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* SugarWiki/VisualEffectsOfAwesome: It's something you might not even notice, but during the car chase scene there's [[TheOner a single unbroken shot]] where the camera pulls back out of one of the cars, moves down the road, then into one of the pursuing cars and out the other side. ''This was actually done with practical effects.'' As [=WhatCulture=] showed on their list of [[https://youtu.be/WPDIFKr4D-U?t=226 9 Movie Special Effects Nobody Believed]], the camera was manually pulled out of the first car by a cameraman on a dolly and passed to another cameraman in the second car, who then passed it behind the driver through the rear window to another cameraman hidden on a platform attached to the other side of the second car. But why couldn't you see the second cameraman in the second car? ''[[HiddenInPlainSight He was disguised as the passenger seat!]]'' To go to ''so much effort'' for a shot that, while cool-looking, isn't necessarily something that the average viewer wouldn't even really register, has to be a shining example of DoingItForTheArt.
to:
* SugarWiki/VisualEffectsOfAwesome: It's something you might not even notice, but during the car chase scene there's [[TheOner a single unbroken shot]] where the camera pulls back out of one of the cars, moves down the road, then into one of the pursuing cars and out the other side. ''This was actually done with practical effects.'' As [=WhatCulture=] showed on their list of [[https://youtu.be/WPDIFKr4D-U?t=226 9 Movie Special Effects Nobody Believed]], the camera was manually pulled out of the first car by a cameraman on a dolly and passed to another cameraman in the second car, who then passed it behind the driver through the rear window to another cameraman hidden on a platform attached to the other side of the second car. But why couldn't you see the second cameraman in the second car? ''[[HiddenInPlainSight He was disguised as the passenger seat!]]'' To go to ''so much effort'' for a shot that, while cool-looking, isn't necessarily something that the average viewer wouldn't even really register, has to be a shining example of DoingItForTheArt.but is still awesome.
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* EvilIsCool: Baseball Bat Man and Hammer Girl, they proved to be a competent match for TheHero.
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* EvilIsCool: Baseball Bat Man and Hammer Girl, they proved to be a competent match for TheHero. There is also Prakoso, the PunchClockVillain ProfessionalKiller played by the same actor who played Mad Dog in the first film.
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* EvilIsCool: Baseball Bat Man and Hammer Girl, they proved to be a competent match for TheHero.
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Adding Ensemble Darkhorse here if it’s okay to do so.
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* EnsembleDarkhorse: Baseball Bat Man and Hammer Girl for being a SiblingTeam with an impressive degree of skill with their respective weapons.
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* MagnificentBastard: Rama. See the page for [[Film/TheRaid the first film]] for details.
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* MagnificentBastard: MagnificentBastard:
** Rama. See the page for [[Film/TheRaid the first film]] fordetails.details.
** Bunawar is the superior to Rama in the police force and one of the few honest police officials around. Still a ruthless man, Bunawar executes the captive, corrupt Wahyo and gives Rama an ultimatum to infiltrate the Bangun crime family. Sending many moles undercover, Bunawar keeps them unaware of one another after one of them apparently went rogue and caused the deaths of ten good cops. Bunawar uses Rama to find information, intending on getting him close enough to bring down the corrupt police chief Reza and despite his chary attitude towards his moles' safety, Bunawar does not hesitate to put himself at risk to rush to assist Rama at the climax as the Bangun family falls.
** Rama. See the page for [[Film/TheRaid the first film]] for
** Bunawar is the superior to Rama in the police force and one of the few honest police officials around. Still a ruthless man, Bunawar executes the captive, corrupt Wahyo and gives Rama an ultimatum to infiltrate the Bangun crime family. Sending many moles undercover, Bunawar keeps them unaware of one another after one of them apparently went rogue and caused the deaths of ten good cops. Bunawar uses Rama to find information, intending on getting him close enough to bring down the corrupt police chief Reza and despite his chary attitude towards his moles' safety, Bunawar does not hesitate to put himself at risk to rush to assist Rama at the climax as the Bangun family falls.
