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* ChildrenVoicingChildren: In the dub, Nadia, Jean, and Marie were voiced by actual kids in the English dub.

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* CreatorsPest: Anno wrote Nadia's personality wanting to show the worst side of a teenage in love, so he used his own bad experiences in his youth' love live and included some elements of his own young self on her to spice it up. His desire turned out GoneHorriblyRight, as reportedly the rest of the Gainax staff hated the character of Nadia.

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* CreatorsPest: Anno wrote Nadia's personality wanting to show the worst side of a teenage girl in love, so he used his own bad experiences in his youth' love live and included some elements of his own young self on her to spice it up. love. His desire turned out GoneHorriblyRight, as reportedly the rest of the Gainax staff hated the character of Nadia.her character,



** The movie was going to be directed by Anno, but he refused due to all the burnout by his work in the series. Even then, the project was going to be produced by Gainax anyway, but they ran out of budget in midst of creating the story and character designs, so the studio was forced to opt out and delegate ''everything'' on Group TAC. This is the reason why the movie re-uses so much footage and feels so out of touch with the series' plot and character development.

to:

** The movie was going to be directed by Anno, but he refused was unable due to all the burnout caused by his work in the series. Even then, the project was going to be produced by Gainax anyway, but they ran out of budget in midst of creating the story and character designs, so the studio was forced to opt out and delegate ''everything'' on Group TAC. This is the reason why the movie re-uses so much footage and feels so out of touch with the series' plot and character development.


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* WriteWhoYouKnow: Anno based Nadia's personality on bad experiences with women he had in his teen years, and also included some elements of his own young self on her to spice it up.

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* FollowTheLeader:
** In 2001, Disney released ''WesternAnimation/AtlantisTheLostEmpire'', a movie with so many inspirations and references to the ''Nadia'' anime that, according to the Japanese side, there were talks about the possibility to sue for plagiarism.
** 2002 anime movie ''Anime/SecretOfCeruleanSand'' has basically the plot of ''Nadia'' moved to a desertic world. Interestingly, it is a Korean/Japanese coproduction, echoing the original anime and its infamous Korean-made filler.
** Creator/IsabelAllende of all people seems to have channelled ''Nadia'' in her 2002-2005 young adult trilogy ''Literature/MemoriesOfTheEagleAndTheJaguar'', which features a bespectacled western teen nerd teaming up with an exotic girl named Nadia who can speak with animals and discovering ancient civilizations with lost supernatural items.



* SimilarlyNamedWorks: ''Anime/SecretOfCeruleanSand''
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* CreatorsPest: Anno wrote Nadia's personality wanting to show the worst side of a teenage in love, also including some elements of his own young self on her. His desire turned out GoneHorriblyRight, as reportedly the rest of the Gainax staff hated the character.

to:

* CreatorsPest: Anno wrote Nadia's personality wanting to show the worst side of a teenage in love, also including so he used his own bad experiences in his youth' love live and included some elements of his own young self on her. her to spice it up. His desire turned out GoneHorriblyRight, as reportedly the rest of the Gainax staff hated the character.character of Nadia.



** When NHK offered Gainax the project, Anno liked the story, but considered the script to be "terrible" and rewrote it almost completely. He and the other Gainax heads added several other ideas that weren't in Miyazaki's story, like the space battleships and the Red Noah.
** According to director Higuchi, King was originally conceived as an alien animal disguised as an Earthly lion, which was the reason behind all his intelligence and weird behavior. He was supposed to show his true form at the end of the series, but the idea was abandoned by then.

to:

** When NHK offered Gainax the project, Anno liked the story, but considered the script to be "terrible" (he and Miyazaki are famous VitriolicBestBuds about each other's styles, and to make things worse, other writers had also meddled themselves on the text) and rewrote it almost completely. He Anno and the other Gainax heads added several other ideas that weren't in Miyazaki's story, like the space battleships and the Red Noah.
** According to director Higuchi, King was originally conceived as an alien animal disguised as an Earthly lion, which was the reason behind all his intelligence and weird behavior. He was supposed to show his true form at the end of the series, but the idea was had been abandoned by then.



