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* AsTheGoodBookSays: He [[https://www.youtube.com/watch?v=rZ0BoB3fMxA got biblical]] in his review of Music/KanyeWest's ''Jesus Is King'', which consisted entirely of him reading passages from [[Literature/TheBible the Gospels]][[labelnote:Specifically...]]Matthew 21:12-13 (the Cleansing of the Temple), Luke 18:18-30 (Jesus and the rich young man), and John 8:2-11 (Jesus and the woman taken in adultery).[[/labelnote]] of Jesus denouncing greed, judgmental attitudes, and people who exploit religion for their own personal gain. The unstated implication was that Kanye's turn towards [[ChristianRock Christian hip-hop]] and GospelMusic was a self-serving and {{hypocrit|e}}ical one from a man who didn't seem to actually be [[HeelFaithTurn owning up to all his terrible behavior]], but was instead continuing to indulge in it and was now HidingBehindReligion to justify it.



* AsTheGoodBookSays: He [[https://www.youtube.com/watch?v=rZ0BoB3fMxA got biblical]] in his review of Music/KanyeWest's ''Jesus Is King'', which consisted entirely of him reading passages from [[Literature/TheBible the Gospels]][[labelnote:Specifically...]]Matthew 21:12-13 (the Cleansing of the Temple), Luke 18:18-30 (Jesus and the rich young man), and John 8:2-11 (Jesus and the woman taken in adultery).[[/labelnote]] of Jesus denouncing greed, judgmental attitudes, and people who exploit religion for their own personal gain. The unstated implication was that Kanye's turn towards [[ChristianRock Christian hip-hop]] and GospelMusic was a self-serving and {{hypocrit|e}}ical one from a man who didn't seem to actually be [[HeelFaithTurn owning up to all his terrible behavior]], but was instead continuing to indulge in it and was now HidingBehindReligion to justify it.



* TheCameo: Mark appears in Part 2 of WebVideo/TheDoubleAgent's ''Worst Hit Songs of 2009'' video as well as the ''[[Music/{{Creed}} Weathered]]'', ''[[Music/LinkinPark A Thousand Suns]]'', ''[[Music/SimplePlan Still Not Getting Any...]]'', ''[[Music/TheoryOfADeadman Scars and Souvenirs]]'' and ''Music/{{Trapt}}'' episodes of ''[[WebVideo/RockedReviews Regretting the Past]]''.

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* TheCameo: TheCameo:
** Rodrigo Pasta appears in [[https://www.youtube.com/watch?v=nvVztkbnnvs Episode 5]] of ''On The Pulse'' for 2021 to help
Mark review Music/SelenaGomez's [[NewSoundAlbum Spanish-language EP]] ''Revelación''.
** Mark himself
appears in Part 2 of WebVideo/TheDoubleAgent's ''Worst Hit Songs of 2009'' video as well as the ''[[Music/{{Creed}} Weathered]]'', ''[[Music/LinkinPark A Thousand Suns]]'', ''[[Music/SimplePlan Still Not Getting Any...]]'', ''[[Music/TheoryOfADeadman Scars and Souvenirs]]'' and ''Music/{{Trapt}}'' episodes of ''[[WebVideo/RockedReviews Regretting the Past]]''.



* NoIndoorVoice: When he's especially angry, it's a cross between this and SuddenlyShouting.
* NWordPrivileges: Considering his rap reviews, has stated on Twitter he won't say the word if he feels it isn't necessary. When songs with the N-word in the title appear on Billboard Breakdown, he says "N-word" in its place.



* NWordPrivileges: Considering his rap reviews, has stated on Twitter he won't say the word if he feels it isn't necessary. When songs with the N-word in the title appear on Billboard Breakdown, he says "N-word" in its place.
* NoIndoorVoice: When he's especially angry, it's a cross between this and SuddenlyShouting.



* PersonaNonGrata: After learning about the controversy regarding Sia Furler's film ''Music'', Mark [[https://twitter.com/SpectrumPulse/status/1353037873159745537 tweeted]] that he will no longer cover anything related to her music on the channel again, due to being utterly disgusted with what he learned.



