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*** The [[UsefulNotes/CanadianMultichannelNetworks Canadian multichannel network]] SPACE, which began transmitting in 1997, is often facetiously called "the ''Star Trek'' channel" for its incessant reruns of all the shows, despite the lack of any "[=CanCon=]" quota which might otherwise explain its ubiquity.[[note]]To make a ''very'' long story short, "[=CanCon=]" rules require all broadcast networks and cable channels to air a percentage of shows on their schedule which involve Canadians in their production - whether the show itself is produced in Canada, is written by Canadians, or stars Canadians. ''Series/StargateSG1'', produced in Vancouver and co-starring Canadians Creator/MichaelShanks and Creator/AmandaTapping, fulfills these requirements in spades, which is one reason it is ''also'' ubiquitous on the channel.[[/note]] This continues to the present day (the channel has since been rebranded as "CTV Sci-Fi").

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*** The [[UsefulNotes/CanadianMultichannelNetworks [[MediaNotes/CanadianMultichannelNetworks Canadian multichannel network]] SPACE, which began transmitting in 1997, is often facetiously called "the ''Star Trek'' channel" for its incessant reruns of all the shows, despite the lack of any "[=CanCon=]" quota which might otherwise explain its ubiquity.[[note]]To make a ''very'' long story short, "[=CanCon=]" rules require all broadcast networks and cable channels to air a percentage of shows on their schedule which involve Canadians in their production - whether the show itself is produced in Canada, is written by Canadians, or stars Canadians. ''Series/StargateSG1'', produced in Vancouver and co-starring Canadians Creator/MichaelShanks and Creator/AmandaTapping, fulfills these requirements in spades, which is one reason it is ''also'' ubiquitous on the channel.[[/note]] This continues to the present day (the channel has since been rebranded as "CTV Sci-Fi").
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** Despite one of the most popular characters in the whole franchise being [[Characters/StarTrekTheNextGenerationJeanLucPicard French]], and promoting values of humanism and [[TechnicalPacifist - somehow -]] pacifism, Star Trek never managed to be popular in France. That was first due to the SciFiGhetto that made the series mostly unbroadcasted until the [[LateExportForYou very late 80's]] - a 20 years delay that made it look [[SpecialEffectsFailure very poor, cheesy and outdated]] in comparison to the [[SugarWiki/VisualEffectsOfAwesome special effects]] of [[Film/TwoThousandOneASpaceOdyssey 2001]] or [[Franchise/StarWars Star Wars]]; saved for a [[CultClassic thin fanbase]] who could appreciate the stories. Only the movies made it to the Country of Croissants at global release time and were generally [[StrawCritic very poorly received]], part because their were neither as light-hearted as Star Wars or as poetic and metaphysical as 2001, part because you have to know the series to understand them. Consequently, Series/StarTrekTheNextGeneration was itself virtually unknown in France until the mid-90's, and every series from this point were only broadcasted on cable channels. To this day, ask random French people about Star Trek and they will likely answer "oh yeah, huh, Kirk and Spock, right ?".
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** The spinoff series tend to grant focus and development to all, or most, of the regular characters. In particular, the Berman era of ''Trek'' tended to have the main plot of each episode give focus to one, or perhaps two characters, or have the A-plot focus on one, and the B-plot on another. When the newer series, particularly ''Series/StarTrekDiscovery'' and ''Series/StarTrekPicard'', started focusing primarily on one character, with the supporting cast mostly there to support that character's story, there were complaints from fans about changing the longterm structure of giving development to all characters. The fact is that the Original Series largely focused on just Kirk and Spock, with Kirk edging out Spock overall, while McCoy was a tertiary focus and mostly was there to be the voice of down-to-earth wisdom for both stars. The other characters hardly ever got any focus or development beyond their thumbnail personalities and Sulu and Uhura didn't even get ''first names'' for several decades.

