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not YMMV, moving to Trivia
Changed line(s) 5,12 (click to see context) from:
* CutSong:
** Jim Vallance noted that the s/t had several that were rejected due to being too reminiscent of his early disco period. Vallance wanted two outtakes "Jump" and "Stay" on the album but Adams felt they were not good enough. "Jump" was given to Canadian group 'Loverboy' a couple of years later. Rejected from the first LP were also "Jealousy" (which was used on "You Want It, You Got It") as well as "Take Me Back", "Straight From The Heart" and "I'm Ready" (which ended up on "Cuts Like A Knife").
** "You Want It You Got It" had "Play To Win", which was given to another artist so not used. It ended up on Reckless [Deluxe] despite its earlier recording date, due largely to the fact it would not have come out otherwise.
** "Reckless" had numerous ones - the B-side "Diana", six further outtakes that ended up on the Deluxe Edition, and "Hearts On Fire", which was rerecorded for "Into The Fire".
** "So Far So Good" was left off the compilation of the same name & later released (with overdubs) on Anthology.
** "You're Still Beautiful To Me" was cut from the reissue of 18 Til I Die, where "I Finally Found Someone" was included instead, despite the fact both would have fit on the same CD. "18 Til I Die" itself had numerous outtakes, though Adams liked two of them enough to play in his MTV Unplugged show (these being "If Ya Wanna Be Bad, Ya Gotta Be Good" and "Hey Elvis")
** "Back To You" was left off "On A Day Like Today" because he felt it did not work as well as the MTV Unplugged version. The demo was released as a B-Side to "I'm Ready"
* EndingFatigue: The album version of "(Everything I Do) I Do It For You" is almost seven minutes long; it seems to finish at about five minutes in... ''then'' the piano comes back in. The music video edit (spliced with footage from ''Film/RobinHoodPrinceOfThieves'') notably chooses to end at the five-minute mark.
** Jim Vallance noted that the s/t had several that were rejected due to being too reminiscent of his early disco period. Vallance wanted two outtakes "Jump" and "Stay" on the album but Adams felt they were not good enough. "Jump" was given to Canadian group 'Loverboy' a couple of years later. Rejected from the first LP were also "Jealousy" (which was used on "You Want It, You Got It") as well as "Take Me Back", "Straight From The Heart" and "I'm Ready" (which ended up on "Cuts Like A Knife").
** "You Want It You Got It" had "Play To Win", which was given to another artist so not used. It ended up on Reckless [Deluxe] despite its earlier recording date, due largely to the fact it would not have come out otherwise.
** "Reckless" had numerous ones - the B-side "Diana", six further outtakes that ended up on the Deluxe Edition, and "Hearts On Fire", which was rerecorded for "Into The Fire".
** "So Far So Good" was left off the compilation of the same name & later released (with overdubs) on Anthology.
** "You're Still Beautiful To Me" was cut from the reissue of 18 Til I Die, where "I Finally Found Someone" was included instead, despite the fact both would have fit on the same CD. "18 Til I Die" itself had numerous outtakes, though Adams liked two of them enough to play in his MTV Unplugged show (these being "If Ya Wanna Be Bad, Ya Gotta Be Good" and "Hey Elvis")
** "Back To You" was left off "On A Day Like Today" because he felt it did not work as well as the MTV Unplugged version. The demo was released as a B-Side to "I'm Ready"
* EndingFatigue: The album version of "(Everything I Do) I Do It For You" is almost seven minutes long; it seems to finish at about five minutes in... ''then'' the piano comes back in. The music video edit (spliced with footage from ''Film/RobinHoodPrinceOfThieves'') notably chooses to end at the five-minute mark.
to:
* CutSong:
** Jim Vallance noted that the s/t had several that were rejected due to being too reminiscent of his early disco period. Vallance wanted two outtakes "Jump" and "Stay"CoveredUp: Depending on the album but Adams felt your audience, they were not good enough. "Jump" was given to Canadian group 'Loverboy' a couple of years later. Rejected from might only know "Heaven" through [[https://www.youtube.com/watch?v=4-aPT0IEfT0 the first LP were also "Jealousy" (which was used on "You Want It, You Got It") as well as "Take Me Back", "Straight From The Heart" and "I'm Ready" (which ended up on "Cuts Like A Knife").
** "You Want It You Got It" had "Play To Win", which was given to another artist so not used. It ended up on Reckless [Deluxe] despite its earlier recording date, due largely to the fact it would not have come out otherwise.
** "Reckless" had numerous ones - the B-side "Diana", six further outtakes that ended up on the Deluxe Edition, and "Hearts On Fire", which was rerecorded for "Into The Fire".
