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* AffectionateParody: They were parodied in ''Literature/{{Discworld}}'' as with the dwarfish group "We're Certainly Dwarfs".
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** The band itself, for John Linnell. In the years prior, he was part of a Rhode Island-based group called The Mundanes, a Music/NewWave group in the Music/{{Blondie}}/Motels/Waitresses mold. They built a local following before trying and failing to get a major record deal. They broke up in 1983.

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** The band itself, for John Linnell. In the years prior, he was part of a Rhode Island-based Island group called The Mundanes, a Music/NewWave group in the Music/{{Blondie}}/Motels/Waitresses mold. They built a local following before trying following, tried and failing failed to get a major record deal. They deal, and then broke up in 1983.
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I don't know if these count—they don't directly predate the band, and may not have even been serious projects


** John Flansburgh also was in a couple bands in his college years, The Blackouts and The Turtlenecks, though they were much more informal than The Mundanes. Both bands specialized in tongue-in-cheek [[CoverVersion Cover Versions]] of oldies hits.
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* MissingEpisode: One of the first music videos that the band made was a video for the song "Rabid Child" that was never released to the public.

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* MissingEpisode: One of the first music videos that the band made was a video for the song "Rabid Child" that was never released to the public.public, except for a clip in ''Gigantic: A Tale of Two Johns'' years later.

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* BreakupBreakout: The band itself, for John Linnell. In the years prior, he was part of a Rhode Island-based Music/NewWave group called The Mundanes, which tried and failed to get a major record deal before breaking up in 1983.

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* BreakupBreakout: BreakupBreakout:
**
The band itself, for John Linnell. In the years prior, he was part of a Rhode Island-based Music/NewWave group called The Mundanes, which tried a Music/NewWave group in the Music/{{Blondie}}/Motels/Waitresses mold. They built a local following before trying and failed failing to get a major record deal before breaking deal. They broke up in 1983.1983.
** John Flansburgh also was in a couple bands in his college years, The Blackouts and The Turtlenecks, though they were much more informal than The Mundanes. Both bands specialized in tongue-in-cheek [[CoverVersion Cover Versions]] of oldies hits.
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* CreatorBacklash: They're noted for digging deep into their catalog in live shows, but they haven't played "I've Got a Match" since 1989, a few months after its parent album ''Lincoln'' was released. They've even skipped it in more recent shows devoted to playing songs from ''Lincoln''. According to John Flansburgh, they just got burned out on playing the song and aren't eager to revisit it.

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Fits this trope better


* ExecutiveMeddling: The band felt like they were ignored and underpromoted by Creator/ElektraRecords in the mid 1990s. This started when A&R rep Sue Drew left the label in 1993; Drew had signed the band to the label and represented them and other quirky alt-rock bands on the roster like Music/{{Ween}} and Music/{{Phish}}. As a result of her departure, there was no one left at the label who really understood what They Might Be Giants were about or how to market them. The growing rift between band and label came to a head during their 1995 tour of Japan, when Elektra asked the band to play an impromptu gig at a coffee house on one of their days off, but they declined in order to take some much needed downtime. When they got off their train, they were met by an Elektra representative who was there to take them to the coffee shop: The label had went ahead and booked the show anyway without their permission. The Johns refused to play, and they decided to end their affiliation with Elektra after ''Factory Showroom'' finished out their contract the next year.



* ScrewedByTheNetwork: After a strong debut on Elektra Records with ''Music/{{Flood}}'' and ''Apollo 18'', their relationship with the label quickly went downhill. This started when A&R rep Sue Drew left the label in 1993; Drew had signed the band to the label and represented them and other quirky alt-rock bands on the roster like Music/{{Ween}} and Music/{{Phish}}. Her departure robbed the band of their biggest advocate at Elektra, though label president Bob Krasnow, a respected industry vet, also was sympathetic to them.[[note]]Krasnow had a long track record of championing non-mainstream acts, most notably signing Music/CaptainBeefheart to his first recording contract[[/note]] Then, on the eve of the release of ''Music/JohnHenry'', Krasnow abruptly quit, as part of a massive leadership shakeup at Warner Music Group. After that, there was no one left at the label who really understood what They Might Be Giants were about or how to market them. The growing rift between band and label came to a head during their 1995 tour of Japan, when Elektra asked the band to play an impromptu gig at a coffee house on one of their days off, but they declined in order to take some much needed downtime. When they got off their train, they were met by an Elektra representative who was there to take them to the coffee shop: The label had went ahead and booked the show anyway without their permission. The Johns refused to play. Elektra did almost zero promotion for ''Factory Showroom'' in 1996, despite it being the band's most mainstream-sounding album to date, so they asked to be released from their contract, which Elektra agreed to.