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** The spinoff series tend to grant focus and development to all, or most, of the regular characters. In particular, the Berman era of ''Trek'' tended to have the main plot of each episode give focus to one, or perhaps two characters, or have the A-plot focus on one, and the B-plot on another. When the newer series, particularly ''Series/StarTrekDiscovery'' and ''Series/StarTrekPicard'', started focusing primarily on one character, with the supporting cast mostly there to support that character's story, there were complaints from fans about changing the longterm structure of giving development to all characters. The fact is that the Original Series largely focused on just Kirk and Spock, with Kirk edging out Spock overall, while McCoy [=McCoy=] was a tertiary focus and mostly was there to be the voice of down-to-earth wisdom for both stars. The other characters hardly ever got any focus or development beyond their thumbnail personalities and Sulu and Uhura didn't even get ''first names'' for several decades.
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* MisaimedFandom: In the 2020s, there has been a conservative backlash against the newest series like ''Series/StarTrekDiscovery'', ''WesternAnimation/StarTrekLowerDecks'', and ''Series/StarTrekStrangeNewWorlds'', complaining about various liberal notions in them, asking "When did Star Trek go 'Woke'?" The usual answer is "1966", as Trek has '''always''' had a humanist, liberal outlook on the future.
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* [[YMMV/StarTrekDeepSpaceNineRelaunch Deep Space Nine Relaunch]]

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* [[YMMV/StarTrekDeepSpaceNineRelaunch ''[[YMMV/StarTrekDeepSpaceNineRelaunch Deep Space Nine Relaunch]]Relaunch]]''



** YMMV/TerokNor
* [[YMMV/StarTrekATimeTo A Time To...]]
* [[YMMV/StarTrekVulcansSoul Vulcan's Soul]]
* [[YMMV/StarTrekTitan Titan]]
* [[YMMV/StarTrekDestiny Destiny]]

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** YMMV/TerokNor
''YMMV/TerokNor''
* [[YMMV/StarTrekATimeTo ''[[YMMV/StarTrekATimeTo A Time To...]]
]]''
* [[YMMV/StarTrekVulcansSoul ''[[YMMV/StarTrekVulcansSoul Vulcan's Soul]]
Soul]]''
* [[YMMV/StarTrekTitan Titan]]
''[[YMMV/StarTrekTitan Titan]]''
* [[YMMV/StarTrekDestiny Destiny]]
''[[YMMV/StarTrekDestiny Destiny]]''



* [[YMMV/StarTrekOnline Online]]

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* [[YMMV/StarTrekOnline Online]]
''[[YMMV/StarTrekOnline Online]]''
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* [[YMMV/StarTrekTheLostEra The Lost Era]]''

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* [[YMMV/StarTrekTheLostEra ''[[YMMV/StarTrekTheLostEra The Lost Era]]''

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* [[YMMV/StarTrekNewFrontier New Frontier]]

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* [[YMMV/StarTrekNewFrontier ''[[YMMV/StarTrekFederation Federation]]''
* ''[[YMMV/StarTrekNewFrontier
New Frontier]]Frontier]]''



** [[YMMV/StarTrekDeepSpaceNineAStitchInTime A Stitch in Time]]
* [[YMMV/StarTrekTheLostEra The Lost Era]]

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** [[YMMV/StarTrekDeepSpaceNineAStitchInTime ''[[YMMV/StarTrekDeepSpaceNineAStitchInTime A Stitch in Time]]
Time]]''
* [[YMMV/StarTrekTheLostEra The Lost Era]]Era]]''
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** The existence of a Security Chief as a main character began with TNG. Only once in TOS did an episode feature a Chief of Security (Giotto in "The Devil in the Dark"), and it was one of many shipboard roles that showed up once for plot-relevant reasons and then never appeared again (like Ship's Historian in "Space Seed" or Astrobiologist in "Return to Tomorrow"). Since TNG, no bridge crew is complete without a Chief of Security.

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** The existence of a Security Chief as a main character began with TNG. Only once in TOS did an episode feature a Chief of Security (Giotto in "The Devil in the Dark"), and it was one of many shipboard roles that showed up once for plot-relevant reasons and then never appeared again (like Ship's Historian in "Space Seed" or Astrobiologist in "Return to Tomorrow"). Since TNG, no bridge crew is complete without a Chief of Security. This (as with so many other things) was referenced in ''Galaxy Quest'': the opening credits for the revival series give Guy Fleegman (ex-"Crewman No. 6") this position.