** The movie was going to be directed by Anno, but he refused due to all the burnout by his work in the series. Still, the project was going to be produced by Gainax anyway, but they ran out of budget in midst of creating the story and character designs, and had to delegate everything on Group TAC.

to:

** The movie was going to be directed by Anno, but he refused due to all the burnout by his work in the series. Still, Even then, the project was going to be produced by Gainax anyway, but they ran out of budget in midst of creating the story and character designs, so the studio was forced to opt out and had to delegate everything ''everything'' on Group TAC.TAC. This is the reason why the movie re-uses so much footage and feels so out of touch with the series' plot and character development.
Is there an issue? Send a MessageReason:
None


* CreatorsPest: Anno wrote Nadia's personality wanting to show the worst side of a girl in love. His desire turned out GoneHorriblyRight, as reportedly, the rest of the Gainax staff hated the character.

to:

* CreatorsPest: Anno wrote Nadia's personality wanting to show the worst side of a girl teenage in love. love, also including some elements of his own young self on her. His desire turned out GoneHorriblyRight, as reportedly, reportedly the rest of the Gainax staff hated the character.



** When the series went out of schedule, Anno wanted to put it on a long hiatus and return later with all the work finished. However, the producers insisted they could not stop the broadcast, forcing him to resort to {{Filler}}, put Higuchi on command while he was working on the next part, and subcontract Korean animated companies to help with the animation. The result were the much maligned Island arc 13 episodes, which were an extra pain for Anno due to their low quality. (Ironically, they would be forced to put the show on several hiatuses anyway, including an entire month after episode 20.)
** The movie was going to be directed by Anno, but he refused due to how burned out he was by his work in the series. Still, the project was going to be produced by Gainax anyway, but they ran out of budget in midst of creating the story and character designs, and had to delegate everything on Group TAC.
** ''Anime/NeonGenesisEvangelion'' was initially conceived as a sort of StealthSequel to ''Nadia'', but NHK held the rights of the latter and all the connections between the two stories had to be severed. Some of this remains in the 1993 ''Good Luck Nadia'' CD drama, in which Nadia's granddaughter Nadia Ito meets a woman named Ritsuko in Tokyo-2.

to:

** When the series went out of schedule, Anno wanted to put it on a long hiatus and return later with all the work finished. However, the producers insisted they could not stop the broadcast, forcing him to resort to {{Filler}}, put Higuchi on command while he was working on the next part, and subcontract Korean animated companies to help with the animation. The result were was the much maligned Island arc 13 episodes, which were an extra pain for Anno due to their low quality. (Ironically, they would be forced to put the show on several hiatuses anyway, including an entire month after episode 20.)
** The movie was going to be directed by Anno, but he refused due to how burned out he was all the burnout by his work in the series. Still, the project was going to be produced by Gainax anyway, but they ran out of budget in midst of creating the story and character designs, and had to delegate everything on Group TAC.
** ''Anime/NeonGenesisEvangelion'' was initially conceived as a sort of StealthSequel to ''Nadia'', but NHK held the rights of the latter and all the connections connection between the two stories had to be severed. Some of this remains in the 1993 ''Good Luck Nadia'' CD drama, in which Nadia's granddaughter Nadia Ito meets a woman named Ritsuko in Tokyo-2.Tokyo-2, as well as the "Classified nformation" given in the videogame ''VideoGame/NeonGenesisEvangelion2''.

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* CreatorsPest: Anno wrote Nadia's personality wanting to show the worst side of a girl in love. His desire turned out GoneHorriblyRight, as reportedly, the rest of the Gainax staff hated the character.



** The series was actually conceived by Creator/HayaoMiyazaki back in TheEighties, and it would be a sequel to ''Anime/FutureBoyConan'' potentially titled ''Future Boy Conan 2: Around the Underwater World'' (''Mirai Shonen Konan 2: Kaitei Sekai Isshu''). However, Toho rejected his pitch, so Miyazaki went to recycle its script in his movie ''Anime/CastleInTheSky'', which can still be noted in its premise and aesthetics: blue skies, ancient civilizations, flying machines, a brave boy and his more mystic female friend from said civilization who carries a blue magic gemstone, a small clan of thieves led by a woman who eventually become allies, and a paramilitary order of villains whose leader is also related to it. One wonders what Miyazaki's version would have been like had anything come of it while he was more directly involved, as he is famous for an approach much LighterAndSofter compared to Anno.

to:

** The series was actually conceived by Creator/HayaoMiyazaki back in TheEighties, and it would be a sequel to ''Anime/FutureBoyConan'' potentially titled ''Future Boy Conan 2: Around the Underwater World'' (''Mirai Shonen Konan 2: Kaitei Sekai Isshu''). However, Toho and NHK rejected his pitch, pitch when it was offered to them, so Miyazaki went to recycle its script in his movie ''Anime/CastleInTheSky'', which can still be noted in its premise and aesthetics: blue skies, ancient civilizations, flying machines, a brave boy and his more mystic female friend from said civilization who carries a blue magic gemstone, a small clan of thieves led by a woman who eventually become allies, and a paramilitary order of villains whose leader is also related to it. One wonders what it.
** When NHK offered Gainax the project, Anno liked the story, but considered the script to be "terrible" and rewrote it almost completely. He and the other Gainax heads added several other ideas that weren't in
Miyazaki's version would have been story, like had anything come the space battleships and the Red Noah.
** According to director Higuchi, King was originally conceived as an alien animal disguised as an Earthly lion, which was the reason behind all his intelligence and weird behavior. He was supposed to show his true form at the end
of the series, but the idea was abandoned by then.
** When the series went out of schedule, Anno wanted to put
it on a long hiatus and return later with all the work finished. However, the producers insisted they could not stop the broadcast, forcing him to resort to {{Filler}}, put Higuchi on command while he was more directly involved, as he is famous for an approach working on the next part, and subcontract Korean animated companies to help with the animation. The result were the much LighterAndSofter compared maligned Island arc 13 episodes, which were an extra pain for Anno due to Anno.their low quality. (Ironically, they would be forced to put the show on several hiatuses anyway, including an entire month after episode 20.)
** The movie was going to be directed by Anno, but he refused due to how burned out he was by his work in the series. Still, the project was going to be produced by Gainax anyway, but they ran out of budget in midst of creating the story and character designs, and had to delegate everything on Group TAC.
** ''Anime/NeonGenesisEvangelion'' was initially conceived as a sort of StealthSequel to ''Nadia'', but NHK held the rights of the latter and all the connections between the two stories had to be severed. Some of this remains in the 1993 ''Good Luck Nadia'' CD drama, in which Nadia's granddaughter Nadia Ito meets a woman named Ritsuko in Tokyo-2.



* The series makes its debut in ''VideoGame/SuperRobotWars'' as part of ''VideoGame/SuperRobotWarsX''.
----

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* The series makes its debut in ''VideoGame/SuperRobotWars'' as part of ''VideoGame/SuperRobotWarsX''.
----
''VideoGame/SuperRobotWarsX''.
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** Back in TheSeventies, Creator/HayaoMiyazaki wrote the outline that would later serve as the basis for this series, which can still be noted in its premise and aesthetics: blue skies, ancient mysteries, flying machines, a brave boy and his more mystic female friend, villains connected to the mystery... essentially the sea version of ''Anime/CastleInTheSky'', down to the girl's blue crystal amulet. One wonders what Miyazaki's version would have been like had anything come of it while he was more directly involved, as he is famous for an approach much LighterAndSofter compared to Anno.

to:

** Back in TheSeventies, The series was actually conceived by Creator/HayaoMiyazaki wrote the outline that back in TheEighties, and it would later serve as be a sequel to ''Anime/FutureBoyConan'' potentially titled ''Future Boy Conan 2: Around the basis for this series, Underwater World'' (''Mirai Shonen Konan 2: Kaitei Sekai Isshu''). However, Toho rejected his pitch, so Miyazaki went to recycle its script in his movie ''Anime/CastleInTheSky'', which can still be noted in its premise and aesthetics: blue skies, ancient mysteries, civilizations, flying machines, a brave boy and his more mystic female friend, friend from said civilization who carries a blue magic gemstone, a small clan of thieves led by a woman who eventually become allies, and a paramilitary order of villains connected whose leader is also related to the mystery... essentially the sea version of ''Anime/CastleInTheSky'', down to the girl's blue crystal amulet.it. One wonders what Miyazaki's version would have been like had anything come of it while he was more directly involved, as he is famous for an approach much LighterAndSofter compared to Anno.

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The recycled script goes to Castle in the Sky.


