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** ''Uncle Shelby's ABZ Book'', which constructs perfectly logical-sounding reasons why children should do things like throw eggs at the ceiling and ask their parents for a gigolo.

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** ''Uncle Shelby's ABZ Book'', which constructs perfectly logical-sounding reasons why children should do things like throw eggs at the ceiling and ask their parents for a gigolo.gigolo (that's a musical instrument, right?) or put sugar in Dad's gas tank (for the pony generating all that 'horsepower').
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* BellisariosMaxim: Silverstein was astonished at all the distress and analysis of his "Now here's my plan" gag cartoon; he said it was not supposed to be pessimistic but optimistic about how there's always hope.

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* DesignatedVillain: In "Ice Cream Stop", the ice cream man gets attacked and eaten by the circus animals just because he won't give them ice cream for free.

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* DesignatedVillain: DesignatedVillain:
**
In "Ice Cream Stop", the ice cream man gets attacked and eaten by the circus animals just because he won't give them ice cream for free.free.
** We're supposed to see the fate of "The Silver Fish" as JustDesserts because he tricked the narrator, except that he tricked the narrator because he would have been eaten otherwise, which is like a murderer justifying their crime because the victim fought back.
** "Magic Eraser" has the narrator essentially ''mutilate'' someone [[DisproportionateRetribution just because she called him a liar]].
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* AdaptationDisplacement: The poem "Ladies First" was adapted into one of the skits on the TV special ''Free to Be... You and Me.'' A number of changes were made (for instance, the cannibalistic "savages" were replaced by a pack of tigers, so as not to clash with the special's pro-diversity message), but nevertheless this version is much more well-remembered, especially by children of the 1970s. Another poem of his, "Helping", was also included in the special, but without any changes.

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* AdaptationDisplacement: The poem "Ladies First" was adapted into one of the skits on the TV special ''Free to Be... You and Me.'' Me''. A number of changes were made (for instance, the cannibalistic "savages" were replaced by a pack of tigers, so as not to clash with the special's pro-diversity message), but nevertheless this version is much more well-remembered, especially by children of the 1970s. Another poem of his, "Helping", was also included in the special, but without any changes.



** "A Boy Named Sue" is more known for the Johnny Cash cover.

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** "A Boy Named Sue" is more known for the Johnny Cash Music/JohnnyCash cover.



** The poem "Screamin' Millie." She screams so loud that she literally explodes, and it's explored in gruesome detail.

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** The poem "Screamin' Millie." Millie". She screams so loud that she literally explodes, and it's explored in gruesome detail.



* FirstInstallmentWins: "Where the Sidewalk Ends" is Silverstein's best known poetry collection. It's also the first one published.

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* FirstInstallmentWins: "Where ''Where the Sidewalk Ends" Ends'' is Silverstein's best known poetry collection. It's also the first one published.



* ParanoiaFuel: "The Toy Eater," about a creature who sneaks into the rooms of kids who don't pick up their toys at night and eats them.

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* ParanoiaFuel: "The Toy Eater," Eater", about a creature who sneaks into the rooms of kids who don't pick up their toys at night and eats them.



** His last poem in ''Every Thing On It'' is the aptly named "When I Am Gone":

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** His last poem in ''Every Thing On on It'' is the aptly named "When I Am Gone":



** When Shel wasn't writing children's stories or articles for ''Magazine/{{Playboy}}''[[note]]back when the magazine was a well-regarded source for highbrow content[[/note]], he was writing songs. Unfortunately, songs tend to be remembered as being by their performers, not their writers, but he's the man who wrote "A Boy Named Sue" (bad language, violence), "The Mermaid" (*ahem* inappropriate subject for children), and "You're Always Welcome at Our House" (depicting the murders of various visitors to the house by the children), which ''Series/TheMuppetShow'' actually used in a sketch in the Marisa Berenson episode, cheerfully playing up the Roald Dahl-like comedy.