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* MemeticMutation: : A LongRunner like ''Trek'' has spawned more than a few. "[[CatchPhrase To boldly X where no one has Y'ed before]]", ResistanceIsFutile, [[GreenSkinnedSpaceBabe green chicks]], [[{{Facepalm}} Picard's facepalm]], and '''[[Film/StarTrekIITheWrathOfKhan KHAAAAAAN!]]''' are some of the more memorable.



* MemeticMutation: : A LongRunner like ''Trek'' has spawned more than a few. "[[CatchPhrase To boldly X where no one has Y'ed before]]", ResistanceIsFutile, [[GreenSkinnedSpaceBabe green chicks]], [[{{Facepalm}} Picard's facepalm]], and '''[[Film/StarTrekIITheWrathOfKhan KHAAAAAAN!]]''' are some of the more memorable.
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* MoralEventHorizon: See [[MoralEventHorizon/StarTrek here]].
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* ''[[YMMV/StarTrekStrangeNewWorlds Strange New Worlds]]''

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* AmericansHateTingle: While not universal, the whole franchise is more popular in the English-speaking world than outside of it, possibly because it deals with very complex topics, [[ValuesDissonance some of them are taboo outside the U.S.]] The best example of this is South Korea, when not only the franchise is unpopular, the [[Series/StarTrekTheOriginalSeries very original series]] was banned there because a character of Japanese origin appears there (Hikaru Sulu). The franchise [[https://injapan.gaijinpot.com/play/arts-entertainment/2010/03/17/star-trek-in-japan/ isn't all that popular in Japan, either]].

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* AmericansHateTingle: While not universal, the whole franchise is more popular in the English-speaking world than outside of it, possibly because it deals with very complex topics, [[ValuesDissonance some of them are taboo outside the U.S.]] ]]. The main reason the Kelvinverse series of films stalled out after three movies is that foreign box office receipts have always been very low for what is budgeted and marketed as a blockbuster franchise, in an era when studios are increasingly reliant on overseas grosses. [[Film/StarTrek2009 The first]] [[Film/StarTrekIntoDarkness two movies]] did very well domestically, mitigating this problem, but when [[Film/StarTrekBeyond the third]] underperformed, it was curtains (although a fourth film is -- at least officially -- still in development).
**
The best example of this is South Korea, when not only the franchise is unpopular, the [[Series/StarTrekTheOriginalSeries very original series]] was banned there because a character of Japanese origin appears there (Hikaru Sulu). The franchise [[https://injapan.gaijinpot.com/play/arts-entertainment/2010/03/17/star-trek-in-japan/ isn't all that popular in Japan, either]].
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** In Brazil, it must be noted that the SciFiGhetto was even stronger than in the USA during the 20th-century, and Star Trek being synonimous with Sci-Fi got naturally hit by this, making it (and most sci-fi outside of Hollywood blockbusters like Star Wars) a cult phenomenom at best.
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** While not exactly unpopular, the franchise isn't exactly hot in Latin America, despise [[Series/StarTrekTheOriginalSeries the]] [[Series/StarTrekTheNextGeneration two first series]] are the very well known series of the franchise there, partly because of [[SugarWiki/SuperlativeDubbing excellent voice acting of both series]]. The only exception on this rule is Spock, who is the most popular character of the whole franchise in Latin America, even more than Kirk.

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** While not exactly unpopular, the franchise isn't exactly hot in Latin America, despise despite [[Series/StarTrekTheOriginalSeries the]] [[Series/StarTrekTheNextGeneration two first series]] are the being very well known series of the franchise there, partly because of [[SugarWiki/SuperlativeDubbing excellent voice acting of both series]]. The only exception on to this rule is Spock, who is the most popular character of the whole franchise in Latin America, even more than Kirk.
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** The rivalry entered a unique phase when JJ Abrams revived both franchises and brought them into the modern era in the 2010s. While the rivalry ultimately remained intact, JJ Abrams' presence on both franchises brought both closer to to the level of FriendlyFandoms; although the reasoning strongly varies and largely depends on one's [[EnemyMine opinion]] [[CreatorWorship towards]] JJ Abrams' contribution to both franchises.