* PersonaNonGrata: After learning about the controversy regarding Sia Furler's film ''Music'', Mark [[https://twitter.com/SpectrumPulse/status/1353037873159745537 tweeted]] that he will no longer cover anything related to her music on the channel again, due to being utterly disgusted with what he learned.
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* OlderAndWiser: When covering ''Music/{{Fearless}} [[TheNotRemix (Taylor's Version)]]'', he thought that the song "Fifteen", a song about getting swept up in love when one is too young to know any better, benefited from Music/TaylorSwift's more grown-up perspective, and that she sold it a lot better than she did originally when she was herself still a teenager and couldn't really convey the kind of wisdom she was going for. [[SubvertedTrope On the other hand,]] he thought that "You Belong With Me", a NotLikeOtherGirls song that he already didn't really like back when Taylor was 18, sounded even more immature and catty when sung by a 31-year-old woman.

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* OlderAndWiser: When covering ''Music/{{Fearless}} [[TheNotRemix (Taylor's Version)]]'', he thought that the song "Fifteen", a song about getting swept up in love when one is too young to know any better, benefited from Music/TaylorSwift's more grown-up perspective, and that she sold it a lot better than she did originally when she was herself still a teenager and couldn't really convey the kind of wisdom she was going for. [[SubvertedTrope On the other hand,]] he thought that "You Belong With Me", a NotLikeOtherGirls song that he already didn't really like back when Taylor was 18, sounded even more immature and catty when sung by a 31-year-old woman.
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* OlderAndWiser: When covering ''Music/{{Fearless}} [[TheNotRemix (Taylor's Version)]]'', he thought that the song "Fifteen", a song about getting swept up in love when one is too young to know any better, benefited from Music/TaylorSwift's more grown-up perspective, and that she sold it a lot better than she did originally when she was herself still a teenager and couldn't really convey the kind of wisdom she was going for. [[SubvertedTrope On the other hand,]] he thought that "You Belong With Me", a NotLikeOtherGirls song that he already didn't really like back when Taylor was 18, sounded even more immature and catty when sung by a 31-year-old woman.
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** If you read his reviews on his blog pre-YouTube, you can notice how his writing has evolved over the years. He was generally harsher back then, and also swore a whole lot more often, plus he didn't even say his name as Mark when talking about himself.

to:

** If you read his reviews on his blog pre-YouTube, pre-[=YouTube=], you can notice how his writing has evolved over the years. He was generally harsher back then, and also swore a whole lot more often, plus he didn't even say his name as Mark when talking about himself.



* FanNickname: [[invoked]] Not exactly a "fan", but he often refers to [=6ix9ine=] as "[=SoundCloud=] waifu" after the streaming platform he emerged from. Also he calls Tom MacDonald Tommy Boy.

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* FanNickname: [[invoked]] Not exactly a "fan", but he often refers to [=6ix9ine=] as "[=SoundCloud=] waifu" after the streaming platform he emerged from. Also he calls Tom MacDonald Tommy Boy.[=MacDonald=] "Tommy Boy".
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* FanNickname: [[invoked]] Not exactly a "fan", but he often refers to [=6ix9ine=] as "[=SoundCloud=] waifu" after the streaming platform he emerged from.

to:

* FanNickname: [[invoked]] Not exactly a "fan", but he often refers to [=6ix9ine=] as "[=SoundCloud=] waifu" after the streaming platform he emerged from. Also he calls Tom MacDonald Tommy Boy.
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* TheCameo: Mark appears in Part 2 of WebVideo/TheDoubleAgent's ''Worst Hit Songs of 2009'' video as well as the ''[[Music/{{Creed}} Weathered]]'', ''[[Music/LinkinPark A Thousand Suns]]'', ''[[Music/SimplePlan Still Not Getting Any...]]'', ''[[Music/TheoryOfADeadman Scars and Souvenirs]]'' and ''[[Music/{{Trapt}} Trapt]]'' episodes of ''[[WebVideo/RockedReviews Regretting the Past]]''.