** "So Far So Good" was left off the compilation of the same name & later released (with overdubs) on Anthology.
** "You're Still Beautiful To Me" was cut from the reissue of 18 Til I Die, where "I Finally Found Someone" was included instead, despite the fact both would have fit on the same CD. "18 Til I Die" itself had numerous outtakes, though Adams liked two of them enough to play in his MTV Unplugged show (these being "If Ya Wanna Be Bad, Ya Gotta Be Good" and "Hey Elvis")
** "Back To You" was left off "On A Day Like Today" because he felt it did not work as well as the MTV Unplugged version. The demo was released as a B-Side to "I'm Ready"
* EndingFatigue: The album version of "(Everything I Do) I Do It For You" is almost seven minutes long; it seems to finish at about five minutes in... ''then'' the piano comes back in. The music video edit (spliced with footage from ''Film/RobinHoodPrinceOfThieves'') notably chooses to end at the five-minute mark.2002 trance cover]].
** Jim Vallance noted that the s/t had several that were rejected due to being too reminiscent of his early disco period. Vallance wanted two outtakes "Jump" and "Stay"
** "You Want It You Got It" had "Play To Win", which was given to another artist so not used. It ended up on Reckless [Deluxe] despite its earlier recording date, due largely to the fact it would not have come out otherwise.
** "Reckless" had numerous ones - the B-side "Diana", six further outtakes that ended up on the Deluxe Edition, and "Hearts On Fire", which was rerecorded for "Into The Fire".
** "So Far So Good" was left off the compilation of the same name & later released (with overdubs) on Anthology.
** "You're Still Beautiful To Me" was cut from the reissue of 18 Til I Die, where "I Finally Found Someone" was included instead, despite the fact both would have fit on the same CD. "18 Til I Die" itself had numerous outtakes, though Adams liked two of them enough to play in his MTV Unplugged show (these being "If Ya Wanna Be Bad, Ya Gotta Be Good" and "Hey Elvis")
** "Back To You" was left off "On A Day Like Today" because he felt it did not work as well as the MTV Unplugged version. The demo was released as a B-Side to "I'm Ready"
* EndingFatigue: The album version of "(Everything I Do) I Do It For You" is almost seven minutes long; it seems to finish at about five minutes in... ''then'' the piano comes back in. The music video edit (spliced with footage from ''Film/RobinHoodPrinceOfThieves'') notably chooses to end at the five-minute mark.
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None
* CriticalDissonance: The ''18 Til I Die'' album was thrashed by critics, though it is generally well liked by fans.
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* DorkAge: The ''18 Til I Die'' album is this from a critical standpoint, though is generally well liked by fans.
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* EpicRiff
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* TastesLikeDiabetes: A frequent criticism of some of his ballads.
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* TastesLikeDiabetes: SweetnessAversion: A frequent criticism of some of his ballads.
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YMMV can't be played with.
Deleted line(s) 1 (click to see context) :
* AccidentalInnuendo: [[InvertedTrope Inverted]] in "Summer of '69". The song title is, in fact, referring to the sexual act, ''not'' the year. (Or played straight - WordOfGod is divided. Bryan says it's deliberate, the co-writer says it was accidental).
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None
Changed line(s) 13 (click to see context) from:
* EndingFatigue: The album version of "(Everything I Do) I Do It For You" is almost seven minutes long; it seems to finish at about five minutes in... ''then'' the piano comes back in.
to:
* EndingFatigue: The album version of "(Everything I Do) I Do It For You" is almost seven minutes long; it seems to finish at about five minutes in... ''then'' the piano comes back in. The music video edit (spliced with footage from ''Film/RobinHoodPrinceOfThieves'') notably chooses to end at the five-minute mark.
Is there an issue? Send a MessageReason:
Changed line(s) 15 (click to see context) from:
* FandomBerserkButton: Not for him, but Music/RyanAdams fans will get angry if you confuse the two of them.
to:
* FandomBerserkButton: FandomEnragingMisconception: Not for him, but Music/RyanAdams fans will get angry if you confuse the two of them.
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Other way around with that song title.
Changed line(s) 2 (click to see context) from:
* BrokenBase: A lot of his older fans really hate the way Adams' public reputation went from hip pop-rocker to uncool adult contemporary balladeer with "Everything I Do (I Do It For You)", from which it still hasn't really recovered, even when he's made plenty of rock records since.
to:
* BrokenBase: A lot of his older fans really hate the way Adams' public reputation went from hip pop-rocker to uncool adult contemporary balladeer with "Everything "(Everything I Do (I Do) I Do It For You)", You", from which it still hasn't really recovered, even when he's made plenty of rock records since.