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* CompleteMonster: [[AmbitionIsEvil Bejo]] acts as TheCorrupter to the [[WellDoneSonGuy young gangster Uco]], son of the top gangster of Jakarta, Bangun, who Uco feels has grown soft. Bejo shows his ambition in [[EstablishingCharacterMoment the opening scene]] by having protagonist Rama's brother executed via shotgun to the head for being a threat to him. He manipulates Uco by allowing him to slit the throats of men who had supposedly been behind an attempt on Uco's life--which Bejo was really behind--and convinced Uco to betray and murder Bangun's old friend and top assassin Prakoso, who has been like an uncle to Uco, and frame the rival Japanese gang for it, thereby provoking a MobWar. After Bangun refuses to declare war, Bejo then dispatches his legions of assassins to provoke the Japanese gang by murdering several of their targets. When Bangun still refuses and reconciles with the Japanese, Bejo tricks Uco into murdering his own father. Driven by nothing more than greed and ambition, Bejo will stop at nothing to climb the ladder in Jakarta's underworld no matter how many bodies he leaves in his wake.
to:
* CompleteMonster: [[AmbitionIsEvil Bejo]] acts as TheCorrupter to the [[WellDoneSonGuy young gangster Uco]], son of the top gangster of Jakarta, Bangun, who Uco feels has grown soft. Bejo shows his ambition in [[EstablishingCharacterMoment the opening scene]] by having protagonist Rama's brother executed via shotgun to the head for being a threat to him. He manipulates Uco by allowing him to slit the throats of men who had supposedly been behind an attempt on Uco's life--which Bejo was really behind--and convinced Uco to betray and murder Bangun's old friend and top assassin Prakoso, who has been like an uncle to Uco, and frame the rival Japanese gang for it, thereby provoking a MobWar. After Bangun refuses to declare war, Bejo then dispatches his legions of assassins to provoke the Japanese gang by murdering several of their targets.members. When Bangun still refuses and reconciles with the Japanese, Bejo tricks Uco into murdering his own father. Driven by nothing more than greed and ambition, Bejo will stop at nothing to climb the ladder in Jakarta's underworld no matter how many bodies he leaves in his wake.
* MagnificentBastard: Rama. See the page for [[Film/TheRaid the first film]] for details.
* StoicWoobie: Rama has it much worse here than in the first film. He volunteers to become TheMole in the Indonesian underworld and what was supposed to be six month stay in a violent prison turns into two years. This is not helped by the constant beatings and danger he puts himself through by getting into Uco's good graces. The entire time, he misses his wife and young child. [[spoiler:His fate is ultimately unknown as the film ends with him injured and standing in front of dozens of yakuza gangsters, stating that he's "done".]]
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* TheWoobie: Prakoso chose life as a vagabond so that his family could enjoy all the wealth he had and not get chased by his enemies. [[spoiler:And then he got killed by The Assassin before he got any chance to meet his child in person]].
** StoicWoobie: Rama.
** StoicWoobie: Rama.
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* TheWoobie: Prakoso chose life as a vagabond so that his family could enjoy all the wealth he had and not get chased by his enemies. [[spoiler:And then he got killed by The Assassin before he got any chance to meet his child in person]].
** StoicWoobie: Rama.person]].
** StoicWoobie: Rama.
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* BigLippedAlligatorMoment: The scene in the prison visitation room comes off this way. A random man the audience has never seen before shows up, confusing even Rama, says his being there makes Rama “somebody” and acts hostile the entire time like he’s the one in danger. The audience receives no clarification of who the man is, and he never appears in the film again.
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* BigLippedAlligatorMoment: BigLippedAlligatorMoment:
** The scene in the prison visitation room comes off this way. A random man the audience has never seen before shows up, confusing even Rama, says his being there makes Rama “somebody” and acts hostile the entire time like he’s the one in danger. The audience receives no clarification of who the man is, and he never appears in the film again.
** The scene in the prison visitation room comes off this way. A random man the audience has never seen before shows up, confusing even Rama, says his being there makes Rama “somebody” and acts hostile the entire time like he’s the one in danger. The audience receives no clarification of who the man is, and he never appears in the film again.