** Music/ElvisCostello was apparently supposed to produce ''Apollo 18'' at an early stage. The Johns disapproved due to thinking they'd earned the chance to produce it themselves and to the tension that would occur from working with a hero of theirs.

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** Music/ElvisCostello was apparently supposed initially slated to produce ''Apollo 18'' at an early stage.18''. The Johns disapproved due to thinking they'd earned the chance to produce it themselves and to the tension that would occur from working with a hero of theirs.
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* WorkingTitle: ''I Like Fun'' could have been ''My Murdered Remains'', after a lyric from "Mrs. Bluebeard". They then used the title for their next album, which consisted of songs produced during the same period as ''I Like Fun'' itself.
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** "Flans" or "Flansy" for John Flansburgh, which the band seem to have embraced: Flansburgh has referred to himself as such in interviews, and [[Music/SoulCoughing Mike Doughty's]] WordSaladLyrics to "Mr. Xcitement" include a reference to "Flansy in a soda can".
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* BreakupBreakout: The band itself, for John Linnell. In the years prior, he was part of a Rhode Island-based new bave group called The Mundanes, which tried and failed to get a major record deal before breaking up in 1983.

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* BreakupBreakout: The band itself, for John Linnell. In the years prior, he was part of a Rhode Island-based new bave Music/NewWave group called The Mundanes, which tried and failed to get a major record deal before breaking up in 1983.

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remove this example that has no wicks connected to it (did it really see a Colbert Bump?), and adding a few italics and details


* BreakupBreakout: The band itself, for John Linnell. In the years prior, he was part of a New Wave group called The Mundanes, which tried and failed to get a major record deal before breaking up in 1983.
* ColbertBump: Their song "Birdhouse in Your Soul" saw a spike in searches after internet comedian Little Kuriboh used it for the intro in his Yu-Gi-Oh Season 0 abridged.

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* BreakupBreakout: The band itself, for John Linnell. In the years prior, he was part of a New Wave Rhode Island-based new bave group called The Mundanes, which tried and failed to get a major record deal before breaking up in 1983.
* ColbertBump: Their song "Birdhouse in Your Soul" saw a spike in searches after internet comedian Little Kuriboh used it for the intro in his Yu-Gi-Oh Season 0 abridged.
1983.



* RealLifeWritesThePlot: [[TropesAreTools An attempt to]] politely {{avert|edTrope}} it. As they were coming up on the end of filming the documentary ''Gigantic: A Tale of Two Johns'' one of the last scenes was a show for their new album, "Mink Car", which was at 11:30pm on September 10th, 2001 in New York City. On the DVDCommentary they say they had a rough time figuring out what to do - [=9/11=] wasn't important to the story, so to mention it would be "cashing in" on it, but to not mention it when it affected the lives of those present[[note]]one attendee actually stayed near the World Trade Center and was evacuated from their hotel room the next morning. They were uninjured, but they lost all their belongings from the room[[/note]] would also be rude. A compromise was made to simply have a TitleCard listing the date, letting astute viewers make the connection, but leaving [=9/11=] intentionally OutOfFocus.

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* RealLifeWritesThePlot: [[TropesAreTools An attempt to]] politely {{avert|edTrope}} it. As they were coming up on the end of filming the documentary ''Gigantic: A Tale of Two Johns'' one of the last scenes was a show release party for their new album, "Mink Car", ''Mink Car'', which was held at 11:30pm on September 10th, 2001 in New York City. On the DVDCommentary they say they had a rough time figuring out what to do - [=9/11=] wasn't important to the story, so to mention it would be "cashing in" on it, but to not mention it when it affected the lives of those present[[note]]one attendee actually stayed near the World Trade Center and was evacuated from their hotel room the next morning. They were uninjured, but they lost all their belongings from the room[[/note]] would also be rude. A compromise was made to simply have a TitleCard listing the date, letting astute viewers make the connection, but leaving [=9/11=] intentionally OutOfFocus.
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* ExecutiveMeddling: The band felt like they were ignored and underpromoted by Creator/ElektraRecords in the mid 1990s. This started when A&R rep Sue Drew left the label in 1993; Drew had signed the band to the label and represented them and other quirky alt-rock bands on the roster like Music/{{Ween}} and Music/{{Phish}}. As a result of her departure, there was no one left at the label who really understood what They Might Be Giants were about or how to market them. The growing rift between band and label came to a head during their 1995 tour of Japan, when Elektra asked the band to play an impromptu gig at a coffee house on one of their days off, but they declined in order to take some much needed downtime. When they got off their train, they were met by an Elektra representative who was there to take them to the coffee shop: Elektra had booked the show anyway without their permission. The Johns refused to play, and they decided to ended their affiliation with Elektra after ''Factory Showroom'' finished out their contract the next year.