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None
Changed line(s) 6 (click to see context) from:
** Jim Vallance noted that the s/t had several that were rejected due to being too reminiscent of his early disco period. It also had "Jealousy" (which was used on "You Want It, You Got It") as well as "Take Me Back", "Straight From The Heart" and "I'm Ready" (which ended up on "Cuts Like A Knife").
to:
** Jim Vallance noted that the s/t had several that were rejected due to being too reminiscent of his early disco period. It Vallance wanted two outtakes "Jump" and "Stay" on the album but Adams felt they were not good enough. "Jump" was given to Canadian group 'Loverboy' a couple of years later. Rejected from the first LP were also had "Jealousy" (which was used on "You Want It, You Got It") as well as "Take Me Back", "Straight From The Heart" and "I'm Ready" (which ended up on "Cuts Like A Knife").
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None
Changed line(s) 15 (click to see context) from:
* FandomBerserkButton: Not for him, but Music/RyanAdams fans will get angry if you confuse the two of them
to:
* FandomBerserkButton: Not for him, but Music/RyanAdams fans will get angry if you confuse the two of themthem.
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None
Changed line(s) 17 (click to see context) from:
** In the United Kingdom, his SignatureSong "(Everything I Do) I Do It for You" was at the top of the UK Singles Chart for '''SIXTEEN WEEKS STRAIGHT'''. This makes it the longest-reigning single on a UK chart ''ever''. Probably helps the song is tied to [[Film/RobinHoodPrinceOfThieves a film]] [[Literature/RobinHood about one of the most iconic British folk heroes ever]].
to:
** In the United Kingdom, his SignatureSong "(Everything I Do) I Do It for You" was at the top of the UK Singles Chart for '''SIXTEEN WEEKS STRAIGHT'''. This makes it the longest-reigning single on a UK chart ''ever''. Probably helps the song is tied to [[Film/RobinHoodPrinceOfThieves a film]] [[Literature/RobinHood [[Myth/RobinHood about one of the most iconic British folk heroes ever]].
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None
Changed line(s) 17 (click to see context) from:
** In the United Kingdom, his SignatureSong "(Everything I Do) I Do It for You" was at the top of the UK Singles Chart for '''SIXTEEN WEEKS STRAIGHT'''. This makes it the longest-reigning single on a UK chart ''ever''.
to:
** In the United Kingdom, his SignatureSong "(Everything I Do) I Do It for You" was at the top of the UK Singles Chart for '''SIXTEEN WEEKS STRAIGHT'''. This makes it the longest-reigning single on a UK chart ''ever''. Probably helps the song is tied to [[Film/RobinHoodPrinceOfThieves a film]] [[Literature/RobinHood about one of the most iconic British folk heroes ever]].
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None
Changed line(s) 5,6 (click to see context) from:
* DorkAge: The ''18 Til I Die'' album is this.
** Though to some, the quality of the songwriting outshines the somewhat ridiculous lyrics, as we're shown what a great blues player Adams can be.
** Though to some, the quality of the songwriting outshines the somewhat ridiculous lyrics, as we're shown what a great blues player Adams can be.
to:
* CutSong:
** Jim Vallance noted that the s/t had several that were rejected due to being too reminiscent of his early disco period. It also had "Jealousy" (which was used on "You Want It, You Got It") as well as "Take Me Back", "Straight From The Heart" and "I'm Ready" (which ended up on "Cuts Like A Knife").
** "You Want It You Got It" had "Play To Win", which was given to another artist so not used. It ended up on Reckless [Deluxe] despite its earlier recording date, due largely to the fact it would not have come out otherwise.
** "Reckless" had numerous ones - the B-side "Diana", six further outtakes that ended up on the Deluxe Edition, and "Hearts On Fire", which was rerecorded for "Into The Fire".
** "So Far So Good" was left off the compilation of the same name & later released (with overdubs) on Anthology.
** "You're Still Beautiful To Me" was cut from the reissue of 18 Til I Die, where "I Finally Found Someone" was included instead, despite the fact both would have fit on the same CD. "18 Til I Die" itself had numerous outtakes, though Adams liked two of them enough to play in his MTV Unplugged show (these being "If Ya Wanna Be Bad, Ya Gotta Be Good" and "Hey Elvis")
** "Back To You" was left off "On A Day Like Today" because he felt it did not work as well as the MTV Unplugged version. The demo was released as a B-Side to "I'm Ready"
* DorkAge: The ''18 Til I Die'' album isthis.
** Though to some, the quality of the songwriting outshines the somewhat ridiculous lyrics, as we're shown whatthis from a great blues player Adams can be.critical standpoint, though is generally well liked by fans.
