was mostly rather un-Hellenic and bears little resemblance to the Hoplites of antiquity (exceptions like Achilles's myrmidons notwithstanding). Though it's debatable whether the attire we see on screen is historically correct, we can say for sure that a traditional Hellenic look the viewers most likely are used to would definitely have been out of place: The events the Iliad was modelled after had taken place hundreds of years before the rise of Athens and Sparta and the times of Classical Greece, and before the Bronze Age Collapse.

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Helen is not the main character, therefore she's not the Vanilla Protagonist. Achilles, Hector and Paris are the protagonists.


** Andromache doesn't get as many scenes as Helen or Briseis, but she's pretty popular for Saffron Burrows's SilkHidingSteel performance and chemistry with Eric Bana.



** With Achilles' trademark finisher resembling a certain leaping assassination technique from a certain video game series and at least three of the Greco-Roman gods comprising the [[{{Precursors}} First Civilization]], maybe Achilles was really [[Franchise/AssassinsCreed an Assassin]].
*** Amusingly, there really ''is'' [[VideoGame/AssassinsCreedIII an Assassin named Achilles]].

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** With Achilles' trademark finisher resembling a certain leaping assassination technique from a certain video game series and at least three of the Greco-Roman gods comprising the [[{{Precursors}} First Civilization]], maybe Achilles was really [[Franchise/AssassinsCreed an Assassin]].
***
Assassin]]. Amusingly, there really ''is'' [[VideoGame/AssassinsCreedIII an Assassin named Achilles]].



* TookTheBadFilmSeriously: As seen above, this film and its qualities are a matter of great debate. What is not, however, even among trained Classicists, is the quality of Creator/PeterOToole in his turn as Priam during his scene in Achilles' tent. That is the original Iliad, with all of Priam's pain and loss, realised.

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* TookTheBadFilmSeriously: TookTheBadFilmSeriously:
**
As seen above, this film and its qualities are a matter of great debate. What is not, however, even among trained Classicists, is the quality of Creator/PeterOToole in his turn as Priam during his scene in Achilles' tent. That is the original Iliad, with all of Priam's pain and loss, realised.realised.
** One could argue that Diane Kruger imbues Helen with a lot of sincere emotion and character layers that one can't help but sympathise with her, even after all the trouble she's caused, and elevates the character far above the MsFanservice she was intended to be.
** Saffron Burrows likewise brings plenty of gravitas to the role of Andromache that one could be forgiven for assuming her scenes are straight out of ''Theatre/TheTrojanWomen''.



* VanillaProtagonist: With so many interesting characters such as Hector, Agamemnon, Menelaus, Briseis and the numerous {{One Scene Wonder}}s, it's shocking that Helen is quite bland. Despite being the catalyst for the war in the first place, she disappears into the background in the second act. This does make sense when you consider the original vision to have her as an offscreen character - and she only ended up being featured due to ExecutiveMeddling. So in the finished film, she's a LivingProp and MsFanservice - with the wit and charisma she had in mythology going to Briseis.
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** Achilles stands outside Troy and screams "HECTOR!" at the top of his lungs over and over for about five straight minutes, while Hector inside the city gradually says his goodbyes to his father, brother, wife, fellow soldiers, etc, all while the audience can hear Achilles still yelling outside the walls. It's a wonder Achilles hadn't lost his voice by the time Hector finally emerged for their duel.[[note]]To be fair, this part is accurate to the myth.[[/note]]

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** Achilles stands outside Troy and screams "HECTOR!" at the top of his lungs over and over for about five straight minutes, while Hector inside the city gradually says his goodbyes to his father, brother, wife, fellow soldiers, etc, all while the audience can hear Achilles still yelling outside the walls. It's a wonder Achilles hadn't lost his voice by the time Hector finally emerged for their duel.[[note]]To be fair, this part is accurate to the myth.[[/note]]



** Achilles vs. Hector seems to be the one thing ''everyone'' remembers from this movie due to the excellent cinematography, aided by Pitt and Bana [[NoStuntDouble doing it themselves]] and impressive but realistic fighting style.