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* ExecutiveMeddling: The band felt like they were ignored and underpromoted by Creator/ElektraRecords in the mid 1990s. This started when A&R rep Sue Drew left the label in 1993; Drew had signed the band to the label and represented them and other quirky alt-rock bands on the roster like Music/{{Ween}} and Music/{{Phish}}. As a result of her departure, there was no one left at the label who really understood what They Might Be Giants were about or how to market them. The growing rift between band and label came to a head during their 1995 tour of Japan, when Elektra asked the band to play an impromptu gig at a coffee house on one of their days off, but they declined in order to take some much needed downtime. When they got off their train, they were met by an Elektra representative who was there to take them to the coffee shop: Elektra The label had went ahead and booked the show anyway without their permission. The Johns refused to play, and they decided to ended end their affiliation with Elektra after ''Factory Showroom'' finished out their contract the next year.
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* ExecutiveMeddling: The band felt like they were ignored and underpromoted by Creator/ElektraRecords in the mid 1990s. This started when A&R rep Sue Drew left the label in 1993; Drew had signed the band to the label and represented them and other quirky alt-rock bands on the roster like Music/{{Ween}} and Music/{{Phish}}. As a result of her departure, there was no one left at the label who really understood what They Might Be Giants were about or how to market them. The growing rift between band and label came to a head during their 1995 tour of Japan, when Elektra asked the band to play an impromptu gig at a coffee house on one of their days off, but they declined in order to take some much needed downtime. When they got off their train, they were met by an Elektra representative who was there to take them to the coffee shop: Elektra had booked the show anyway without their permission. The Johns refused to play, and they decided to ended their affiliation with Elektra after ''Factory Showroom'' finished out their contract the next year.
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* BlackSheepHit: Thoroughly {{averted|Trope}}. The band's biggest mainstream hits ("Birdhouse in your Soul" and "Istanbul" (from ''Music/{{Flood}}''), "Boss of Me") remain fan favorites.

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* BlackSheepHit: Thoroughly {{averted|Trope}}. The band's biggest mainstream hits ("Birdhouse in your Your Soul" and "Istanbul" (from ''Music/{{Flood}}''), "Boss of Me") remain fan favorites.



* ColbertBump: Their song "Birdhouse In Your Soul" saw a spike in searches after internet comedian Little Kuriboh used it for the intro in his Yu-Gi-Oh Season 0 abridged.

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* ColbertBump: Their song "Birdhouse In in Your Soul" saw a spike in searches after internet comedian Little Kuriboh used it for the intro in his Yu-Gi-Oh Season 0 abridged.



** The band has done two different songs with the name "She Was A Hotel Detective" that have nothing to do with each other except the title and being TMBG songs. The version on the first album is "(She Was A) Hotel Detective" and the version on the ''Back To Skull'' EP is "She Was A Hotel Detective" (note the lack of parentheses). They also did a third song with a callback title, "She Was A Hotel Detective In The Future."

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** The band has done two different songs with the name "She Was A Hotel Detective" that have nothing to do with each other except the title and being TMBG songs. The version on the first album is "(She Was A) Hotel Detective" and the version on the ''Back To Skull'' EP is "She Was A a Hotel Detective" (note the lack of parentheses). They also did a third song with a callback title, "She Was A a Hotel Detective In The in the Future."

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* BlackSheepHit: Thoroughly [[AvertedTrope averted]]. The band's biggest mainstream hits ("Birdhouse in your Soul" and "Istanbul" (from ''Music/{{Flood}}''), "Boss of Me") remain fan favorites.

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\n----
* BlackSheepHit: Thoroughly [[AvertedTrope averted]].{{averted|Trope}}. The band's biggest mainstream hits ("Birdhouse in your Soul" and "Istanbul" (from ''Music/{{Flood}}''), "Boss of Me") remain fan favorites.