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* {{Fanon}}: Given the PlanetOfHats treatment that the various alien races get, fans like to speculate on what they perceive the ''human'' hat as being. One widely-circulated Tumblr post opined that it's more or less a proclivity for the ZanyScheme--e.g. humans not being content to simply ''copy'' Romulan cloaking technology, but to engineer a version that could ''also'' fly through solid matter at the same time, and Picard defeating highly-adapted Borg on the ''Enterprise-E'' by trapping them in a PrivateDetective holonovel, shutting off the safety, and slaughtering them with HardLight bullets.

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* {{Fanon}}: {{Fanon}}:
**
Given the PlanetOfHats treatment that the various alien races get, fans like to speculate on what they perceive the ''human'' hat as being. One widely-circulated Tumblr post opined that it's more or less a proclivity for the ZanyScheme--e.g. humans not being content to simply ''copy'' Romulan cloaking technology, but to engineer a version that could ''also'' fly through solid matter at the same time, and Picard defeating highly-adapted Borg on the ''Enterprise-E'' by trapping them in a PrivateDetective holonovel, shutting off the safety, and slaughtering them with HardLight bullets.
** T'Pau being Spock's grandmother is a pretty popular subject in fanfics, even though there was no indication of this.
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** The spinoff series tend to grant focus and development to all, or most, of the regular characters. In particular, the Berman era of ''Trek'' tended to have the main plot of each episode give focus to one, or perhaps two characters, or have the A-plot focus on one, and the B-plot on another. When the newer series, particularly ''Series/StarTrekDiscovery'' and ''Series/StarTrekPicard'', started focusing primarily on one character, with the supporting cast mostly there to support that character's story, there were complaints from fans about changing the longterm structure of giving development to all characters. The fact is that the Original Series largely focused on just Kirk and Spock, with Kirk edging out Spock overall, while McCoy was a tertiary focus and mostly was there to be the voice of down-to-earth wisdom for both stars. The other characters hardly ever got any focus or development beyond their thumbnail personalities and Sulu and Uhura didn't even get ''first names'' for several decades.


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** The existence of a Security Chief as a main character began with TNG. Only once in TOS did an episode feature a Chief of Security (Giotto in "The Devil in the Dark"), and it was one of many shipboard roles that showed up once for plot-relevant reasons and then never appeared again (like Ship's Historian in "Space Seed" or Astrobiologist in "Return to Tomorrow"). Since TNG, no bridge crew is complete without a Chief of Security.
** Similarly, the position of "Operations Officer", a nebulous role (see "What Exactly Is His Job") that seems to exist just to have an extra person on the bridge. Kirk never needed one of those, but it's present in nearly every starship-based series since, including those set prior to Kirk's time (ENT being the one exception).


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* WhatExactlyIsHisJob: Generally it's easy to tell what a shipboard role is, and what the officer's duties may entail. However, there has never been an onscreen confirmation on what exactly the Operations Officer does. Several characters have occupied this role over the years, including Data, Kim, Owosekun and others. What their duties entail seems to be whatever the episode needs it to be. Data tended to operate the scanners, and was the one always asked to scan for lifeforms or bring up something on long-range scanners, which on TOS was one of Spock's jobs as Science Officer. Kim's duties sometimes included that but primarily he acted as the Communications officer (his station even read "Operations/Communications"). Owosekun's duties are even more nebulous, especially since she is the only officer clearly defined as Operations Officer to co-exist with a Science Officer. However, ''Series/StarTrekStrangeNewWorlds'' seems to have retconned the Navigation station into "Ops", as one line of dialog suggests, but as this is traditionally Number One's station, and she's usually seen leading Landing Parties or acting as captain herself, this position seems even less clear.
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* NewerThanTheyThink: Casual fans often assume that elements of the setting that were introduced in the movies or later series were present in the Original Series. Usually, it's reasonable to assume that these are changes that happened to Federation society over time, but fans tend to assume they were always present. One of the most notable is the idea that the Federation is a moneyless society. The first mention of this is as a throwaway joke in ''[[Film/StarTrekIVTheVoyageHome Star Trek IV.]]'' There's no evidence of it in the Original Series, and several episodes (Mudd's Women, The Trouble With Tribbles, The Devil In the Dark) would make no sense or at least have gaping plot holes if this were true.