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** The negotiation scene gives a rather funny example, courtesy of the mediator. He threatens to "disband" both Bangun's and Goto's organizations if they don't cease the conflict. This becomes funny if you have any knowledge of the Yakuza, which is an estimated ''400 years old'' and still going strong today. Threats of "disbanding" fall flat when an organization has that kind of history.
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** The negotiation scene gives a rather funny example, courtesy of the mediator. He threatens to "disband" both Bangun's and Goto's organizations if they don't cease the conflict. This becomes funny if you have any knowledge of the Yakuza, which is an estimated ''400 years old'' and still going strong today. Threats of "disbanding" fall flat when an organization has While the guy likely only meant disbanding Goto's own yakuza organization, it is still funny that kind of history.it sounds like he is threatening the entire yakuza business.
* OlderThanTheyThink: This is basically the film that introduced the karambit knives in modern martial arts cinema, with the duel between Rama and the Assassin being a highlight for them. However, those had already been featured in Creator/TonyJaa's ''Film/OngBak2'' five years earlier; they went unnoticed likely because that film featured many other weapons from Southeast Asia and the little knives weren't among the flashiest.
* OlderThanTheyThink: This is basically the film that introduced the karambit knives in modern martial arts cinema, with the duel between Rama and the Assassin being a highlight for them. However, those had already been featured in Creator/TonyJaa's ''Film/OngBak2'' five years earlier; they went unnoticed likely because that film featured many other weapons from Southeast Asia and the little knives weren't among the flashiest.
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** Prakoso looking at his son's photo for all of 30 seconds at most, and when the music cuts off, ''all 50+ people in the club'' have simply vanished. Did he pass out? Did he just not notice the clamor of that many people leaving? Who knows?
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** The second film's negotiation scene gives a rather funny example, courtesy of the mediator. He threatens to "disband" both Bangun's and Goto's organizations if they don't cease the conflict. This becomes funny if you have any knowledge of the Yakuza, which is an estimated ''400 years old'' and still going strong today. Threats of "disbanding" fall flat when an organization has that kind of history.
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** The second film's negotiation scene gives a rather funny example, courtesy of the mediator. He threatens to "disband" both Bangun's and Goto's organizations if they don't cease the conflict. This becomes funny if you have any knowledge of the Yakuza, which is an estimated ''400 years old'' and still going strong today. Threats of "disbanding" fall flat when an organization has that kind of history.
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* SugarWiki/HeReallyCanAct: Yayan Ruhian, hands down. His heartwrenching performance as Prakoso would not look out of place in a high-level drama film.
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* BigLippedAlligatorMoment: the scene in the prison visitation room comes off this way. A random man the audience has never seen before shows up, confusing even Rama, says his being there makes Rama “somebody” and acts hostile the entire time like he’s the one in danger. The audience receives no clarification of who the man is, and he never appears in the film again.
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* BigLippedAlligatorMoment: the The scene in the prison visitation room comes off this way. A random man the audience has never seen before shows up, confusing even Rama, says his being there makes Rama “somebody” and acts hostile the entire time like he’s the one in danger. The audience receives no clarification of who the man is, and he never appears in the film again.again.
** Similarly, the scene in the club [[spoiler: when Prakoso is murdered.]] Prakoso looks around the bustling club, full of people, catches the eye of a woman who is clearly creeped out by the homeless-looking guy staring at her, then looks at his son's picture for less than a minute, and when he looks up because the music cut off, ''every single patron of the club has disappeared.'' Did he somehow pass out? Did the professional killer and highly-skilled martial artist not notice 50+ people leaving the club in under 45 seconds? While it does lead to one of the best fights of the film, it's a jarring scene that is poorly explained.
** Similarly, the scene in the club [[spoiler: when Prakoso is murdered.]] Prakoso looks around the bustling club, full of people, catches the eye of a woman who is clearly creeped out by the homeless-looking guy staring at her, then looks at his son's picture for less than a minute, and when he looks up because the music cut off, ''every single patron of the club has disappeared.'' Did he somehow pass out? Did the professional killer and highly-skilled martial artist not notice 50+ people leaving the club in under 45 seconds? While it does lead to one of the best fights of the film, it's a jarring scene that is poorly explained.
