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* UnintentionallySympathetic: Sure, Menelaus was willing to wage war over losing his wife, which is too far. But his hospitality was exploited, his wife cheated on him[[note]]Although in this case, Helen was only his wife because she was forced into it and couldn't leave the marriage regardless of her unhappiness.[[/notte]] and his brother used him for his own selfish ambitions, meaning that he is a victim even [[AdaptationalVillainy in this adaptation]].

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* UnintentionallySympathetic: Sure, Menelaus was willing to wage war over losing his wife, which is too far. But his hospitality was exploited, his wife cheated on him[[note]]Although in this case, Helen was only his wife because she was forced into it and couldn't leave the marriage regardless of her unhappiness.[[/notte]] [[/note]] and his brother used him for his own selfish ambitions, meaning that he is a victim even [[AdaptationalVillainy in this adaptation]].

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** How does one tell the difference between the theatrical cut and the extended version? If it's not the longer sacking of Troy, it's Helen going topless (she only has ShouldersUpNudity in the former).



* CrossesTheLineTwice: In the extended cut, Archeptolemus pompously tries a BadassBoast to the Greeks looting the temple, bragging that Apollo will protect him. The soldiers pick him up and throw him out the window.



* HarsherInHindsight: On the first day of the siege, Achilles lets Hector go free saying "it's too early in the day for killing princes". He later fights Hector to the latter's death in the morning.

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* HarsherInHindsight: HarsherInHindsight:
**
On the first day of the siege, Achilles lets Hector go free saying "it's too early in the day for killing princes". He later fights Hector to the latter's death in the morning.morning.
** Briseis likewise says "I don't want anyone dying for me". The two men she says that to, Agamemnon and Achilles, do indeed die for her; albeit the former via her stabbing him in self-defence.
** Priam is nothing but welcoming to Helen when she arrives in Troy, even asking her to call him "father". Diane Kruger later confessed that she hated working with Peter O'Toole and how rude he was to her on set.



** Orlando Bloom would play a man defending a city from siege in ''Film/KingdomOfHeaven'' the same year, also having an affair with a queen in an unhappy marriage. He almost didn't do the film because he had just done ''Troy''. Brendan Gleeson stars in an antagonistic role in that too.



** The film goes to great, almost absurd lengths to assure the audience that Achilles is straight and that his ''cousin'' and surrogate little brother figure Patroclus is also straight.

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** The film goes to great, almost absurd lengths to assure the audience that Achilles is straight and that his ''cousin'' and surrogate little brother figure Patroclus is also straight. [[note]]Granted this actually was the case in earliest versions of the story, with even the ''Iliad'' just saying they were kinsmen. Them being lovers is NewerThanTheyThink, and Briseis was also Achilles's lover in mythology too, so he's bisexual at most.[[/note]]
** Nigel Terry's performance is quite amusing at how pompously he delivers his statements, particularly "Apollo has desecrated their flesh".



* RetroactiveRecognition: This was one of Creator/RoseByrne's first big roles. She would become far more recognisable for ''Film/TwentyEightWeeksLater'', ''Film/{{Bridesmaids}}'', ''{{Film/Insidious}}'' and of course playing Moira [=McTaggart=] in the ''Film/XMenFilmSeries''.



* TheyWastedAPerfectlyGoodPlot: Paris's backstory of being prophesied to bring about the fall of Troy at his birth, and being raised as a shepherd for most of his life would have been interesting to work in, and could possibly have made it more understandable why he makes such stupid decisions if he hasn't been prepared for a life of royalty.

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* TheyWastedAPerfectlyGoodPlot: TheyWastedAPerfectlyGoodPlot:
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Paris's backstory of being prophesied to bring about the fall of Troy at his birth, and being raised as a shepherd for most of his life would have been interesting to work in, and could possibly have made it more understandable why he makes such stupid decisions if he hasn't been prepared for a life of royalty.royalty.
** The extended cut confirms that Andromache had lost seven brothers in the Spartan Wars, but the movie curiously leaves out the detail from mythology that Achilles was responsible for killing each of those brothers. The fact that she lost seven brothers and eventually her husband to Achilles could have provided some interesting material.

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** Helen nearly giving herself up to the Greeks after the first day of battles. Does she think it will help, and wants to prevent further bloodshed on her account? Or does she know it's hopeless, and just wants to be punished in some way to relieve her guilt?
*** She later claims that Menelaos "lived for battle", which is ''blatantly'' contradicted by his sincere desire to make peace with Troy in the film's opening. Was she trying to alleviate Paris' guilt over his cowardice, or did she simply assume that Menelaos was a BloodKnight since he, by his own admission, had always fought his older brother's wars for him without question, with Helen never bothering to ask her husband if he ''really'' enjoyed it or not?