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* NewerThanTheyThink: Casual fans often assume that elements of the setting that were introduced in the movies or later series were present in the Original Series. Usually, it's reasonable to assume that these are changes that happened to Federation society over time, but fans tend to assume they were always present. One of the most notable is the idea that the Federation is a moneyless society. The first mention of this is as a throwaway joke in ''[[Film/StarTrekIVTheVoyageHome Star Trek IV.]]'' ]]''[[note]]Technically the phrasing is such that Kirk ''could'' be referring to ''tangible'' money only, which would make perfect sense to audiences watching today, but in 1986 the interpretation was instead that the Federation had no currency at all.[[/note]] There's no evidence of it in the Original Series, and several episodes (Mudd's Women, The Trouble With Tribbles, The Devil In the Dark) would make no sense or at least have gaping plot holes if this were true.
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* IdiotPlot: Has [[IdiotPlot/StarTrek its own page]].
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* AlternateCharacterInterpretation:

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* AlternateCharacterInterpretation: AlternativeCharacterInterpretation:
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* MarySuetopia: Roddenberry's vision for Trek, but especially the first season of ''Star Trek: The Next Generation''.

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UI is now Flame Bait. Contents have been moved to the item page itself.


* FandomRivalry: Famously, with ''Franchise/StarWars'', pretty much from the moment the latter debuted. Both are similar in name, popularity and influence, while frequently differing wildly in tone, making comparisons almost inevitable; each franchise also frequently [[PopularityPolynomial resurges in popularity]] around the same time the other [[DorkAge reaches a period of decline]], leading to perceptions that the one has stolen the other's thunder. Although an official crossover has never happened (yet), entire fandom sub-groups such as Website/StarDestroyerDotNet have been dedicated to exploring the possibilities of the two universes colliding, as have numerous fanfiction, and the eternal battle between fans has been explored in media like ''{{Film/Fanboys}}''. All that being said, the two have influenced each other quite a bit (again, pretty much from the start- George Lucas has admitted to enjoying ''Trek'' when it began, and the huge success of ''Wars'' led directly to the series' return in the form of ''[[Film/StarTrekTheMotionPicture The Motion Picture]]''), frequently pay tribute to each other, and there are certainly plenty of those who are big fans of both, making it - if not precisely FriendlyFandoms ([[SeriousBusiness never!]]) - perhaps something closer to a WorthyOpponent.

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* FandomRivalry: Famously, with ''Franchise/StarWars'', pretty much from the moment the latter debuted. Both are similar in name, popularity and influence, while frequently differing wildly in tone, making comparisons almost inevitable; each franchise also frequently [[PopularityPolynomial resurges in popularity]] around the same time the other [[DorkAge reaches a period of decline]], decline, leading to perceptions that the one has stolen the other's thunder. Although an official crossover has never happened (yet), entire fandom sub-groups such as Website/StarDestroyerDotNet have been dedicated to exploring the possibilities of the two universes colliding, as have numerous fanfiction, and the eternal battle between fans has been explored in media like ''{{Film/Fanboys}}''. All that being said, the two have influenced each other quite a bit (again, pretty much from the start- George Lucas has admitted to enjoying ''Trek'' when it began, and the huge success of ''Wars'' led directly to the series' return in the form of ''[[Film/StarTrekTheMotionPicture The Motion Picture]]''), frequently pay tribute to each other, and there are certainly plenty of those who are big fans of both, making it - if not precisely FriendlyFandoms ([[SeriousBusiness never!]]) - perhaps something closer to a WorthyOpponent.