* TheOtherDarrin: In Japanese, Ayerton Grenavan was voiced in episodes 3 and 15 by Creator/KoichiYamadera but for some reason was replaced by the late Creator/KoujiTsujitani when he joins the group towards the end of the series. His voice in the ADV dub stayed Jason B. Phelps all the way through.

to:

* TheOtherDarrin: TheOtherDarrin:
**
In Japanese, Ayerton Grenavan was voiced in episodes 3 and 15 by Creator/KoichiYamadera but for some reason was replaced by the late Creator/KoujiTsujitani when he joins the group towards the end of the series. His voice in the ADV dub stayed Jason B. Phelps all the way through.



* RecycledScript: The series was originally conceived by Creator/HayaoMiyazaki and it shows a lot, as it is basically the plot and cast of ''Anime/CastleInTheSky'' mixed with ''Literature/TwentyThousandLeaguesUnderTheSea''.



* TroubledProduction: Aside from the unexpected decision to extend the show to 39 episodes (hence the Korean-animated filler arc), there were other problems plaguing the show's production progress. Anno reportedly disliked the original script for the show and decided to rewrite it from scratch. Furthermore, any "suggestions" from NHK on how to "improve" the show were instantly disregarded, hence the DarkerAndEdgier tone for most of the canonical episodes. Because of Anno's demand for perfectionism, many episodes ran late, with Anno spending more than ''eighteen hours'' per day on the show! At one point, after episode 20 was broadcast, it took an entire month for audiences to see the subsequent one. The budget for the show also caused Gainax to lose more than ¥800 million (half a million dollars!) in finances. They were also denied any of the rights. Perhaps because of this, neither Gainax nor NHK worked together on another show, while Anno fell into [[CreatorBreakdown the heavy bout of depression]] that led to ''Anime/NeonGenesisEvangelion''.

to:

* TroubledProduction: Aside from the unexpected decision to extend the show from 26 to 39 episodes (hence the Korean-animated filler arc), there were other problems plaguing the show's production progress. Anno reportedly disliked the original script for the show and decided to rewrite it from scratch. Furthermore, any "suggestions" from NHK on how to "improve" the show were instantly disregarded, hence the DarkerAndEdgier tone for most of the canonical episodes. Because of Anno's demand for perfectionism, many episodes ran late, with Anno spending more than ''eighteen hours'' per day on the show! At one point, after episode 20 was broadcast, it took an entire month for audiences to see the subsequent one. The budget for the show also caused Gainax to lose more than ¥800 million (half a million dollars!) in finances. They finances, as they were also denied any of the rights. Perhaps because of this, neither Gainax nor NHK worked together on another show, while Anno fell into [[CreatorBreakdown the heavy bout of depression]] that led to ''Anime/NeonGenesisEvangelion''.



** Creator/HayaoMiyazaki wrote the outline that would later serve as the basis for this series, which can still be noted in its premise and aesthetics: blue skies, ancient mysteries, flying machines, a brave boy and his more mystic female friend, villains connected to the mystery... essentially the sea version of ''Anime/CastleInTheSky'', down to the girl's blue crystal amulet. One wonders what Miyazaki's version would have been like had anything come of it while he was more directly involved, as he is famous for an approach much LighterAndSofter compared to Anno.

to:

** Back in TheSeventies, Creator/HayaoMiyazaki wrote the outline that would later serve as the basis for this series, which can still be noted in its premise and aesthetics: blue skies, ancient mysteries, flying machines, a brave boy and his more mystic female friend, villains connected to the mystery... essentially the sea version of ''Anime/CastleInTheSky'', down to the girl's blue crystal amulet. One wonders what Miyazaki's version would have been like had anything come of it while he was more directly involved, as he is famous for an approach much LighterAndSofter compared to Anno.
Is there an issue? Send a MessageReason:
None


** Adelaide-born Nathan Parsons was tasked with voicing Jean Rocque Raltique with a French accent at the age of 12. [[OohMeAccentsSlipping Understandably, his accent falters at times, although he does improve on it as the show progresses]].

to:

** Adelaide-born Nathan Parsons Creator/NathanParsons was tasked with voicing Jean Rocque Raltique with a French accent at the age of 12. [[OohMeAccentsSlipping Understandably, his accent falters at times, although he does improve on it as the show progresses]].
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None

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* ScrewedByTheLawyers: In 2001, the French TV network Game One, decided to air an uncut version of the anime by using reinserting scenes from the Japanese Laserdisc into the [[{{Bowdlerization}} bowdlwerized]] master tapes from AB[[note]]The restored scenes weren't dubbed however[[/note]]. However, this went against the contract, and was not allowed to be released. Luckily in 2013, Dybex rereleased the complete series uncut in France.