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** Helen nearly giving herself up to the Greeks after the first day of battles. Does she think it will help, and wants to prevent further bloodshed on her account? Or does she know it's hopeless, and just wants to be punished in some way to relieve her guilt?
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guilt? She later claims that Menelaos "lived for battle", which is ''blatantly'' contradicted by his sincere desire to make peace with Troy in the film's opening. Was she trying to alleviate Paris' guilt over his cowardice, or did she simply assume that Menelaos was a BloodKnight since he, by his own admission, had always fought his older brother's wars for him without question, with Helen never bothering to ask her husband if he ''really'' enjoyed it or not?



* AngstWhatAngst:
** Priam has no ill-will towards Helen for eloping with his son and getting a war started. Even when Paris is about to fight to the death because of it, he kindly asks Helen to sit next to him and call him "father". The extended cut explains that he has extreme faith in the gods, ever since Hector miraculously recovered from a fever as a child after a night of prayer, so he presumably accepts that Helen is there because the gods willed it (which to be fair is how it was in the original mythology).
** Andromache lets Helen comfort her after Hector is killed, and hold her baby during his funeral. Even though Hector was her LivingEmotionalCrutch and got killed because of Helen's affair, she likewise shows no ill-will towards her or Paris. Notably in ''Theatre/TheTrojanWomen'', Helen is blamed by both Andromache and Hector and Paris's mother Hecuba (who's AdaptedOut in this).



* TheyWastedAPerfectlyGoodPlot: Paris's backstory of being prophesied to bring about the fall of Troy at his birth, and being raised as a shepherd for most of his life would have been interesting to work in, and could possibly have made it more understandable why he makes such stupid decisions if he hasn't been prepared for a life of royalty.



* UnintentionallySympathetic: Sure, Menelaus was willing to wage war over losing his wife, which is too far. But his hospitality was exploited, his wife cheated on him and his brother used him for his own selfish ambitions, meaning that he is a victim even [[AdaptationalVillainy in this adaptation]].

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* UnintentionallySympathetic: Sure, Menelaus was willing to wage war over losing his wife, which is too far. But his hospitality was exploited, his wife cheated on him him[[note]]Although in this case, Helen was only his wife because she was forced into it and couldn't leave the marriage regardless of her unhappiness.[[/notte]] and his brother used him for his own selfish ambitions, meaning that he is a victim even [[AdaptationalVillainy in this adaptation]].
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* CatharsisFactor:
** [[spoiler:Menelaus, being a hedonistic jerk who always made Helen feel like she was nothing and then wanting to kill her for running away from him, getting stabbed by Hector feels like the appropriately karmic outcome to his actions.]]
** [[spoiler:While it happens a little too fast, the bloodthirsty Agamemnon taking a dagger to the neck by Briseis after having been the insufferable conqueror and usurper he's been long since the movie began is still therapeutic--and especially because it means that he doesn't get to live to see out the rest of Troy's destruction ''or'' continue to possess the other lands he already took over either.]]

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** Ajax's BadassBoast to the Trojans comes across as unintentionally funny, as they're all too busy fighting for their lives to hear him.

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** Ajax's BadassBoast to the Trojans comes across as unintentionally funny, as they're all too busy fighting for their lives to hear him.him, and his self-bestowed [[TheMagnificent epithet]] makes it sound like he's a construction worker.



* NarmCharm: Achilles vs. Hector is clearly heavily choreographed that it looks more like a dance in places than a fight. But is it still a kickass fight scene? Absolutely.

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* NarmCharm: NarmCharm:
**
Achilles vs. Hector is clearly heavily choreographed that it looks more like a dance in places than a fight. But is it still a kickass fight scene? Absolutely.Absolutely.
** Achilles calling Agamemnon a "sack of wine" can make viewers giggle due to sounding like an UnusualEuphemism to modern ears, but once one realizes that similar phrasing dates back [[OlderThanTheyThink to the Iliad itself,]] the writers get points for having ShownTheirWork.
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** A variation. A large amount of press for the film consisted of women's magazines {{Squee}}ing over "Brad Pitt in a skirt!"

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** A variation. A large amount of press for the film consisted of women's magazines {{Squee}}ing over "Brad Pitt in a skirt!"skirt!" Creator/BrianCox even admitted in his memoir that he had a hard time focusing on the scenes because he was so distracted by Pitt's sculpted physique.
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** Achilles vs. Hector seems to be the one thing ''everyone'' remembers from this movie due to the excellent cinematography, aided by Pitt and Bana [[NoStuntDouble doing it themselves]] and impressive fighting style.