* RealLifeWritesThePlot: [[TropesAreTools An attempt to]] politely [[AvertedTrope avert]] it. As they were coming up on the end of filming the documentary ''Gigantic: A Tale of Two Johns'' one of the last scenes was a show for their new album, "Mink Car", which was at 11:30pm on September 10th, 2001 in New York City. On the DVDCommentary they say they had a rough time figuring out what to do - [=9/11=] wasn't important to the story so to mention it would be "cashing in" on it, but to not mention it when it affected the lives of those present[[note]]one attendee actually stayed near the World Trade Center and was evacuated from their hotel room the next morning. They were uninjured, but they lost all their belongings from the room[[/note]] would also be rude. A compromise was made to simply have a TitleCard listing the date, letting astute viewers make the connection, but leaving [=9/11=] intentionally OutOfFocus.

to:

* RealLifeWritesThePlot: [[TropesAreTools An attempt to]] politely [[AvertedTrope avert]] {{avert|edTrope}} it. As they were coming up on the end of filming the documentary ''Gigantic: A Tale of Two Johns'' one of the last scenes was a show for their new album, "Mink Car", which was at 11:30pm on September 10th, 2001 in New York City. On the DVDCommentary they say they had a rough time figuring out what to do - [=9/11=] wasn't important to the story story, so to mention it would be "cashing in" on it, but to not mention it when it affected the lives of those present[[note]]one attendee actually stayed near the World Trade Center and was evacuated from their hotel room the next morning. They were uninjured, but they lost all their belongings from the room[[/note]] would also be rude. A compromise was made to simply have a TitleCard listing the date, letting astute viewers make the connection, but leaving [=9/11=] intentionally OutOfFocus.



** Four songs, titled "Dawn Divine", "Stalker In Reverse", "Prepare", and "Lucky You", were recorded for ''Nanobots'', but scrapped before the album's release. Only one ("Prepare") has been released as of now, as a Dial-A-Song exclusive in 2015. Little about the other songs is known, except that Dawn Divine was to feature Mike Doughty.

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** Four songs, titled "Dawn Divine", "Stalker In Reverse", "Prepare", and "Lucky You", were recorded for ''Nanobots'', but scrapped before the album's release. Only one ("Prepare") has been released as of now, as a Dial-A-Song exclusive in 2015. Little about the other songs is known, except that Dawn Divine was to feature Mike Doughty.Doughty.
----
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* BreakupBreakout: The band itself, for John Linnell. In the years prior, he was part of a New Wave group called The Mundanes, which tried and failed to get a major record deal before breaking up in 1983.
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Let's try that again: tale two. Uh, excuse me, TAKE two.


* RealLifeWritesThePlot: [[TropesAreTools An attempt to]] politely [[AvertedTrope avert]] it. As they were coming up on the end of filming the documentary ''Gigantic: A Take of Two Johns'' one of the last scenes was a show for their new album, "Mink Car", which was at 11:30pm on September 10th, 2001 in New York City. On the DVDCommentary they say they had a rough time figuring out what to do - [=9/11=] wasn't important to the story so to mention it would be "cashing in" on it, but to not mention it when it affected the lives of those present[[note]]one attendee actually stayed near the World Trade Center and was evacuated from their hotel room the next morning. They were uninjured, but they lost all their belongings from the room[[/note]] would also be rude. A compromise was made to simply have a TitleCard listing the date, letting astute viewers make the connection, but leaving [=9/11=] intentionally OutOfFocus.

to:

* RealLifeWritesThePlot: [[TropesAreTools An attempt to]] politely [[AvertedTrope avert]] it. As they were coming up on the end of filming the documentary ''Gigantic: A Take Tale of Two Johns'' one of the last scenes was a show for their new album, "Mink Car", which was at 11:30pm on September 10th, 2001 in New York City. On the DVDCommentary they say they had a rough time figuring out what to do - [=9/11=] wasn't important to the story so to mention it would be "cashing in" on it, but to not mention it when it affected the lives of those present[[note]]one attendee actually stayed near the World Trade Center and was evacuated from their hotel room the next morning. They were uninjured, but they lost all their belongings from the room[[/note]] would also be rude. A compromise was made to simply have a TitleCard listing the date, letting astute viewers make the connection, but leaving [=9/11=] intentionally OutOfFocus.
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* QuoteSource: They provide the QuoteSource for the following;
** AmnesiacDissonance
** {{Beachcombing}}
** BigApplesauce
** {{Expy}}
** ''Music/{{Flood}}''
** {{Heliotropes}}
** ''Music/ILikeFun''
** ''Music/JohnHenry''
** TheNightThatNeverEnds
** PlatonicCave
** RubberForeheadAliens
** RunawayBride
** SomethingPerson
** ''Music/TheyMightBeGiantsAlbum''
** WhiteMaskOfDoom
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* OfficialFanSubmittedContent: There are times the band would have a contest on music videos created by fans. Both "Can't Keep Johnny Down" and "I Left My Body" had several entries.
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* SerendipityWritesThePlot: While TMBG has always had their signature sound, the short, staccato sound and clearer enunciation of the songs on their debut album were mostly a result of working around the limitations of recording songs on an answering machine for Dial-A-Song (notably that long, sustained notes would cause the tape to rewind).
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** They Might Be Giants originally wrote an entire movie's worth of songs for the film version of ''WesternAnimation/{{Coraline}}''. Only the Other Father's Song made the final cut. The director blamed ExecutiveMeddling (although one planned song was never even written because the Johns decided [[ThrowItIn the joke song the writers came up with for the scratch track was good enough]]), and he's expressed a desire to work again with the band to do a movie based on their music. They released the song "Careful What You Pack" over a year prior to the movie's release. What originally sounded like a metaphorical song about cautiously moving on in life turned out to be a direct summary of the movie/book's underlying themes.

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** They Might Be Giants originally wrote were supposed to write an entire movie's worth of songs for the film version of ''WesternAnimation/{{Coraline}}''. Only ''WesternAnimation/{{Coraline}}'', but this plan was scrapped early in development. Before TMBG were removed from the Other Father's Song made the final cut. The director blamed ExecutiveMeddling (although project, they completed one planned song was never even written because the Johns decided [[ThrowItIn the joke song the writers came up with for the scratch track was good enough]]), and he's expressed a desire to work again with the band to do a movie based on their music. They released the song song, "Careful What You Pack" over Pack", which was released a year prior to the movie's release. What originally sounded like a metaphorical song about cautiously moving on in life turned out to be a direct summary later. The final version of the movie/book's underlying themes.film did retain one musical number, "Other Father's Song", though TMBG didn't write it--it was a scratch track the band liked too much to replace, and John Linnell sings it in the finished film.
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* TheWikiRule: [[http://tmbw.net/wiki/Main_Page This Might Be A Wiki]]. It's been approvingly (though a bit backhandedly) [[AscendedMeme cited]] by both Flansburgh and Linnell, who referred to it in an interview as "the site that tracks all our crap".

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* TheWikiRule: [[http://tmbw.net/wiki/Main_Page This Might Be A Wiki]]. It's been approvingly (though a bit backhandedly) [[AscendedMeme cited]] by both Flansburgh and Linnell, who [[http://www.billboard.com/articles/news/474135/they-might-be-giants-qa-in-the-studio-with-the-nerd-rock-kings referred to it in an interview interview]] as "the site that tracks all our crap".

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* NamesTheSame: The band has done two different songs with the name "She Was A Hotel Detective" that have nothing to do with each other except the title and being TMBG songs. The version on the first album is "(She Was A) Hotel Detective" and the version on the ''Back To Skull'' EP is "She Was A Hotel Detective" (note the lack of parentheses). They also did a third song with a callback title, "She Was A Hotel Detective In The Future."

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* NamesTheSame: NamesTheSame:
**
The band has done two different songs with the name "She Was A Hotel Detective" that have nothing to do with each other except the title and being TMBG songs. The version on the first album is "(She Was A) Hotel Detective" and the version on the ''Back To Skull'' EP is "She Was A Hotel Detective" (note the lack of parentheses). They also did a third song with a callback title, "She Was A Hotel Detective In The Future.""
** They also have the occasional song that has the same title as a song by another artist. Sometimes this has been deliberate ([[Music/GunsNRoses "Welcome to the Jungle"]], "Sapphire Bullets of Pure Love"--previously used by Mahavishnu Orchestra). Other times it's been accidental. They weren't aware that Music/TheBeachBoys had already done a song called [[Music/TheBeachBoysChristmasAlbum "Santa's Beard"]] when they wrote and recorded theirs.
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** Four songs, titled "Dawn Divine", "Stalker In Reverse", "Prepare", and "Lucky You", were recorded for ''Nanobots'', but scrapped before the album's release. Only one was released, as a Dial-A-Song exclusive in 2015. Little about the other songs is known, except that Dawn Divine was to feature Mike Doughty.