** Jim Vallance noted that the s/t had several that were rejected due to being too reminiscent of his early disco period. It also had "Jealousy" (which was used on "You Want It, You Got It") as well as "Take Me Back", "Straight From The Heart" and "I'm Ready" (which ended up on "Cuts Like A Knife").
** "You Want It You Got It" had "Play To Win", which was given to another artist so not used. It ended up on Reckless [Deluxe] despite its earlier recording date, due largely to the fact it would not have come out otherwise.
** "Reckless" had numerous ones - the B-side "Diana", six further outtakes that ended up on the Deluxe Edition, and "Hearts On Fire", which was rerecorded for "Into The Fire".
** "So Far So Good" was left off the compilation of the same name & later released (with overdubs) on Anthology.
** "You're Still Beautiful To Me" was cut from the reissue of 18 Til I Die, where "I Finally Found Someone" was included instead, despite the fact both would have fit on the same CD. "18 Til I Die" itself had numerous outtakes, though Adams liked two of them enough to play in his MTV Unplugged show (these being "If Ya Wanna Be Bad, Ya Gotta Be Good" and "Hey Elvis")
** "Back To You" was left off "On A Day Like Today" because he felt it did not work as well as the MTV Unplugged version. The demo was released as a B-Side to "I'm Ready"
* DorkAge: The ''18 Til I Die'' album is
** Though to some, the quality of the songwriting outshines the somewhat ridiculous lyrics, as we're shown what
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Deleted line(s) 12 (click to see context) :
* LoveItOrHateIt: So much that ''WesternAnimation/SouthParkBiggerLongerAndUncut'' made fun of him, with the Canadian prime minister saying the country already apologized for Bryan Adams.
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None
Added DiffLines:
** In the United Kingdom, his SignatureSong "(Everything I Do) I Do It for You" was at the top of the UK Singles Chart for '''SIXTEEN WEEKS STRAIGHT'''. This makes it the longest-reigning single on a UK chart ''ever''.
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None
Changed line(s) 3 (click to see context) from:
** Mutt Lange's production on "Waking Up The Neighbours", which makes Adams sound like Def Leppard, is a big BaseBreaker. The lack of Jim Vallance co-writes on the album doesn't help.
to:
** Mutt Lange's production on "Waking Up The Neighbours", which makes Adams sound like Def Leppard, is a big BaseBreaker.Leppard. The lack of Jim Vallance co-writes on the album doesn't help.
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* FandomBerserkButton: Not for him, but RyanAdams fans will get angry if you confuse the two of them
to:
* FandomBerserkButton: Not for him, but RyanAdams Music/RyanAdams fans will get angry if you confuse the two of them
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None
Changed line(s) 10 (click to see context) from:
* GermansLoveDavidHasselhoff: Still very popular in Europe.
to:
* GermansLoveDavidHasselhoff: Still very popular in Europe. And ''Nepal'', [[https://www.youtube.com/watch?v=lXbj1GEDN3o where he played a sold-out concert in 2011]].
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Minor edits.
Changed line(s) 11,12 (click to see context) from:
* LoveItOrHateIt: So much that ''WesternAnimation/SouthParkBiggerLongerAndUncut'' made fun of him, with the Canadian president saying the country already apologized for Bryan Adams.
* SignatureSong: "Summer of '69", "(Everything I Do) I Do It for You", and "Heaven"
* SignatureSong: "Summer of '69", "(Everything I Do) I Do It for You", and "Heaven"
to:
* LoveItOrHateIt: So much that ''WesternAnimation/SouthParkBiggerLongerAndUncut'' made fun of him, with the Canadian president prime minister saying the country already apologized for Bryan Adams.
*SignatureSong: {{Signature Song}}s: "Summer of '69", "(Everything I Do) I Do It for You", and "Heaven"
*
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None
Added DiffLines:
* BrokenBase: A lot of his older fans really hate the way Adams' public reputation went from hip pop-rocker to uncool adult contemporary balladeer with "Everything I Do (I Do It For You)", from which it still hasn't really recovered, even when he's made plenty of rock records since.
** Mutt Lange's production on "Waking Up The Neighbours", which makes Adams sound like Def Leppard, is a big BaseBreaker. The lack of Jim Vallance co-writes on the album doesn't help.
** There seems to be a portion of the fanbase who thinks 18 Til I Die is one of his best and On A Day Like Today sucks, and another portion who thinks On A Day Like Today is best and 18 Til I Die sucks. You won't find many who like both equally.