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* TheCameo: Mark appears in Part 2 of WebVideo/TheDoubleAgent's ''Worst Hit Songs of 2009'' video as well as the ''[[Music/{{Creed}} Weathered]]'', ''[[Music/LinkinPark A Thousand Suns]]'', ''[[Music/SimplePlan Still Not Getting Any...]]'', ''[[Music/TheoryOfADeadman Scars and Souvenirs]]'' and ''[[Music/{{Trapt}} Trapt]]'' ''Music/{{Trapt}}'' episodes of ''[[WebVideo/RockedReviews Regretting the Past]]''.
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* TheCameo: Mark appears in Part 2 of WebVideo/TheDoubleAgent's ''Worst Hit Songs of 2009'' video as well as the ''Weathered'', ''A Thousand Suns'', and ''Still Not Getting Any...'' episodes of WebVideo/RockedReviews' series ''Regretting the Past''.

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* TheCameo: Mark appears in Part 2 of WebVideo/TheDoubleAgent's ''Worst Hit Songs of 2009'' video as well as the ''Weathered'', ''A ''[[Music/{{Creed}} Weathered]]'', ''[[Music/LinkinPark A Thousand Suns'', and ''Still Suns]]'', ''[[Music/SimplePlan Still Not Getting Any...'' ]]'', ''[[Music/TheoryOfADeadman Scars and Souvenirs]]'' and ''[[Music/{{Trapt}} Trapt]]'' episodes of WebVideo/RockedReviews' series ''Regretting ''[[WebVideo/RockedReviews Regretting the Past''.Past]]''.
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* PersonaNonGrata: After learning about the controversy regarding Sia Furler's film ''Music'', Mark [[https://twitter.com/SpectrumPulse/status/1353037873159745537 tweeted]] that he will no longer cover anything related to her music on the channel again, due to being utterly disgusted with what he learned.
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* AbandonedCatchphrase: Though he still says it, Mark has [[https://twitter.com/SpectrumPulse/status/1373276025983995909?s=20 toned down]] his use of "By the Nine Hells" starting in 2021, as he felt that the phrase became significantly less unique and cool after seeing other people use it unironically.
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* SomethingCompletelyDifferent: His review of "We Beefin?" as well as his episode of On The Pulse done entireley in ASMR.

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* SomethingCompletelyDifferent: His review of "We Beefin?" as well as his episode of On The Pulse done entireley entirely in ASMR.
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Corrected spelling- entirely


* BigWhy: His reaction to Beyoncé's "7/11" in the ''Worst Hit Songs of 2015'' video as well as [[https://youtu.be/GcWzBmNLAPA?t=1213 a Kanye West lyric from Billboard Breakdown.]]

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* BigWhy: His reaction to Beyoncé's "7/11" in the ''Worst Hit Songs of 2015'' video as well as [[https://youtu.be/GcWzBmNLAPA?t=1213 a Kanye West lyric from Billboard Breakdown.]]



-->'''Mark:''' I'm the kind of nerd who has hundreds of fantasy and sci-fi novels, can quote Creator/MontyPython and ''Franchise/StarWars'' verbatim, used to be a Dungeon Master when playing ''TabletopGame/DungeonsAndDragons'', occasionally still goes to ''TabletopGame/MagicTheGathering'' tournaments, has a physics degree, and has Aragorn's longsword [[CoolSword Andúril]] from ''Film/TheLordOfTheRings'' mounted on his wall.

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-->'''Mark:''' I'm the kind of nerd who has hundreds of fantasy and sci-fi novels, can quote Creator/MontyPython and ''Franchise/StarWars'' verbatim, used to be a Dungeon Master when playing ''TabletopGame/DungeonsAndDragons'', occasionally still goes to ''TabletopGame/MagicTheGathering'' tournaments, has a physics degree, and has Aragorn's longsword [[CoolSword Andúril]] from ''Film/TheLordOfTheRings'' mounted on his wall.



* SomethingCompletelyDifferent: His review of "We Beefin?" as well as his episode of On The Pulse done intireley in ASMR.

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* SomethingCompletelyDifferent: His review of "We Beefin?" as well as his episode of On The Pulse done intireley entireley in ASMR.