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** When Shel wasn't writing children's stories or articles for ''Magazine/{{Playboy}}''[[note]]back when the magazine was a well-regarded source for highbrow content[[/note]], he was writing songs. Unfortunately, songs tend to be remembered as being by their performers, not their writers, but he's the man who wrote "A Boy Named Sue" (bad language, violence), "The Mermaid" (*ahem* inappropriate subject for children), and "You're Always Welcome at Our House" (depicting the murders of various visitors to the house by the children), which ''Series/TheMuppetShow'' actually used in a sketch in the Marisa Berenson episode, cheerfully playing up the Roald Dahl-like Creator/RoaldDahl-like comedy.
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** The brief poem "Masks":
--->She had blue skin,\\
And so did he.\\
He kept it hid\\
And so did she.\\
They searched for blue\\
Their whole life through,\\
Then passed right by-\\
And never knew.
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** The entirety of his posthumously published book, ''Every Thing On It''. A large portion of the poems - including the very first one in the book, "Years from Now" - are surprisingly melancholy and sorrowful.

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** The entirety of his posthumously published book, ''Every Thing On It''. A large portion of the poems - -- including the very first one in the book, "Years from Now" - -- are surprisingly melancholy and sorrowful.

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** His last poem in ''Every Thing On It'' is the aptly named "When I am Gone":

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** His last poem in ''Every Thing On It'' is the aptly named "When I am Am Gone":



Someone smarter—someone new?\\
Someone better—maybe YOU!

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Someone smarter—someone smarter--someone new?\\
Someone better—maybe YOU!better--maybe ''YOU''!

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not his last book


** The entirety of his last posthumously published book, ''Every Thing On It''. A large portion of the poems - including the very first one in the book, "Years from Now" - are surprisingly melancholy and sorrowful.
** His last poem in his last book is the aptly named ''When I am Gone'':

to:

** The entirety of his last posthumously published book, ''Every Thing On It''. A large portion of the poems - including the very first one in the book, "Years from Now" - are surprisingly melancholy and sorrowful.
** His last poem in his last book ''Every Thing On It'' is the aptly named ''When "When I am Gone'':Gone":

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** The entirety of his last posthumously published book, ''Everything On It''. A large portion of the poems - including the very first one in the book, "Years from Now" - are surprisingly melancholy and sorrowful.

to:

** The entirety of his last posthumously published book, ''Everything ''Every Thing On It''. A large portion of the poems - including the very first one in the book, "Years from Now" - are surprisingly melancholy and sorrowful.



--> When I am gone what will you do?
--> Who will write and draw for you?
--> Someone smarter—someone new?
--> Someone better—maybe YOU!

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--> When --->When I am gone what will you do?
-->
do?\\
Who will write and draw for you?
-->
you?\\
Someone smarter—someone new?
-->
new?\\
Someone better—maybe YOU!
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* AluminumChristmasTrees: The poem "People Zoo" concerns a kid who gets kidnapped by animals and put in display in a human zoo. [[http://en.wikipedia.org/wiki/Human_zoo People zoos]] have existed, although they're usually not run by talking animals.
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"What an Idiot!" is now Flame Bait.


* WhatAnIdiot:
** The poem "My Sneaky Cousin", where the titular cousin has the bright idea of [[spoiler: riding in a washing machine.]]
** In the poem "Stupid Pencil Maker," the narrator is having trouble using a pencil. It does not occur to him to turn it pointy-side down.
** In the poem "Obedient," the narrator is told to stand in the corner. The teacher forgets to tell him to turn around, so he stays there. [[spoiler:FOR FORTY YEARS.]]
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** When Shel wasn't writing children's stories or articles for ''Magazine/{{Playboy}}'', he was writing songs. Unfortunately, songs tend to be remembered as being by their performers, not their writers, but he's the man who wrote "A Boy Named Sue" (bad language, violence), "The Mermaid" (*ahem* inappropriate subject for children), and "You're Always Welcome at Our House" (depicting the murders of various visitors to the house by the children), which ''Series/TheMuppetShow'' actually used in a sketch in the Marisa Berenson episode, cheerfully playing up the Roald Dahl-like comedy.

to:

** When Shel wasn't writing children's stories or articles for ''Magazine/{{Playboy}}'', ''Magazine/{{Playboy}}''[[note]]back when the magazine was a well-regarded source for highbrow content[[/note]], he was writing songs. Unfortunately, songs tend to be remembered as being by their performers, not their writers, but he's the man who wrote "A Boy Named Sue" (bad language, violence), "The Mermaid" (*ahem* inappropriate subject for children), and "You're Always Welcome at Our House" (depicting the murders of various visitors to the house by the children), which ''Series/TheMuppetShow'' actually used in a sketch in the Marisa Berenson episode, cheerfully playing up the Roald Dahl-like comedy.
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* DesignatedVillain: In "Ice Cream Stop", the ice cream man gets eaten by the circus animals just because he won't give them ice cream for free.

to:

* DesignatedVillain: In "Ice Cream Stop", the ice cream man gets attacked and eaten by the circus animals just because he won't give them ice cream for free.
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* UnintentionalPeriodPiece: Many of his poems could be in any time period, but in a poem about a boy who watched so much television he turned into one, two knobs labeled "vert" (vertical) and "horiz" (horizontal) grow out of him - those picture control knobs haven't been standard on sets for many, many years.
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* HeartwarmingInHindsight: His lyrics for "Still Gonna Die", recorded by the one-off supergroup Old Dogs (Music/WaylonJennings, Jerry Reed, Mel Tillis, and Bobby Bare). Included in the lyrics are "You better have some fun before you say bye-bye"; given that the Old Dogs songs were some of Shel's last works before his death, and Waylon's last project before his, it seems that both men took the message to heart.
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* DesignatedVillain: In "Ice Cream Stop", the ice cream man gets eaten by the circus animals just because he won't give them ice cream for free.
Is there an issue? Send a MessageReason:
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* AlternativeCharacterInterpretation: In "Ladies First", Pamela Purse is always using the titular excuse to get food first, but when the group is about to be eaten by cannibals, she pushes to the front of the line and yells, "Ladies first!" Is she TooDumbToLive, or is she trying to redeem herself by making a HeroicSacrifice?

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* AlternativeCharacterInterpretation: In "Ladies First", Pamela Purse is always using the titular excuse to get food first, rudely interrupt others and take whatever she wants, but when she and her friends are on a jungle expedition and end up in the group clutches of a cannibal king who is about trying to be eaten by cannibals, decide who to cook, she pushes to the front of the line and yells, "Ladies first!" Is she TooDumbToLive, or is she trying to redeem herself by making a HeroicSacrifice?
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* AlternativeCharacterInterpretation: In "Ladies First", Pamela Purse is always using the titular excuse to get food first, but when the group is about to be eaten by cannibals, she pushes to the front of the line and yells, "Ladies first!" Is she TooDumbToLive, or is she trying to make a HeroicSacrifice?

to:

* AlternativeCharacterInterpretation: In "Ladies First", Pamela Purse is always using the titular excuse to get food first, but when the group is about to be eaten by cannibals, she pushes to the front of the line and yells, "Ladies first!" Is she TooDumbToLive, or is she trying to make redeem herself by making a HeroicSacrifice?
Is there an issue? Send a MessageReason:
None


** When Shel wasn't writing children's stories or articles for Magazine/{{Playboy}}, he was writing songs. Unfortunately, songs tend to be remembered as being by their performers, not their writers, but he's the man who wrote "A Boy Named Sue" (bad language, violence), "The Mermaid" (*ahem* inappropriate subject for children), and "You're Always Welcome at Our House" (depicting the murders of various visitors to the house by the children), which ''Series/TheMuppetShow'' actually used in a sketch in the Marisa Berenson episode, cheerfully playing up the Roald Dahl-like comedy.

to:

** When Shel wasn't writing children's stories or articles for Magazine/{{Playboy}}, ''Magazine/{{Playboy}}'', he was writing songs. Unfortunately, songs tend to be remembered as being by their performers, not their writers, but he's the man who wrote "A Boy Named Sue" (bad language, violence), "The Mermaid" (*ahem* inappropriate subject for children), and "You're Always Welcome at Our House" (depicting the murders of various visitors to the house by the children), which ''Series/TheMuppetShow'' actually used in a sketch in the Marisa Berenson episode, cheerfully playing up the Roald Dahl-like comedy.
Is there an issue? Send a MessageReason:
None