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* BigLippedAlligatorMoment: the scene in the prison visitation room comes off this way. A random man the audience has never seen before shows up, confusing even Rama, says his being there makes Rama “somebody” and acts hostile the entire time like he’s the one in danger. The audience receives no clarification of who the man is, and he never appears in the film again.
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** The second film's negotiation scene gives a rather funny example, courtesy of the mediator. He threatens to "disband" both Bangun's and Goto's organizations if they don't cease the conflict. This becomes funny if you have any knowledge of the Yakuza, which is an estimated ''400 years old'' and still going strong today. Threats of "disbanding" fall flat when an organization has that kind of history.
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* CompleteMonster: [[EvilCripple Bejo]] acts as TheCorrupter to the [[WellDoneSonGuy young gangster Uco]], son of the top gangster of Jakarta, Bangun, who Uco feels has grown soft. Bejo shows his ambition in [[EstablishingCharacterMoment the opening scene]] by having protagonist Rama's brother executed via shotgun to the head for being a threat to him. He manipulates Uco by allowing him to slit the throats of men who had supposedly been behind an attempt on Uco's life--which Bejo was really behind--and convinced Uco to betray and murder Bangun's old friend and top assassin Prakoso, who has been like an uncle to Uco, and frame the rival Japanese gang for it, thereby provoking a MobWar. After Bangun refuses to declare war, Bejo then dispatches his legions of assassins to provoke the Japanese gang by murdering several of their targets. When Bangun still refuses and reconciles with the Japanese, Bejo tricks Uco into murdering his own father. Driven by nothing more than greed and ambition, Bejo will stop at nothing to climb the ladder in Jakarta's underworld no matter how many bodies he leaves in his wake.
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* CompleteMonster: [[EvilCripple [[AmbitionIsEvil Bejo]] acts as TheCorrupter to the [[WellDoneSonGuy young gangster Uco]], son of the top gangster of Jakarta, Bangun, who Uco feels has grown soft. Bejo shows his ambition in [[EstablishingCharacterMoment the opening scene]] by having protagonist Rama's brother executed via shotgun to the head for being a threat to him. He manipulates Uco by allowing him to slit the throats of men who had supposedly been behind an attempt on Uco's life--which Bejo was really behind--and convinced Uco to betray and murder Bangun's old friend and top assassin Prakoso, who has been like an uncle to Uco, and frame the rival Japanese gang for it, thereby provoking a MobWar. After Bangun refuses to declare war, Bejo then dispatches his legions of assassins to provoke the Japanese gang by murdering several of their targets. When Bangun still refuses and reconciles with the Japanese, Bejo tricks Uco into murdering his own father. Driven by nothing more than greed and ambition, Bejo will stop at nothing to climb the ladder in Jakarta's underworld no matter how many bodies he leaves in his wake.
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* CompleteMonster: [[EvilCripple Bejo]] acts as TheCorrupter to the [[WellDoneSonGuy young gangster Uco]], son of the top gangster of Jakarta, Bangun, who Uco feels has grown soft. Bejo shows his ambition in [[EstablishingCharacterMoment the opening scene]] by having the protagonist's brother executed via shotgun to the head for being a threat to him. He manipulates Uco by allowing him to slit the throats of men who had supposedly been behind an attempt on Uco's life--which Bejo was really behind--and convinced Uco to betray and murder Bangun's old friend and top assassin Prakoso, who has been like an uncle to Uco, and frame the rival Japanese gang for it, thereby provoking a MobWar. After Bangun refuses to declare war, Bejo then dispatches his legions of assassins to provoke the Japanese gang by murdering several of their targets. When Bangun still refuses and reconciles with the Japanese, Bejo tricks Uco into murdering his own father. Driven by nothing more than greed and ambition, Bejo will stop at nothing to climb the ladder in Jakarta's underworld no matter how many bodies he leaves in his wake.