* UnfortunateImplications:
** Heterosexuality is virtually universal. Exceptions to this are rare and ''always'' involve alien species in some way. Even bodiless EnergyBeings seem to have gender identities and are depicted as heterosexual. [[AFormYouAreComfortableWith Q]] jokes about appearing to Picard as a woman, but never does so (although he appears in nonhuman forms several times). He also has a long-term (billion year) Q "girlfriend", with whom he has a son -- a stereotypical heterosexual horny teenager that is obsessed with females even from the "lesser" species. While InterspeciesRomance is quite common to the point of being expected, any deviation from heterosexuality is definitively explained by BizarreAlienBiology. The only episodes which depict ordinary humanoid characters being other than straight in an ordinary way are those set in the MirrorUniverse whose whole set-up is "evil is dominant" (and the depictions often tend to shallow GirlOnGirlIsHot pseudo-lesbian fluff to titillate fanboys). Arguably, stuff like this was done to get past the censors, where they could get away with showing gay stuff as long as aliens are involved and not humans (Gene Roddenberry always wanted to show gay humans, but was always thwarted [[ExecutiveMeddling for obvious reasons]]). This topic has been much discussed, including on the [[http://en.wikipedia.org/wiki/Sexuality_in_Star_Trek#LGBT_in_Star_Trek Other Wiki]], Star Trek's own [[http://en.memory-alpha.org/wiki/Sexuality Memory Alpha]], as well as [[http://www.ex-astris-scientia.org/inconsistencies/homosexuality.htm other essays]] and [[http://www.wired.com/2013/05/star-trek-lgbt-gay-characters/ articles]]. This was finally averted in ''Film/StarTrekBeyond'' where it's revealed that in this timeline, Sulu is gay and has both a husband and a daughter[[note]]Although that one has its own problems, in that the writers said they did it out of homage to noted gay icon Creator/GeorgeTakei, as he and Roddenberry discussed the matter and Takei agreed to play the character as straight[[/note]] and averted more definitively in ''Series/StarTrekDiscovery'' where astromycologist Lt. Paul Stamets and ship's physician Dr. Hugh Culber are in a relationship with each other.
** Website/StarDestroyerDotNet has [[http://www.stardestroyer.net/Empire/Database/Query-ST.php?Series=&Category=Culture&EpName=&Keywords=&Quotes=&Analysis=&Submit=Submit four pages in its database about Federation culture]]... this trope dominates the comments, mostly in regards to the Federation's nebulous economics and highly conformist society. Debates about both topics are extremely common in fandom, not least because the various series are ''extremely'' vague about how the post-monetary economy works (not helped by the fact that there ''are'' frequent references to Federation characters buying things, which is inconsistent with other episodes where they claim not to have money) and because of the apparent lack of any contemporary pop culture (almost every character is a history buff with a preference for mid-20th Century or earlier subject matter). Site creator Mike Wong also wrote an [[http://www.stardestroyer.net/Empire/Essays/Racism.html essay]] that makes hay out of the '90s series' reliance on the PlanetOfHats and the recurring trope that {{Half Human Hybrid}}s are trapped between two cultures, arguing that it reinforces racial stereotyping and [[MalignedMixedMarriage negative attitudes to interracial relationships]].
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** Should it be considered that even before the "time capsule" of the species from TNG's The Chase was first discovered, that the few species in Star Trek that aren't humanoid are from those rare planets where the seeding project failed, or, given that it's implied that humanoid species only exist within the Milky Way, could species like the Tholians, the Melkotians, the Nacene, be all that's left of some ancient act of aggression by the first humanoids?
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** Alternatively, it can be categorized as "Sweet with a Help of Sour". The United Federation aspires to be utopian and is mostly successful at it. However, hatred, crime, and bigotry still slip through the cracks. Humans of the [=XXIV=]th century try their best to deal with injustice, it's just that some issues seem unavoidable to even the best of societies.

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