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* CompleteMonster: [[BigBad Shiwan Khan]] is a [[SingleLineOfDescent descendant]] of [[UsefulNotes/GenghisKhan Genghis Khan]] who wishes to follow in his ancestor's footsteps and try to TakeOverTheWorld. Unlike Lamont Cranston [[TheAtoner who regrets the evil acts he has done in the past]], Khan revels in his evil deeds. Khan uses his PsychicPowers to [[PsychicAssistedSuicide force a security guard to kill himself]], he forces a cabbie to crash into a gas tanker and make a sailor jump off the Empire State Building, [[DisproportionateRetribution because the sailor made fun of the way Khan dresses]]. Khan also forces Margo Lane, Cranston's LoveInterest to try and murder Cranston, [[TheCorrupter hoping that Cranston would kill her instead and then return to his old evil ways]]. Khan also [[BadBoss kills one of his Mongol warriors when Cranston was able to control him]]. Khan kidnaps Margo's father, a nuclear physicist and forces him to build a crude nuclear weapon. Khan is planning to [[NukeEm use this nuclear weapon to destroy New York City]], so the world will bow in fear to him.
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* NightmareFuel: As awesome as the Shadow is and as he's firmly planted on the side of right [[GoodIsNotNice he's no nice guy]] and he has no qualms about harming you or [[ManipulativeBastard even tricking you into killing yourself]] and if you're one of his agents, you'd best behave yourself and do as he orders...
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* SpecialEffectsFailure: In the establishing shot on the bridge, the Shadow's long cloak is ''supposed'' to ominously billow out behind him, but he isn't wearing one. This is because the cloak was intended to be a CG element, but there wasn't time to composite it in.

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* SpecialEffectsFailure: In the establishing shot on the bridge, the Shadow's long cloak is ''supposed'' to ominously billow out behind him, but he isn't wearing one. This is because the cloak was intended to be a CG element, but there wasn't time to composite it in. Less "Special Effects Failure" and more "Special Effects Absence".
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* AwesomeMusic: JerryGoldsmith's beautiful score for the movie, as well as Taylor Dane's "Original Sin" and The Shadow's theme-tune.

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* AwesomeMusic: JerryGoldsmith's Music/JerryGoldsmith's beautiful score for the movie, as well as Taylor Dane's "Original Sin" and especially [[https://www.youtube.com/watch?v=7iI5urovHYI The Shadow's theme-tune.theme-tune]] and Taylor Dayne's "[[https://www.youtube.com/watch?v=ehAnATDG_FE Original Sin]]".
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* OlderThanTheyThink: This applies to the action figure line that accompanied the movie. One would believe that Dr. Mocquino, the Voodoo Master, was a toyline-specific villain, but he did, in fact appear in the pulp magazines and radio show.
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!!The pinball machine:
* {{Narm}}: One of the messages during the AttractMode is "AIDS is real - Protect yourself"

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* JumpingTheShark: While the quality of the stories was said to have declined after the war (they were very certainly shorter -- the magazine had been cut to digest-size due to wartime paper rationing), the true shark jump would have to be after Walter Gibson was summarily fired, along with the magazine's editorial staff. In Gibson's place was Bruce Eliott, a friend and fellow magician who also dabbled in pulp writing. In place of the previous editor was Babbette Rosamund, who strove to turn the pulp into a more "literary" mystery magazine. The exercise failed. Eliott's stories became [[FairPlayWhodunnit stock detective stories]] often starring Lamont Cranston and Commissioner Weston, with, at most, a token cameo by The Shadow. More often than not, the shadow did not appear or was mentioned in the Eliott stories. The covers lost their lush painted pulp illustrations in favor of pop-art-style pieces. In the end, amid a nose-dive in sales Street And Smith decided to cut their losses. They fired Elliott and Rosamund, and begged Gibson and old ''Shadow Magazine'' editor William de Grouchy to return. They returned to the old formula. Fans may have been happy, but the move was too little, too late. The magazine folded four issues after Gibson's return.

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* JumpingTheShark: While the quality of the stories was said to have declined after the war (they were very certainly shorter -- the magazine had been cut to digest-size due to wartime paper rationing), the true shark jump would have to be after Walter Gibson was summarily fired, along with the magazine's editorial staff. In Gibson's place was Bruce Eliott, a friend and fellow magician who also dabbled in pulp writing. In place of the previous editor was Babbette Rosamund, who strove to turn the pulp into a more "literary" mystery magazine. The exercise failed. Eliott's stories became [[FairPlayWhodunnit stock detective stories]] often starring Lamont Cranston and Commissioner Weston, with, at most, a token cameo by The Shadow. More often than not, the shadow did not appear or was mentioned in the Eliott stories. The covers lost their lush painted pulp illustrations in favor of pop-art-style pieces. In the end, amid a nose-dive in sales Street And Smith decided to cut their losses. They fired Elliott and Rosamund, and begged Gibson and old ''Shadow Magazine'' editor William de Grouchy to return. They returned to the old formula. Fans may have been happy, but the move was too little, too late. The magazine folded four issues after Gibson's return.