* UnreliableNarrator: In the [[https://www.youtube.com/watch?v=DcziICLQJwo 10,000 Subscriber Q&A episode]], Mark claims to be a secret Pokémon trainer that found a wild Voltorb in a power plant and adopted him. Voltorb then explains the REAL story: [[spoiler: Mark simply bought him from a friend of an ex-girlfriend who made and sold plush Pokémon on Etsy.]]

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* UnreliableNarrator: In the [[https://www.youtube.com/watch?v=DcziICLQJwo 10,000 Subscriber Q&A episode]], Mark claims to be a secret Pokémon trainer that found a wild Voltorb in a power plant and adopted him. Voltorb then explains the REAL story: [[spoiler: Mark simply bought him from a friend of an ex-girlfriend who made and sold plush Pokémon on Etsy.]]

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Namespacing Needs Wiki Magic Love and deleting entries that are just editorial comments


NeedsWikiMagicLove



* BigWhy: His reaction to Beyoncé's "7/11" in the ''Worst Hit Songs of 2015'' video as well as [[https://youtu.be/GcWzBmNLAPA?t=1213 a Kanye West lyric from Billboard Breakdown.]]

to:

* BigWhy: His reaction to Beyoncé's "7/11" in the ''Worst Hit Songs of 2015'' video as well as [[https://youtu.be/GcWzBmNLAPA?t=1213 a Kanye West lyric from Billboard Breakdown.]]



-->'''Mark:''' I'm the kind of nerd who has hundreds of fantasy and sci-fi novels, can quote Creator/MontyPython and ''Franchise/StarWars'' verbatim, used to be a Dungeon Master when playing ''TabletopGame/DungeonsAndDragons'', occasionally still goes to ''TabletopGame/MagicTheGathering'' tournaments, has a physics degree, and has Aragorn's longsword [[CoolSword Andúril]] from ''Film/TheLordOfTheRings'' mounted on his wall.

to:

-->'''Mark:''' I'm the kind of nerd who has hundreds of fantasy and sci-fi novels, can quote Creator/MontyPython and ''Franchise/StarWars'' verbatim, used to be a Dungeon Master when playing ''TabletopGame/DungeonsAndDragons'', occasionally still goes to ''TabletopGame/MagicTheGathering'' tournaments, has a physics degree, and has Aragorn's longsword [[CoolSword Andúril]] from ''Film/TheLordOfTheRings'' mounted on his wall.



* UnreliableNarrator: In the [[https://www.youtube.com/watch?v=DcziICLQJwo 10,000 Subscriber Q&A episode]], Mark claims to be a secret Pokémon trainer that found a wild Voltorb in a power plant and adopted him. Voltorb then explains the REAL story: [[spoiler: Mark simply bought him from a friend of an ex-girlfriend who made and sold plush Pokémon on Etsy.]]

to:

* UnreliableNarrator: In the [[https://www.youtube.com/watch?v=DcziICLQJwo 10,000 Subscriber Q&A episode]], Mark claims to be a secret Pokémon trainer that found a wild Voltorb in a power plant and adopted him. Voltorb then explains the REAL story: [[spoiler: Mark simply bought him from a friend of an ex-girlfriend who made and sold plush Pokémon on Etsy.]]
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* FanNickname: [[invoked]] Not exactly a "fan", but he often refers to [=6ix9ine=] as "[=SoundCloud=] waifu" after the streaming platform he emerged from.

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* AndNowForSomethingCompletelyDifferent: His review of "We Beefin?" as well as his episode of On The Pulse done intireley in ASMR.


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* SomethingCompletelyDifferent: His review of "We Beefin?" as well as his episode of On The Pulse done intireley in ASMR.
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* NowForSomethingCompletelyDifferent: His review of "We Beefin?" as well as his episode of On The Pulse done intireley in ASMR.

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* NowForSomethingCompletelyDifferent: AndNowForSomethingCompletelyDifferent: His review of "We Beefin?" as well as his episode of On The Pulse done intireley in ASMR.
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** If you read his reviews on his blog pre-YouTube, you can notice how his writing has evolved over the years. He was generally harsher back then, and also swore a whole lot more often, plus he didn't even say his name as Mark when talking about himself.