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** Achilles vs. Hector seems to be the one thing ''everyone'' remembers from this movie due to the excellent cinematography, aided by Pitt and Bana [[NoStuntDouble doing it themselves]] and impressive fighting style.style, making it genuinely tense even if you already know the outcome.



* SoOkayItsAverage: Generally felt to be one of the weaker entries during the early 2000s wave of big budget fantasy costume epics, but generally works better when simply taken as a big summer action film than as an adaptation of its source material.

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* SoOkayItsAverage: Generally felt to be one of the weaker entries during the early 2000s wave of big budget fantasy costume epics, but generally works better when simply taken as a big summer action film than as an adaptation of its source material. material and is aided by fantastic production values and some terrific action scenes as well as an impressive cast who elevate the material.
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** Creator/EricBana resists the urge to chew scenery with the rest of the cast and gives Hector considerable depth, as a loving brother and husband who is forced into a conflict he wanted no part of by family obligation and wants nothing more than to avoid the horrors of war that he has seen up close and return home. His chemistry with Saffron Burrows makes their relationship far more compelling than one would expect and makes Hector's death at Achilles' hands genuinely sad to witness.

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* QuestionableCasting:
** Creator/BradPitt as Achilles [[BrokenBase was quite a stretch]] among audiences at the time, but there are many who enjoy him in the role.
** Creator/GarrettHedlund as Patroclus is a close second, with his awkward uneven performance not quite cutting it.



* WTHCastingAgency:
** Creator/BradPitt as Achilles [[BrokenBase was quite a stretch]] among audiences at the time, but there are many who enjoy him in the role.
** Creator/GarrettHedlund as Patroclus is a close second, with his awkward uneven performance not quite cutting it.

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* OlderThanTheyThink: Peleus undergoing DeathByAdaptation was previously seen in the 1962 film "Fury of Achilles".

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* OlderThanTheyThink: OlderThanTheyThink:
** Andromache and Astyanax avoiding their mythological fates and escaping Troy with Aeneas was previously seen in the 1956 film ''Film/HelenOfTroy.'' The difference here is that Aeneas is DemotedToExtra.
**
Peleus undergoing DeathByAdaptation was previously seen in the 1962 film "Fury of Achilles".
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* CommonKnowledge: The portrayal of Achilles is typically referred to as having been "straightwashed" despite the fact that Achilles and Patroclus actually were kinsmen and were not portrayed as lovers in the Iliad, being AmbiguouslyBi at the most. The portrayal of them as lovers is post-Homeric.

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* CommonKnowledge: The portrayal of Achilles is typically referred to as having been "straightwashed" despite the fact that Achilles and Patroclus actually were kinsmen and close friends and were not portrayed as lovers in the Iliad, being AmbiguouslyBi at the most. The portrayal of them as lovers is post-Homeric.
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* CommonKnowledge: The portrayal of Achilles is typically referred to as having been "straightwashed" despite the fact that Achilles and Patroclus actually were kinsmen and were not portrayed as lovers in the Iliad, being AmbiguouslyBi at the most. The portrayal of them as lovers is post-Homeric.
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* FridgeBrilliance: In ''Literature/TheIliad'', whenever Achilles gets so royally pissed off at Agamemnon that he risks dissolving the Greek alliance, Athena, known for her wisdom and temperance in battle, is the one who restrains him from acting rashly. In the film, whenever the conflict between Achilles and Agamemnon starts to get out of hand or threatens the Greek alliance, Nestor talks the men down by appealing to their rationality and invoking TheNeedsOfTheMany - effectively representing Athena's wisdom in the more mundane setting.

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* FridgeBrilliance: In ''Literature/TheIliad'', whenever Achilles gets so royally pissed off at Agamemnon that he risks dissolving the Greek alliance, Athena, known for her wisdom and temperance in battle, is the one who restrains him from acting rashly. In the film, whenever the conflict between Achilles and Agamemnon starts to get out of hand or threatens the Greek alliance, Nestor talks the men down by appealing to their rationality and invoking TheNeedsOfTheMany - effectively representing Athena's wisdom standing in for Athena in the more mundane setting.
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* FridgeBrilliance: In ''Literature/TheIliad'', whenever Achilles gets so royally pissed off at Agamemnon that he risks dissolving the Greek alliance, Athena, known for her wisdom and temperance in battle, is the one who restrains him from acting rashly. In the film, whenever the conflict between Achilles and Agamemnon starts to get out of hand or threatens the Greek alliance, Nestor talks the men down by appealing to their rationality and invoking TheNeedsOfTheMany - effectively representing Athena's wisdom in the more mundane setting.
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** Patroclus actually was a kinsman of Achilles and they were not lovers in the Iliad, but merely close friends. The portrayal of them as lovers is Post-Homeric.