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* AwesomeMusic: "Omphale's Spinning Wheel" by Camille-Saint-Saens for the radio version, and JerryGoldsmith's beautiful score for the movie, as well as Taylor Dane's "Original Sin" and The Shadow's theme-tune.

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* AwesomeMusic: "Omphale's Spinning Wheel" by Camille-Saint-Saens for Camille-Saint-Saens. "Who knows what evil lurks in the radio version, and JerryGoldsmith's beautiful score for the movie, as well as Taylor Dane's "Original Sin" and The Shadow's theme-tune.hearts of men?"




!!The 1994 movie:
* AwesomeMusic: JerryGoldsmith's beautiful score for the movie, as well as Taylor Dane's "Original Sin" and The Shadow's theme-tune.




!!The 1994 movie:
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** But still, that shot of him standing there and just [[DeathGlare staring the villains down]] is [[CrowningMomentOfAwesome still pretty darn cool.]]
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Please present all Complete Monster candidates in this thread.


* CompleteMonster: Many of the Shadow's foemen would count, but special mention has to be made of Huxley Drune and Gordon Colgarth from ''The Salamanders''. Their base plan, [[spoiler: which is setting arson fires so they can steal safes]], is bad enough, but they leap with wild abandon over the MoralEventHorizon when [[spoiler: their final planned arson will destroy an entire town]] ''and they figure that in as part of the plot.''
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* CompleteMonster: Many of the Shadow's foemen would count, but special mention has to be made of Huxley Drune and Gordon Colgarth from ''The Salamanders''. Their base plan, [[spoiler: which is setting arson fires so they can steal safes]], is bad enough, but they leap with wild abandon over the MoralEventHorizon when [[spoiler: their final planned arson will destroy an entire town]] ''and they figure that in as part of the plot.''
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** The Perfur is pretty scary as well.

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** The Perfur Phurba is pretty scary as well.
* SpecialEffectsFailure: In the establishing shot on the bridge, the Shadow's long cloak is ''supposed'' to ominously billow out behind him, but he isn't wearing one. This is because the cloak was intended to be a CG element, but there wasn't time to composite it in.

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It says quite clearly on the page for And The Fandom Rejoiced not to link to it on the wiki; it is for in-universe examples or links from the descriptions at the beginning of trope pages only. Also, Crowning Music Of Awesome is the old name for Awesome Music; there\'s no good reason to have entries for both.


* AwesomeMusic: "Omphale's Spinning Wheel" by Camille-Saint-Saens for the radio version, and JerryGoldsmith's beautiful score for the movie.
* CrowningMusicOfAwesome: Taylor Dane's "Original Sin" and The Shadow's theme-tune.

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* AwesomeMusic: "Omphale's Spinning Wheel" by Camille-Saint-Saens for the radio version, and JerryGoldsmith's beautiful score for the movie.
* CrowningMusicOfAwesome:
movie, as well as Taylor Dane's "Original Sin" and The Shadow's theme-tune.



* JumpingTheShark: While the quality of the stories was said to have declined after the war (they were very certainly shorter -- the magazine had been cut to digest-size due to wartime paper rationing), the true shark jump would have to be after Walter Gibson was summarily fired, along with the magazine's editorial staff. In Gibson's place was Bruce Eliott, a friend and fellow magician who also dabbled in pulp writing. In place of the previous editor was Babbette Rosamund, who strove to turn the pulp into a more "literary" mystery magazine. The exercise failed. Eliott's stories became [[FairPlayWhodunnit stock detective stories]] often starring Lamont Cranston and Commissioner Weston, with, at most, a token cameo by The Shadow. More often than not, the shadow did not appear or was mentioned in the Eliott stories. The covers lost their lush painted pulp illustrations in favor of pop-art-style pieces. In the end, amid a nose-dive in sales Street And Smith decided to cut their losses. They fired Elliott and Rosamund, and begged Gibson and old ''Shadow Magazine'' editor William de Grouchy to return. They returned to the old formula. [[AndTheFandomRejoiced Fans may have been happy]], but the move was too little, too late. The magazine folded four issues after Gibson's return.

to:

* JumpingTheShark: While the quality of the stories was said to have declined after the war (they were very certainly shorter -- the magazine had been cut to digest-size due to wartime paper rationing), the true shark jump would have to be after Walter Gibson was summarily fired, along with the magazine's editorial staff. In Gibson's place was Bruce Eliott, a friend and fellow magician who also dabbled in pulp writing. In place of the previous editor was Babbette Rosamund, who strove to turn the pulp into a more "literary" mystery magazine. The exercise failed. Eliott's stories became [[FairPlayWhodunnit stock detective stories]] often starring Lamont Cranston and Commissioner Weston, with, at most, a token cameo by The Shadow. More often than not, the shadow did not appear or was mentioned in the Eliott stories. The covers lost their lush painted pulp illustrations in favor of pop-art-style pieces. In the end, amid a nose-dive in sales Street And Smith decided to cut their losses. They fired Elliott and Rosamund, and begged Gibson and old ''Shadow Magazine'' editor William de Grouchy to return. They returned to the old formula. [[AndTheFandomRejoiced Fans may have been happy]], happy, but the move was too little, too late. The magazine folded four issues after Gibson's return.
Is there an issue? Send a MessageReason:
None


* JumpingTheShark: While the quality of the stories was said to have declined after the war, the true shark jump would have to be after Walter Gibson was summarily fired, along with the magazine's editorial staff. In Gibson's place was Bruce Eliott, a friend and fellow magician who also dabbled in pulp writing. In place of the previous editor was Babbette Rosamund, who strove to turn the pulp into a more "literary" mystery magazine. The exercise failed. Eliott's stories became [[FairPlayWhodunnit stock detective stories]] often starring Lamont Cranston and Commissioner Weston, with, at most, a token cameo by The Shadow. More often than not, the shadow did not appear or was mentioned in the Eliott stories. The covers lost their lush painted pulp illustrations in favor of pop-art-style pieces. In the end, amid a nose-dive in sales Street And Smith decided to cut their losses. They fired Elliott and Rosamund, and begged Gibson and old ''Shadow Magazine'' editor William de Grouchy to return. They returned to the old formula. [[AndTheFandomRejoiced Fans may have been happy]], but the move was too little, too late. The magazine folded four issues after Gibson's return.

to:

* JumpingTheShark: While the quality of the stories was said to have declined after the war, war (they were very certainly shorter -- the magazine had been cut to digest-size due to wartime paper rationing), the true shark jump would have to be after Walter Gibson was summarily fired, along with the magazine's editorial staff. In Gibson's place was Bruce Eliott, a friend and fellow magician who also dabbled in pulp writing. In place of the previous editor was Babbette Rosamund, who strove to turn the pulp into a more "literary" mystery magazine. The exercise failed. Eliott's stories became [[FairPlayWhodunnit stock detective stories]] often starring Lamont Cranston and Commissioner Weston, with, at most, a token cameo by The Shadow. More often than not, the shadow did not appear or was mentioned in the Eliott stories. The covers lost their lush painted pulp illustrations in favor of pop-art-style pieces. In the end, amid a nose-dive in sales Street And Smith decided to cut their losses. They fired Elliott and Rosamund, and begged Gibson and old ''Shadow Magazine'' editor William de Grouchy to return. They returned to the old formula. [[AndTheFandomRejoiced Fans may have been happy]], but the move was too little, too late. The magazine folded four issues after Gibson's return.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* JumpingTheShark: While the quality of the stories was said to have declined after the war, the true shark jump would have to be after Walter Gibson was summarily fired, along with the magazine's editorial staff. In Gibson's place was Bruce Eliott, a friend and fellow magician who also dabbled in pulp writing. In place of the previous editor was Babbette Rosamund, who strove to turn the pulp into a more "literary" mystery magazine. The exercise failed. Eliott's stories became [[FairPlayWhodunnit stock detective stories]] often starring Lamont Cranston and Commissioner Weston, with, at most, a token cameo by The Shadow. More often than not, the shadow did not appear or was mentioned in the Eliott stories. The covers lost their lush painted pulp illustrations in favor of pop-art-style pieces. In the end, amid a nose-dive in sales Street And Smith decided to cut their losses. They fired Elliott and Rosamund, and begged Gibson and old ''Shadow Magazine'' editor William de Grouchy to return. They returned to the old formula. [[AndTheFandomRejoiced Fans may have been happy]], but the move was too little, too late. The magazine folded four issues after Gibson's return.

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Cut CM entry for having no context; if anyone wants to re-add, discuss it here first.


* CompleteMonster: Shiwan Khan makes the Shadow's evil side look like a pretty nice guy.



** Literally. Lamont's nightmare that he tears off his own face, revealing Shiwan Khan's undeneath.

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** Literally. Lamont's nightmare that he tears off his own face, revealing Shiwan Khan's undeneath.
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None


* AwesomeMusic: "Omphale's Spinning Wheel" by Camille-Saint-Saens for the radio version, and JerryGoldsmith's beautiful score for he movie.

to:

* AwesomeMusic: "Omphale's Spinning Wheel" by Camille-Saint-Saens for the radio version, and JerryGoldsmith's beautiful score for he the movie.