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* NowForSomethingCompletelyDifferent: His review of "We Beefin?" as well as his episode of On The Pulse done intireley in ASMR.
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** The end of his review of Southside by Music/SamHunt features a lengthy one of this

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** The end of his review of Southside by Music/SamHunt features a rather lengthy one of thisone
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** The end of his review of Southside by Music/SamHunt features a lengthy one of this
--> But let’s circle back to that word ‘entitlement’, and why this album makes me angry not just at it, but the system behind it, which I’d argue is fair game because this album would not exist at all without that system. Because Nashville radio programmers and label executives have pushed a meritocracy narrative for decades, that if you’re good enough you can make it; most recently this came up when there was pushback against systemic change to get more women on the radio, with the argument of ‘well, if their music was better it’d get there’ - and it’s total fucking bullshit. This is a narrative that is built to enable exploitation of artists who are not as connected or knowledgeable, or who have seen through the system and won’t get in line, which is why Kacey Musgraves getting the equivalent of blackballed by Nashville radio is so goddamn galling. Right now she’s proven she’ll find a way, as have so many others in indie country, but if you want the blazing example of mainstream country hypocrisy, it’s Southside by Sam Hunt. No other album or artist in the modern era has been allowed to fail as many times as he has, both commercially and critically, and still have the support of his label and consistent promotion, for an album that he doesn’t sound like he wanted to make and came out as an undercooked, barely finished disaster across the board. This isn’t just mediocre or forgettable, it’s an album that is actively enabled to suck, but will sell just enough with the full force of promotion and catering to the worst of cultural biases that it’ll push back on people who call it out. In that way, even though Sam Hunt has expressed no political affiliation publically, it’s emblematic of this time and what guys like him have been actively enabled to get away with - and regardless of where you fall, that’s hypocritical and disgusting.\\
Now some of you will say, ‘well, that’s just the industry, that’s not fair to hold the art that only exists because of that industry to that standard, separate the art from the conditions where it was made even though it drips through and shades every element of it’… and while that conclusion is the height of intellectual dishonesty, I can consider Southside outside of that: when it’s not boring it’s infuriating, it wants to push the sound but doesn’t grasp how any component part works, the content is so emotionally incoherent in its framing I thought the dissonance had to be part of the point until you realize there was nothing close to that level of sophistication or effort, and it features some of the worst sequencing on any album I’ve ever reviewed.
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** His reviews of David Bowie's ''Blackstar'' and Nick Cave & The Bad Seeds' ''Skeleton Tree'', both having an uncharacteristically downtrodden and mournful tone; Mark himself has gone on the record as saying he nearly teared up in the process of filming both reviews. The former was shot mere days after the death of David Bowie, and the latter was [[spoiler:the second and to date one of only three albums he's awarded a perfect 10/10 score.]]

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** His reviews of David Bowie's ''Blackstar'' and Nick Cave & The Bad Seeds' ''Skeleton Tree'', both having an uncharacteristically downtrodden and mournful tone; Mark himself has gone on the record as saying he nearly teared up in the process of filming both reviews. The former was shot mere days after the death of David Bowie, and the latter was [[spoiler:the second and to date one of only three four albums he's awarded a perfect 10/10 score.]]
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** In the Top 10 Worst Hit Songs of 2020, his #1 pick, [[spoiler: "Sunday Best" by Surfaces]], is listed as "pop/torture"
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** "Good."

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** In his "Top Ten Worst Hit Songs of 2012" video, he list the genre 'Birthday Cake (Remix)' by Rihanna ft. Chris Brown as "electro-pop/migraine"

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** In his "Top Ten Worst Hit Songs of 2012" video, he list the genre 'Birthday Cake (Remix)' by Rihanna ft. Chris Brown as "electro-pop/migraine""electro-pop/migraine".
** In "A Look At The Canadian Hot 100 - 2015", for his (positive) review of "Albatroz" by [=AronChupa=], the listed genres are "EDM", "WebOriginal/{{Vine}}" and "WTF".
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* ''The Trailing Edge'': A monthly catch-up series giving short reviews to albums that didn't get enough votes on his Patreon schedule, similar to WebVideo/TheNeedleDrop's YUNO reviews. As of 2020, the series has been cancelled.