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** Achilles vs. Hector seems to be the one thing ''everyone'' remembers from this movie due to the excellent cinematography, aided by Pitt and Bana [[NoStuntDouble doing it themselves]] and impressive but realistic fighting style.
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** Achilles vs. Hector seems to be the one thing ''everyone'' remembers from this movie.

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** Achilles vs. Hector seems to be the one thing ''everyone'' remembers from this movie.movie due to the excellent cinematography, aided by Pitt and Bana [[NoStuntDouble doing it themselves]] and impressive but realistic fighting style.
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Fixing about a couple errors.


** The film stars William Stryker, Vanisher and Moira McTaggart from the X-Men films[note]Bryan Cox was Styker in X-Men 2, Byrne played McTaggart in two films and Pitt had a brief appearance as Vanisher in Deadpool 2.[/note].

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** The film stars William Stryker, Vanisher and Moira McTaggart from the X-Men films[note]Bryan films[[note]]Bryan Cox was Styker in X-Men 2, Byrne played McTaggart in two films and Pitt had a brief appearance as Vanisher in Deadpool 2.[/note].2[[/note]].
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** The film stars William Stryker, Vanisher and Moira McTaggart from the X-Men films[note]Bryan Cox was Styker in X-Men 2, Byrne played McTaggart in two films and Pitt had a brief appearance as Vanisher in Deadpool 2.[/note].
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"Pretty much" is Administrivia.Word Cruft.


* VanillaProtagonist: With so many interesting characters such as Hector, Agamemnon, Menelaus, Briseis and the numerous {{One Scene Wonder}}s, it's shocking that Helen is quite bland. Despite being the catalyst for the war in the first place, she disappears into the background in the second act. This does make sense when you consider the original vision to have her as an offscreen character - and she only ended up being featured due to ExecutiveMeddling. So in the finished film she's pretty much a LivingProp and MsFanservice - with the wit and charisma she had in mythology going to Briseis.

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* VanillaProtagonist: With so many interesting characters such as Hector, Agamemnon, Menelaus, Briseis and the numerous {{One Scene Wonder}}s, it's shocking that Helen is quite bland. Despite being the catalyst for the war in the first place, she disappears into the background in the second act. This does make sense when you consider the original vision to have her as an offscreen character - and she only ended up being featured due to ExecutiveMeddling. So in the finished film film, she's pretty much a LivingProp and MsFanservice - with the wit and charisma she had in mythology going to Briseis.
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** The actual sacking of Troy, especially in the Director's Cut. Along with King Agamemnon's monologue during the sacking: "Let it burn. Let Troy burn. Burn it. For Menalaus. Burn it. Burn Troy. I promised you, brother. I promised you. Burn it. Burn it for Menalaus."
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** Other changes from the source material like the gods not having onscreen roles, what or who else gets left out, and which people die instead of survive and vice versa help make this film divisive but at least ripe for interesting discussion among fans of the source material. For instance, those who wish the gods had a more visible presence would essentially prefer the film be in a different subgenre, from just "historical-style" sword and sandal to more overt "fantasy" sword and sandal like ''Film/JasonAndTheArgonauts'' and ''[[Film/ClashOfTheTitans1981 Clash of the Titans]]'', the latter of which was remade six years after ''Troy''. Those who are fine with no visible gods are often interested in the inherent {{Demythification}} approach the film takes.

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** Other changes from the source material like the gods not having onscreen roles, what or who else gets left out, and which people die instead of survive and vice versa help make this film divisive but at least ripe for interesting discussion among fans of the source material.Classical mythology and literature. For instance, those who wish the gods had a more visible presence would essentially prefer the film be in a different subgenre, from just "historical-style" sword and sandal to more overt "fantasy" sword and sandal like ''Film/JasonAndTheArgonauts'' and ''[[Film/ClashOfTheTitans1981 Clash of the Titans]]'', the latter of which was remade six years after ''Troy''. Those who are fine with no visible gods are often interested in the inherent {{Demythification}} approach the film takes.
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None

Added DiffLines:

** Other changes from the source material like the gods not having onscreen roles, what or who else gets left out, and which people die instead of survive and vice versa help make this film divisive but at least ripe for interesting discussion among fans of the source material. For instance, those who wish the gods had a more visible presence would essentially prefer the film be in a different subgenre, from just "historical-style" sword and sandal to more overt "fantasy" sword and sandal like ''Film/JasonAndTheArgonauts'' and ''[[Film/ClashOfTheTitans1981 Clash of the Titans]]'', the latter of which was remade six years after ''Troy''. Those who are fine with no visible gods are often interested in the inherent {{Demythification}} approach the film takes.
Is there an issue? Send a MessageReason:
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** The film expects us to empathize with Paris at least to an extent, (he is admittedly a much more mature person by the end of the film instead of the petulant child he was at the start of it) but the whole Trojan War being somewhat his fault (he gave Agamemnon the pretext he needed to launch an invasion), his extremely petty and infantile reasons for doing so (which involve stealing another man’s wife, albeit a trophy wife who bore no love for him, which is especially bad when you consider, as a handsome and charming young prince of Troy, he can presumably have just about any woman he wants), and his DirtyCoward behavior, both in the duel with Menelaus (he makes a big deal about how he’s going to settle it just between the two of them, only to pussy out and ''beg'' his brother to save him when he begins to lose after he explicitly said that he wouldn’t do that, leading to the truce being broken and more bloodshed on both sides) and his treacherous killing of Achilles (shooting him with an arrow whilst his backed turned and he's standing literally ''right next to Paris's own cousin'') in revenge for his killing of Hector (which you can of course easily argue is just as much Paris's fault, perhaps even ''more'' so), plus the fact that [[KarmaHoudini he apparently gets to survive completely unscathed despite all the ruined lives he is partially responsible for by the end of the film]], make him '''very''' hard to sympathize with.

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** The film expects us to empathize with Paris at least to an extent, (he is admittedly a much more mature person by the end of the film instead of the petulant child he was at the start of it) but the whole Trojan War being somewhat his fault (he gave Agamemnon the pretext he needed to launch an invasion), his extremely petty and infantile reasons for doing so (which involve stealing another man’s wife, albeit a trophy wife who bore no love for him, which is especially bad when you consider, as a handsome and charming young prince of Troy, he can presumably have just about any woman he wants), and his DirtyCoward behavior, both in the duel with Menelaus (he makes a big deal about how he’s going to settle it just between the two of them, only to pussy out and ''beg'' his brother to save him when he begins to lose after he explicitly said that he wouldn’t do that, leading to the truce being broken and more bloodshed on both sides) and his treacherous killing of Achilles (shooting him with an arrow whilst his backed turned and he's standing literally ''right next to Paris's own cousin'') in revenge for his killing of Hector (which you can of course easily argue is just as much Paris's fault, perhaps even ''more'' so), plus the fact that [[KarmaHoudini [[SparedByTheAdaptation he apparently gets to survive survive]] [[KarmaHoudini completely unscathed despite all the ruined lives he is partially responsible for by the end of the film]], make him '''very''' hard to sympathize with.
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!All spoilers will be [[Administrivia/SpoilersOff unmarked]] ahead. Administrivia/YouHaveBeenWarned!

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!All spoilers {{spoiler}}s will be [[Administrivia/SpoilersOff unmarked]] ahead. Administrivia/YouHaveBeenWarned!
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* OlderThanTheyThink: Peleus undergoing DeathByAdaptation was previously seen in the 1962 film "Fury of Achilles".
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!All spoilers will be unmarked ahead. Administrivia/YouHaveBeenWarned!

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!All spoilers will be unmarked [[Administrivia/SpoilersOff unmarked]] ahead. Administrivia/YouHaveBeenWarned!



--->'''Ajax''': I AM AJAX, BREAKER OF STONES! LOOK UPON ME AND [[LargeHam DESPAAAAIR!]]