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** Patroclus actually was a kinsman of Achilles and they were not lovers in the Iliad, but merely close friends.friends who were at the most AmbiguouslyBi. The portrayal of them as lovers is Post-Homeric.
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** The ''Warriors'' game copies the look of Achilles in the movie with the long blond hair and the black armor and shield, and also his signature leaping downward attack.

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** The ''Warriors'' game copies the look of Achilles in the movie with the long blond hair (though as mentioned, he was described as having blond hair in the myths) and the black armor and shield, and also his signature leaping downward attack.
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** The film expects us to empathize with Paris at least to an extent, (he is admittedly a much more mature person by the end of the film instead of the petulant child he was at the start of it) but the whole Trojan War being somewhat his fault (he gave Agamemnon the pretext he needed to launch an invasion), his extremely petty and infantile reasons for doing so (which involve stealing another man’s wife, albeit a trophy wife who bore no love for him, which is especially bad when you consider, as a handsome and charming young prince of Troy, he can presumably have just about any woman he wants), and his DirtyCoward behavior, both in the duel with Menelaus (he makes a big deal about how he’s going to settle it just between the two of them, only to pussy out and ''beg'' his brother to save him when he begins to lose after he explicitly said that he wouldn’t do that, leading to the truce being broken and more bloodshed on both sides) and his treacherous killing of Achilles (shooting him with an arrow whilst his back is turned and he's standing literally ''right next to Paris's own cousin'') in revenge for his killing of Hector (which you can of course easily argue is just as much Paris's fault, perhaps even ''more'' so), plus the fact that [[SparedByTheAdaptation he apparently gets to survive]] [[KarmaHoudini completely unscathed despite all the ruined lives he is partially responsible for by the end of the film]], make him '''very''' hard to sympathize with.

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** The film expects us to empathize with Paris at least to an extent, (he is admittedly a much more mature person by the end of the film instead of the petulant child he was at the start of it) but the whole Trojan War being somewhat his fault (he gave Agamemnon the pretext he needed to launch an invasion), his extremely petty and infantile reasons for doing so (which involve stealing another man’s wife, albeit a trophy wife who bore no love for him, which is especially bad when you consider, as a handsome and charming young prince of Troy, he can presumably have just about any woman he wants), and his DirtyCoward behavior, both in the duel with Menelaus (he makes a big deal about how he’s going to settle it just between the two of them, only to pussy chicken out and ''beg'' his brother to save him when he begins to lose after he explicitly said that he wouldn’t do that, leading to the truce being broken and more bloodshed on both sides) and his treacherous killing of Achilles (shooting him with an arrow whilst his back is turned and he's standing literally ''right next to Paris's own cousin'') in revenge for his killing of Hector (which you can of course easily argue is just as much Paris's fault, perhaps even ''more'' so), plus the fact that [[SparedByTheAdaptation he apparently gets to survive]] [[KarmaHoudini completely unscathed despite all the ruined lives he is partially responsible for by the end of the film]], make him '''very''' hard to sympathize with.
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*** Did Menelaus toss his shield aside at the start of his duel with Paris out of confidence that he wouldn't need it to win (and he ultimately didn't), or did he do it to lure the inexperienced prince into facing him head-on (which Hector bluntly told his brother ''not'' to do)? Either makes sense: Menelaus certainly has a lot of confidence in his abilities (and rightly so), and he's experienced enough to notice that Paris is smaller and likely quicker, but has ''also'' never fought before, and thus can be tricked into not playing on his strengths.
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** Speaking of Menelaus, he claims he wants to kill Paris as a matter of honor, but he's willing to violate a pact by promising Agamemnon that the latter can sack Troy regardless of how the duel with Paris ends. Was Menelaus simply a hypocrite whose claims of honor were empty? Was he so obsessed with killing Paris that he rashly told Agamemnon what he wanted to hear to get his revenge? Did he figure the Trojans deserved it for breaking SacredHospitality (a ''very'' big deal in Ancient Greece, presided over by none other than ''Zeus himself'') earlier in the film? A bit of all three?
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*** She later claims that Menelaos "lived for battle", which is ''blatantly'' contradicted by his sincere desire to make peace with Troy in the film's opening. Was she trying to alleviate Paris' guilt over his cowardice, or did she simply assume that Menelaos was a BloodKnight since he, by his own admission, had always fought his older brother's wars for him without question, with Helen never bothering to ask her husband if he ''really'' enjoyed it or not?
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** Did Briseis only fall for Achilles out of StockholmSyndrome?[[note]]Unlikely since her behaviour does not show any sign of Stockholm Syndrome, which involves attachment even while being abused.[[/note]] Or was she genuinely impressed by him not being a total "dumb brute"? Or a third camp suggests that she may have decided to become his lover out of pragmatism - as Achilles was at least decent to her and therefore a better option than being gang raped by the other men. Another way to read their sex scene is that she may have expected she would be raped soon, and chose to give herself to Achilles as a way of making sure she at least had some choice in losing her virginity.