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* CompleteMonster: [[EvilCripple Bejo]] acts as TheCorrupter to the [[WellDoneSonGuy young gangster Uco]], son of the top gangster of Jakarta, Bangun, who Uco feels has grown soft. Bejo shows his ambition in [[EstablishingCharacterMoment the opening scene]] by having the protagonist's protagonist Rama's brother executed via shotgun to the head for being a threat to him. He manipulates Uco by allowing him to slit the throats of men who had supposedly been behind an attempt on Uco's life--which Bejo was really behind--and convinced Uco to betray and murder Bangun's old friend and top assassin Prakoso, who has been like an uncle to Uco, and frame the rival Japanese gang for it, thereby provoking a MobWar. After Bangun refuses to declare war, Bejo then dispatches his legions of assassins to provoke the Japanese gang by murdering several of their targets. When Bangun still refuses and reconciles with the Japanese, Bejo tricks Uco into murdering his own father. Driven by nothing more than greed and ambition, Bejo will stop at nothing to climb the ladder in Jakarta's underworld no matter how many bodies he leaves in his wake.
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* CompleteMonster: [[EvilCripple Bejo]] acts as TheCorrupter to the [[WellDoneSonGuy young gangster Uco]], son of the top gangster of Jakarta, Bangun, who Uco feels has grown soft. Bejo shows his ambition in the opening scene by having the protagonist's brother executed via shotgun to the head for being a threat to him. He manipulates Uco by allowing him to slit the throats of men who had supposedly been behind an attempt on Uco's life--which Bejo was really behind--and convinced Uco to betray and murder Bangun's old friend and top assassin Prakoso, who has been like an uncle to Uco, and frame the rival Japanese gang for it, thereby provoking a MobWar. After Bangun refuses to declare war, Bejo then dispatches his legions of assassins to provoke the Japanese gang by murdering several of their targets. When Bangun still refuses and reconciles with the Japanese, Bejo tricks Uco into murdering his own father. Driven by nothing more than greed and {{ambition|Is Evil}}, Bejo will stop at nothing to climb the ladder in Jakarta's underworld no matter how many bodies he leaves in his wake.
to:
* CompleteMonster: [[EvilCripple Bejo]] acts as TheCorrupter to the [[WellDoneSonGuy young gangster Uco]], son of the top gangster of Jakarta, Bangun, who Uco feels has grown soft. Bejo shows his ambition in [[EstablishingCharacterMoment the opening scene scene]] by having the protagonist's brother executed via shotgun to the head for being a threat to him. He manipulates Uco by allowing him to slit the throats of men who had supposedly been behind an attempt on Uco's life--which Bejo was really behind--and convinced Uco to betray and murder Bangun's old friend and top assassin Prakoso, who has been like an uncle to Uco, and frame the rival Japanese gang for it, thereby provoking a MobWar. After Bangun refuses to declare war, Bejo then dispatches his legions of assassins to provoke the Japanese gang by murdering several of their targets. When Bangun still refuses and reconciles with the Japanese, Bejo tricks Uco into murdering his own father. Driven by nothing more than greed and {{ambition|Is Evil}}, ambition, Bejo will stop at nothing to climb the ladder in Jakarta's underworld no matter how many bodies he leaves in his wake.
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* CompleteMonster: [[EvilCripple Bejo]] acts as TheCorrupter to the [[WellDoneSonGuy young gangster Uco]], son of the top gangster of Jakarta, Bangun, who Uco feels has grown soft. Bejo shows his ambition in the opening scene by having the protagonist's brother [[BoomHeadshot executed via shotgun to the head]] for being a threat to him. He manipulates Uco by allowing him to slit the throats of men who had supposedly been behind an attempt on Uco's life (which Bejo was [[ManipulativeBastard really behind]]) and convinced Uco to betray and murder Bangun's old friend and top assassin Prakoso, who has been like an uncle to Uco, and frame the rival Japanese gang for it. After Bangun refuses to declare war, Bejo then dispatches his legions of assassins to provoke the Japanese gang by murdering several of their targets. When Bangun still refuses and reconciles with the Japanese, Bejo tricks Uco into murdering his own father. Driven by nothing more than greed and ambition, Bejo will stop at nothing to climb the ladder in Jakarta's underworld no matter how many bodies he leaves in his wake.