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* ''The Trailing Edge'': A monthly catch-up series giving short reviews to albums that didn't get enough votes on his Patreon schedule, similar to WebVideo/TheNeedleDrop's YUNO reviews. As of 2020, the series has been cancelled.replaced with ''On The Pulse''.
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* TheArtifact: The show maintains the "we talk about music, movies, art and culture" tagline at the beginning of each video, even though the vast majority of episodes focus on just music, with videos on other topics being extremely rare, ''if even that''.
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Dead link/domain.


He is also a published author, his first full-length novel ''To Kill A Dragon'' is available online [[http://morningrainpublishing.com/project/to-kill-a-dragon/ here]].

to:

He is also a published author, with his first full-length novel ''To Kill A Dragon'' is available online [[http://morningrainpublishing.com/project/to-kill-a-dragon/ here]].
being published in November 2016.
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** Expect any country song he dislikes to have its genre listed in the subtitles as 'Pop [[ScareQuotes "country"]]'.
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** Early Music/PostMalone, so much so when he covered him in a episode of Billboard Breakdown, he put up a ''[[ContentWarnings trigger warning]]''. However, according to him, Post has improved as an artist and Mark now just considers him average.

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** Early Music/PostMalone, so much so when he covered him in a an episode of Billboard Breakdown, he put up a ''[[ContentWarnings trigger warning]]''. However, according to him, Post has improved as an artist and Mark now just considers him average.
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* NWordPrivileges: Considering his rap reviews, has stated on Twitter he won't say the word if he feels it isn't necessary. When one song with the N-word in the title appeared on Billboard Breakdown, he said "N-word" in its place.

to:

* NWordPrivileges: Considering his rap reviews, has stated on Twitter he won't say the word if he feels it isn't necessary. When one song songs with the N-word in the title appeared appear on Billboard Breakdown, he said says "N-word" in its place.
Is there an issue? Send a MessageReason:
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** Album bombs, when artists (especially in the aforementioned nu-crunk genre) exploit the ''Billboard'' Hot 100's rules for streaming to hit the charts with the force of a thousand bricks, displacing other songs and often sapping their momentum so that most if not all of the album's songs, including the {{filler}} (even interludes and sketches in some extreme cases), can chart. It doesn't help that he suspects many of these album bombs are driven more by [[ScrewTheRulesIHaveMoney payola]] with the major streaming services than anything. In 2018, he [[TheLastStraw got fed up]] and instituted a new rule on ''Billboard Breakdown'' for discussing album bombs: if eight or more songs chart off an album in one week, he will only discuss his best and worst of the week and any songs that landed in the top 40.

to:

** Album bombs, when artists (especially in the aforementioned nu-crunk genre) exploit the ''Billboard'' Hot 100's rules for streaming to hit the charts with the force of a thousand bricks, displacing other songs and often sapping their momentum so that most if not all of the album's songs, including the {{filler}} (even interludes and sketches in some extreme cases), can chart. It doesn't help that he suspects many of these album bombs are driven more by [[ScrewTheRulesIHaveMoney payola]] with the major streaming services than anything. In 2018, he [[TheLastStraw got fed up]] and instituted a new rule on ''Billboard Breakdown'' for discussing album bombs: if eight or more songs chart off an album in one week, he will only discuss his best and worst of the week from the album and any songs that landed in the top 40.



* BigWhat: His reaction to a Gucci Mane lyric on [[https://youtu.be/3knLLnN0MG0?t=13m another Billboard Breakdown]].

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* BigWhat: His reaction to a Gucci Mane Music/GucciMane lyric on [[https://youtu.be/3knLLnN0MG0?t=13m another Billboard Breakdown]].
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** Music/SamHunt, as seen in his reviews of "Take Your Time" from the Worst Hit Songs of 2015 list and "Make You Miss Me", "Drinkin' Too Much", and "Body Like a Back Road" from Billboard Breakdown.

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** Music/SamHunt, as seen in his reviews of "Take Your Time" from the Worst Hit Songs of 2015 list and "Make You Miss Me", "Drinkin' Too Much", and "Body Like a Back Road" from Billboard Breakdown.Breakdown and his review of his album "Southside".

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