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--->'''Ajax''': --->'''Ajax:''' I AM AJAX, BREAKER OF STONES! LOOK UPON ME AND [[LargeHam DESPAAAAIR!]]
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Rapunzel Hair is currently a cut trope


** And for the reverse, Creator/DianeKruger walks around with beautiful golden RapunzelHair, occasionally nude (and you see much more in the extended cut) and the camera is all too happy to show off her beauty. She was immediately included on People magazine's "50 Most Beautiful People in the World" list that year - at Number 44.

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** And for the reverse, Creator/DianeKruger walks around with beautiful golden RapunzelHair, long hair, occasionally nude (and you see much more in the extended cut) and the camera is all too happy to show off her beauty. She was immediately included on People magazine's "50 Most Beautiful People in the World" list that year - at Number 44.
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** A major plot point is Achilles getting sick of being at Agamemnon's beck and call. Which happens every week in the first season of ''VideoGame/DanballSenki''.

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** A major plot point is Achilles getting sick of being at Agamemnon's beck and call. Which happens every week in the first season of ''VideoGame/DanballSenki''.''VideoGame/LBXLittleBattlersExperience''.
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** In the director's cut, there's the Trojans' hilariously over-the-top behavior at the funerals after the first battle. A OneWomanWail plays as several widows are dramatically MilkingTheGiantCow.[[note]]Actually TruthInTelevision. Ancient cultures had professional "mourners" who were hired to perform at funerals.[[/note]]

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** In the director's cut, there's the Trojans' hilariously over-the-top behavior at the funerals after the first battle. A OneWomanWail plays as several widows are dramatically MilkingTheGiantCow.[[note]]Actually TruthInTelevision. Ancient cultures had professional "mourners" who were hired to perform at funerals.[[/note]]



* NarmCharm: Achilles vs. Hector is clearly very heavily choreographed that it looks more like a dance in places than a fight. But is it still a kickass fight scene? Absolutely.

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* NarmCharm: Achilles vs. Hector is clearly very heavily choreographed that it looks more like a dance in places than a fight. But is it still a kickass fight scene? Absolutely.

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** Achilles stands outside Troy and screams "HECTOR!" at the top of his lungs over and over for about five straight minutes, while Hector inside the city gradually says his goodbyes to his father, brother, wife, fellow soldiers, etc, all while the audience can hear Achilles still yelling outside the walls. It's a wonder Achilles hadn't lost his voice by the time Hector finally emerged for their duel. To be fair, this part is accurate to the myth.
** In the director's cut, there's the Trojans' hilariously over-the-top behavior at the funerals after the first battle. The OneWomanWail plays as several widows are dramatically MilkingTheGiantCow.
*** Actually TruthInTelevision. Ancient cultures had professional "mourners" who were hired to perform at funerals.
** Ajax's BadassBoast to the Trojans comes across as unintentionally hilarious, as they're all too busy fighting for their lives to hear him.

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** Achilles stands outside Troy and screams "HECTOR!" at the top of his lungs over and over for about five straight minutes, while Hector inside the city gradually says his goodbyes to his father, brother, wife, fellow soldiers, etc, all while the audience can hear Achilles still yelling outside the walls. It's a wonder Achilles hadn't lost his voice by the time Hector finally emerged for their duel. To [[note]]To be fair, this part is accurate to the myth.
myth.[[/note]]
** In the director's cut, there's the Trojans' hilariously over-the-top behavior at the funerals after the first battle. The A OneWomanWail plays as several widows are dramatically MilkingTheGiantCow.
*** Actually
MilkingTheGiantCow.[[note]]Actually TruthInTelevision. Ancient cultures had professional "mourners" who were hired to perform at funerals.
funerals.[[/note]]
** Ajax's BadassBoast to the Trojans comes across as unintentionally hilarious, funny, as they're all too busy fighting for their lives to hear him.



** Agamemnon's war cry after watching Hector kill Menelaus is hilarious.

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** Agamemnon's war cry after watching Hector kill Menelaus is very hilarious.
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** In the director's cut, there's the Troyans' hilariously over-the-top behavior at the funerals after the first battle. The OneWomanWail plays as several widows are dramatically MilkingTheGiantCow.