to:
* CompleteMonster: [[EvilCripple Bejo]] acts as TheCorrupter to the [[WellDoneSonGuy young gangster Uco]], son of the top gangster of Jakarta, Bangun, who Uco feels has grown soft. Bejo shows his ambition in the opening scene by having the protagonist's brother [[BoomHeadshot executed via shotgun to the head]] head for being a threat to him. He manipulates Uco by allowing him to slit the throats of men who had supposedly been behind an attempt on Uco's life (which life--which Bejo was [[ManipulativeBastard really behind]]) and behind--and convinced Uco to betray and murder Bangun's old friend and top assassin Prakoso, who has been like an uncle to Uco, and frame the rival Japanese gang for it.it, thereby provoking a MobWar. After Bangun refuses to declare war, Bejo then dispatches his legions of assassins to provoke the Japanese gang by murdering several of their targets. When Bangun still refuses and reconciles with the Japanese, Bejo tricks Uco into murdering his own father. Driven by nothing more than greed and ambition, {{ambition|Is Evil}}, Bejo will stop at nothing to climb the ladder in Jakarta's underworld no matter how many bodies he leaves in his wake.
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* SugarWiki/VisualEffectsOfAwesome: It's something you might not even notice, but during the car chase scene there's [[TheOner a single unbroken shot]] where the camera pulls back out of one of the cars, moves down the road, then into one of the pursuing cars and out the other side. ''This was actually done with practical effects.'' As [=WhatCulture=] showed on their list of [[https://youtu.be/WPDIFKr4D-U?t=226 9 Movie Special Effects Nobody Believed]], the camera was manually pulled out of the first car by a cameraman on a dolly and passed to another cameraman in the second car, who then passed it past the driver through to another cameraman hidden on a platform attached to the other side of the second car. But why couldn't you see the second cameraman in the second car? ''[[HiddenInPlainSight He was disguised as the passenger seat!]]'' To go to ''so much effort'' for a shot that, while cool-looking, isn't necessarily something that the average viewer wouldn't even really register, has to be a shining example of DoingItForTheArt.
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* SugarWiki/VisualEffectsOfAwesome: It's something you might not even notice, but during the car chase scene there's [[TheOner a single unbroken shot]] where the camera pulls back out of one of the cars, moves down the road, then into one of the pursuing cars and out the other side. ''This was actually done with practical effects.'' As [=WhatCulture=] showed on their list of [[https://youtu.be/WPDIFKr4D-U?t=226 9 Movie Special Effects Nobody Believed]], the camera was manually pulled out of the first car by a cameraman on a dolly and passed to another cameraman in the second car, who then passed it past behind the driver through the rear window to another cameraman hidden on a platform attached to the other side of the second car. But why couldn't you see the second cameraman in the second car? ''[[HiddenInPlainSight He was disguised as the passenger seat!]]'' To go to ''so much effort'' for a shot that, while cool-looking, isn't necessarily something that the average viewer wouldn't even really register, has to be a shining example of DoingItForTheArt.
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* SugarWiki/VisualEffectsOfAwesome: It's something you might not even notice, but during the car chase scene there's [[TheOner a single unbroken shot]] where the camera pulls back out of one of the cars, moves down the road, then into one of the pursuing cars and out the other side. ''This was actually done with practical effects.'' As [=WhatCulture=] showed on their list of [[https://youtu.be/WPDIFKr4D-U?t=226 9 Movie Special Effects Nobody Believed]], the camera was manually pulled out of the first car by a cameraman on a dolly and passed to another cameraman in the second car, who then passed it past the driver through to another cameraman hidden on a platform attached to the other side of the second car. But why couldn't you see the second cameraman in the second car? ''[[HiddenInPlainSight He was disguised as the passenger seat!]]'' To go to ''so much effort'' for a shot that, while cool-looking, isn't necessarily something that the average viewer wouldn't even really register, has to be a shining example of DoingItForTheArt.