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Moving some of the movie examples


* CompleteMonster: Shiwan Khan makes the Shadow's evil side look like a pretty nice guy.


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!!The 1994 movie:
* CompleteMonster: Shiwan Khan makes the Shadow's evil side look like a pretty nice guy.

Added: 171

Changed: 39

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* CompleteMonster: Shiwan Khan makes the Shadow's evil side look like a pretty nice guy.
* CrowningMusicOfAwesome: Taylor Dane's "Original Sin" and The Shadow's theme-tune.



* {{Narm}}: The Lanes are hypnotized by a... cigarette billboard.

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* {{Narm}}: The Lanes are hypnotized by a...a ... cigarette billboard.




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** The Perfur is pretty scary as well.

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Cleanup project — only use this when it happens in-universe.


* AndTheFandomRejoiced: The first Shadow comic since [[TheMovie something effectively killed the franchise in 1995]] is being written by GarthEnnis.



** Come to think of it, Shiwan Khan [[NightmareFuelStationAttendant in general]]. Any guy who can hypnotise you into killing yourself and does so for fun is pretty NF.

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** Come to think of it, Shiwan Khan [[NightmareFuelStationAttendant in general]]. Any guy who can hypnotise you into killing yourself and does so for fun is pretty NF.NF.

----
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* AwesomeMusic: "Omphale's Spinning Wheel" by Camille-Saint-Saens for the radio version, and AwesomeMusic/JerryGoldsmith's beautiful score for he movie.

to:

* AwesomeMusic: "Omphale's Spinning Wheel" by Camille-Saint-Saens for the radio version, and AwesomeMusic/JerryGoldsmith's JerryGoldsmith's beautiful score for he movie.
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None


* AwesomeMusic: "Omphale's Spinning Wheel" by Camille-Saint-Saens for the radio version, and Jerry Goldsmith's beautiful score for he movie.

to:

* AwesomeMusic: "Omphale's Spinning Wheel" by Camille-Saint-Saens for the radio version, and Jerry Goldsmith's AwesomeMusic/JerryGoldsmith's beautiful score for he movie.

Added: 282

Removed: 292

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* HighOctaneNightmareFuel: Literally. Lamont's nightmare that he tears off his own face, revealing Shiwan Khan's undeneath.
** Come to think of it, Shiwan Khan [[NightmareFuelStationAttendant in general]]. Any guy who can hypnotise you into killing yourself and does so for fun is pretty HONF.



* {{Narm}}: The Lanes are hypnotized by a... cigarette billboard.

to:

* {{Narm}}: The Lanes are hypnotized by a... cigarette billboard.billboard.
* NightmareFuel:
** Literally. Lamont's nightmare that he tears off his own face, revealing Shiwan Khan's undeneath.
** Come to think of it, Shiwan Khan [[NightmareFuelStationAttendant in general]]. Any guy who can hypnotise you into killing yourself and does so for fun is pretty NF.
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clarifying

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!!1930 radio series and resulting franchise:
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* AwesomeMusic: "Omphale's Spinning Wheel" by Camille-Saint-Saens for the radio version, and Jerry Goldsmith's beautiful score for he movie.
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None


AndTheFandomRejoiced: The first Shadow comic since [[TheMovie something effectively killed the franchise in 1995]] is being written by GarthEnnis.

to:

* AndTheFandomRejoiced: The first Shadow comic since [[TheMovie something effectively killed the franchise in 1995]] is being written by GarthEnnis.
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YMMV move

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AndTheFandomRejoiced: The first Shadow comic since [[TheMovie something effectively killed the franchise in 1995]] is being written by GarthEnnis.
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* FairForItsDay: While many parts of the pulps are horribly racist, the Shadow is also notable for having an Asian and an African-American as agents at a time when they would usually have been villains or useless.
* FamilyUnfriendlyAesop: The radio episode "The Spider Boy." Thanks to ValuesDissonance, we are told that DomesticAbuse is a minor peccadillo that can be solved simply by apologizing to the victim...but that owning an unusual pet (a large spider) that at no time harms or even threatens to harm a human being is a horrific crime deserving of a KarmicDeath.
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** Come to think of it, Shiwan Khan. Any guy who can hypnotise you into killing yourself and does so for fun is pretty HONF.

to:

** Come to think of it, Shiwan Khan.Khan [[NightmareFuelStationAttendant in general]]. Any guy who can hypnotise you into killing yourself and does so for fun is pretty HONF.
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* HighOctaneNightmareFuel: Literally. Lamont's nightmare that he tears off his own face, revealing Shiwan Khan's undeneath.
** Come to think of it, Shiwan Khan. Any guy who can hypnotise you into killing yourself and does so for fun is pretty HONF.
* MagnificentBastard: Khan and to an extent Lamont himself.

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