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** In the director's cut, there's the Troyans' Trojans' hilariously over-the-top behavior at the funerals after the first battle. The OneWomanWail plays as several widows are dramatically MilkingTheGiantCow.
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*** Actually TruthInTelevision. Ancient cultures has professional "mourners" who were hired to perform at funerals.

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*** Actually TruthInTelevision. Ancient cultures has had professional "mourners" who were hired to perform at funerals.
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** Agamemnon's war cry after watching the death of his brother, Menelaus, is hilarious.

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** Agamemnon's war cry after watching the death of his brother, Menelaus, Hector kill Menelaus is hilarious.
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** In the director's cut, there's the hilariously over-the-top behavior at the funerals after the first battle. The OneWomanWail plays as several widows are dramatically MilkingTheGiantCow.

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** In the director's cut, there's the Troyans' hilariously over-the-top behavior at the funerals after the first battle. The OneWomanWail plays as several widows are dramatically MilkingTheGiantCow.

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* HoYay: When Achilles gives his RousingSpeech, Eudoras is seen looking at him in a way that's clearly meant to show how much he respects Achilles - but ends up looking like he's gazing lovingly at a crush. Understandable, because-- again--Brad Pitt in a skirt.

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* HoYay: When Achilles gives his RousingSpeech, Eudoras is seen looking at him in a way that's clearly meant to show how much he respects Achilles - but ends up looking like he's gazing lovingly at a crush. Understandable, because-- again--Brad Pitt again--Creator/BradPitt in a skirt.



** "[[https://m15m.livejournal.com/1487.html COUSIN. TOTALLY COUSIN. IN CONCLUSION: COUSIN.]]" A running gag in [[Creator/CleolindaJones Cleolinda Jones's]] "Troy in Fifteen Minutes" parody, mocking the movie's [[HaveIMentionedIAmHeterosexualToday heavy emphasis on Achilles and Patroclus having a solely familial relationship,]] even though the portrayal of them as lovers is Post-Homeric meaning having them as friends and kinsmen is more accurate.

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** "[[https://m15m.livejournal.com/1487.html COUSIN. TOTALLY COUSIN. IN CONCLUSION: COUSIN.]]" A running gag in [[Creator/CleolindaJones Cleolinda Jones's]] Creator/CleolindaJones' "Troy in Fifteen Minutes" parody, mocking the movie's [[HaveIMentionedIAmHeterosexualToday heavy emphasis on Achilles and Patroclus having a solely familial relationship,]] even though the portrayal of them as lovers is Post-Homeric meaning having them as friends and kinsmen is more accurate.



** Creator/BradPitt's accent seems a likely place. [[NarmCharm This is primarily for the sake of balance]] but the film does have a kind of ''Film/RobinHoodPrinceOfThieves'' silliness to it.

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** Creator/BradPitt's accent seems a likely place. [[NarmCharm This is primarily for the sake of balance]] balance, but the film does have a kind of ''Film/RobinHoodPrinceOfThieves'' silliness to it.



** Patroclus's "anguished" rant about why they should stay in the war. Mostly because Creator/GarrettHedlund is the only one in the cast NotEvenBotheringWithTheAccent and the resulting speech sounds ridiculous with his Minnesota accent.

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** Patroclus's Patroclus' "anguished" rant about why they should stay in the war. Mostly because Creator/GarrettHedlund is the only one in the cast NotEvenBotheringWithTheAccent and the resulting speech sounds ridiculous with his Minnesota accent.



* TookTheBadFilmSeriously: As seen above, this film and its qualities are a matter of great debate. What is not, however, even among trained Classicists, is the quality of Creator/PeterOToole in his turn as Priam during his scene in Achilles' tent. That is the original Iliad, with all of Priam's pain and loss, realised.



* TookTheBadFilmSeriously: As seen above, this film and its qualities are a matter of great debate. What is not, however, even among trained Classicists, is the quality of Creator/PeterOToole in his turn as Priam during his scene in Achilles' tent. That is the original Iliad, with all of Priam's pain and loss, realised.

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