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* EvenBetterSequel: ''Berandal'' not only does SequelEscalation on the fight scenes, but also has a more developed plot than the first one. Really, considering the mad amount of success of the first film, it's a CrowningMomentOfAwesome itself for the director and the film team that they not only fulfilled the ToughActToFollow, but also improved it without lose any piece of its spirit.
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* EvenBetterSequel: ''Berandal'' not only does SequelEscalation on the fight scenes, but also has a more developed plot than the first one. Really, considering the mad amount of success of the first film, it's a CrowningMomentOfAwesome SugarWiki/MomentOfAwesome itself for the director and the film team that they not only fulfilled the ToughActToFollow, but also improved it without lose any piece of its spirit.
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* AwesomeMusic: The movie is notable for one thing: Both the [[https://www.youtube.com/watch?v=J0n5nF8E4O0 ending (13 Ghosts II)]] and [[https://www.youtube.com/watch?v=9TQk-NHhe6U credits music (14 Ghosts II)]] by [[Music/NineInchNails Trent Reznor]].
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* AwesomeMusic: SugarWiki/AwesomeMusic: The movie is notable for one thing: Both the [[https://www.youtube.com/watch?v=J0n5nF8E4O0 ending (13 Ghosts II)]] and [[https://www.youtube.com/watch?v=9TQk-NHhe6U credits music (14 Ghosts II)]] by [[Music/NineInchNails Trent Reznor]].
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* CrowningMomentOfHeartwarming: Rama gets to call on his wife after being separated for two years.
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* HeReallyCanAct: Yayan Ruhian, hands down. His heartwrenching performance as Prakoso would not look out of place in a high-level drama film.
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* HeReallyCanAct: SugarWiki/HeReallyCanAct: Yayan Ruhian, hands down. His heartwrenching performance as Prakoso would not look out of place in a high-level drama film.film.
* SugarWiki/HeartwarmingMoments: Rama gets to call on his wife after being separated for two years.
* SugarWiki/HeartwarmingMoments: Rama gets to call on his wife after being separated for two years.
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Just For Fun/ pages are not tropes
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* ComeForTheXStayForTheY: Come for the incredibly awesome action scenes, stay for the surprisingly rounded and well-written characters.
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* TheyWastedAPerfectlyGoodCharacter: Or rather, character's names. For such a trio of interesting characters like the Assassin, Baseball Bat Man and Hammer Girl, they could have come with more original names instead simply pulling out the ExactlyWhatItSaysOnTheTin naming. Then again, their names are not that important to the narrative, so the film can work perfectly without them.
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* TheyWastedAPerfectlyGoodCharacter: TheyWastedAPerfectlyGoodCharacter:
** Or rather, character's names. For such a trio of interesting characters like the Assassin, Baseball Bat Man and Hammer Girl, they could have come with more original names instead simply pulling out the ExactlyWhatItSaysOnTheTin naming. Then again, their names are not that important to the narrative, so the film can work perfectly withoutthem.them.
** Sadly the movie's quick to kill off the previous films only other surviving characters in order to further emphasize Rama. While Wahyu's death was inevitable and spelt out in the previous film, Bowo and Andi both get [[DroppedABridgeOnHim bridges dropped on them]].
** Or rather, character's names. For such a trio of interesting characters like the Assassin, Baseball Bat Man and Hammer Girl, they could have come with more original names instead simply pulling out the ExactlyWhatItSaysOnTheTin naming. Then again, their names are not that important to the narrative, so the film can work perfectly without
** Sadly the movie's quick to kill off the previous films only other surviving characters in order to further emphasize Rama. While Wahyu's death was inevitable and spelt out in the previous film, Bowo and Andi both get [[DroppedABridgeOnHim bridges dropped on them]].
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Awesome Music.
Added DiffLines:
* AwesomeMusic: The movie is notable for one thing: Both the [[https://www.youtube.com/watch?v=J0n5nF8E4O0 ending (13 Ghosts II)]] and [[https://www.youtube.com/watch?v=9TQk-NHhe6U credits music (14 Ghosts II)]] by [[Music/NineInchNails Trent Reznor]].