** When Shel wasn't writing children's stories or articles for Playboy, he was writing songs. Unfortunately, songs tend to be remembered as being by their performers, not their writers, but he's the man who wrote "A Boy Named Sue" (bad language, violence), "The Mermaid" (*ahem* inappropriate subject for children), and "You're Always Welcome at Our House" (depicting the murders of various visitors to the house by the children), which The Muppet Show actually used in a sketch in the Marisa Berenson episode, cheerfully playing up the Roald Dahl-like comedy.
** Uncle Shelby's ABZ Book, which constructs perfectly logical-sounding reasons why children should do things like throw eggs at the ceiling and ask their parents for a gigolo.

to:

** When Shel wasn't writing children's stories or articles for Playboy, Magazine/{{Playboy}}, he was writing songs. Unfortunately, songs tend to be remembered as being by their performers, not their writers, but he's the man who wrote "A Boy Named Sue" (bad language, violence), "The Mermaid" (*ahem* inappropriate subject for children), and "You're Always Welcome at Our House" (depicting the murders of various visitors to the house by the children), which The Muppet Show ''Series/TheMuppetShow'' actually used in a sketch in the Marisa Berenson episode, cheerfully playing up the Roald Dahl-like comedy.
** Uncle ''Uncle Shelby's ABZ Book, Book'', which constructs perfectly logical-sounding reasons why children should do things like throw eggs at the ceiling and ask their parents for a gigolo.
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* AlternativeCharacterInterpretation: In "Ladies First", Pamela Purse is always using the titular excuse to get food first, but when the group is about to be eaten by cannibals, she pushes to the front of the line and yells, "Ladies first!" Is she TooDumbToLive, or is she trying to make a HeroicSacrifice?
Is there an issue? Send a MessageReason:
None


* AdaptationDisplacement: The poem "Ladies First" was adapted into one of the skits on the TV special ''Free to Be. . . You and Me.'' A number of changes were made (for instance, the cannibalistic "savages" were replaced by a pack of tigers, so as not to clash with the special's pro-diversity message), but nevertheless this version is much more well-remembered, especially by children of the 1970s. Another poem of his, "Helping", was also included in the special, but without any changes.

to:

* AdaptationDisplacement: The poem "Ladies First" was adapted into one of the skits on the TV special ''Free to Be. . .Be... You and Me.'' A number of changes were made (for instance, the cannibalistic "savages" were replaced by a pack of tigers, so as not to clash with the special's pro-diversity message), but nevertheless this version is much more well-remembered, especially by children of the 1970s. Another poem of his, "Helping", was also included in the special, but without any changes.
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** One of his poems explores the idea of [[{{Disney.Frozen}} a snowman who wants to live to see July.]]

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** One of his poems explores the idea of [[{{Disney.Frozen}} [[WesternAnimation/Frozen2013 a snowman who wants to live to see July.]]
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** The poem "The Bagpipe Who Didn't Say No", which details a turtle falling in love with a bagpipe, [[AnimalSweetOnObject oblivious to its lack of sapience.]] Convinced he's offended "her", he creeps off, heartbroken.
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* AdaptationDisplacement: The poem "Ladies First" was adapted into one of the skits on the TV special ''Free to Be. . . You and Me.'' A number of changes were made (for instance, the cannibalistic "savages" were replaced by a pack of tigers, so as not to clash with the special's pro-diversity message), but nevertheless this version is much more well-remembered, especially by children of the 1970s.

to:

* AdaptationDisplacement: The poem "Ladies First" was adapted into one of the skits on the TV special ''Free to Be. . . You and Me.'' A number of changes were made (for instance, the cannibalistic "savages" were replaced by a pack of tigers, so as not to clash with the special's pro-diversity message), but nevertheless this version is much more well-remembered, especially by children of the 1970s. Another poem of his, "Helping", was also included in the special, but without any changes.

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