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** Did Briseis only fall for Achilles out of StockholmSyndrome?[[note]]Unlikely AMatchMadeInStockholm?[[note]]Unlikely since her behaviour does not show any sign of Stockholm Syndrome, which involves attachment even while being abused.[[/note]] Or was she genuinely impressed by him not being a total "dumb brute"? Or a third camp suggests that she may have decided to become his lover out of pragmatism - as Achilles was at least decent to her and therefore a better option than being gang raped by the other men. Another way to read their sex scene is that she may have expected she would be raped soon, and chose to give herself to Achilles as a way of making sure she at least had some choice in losing her virginity.
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* AlternateCharacterInterpretation:

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* AlternateCharacterInterpretation:AlternativeCharacterInterpretation:
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** The ''Warriors'' game copies the look of Achilles in the movie with the long blond hair and the black armor and shield.

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** The ''Warriors'' game copies the look of Achilles in the movie with the long blond hair and the black armor and shield.shield, and also his signature leaping downward attack.
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* SugarWiki/AwesomeMusic: Just listen to the movie's end theme, "[[https://www.youtube.com/watch?v=Fd6KhPcwLHs Remember]]", by Josh Groban.
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** The movie bucks centuries of convention in the arts by avoiding a "classical Greek hoplite" look, due to taking place earlier than those visuals would have existed. Contrast this to earlier SwordAndSandal movies about the Trojan War, including ''Film/HelenOfTroy'' from 1956, and also the miniseries of the same name from 2003. Later portrayals like ''VideoGame/WarriorsLegendsOfTroy'', ''Series/TroyFallOfACity'' and ''VideoGame/TroyATotalWarSaga'' also avoid the classical hoplite look. While the movie is not unique in this (''ComicBook/AgeOfBronze'' started in 1998, for instance), it's the most well-known version to do so.

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** The movie bucks centuries of convention in the arts by avoiding a "classical Greek hoplite" look, due to taking place earlier than those visuals would have existed. Contrast this to earlier SwordAndSandal movies about the Trojan War, including ''Film/HelenOfTroy'' from 1956, and also the miniseries of the same name from 2003. Later portrayals like ''VideoGame/WarriorsLegendsOfTroy'', ''Series/TroyFallOfACity'' and ''VideoGame/TroyATotalWarSaga'' ''VideoGame/ATotalWarSagaTroy'' also avoid the classical hoplite look. While the movie is not unique in this (''ComicBook/AgeOfBronze'' started in 1998, for instance), it's the most well-known version to do so.
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* AudienceColoringAdaptation: The movie influenced subsequent media portrayals of the Trojan War.
** The movie bucks centuries of convention in the arts by avoiding a "classical Greek hoplite" look, due to taking place earlier than those visuals would have existed. Contrast this to earlier SwordAndSandal movies about the Trojan War, including ''Film/HelenOfTroy'' from 1956, and also the miniseries of the same name from 2003. Later portrayals like ''VideoGame/WarriorsLegendsOfTroy'', ''Series/TroyFallOfACity'' and ''VideoGame/TroyATotalWarSaga'' also avoid the classical hoplite look. While the movie is not unique in this (''ComicBook/AgeOfBronze'' started in 1998, for instance), it's the most well-known version to do so.
** The ''Fall of a City'' TV series and the trailer for the ''Total War Saga'' video game have their own takes on the movie-original scene where Achilles yells for Hector to come out of Troy. In the show he kills Trojan prisoners until Hector shows up, and in the game's trailer it happens in the middle of a battle.
** The ''Warriors'' game copies the look of Achilles in the movie with the long blond hair and the black armor and shield.

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