to:

** Four songs, titled "Dawn Divine", "Stalker In Reverse", "Prepare", and "Lucky You", were recorded for ''Nanobots'', but scrapped before the album's release. Only one was released, ("Prepare") has been released as of now, as a Dial-A-Song exclusive in 2015. Little about the other songs is known, except that Dawn Divine was to feature Mike Doughty.
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* Missing Episode: One of the first music videos that the band made was a video for the song "Rabid Child" that was never released to the public.

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* Missing Episode: MissingEpisode: One of the first music videos that the band made was a video for the song "Rabid Child" that was never released to the public.

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* Missing Episode: One of the first music videos that the band made was a video for the song "Rabid Child" that was never released to the public.



** The music video for "Rabid Child," which was never shown publicly (outside of a brief clip) and the Johns won't even discuss. No one is exactly sure why, as it seemingly consists of little more than Flans lip-synching the song while standing in his apartment.

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** The music video for "Rabid Child," [[MissingEpisode which was never shown publicly publicly]] (outside of a brief clip) and the Johns won't even discuss. No one is exactly sure why, as it seemingly consists of little more than Flans lip-synching the song while standing in his apartment.
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** Four songs, titled "Dawn Divine", "Stalker In Reverse", "Prepare", and "Lucky You", were recorded for ''Nanobots'', but scrapped before the album's release. Little about these songs is known, except that Dawn Divine was to feature Mike Doughty. Of course, knowing TMBG, there's still a good chance they'll be released someday...
*** "Prepare" has been released through Dial-A-Song. As of October 2015, none of the others have been seen.

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*** Flansburgh's then-girlfriend (who sang on "Boat Of Car") was supposed to appear on "The Guitar (The Lion Sleeps Tonight)," but wasn't available for the recording, so instead they got Laura Cantrell.
** Four songs, titled "Dawn Divine", "Stalker In Reverse", "Prepare", and "Lucky You", were recorded for ''Nanobots'', but scrapped before the album's release. Only one was released, as a Dial-A-Song exclusive in 2015. Little about these the other songs is known, except that Dawn Divine was to feature Mike Doughty. Of course, knowing TMBG, there's still a good chance they'll be released someday...
*** "Prepare" has been released through Dial-A-Song. As of October 2015, none of the others have been seen.
Doughty.
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Hey Its That Guy has been merged into Role Association. Current examples are to be removed. New examples are to be filed under Role Association. | For more information, check this thread.


*** "Prepare" has been released through Dial-A-Song. As of October 2015, none of the others have been seen.

!! The Film
* HeyItsThatGuy: Aside from the obvious Mr. Scrooge playing Justin, Grandpa from Series/TheMunsters makes an appearance in the film.

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*** "Prepare" has been released through Dial-A-Song. As of October 2015, none of the others have been seen.

!! The Film
* HeyItsThatGuy: Aside from the obvious Mr. Scrooge playing Justin, Grandpa from Series/TheMunsters makes an appearance in the film.
seen.
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** Their four children's albums, ''No!'', ''Here Come The [=ABCs=]'', ''Here Come The [=123s=]'', & ''Here Comes Science'' with a fifth on the way for 2015. There's an EP that goes with the book ''Bed Bed Bed'', the title track later reworked for ''No!''.

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** Their four children's albums, albums ''No!'', ''Here Come The [=ABCs=]'', ''Here Come The [=123s=]'', & ''Here Comes Science'' with a fifth on the way for 2015.Science'', and ''Why?''. There's an EP that goes with the book ''Bed Bed Bed'', the title track later reworked for ''No!''.
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* ColbertBump: Their song "Birdhouse In Your Soul" saw a spike in searches after internet comedian Little Kuriboh used it for the intro in his Yu-Gi-Oh Season 0 abridged.



* HeyItsThatGuy: Aside from the obvious Mr. Scrooge playing Justin, Grandpa from Series/TheMunsters makes an appearance in the film.

to:

* HeyItsThatGuy: Aside from the obvious Mr. Scrooge playing Justin, Grandpa from Series/TheMunsters makes an appearance in the film.

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