** Mutt Lange's production on "Waking Up The Neighbours", which makes Adams sound like Def Leppard, is a big BaseBreaker. The lack of Jim Vallance co-writes on the album doesn't help.
** There seems to be a portion of the fanbase who thinks 18 Til I Die is one of his best and On A Day Like Today sucks, and another portion who thinks On A Day Like Today is best and 18 Til I Die sucks. You won't find many who like both equally.
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None
Added DiffLines:
* SmallReferencePools: One criticism of him is that virtually all his songs are love songs, no matter the musical style. Bryan and Jim knew this, and felt it was getting old, and tried to move away from it with the multiple artist charity song "Tears Are Not Enough", and then the album "Into The Fire", which features such ideas as late night criminal activity (Heat Of The Night), the struggles of life (Into The Fire, Another Day, Home Again) and historical events (Native Son, Rebel, Remembrance Day). Even the love songs on this album (Victim Of Love, Only The Strong Survive) deal with failing relationships, and the remaining track Hearts On Fire is the only truly happy love song (which makes sense given that it was a Reckless outtake). After this album, Vallance and Adams felt that writing about historical events might reveal the limitations of their own knowledge and also might make people think they were getting preachy (ala Bono), so they generally stuck to love songs later.
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Added DiffLines:
* FandomBerserkButton: Not for him, but RyanAdams fans will get angry if you confuse the two of them
Is there an issue? Send a MessageReason:
Minor edits.
Changed line(s) 1 (click to see context) from:
* AccidentalInnuendo: [[InvertedTrope Inverted]] in "Summer of 69." The song title is, in fact, referring to the sexual act, ''not'' the year. (Or played straight - WordOfGod is divided. Bryan says it's deliberate, the co-writer says it was accidental).
to:
* AccidentalInnuendo: [[InvertedTrope Inverted]] in "Summer of 69." '69". The song title is, in fact, referring to the sexual act, ''not'' the year. (Or played straight - WordOfGod is divided. Bryan says it's deliberate, the co-writer says it was accidental).
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* SignatureSong: "Summer of 69," "Everything I Do," and "Heaven"
to:
* SignatureSong: "Summer of 69," "Everything '69", "(Everything I Do," Do) I Do It for You", and "Heaven"
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None
Changed line(s) 8 (click to see context) from:
* SignatureSong: "Summer of 69" and "Heaven"
to:
* SignatureSong: "Summer of 69" 69," "Everything I Do," and "Heaven"
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None
Changed line(s) 1 (click to see context) from:
* AccidentalInnuendo: [[InvertedTrope Inverted]] in "Summer of 69." The song title is, in fact, referring to the sexual act, ''not'' the year. (Or played straight - WordOfGod is divided. Bryan says it's deliberate, the co-writers says it was accidental).
to:
* AccidentalInnuendo: [[InvertedTrope Inverted]] in "Summer of 69." The song title is, in fact, referring to the sexual act, ''not'' the year. (Or played straight - WordOfGod is divided. Bryan says it's deliberate, the co-writers co-writer says it was accidental).
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* AccidentalInnuendo: [[InvertedTrope Inverted]] in "Summer of 69." The song title is, in fact, referring to the sexual act, ''not'' the year.
to:
* AccidentalInnuendo: [[InvertedTrope Inverted]] in "Summer of 69." The song title is, in fact, referring to the sexual act, ''not'' the year. (Or played straight - WordOfGod is divided. Bryan says it's deliberate, the co-writers says it was accidental).
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* DorkAge: The ''18 Til I Die'' album is this.
** Though to some, the quality of the songwriting outshines the somewhat ridiculous lyrics, as we're shown what a great blues player Adams can be.
** Though to some, the quality of the songwriting outshines the somewhat ridiculous lyrics, as we're shown what a great blues player Adams can be.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* SignatureSong: "Summer of 69" and "Heaven"
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None
Changed line(s) 5 (click to see context) from:
* LoveItOrHateIt: So much that ''SouthPark'' made fun of him, with the Canadian president saying the country already apologized for Bryan Adams.
to:
* LoveItOrHateIt: So much that ''SouthPark'' ''WesternAnimation/SouthParkBiggerLongerAndUncut'' made fun of him, with the Canadian president saying the country already apologized for Bryan Adams.
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Added Epic Riff from Bryan Adams.
Added DiffLines:
* EpicRiff
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Added DiffLines:
* LoveItOrHateIt: So much that ''SouthPark'' made fun of him, with the Canadian president saying the country already apologized for Bryan Adams.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* AccidentalInnuendo: [[InvertedTrope Inverted]] in "Summer of 69." The song title is, in fact, referring to the sexual act, ''not'' the year.