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** Ev Lunning Jr., also an American-born actor, voices Nemo with an Indian accent. (This is intended to tie Nemo's characters close to his origins from Jules Verne's "Mysterious Island".)

to:

** Ev Lunning Jr., also an American-born actor, voices Nemo with an Indian accent. (This is intended to tie Nemo's characters close to his origins from Jules Verne's "Mysterious Island".''Mysterious Island''.)



* RecycledScript: The series was originally conceived by Creator/HayaoMiyazaki and it shows a lot, as it is basically the plot and cast of ''Anime/CastleInTheSky'' mixed with ''Literature/TwentyThousandLeaguesUnderTheSea''.



** Creator/HayaoMiyazaki wrote the outline that would later serve as the basis for this series. One wonders what Miyazaki's version would have been like had anything come of it while he was more directly involved.

to:

** Creator/HayaoMiyazaki wrote the outline that would later serve as the basis for this series. series, which can still be noted in its premise and aesthetics: blue skies, ancient mysteries, flying machines, a brave boy and his more mystic female friend, villains connected to the mystery... essentially the sea version of ''Anime/CastleInTheSky'', down to the girl's blue crystal amulet. One wonders what Miyazaki's version would have been like had anything come of it while he was more directly involved.involved, as he is famous for an approach much LighterAndSofter compared to Anno.

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None


* PopStarComposer: Yukihiro Takahashi, from Music/SadisticMikaBand and Music/YellowMagicOrchestra, was one of the composers for the show's songs.
* RecycledSoundtrack: The most epic battle scores in ''Nadia'' would be later used in the score of ''[[Anime/RebuildOfEvangelion Evangelion 3.0]]''; both animations were directed by Hideaki Anno and scored by Shiro Sagisu, who added a full orchestral arrangement, electric guitars and chorus lines in English to the originals. Case in point, "[[https://youtu.be/1IPC62ugiSI Almighty Battleship New Nautilus]]" from ''Nadia'', to "[[https://youtu.be/SkMMPNa0RuE The Anthem]]" from ''3.0''

to:

* PopStarComposer: Yukihiro Takahashi, from Music/SadisticMikaBand Sadistic Mika Band and Music/YellowMagicOrchestra, was one of the composers for the show's songs.
* RecycledSoundtrack: The most epic battle scores in ''Nadia'' would be later used in the score of ''[[Anime/RebuildOfEvangelion Evangelion 3.0]]''; both animations were directed by Hideaki Anno and scored by Shiro Sagisu, who added a full orchestral arrangement, electric guitars and chorus lines in English to the originals. Case in point, "[[https://youtu.be/1IPC62ugiSI Almighty Battleship New Nautilus]]" from ''Nadia'', to "[[https://youtu.be/SkMMPNa0RuE The Anthem]]" from ''3.0''0''.
* ReferencedBy:
** ''Anime/NeonGenesisEvangelion'' (and ''Anime/RebuildOfEvangelion''), by virtue of ProductionPosse, contains various references to ''Nadia'', including:
*** In ''3.0'', a shot of Misato glaring at the camera while Ritsuko looks at her from behind mirrors a shot of Captain Nemo and Electra doing the same thing.
** ''WesternAnimation/CraigOfTheCreek'': In one episode, a [[ShowWithinAShow fictional manga]] titled ''[[Manga/OnePiece Two Piece]]'' depicting a girl highly resembling Nadia [[Anime/FutureBoyConan holding a giant shark]] is shown.



* WhatCouldHaveBeen: Creator/HayaoMiyazaki wrote the outline that would later serve as the basis for this series. One wonders what Miyazaki's version would have been like had anything come of it while he was more directly involved.

to:

* WhatCouldHaveBeen: WhatCouldHaveBeen:
**
Creator/HayaoMiyazaki wrote the outline that would later serve as the basis for this series. One wonders what Miyazaki's version would have been like had anything come of it while he was more directly involved.
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** [[https://ask.fm/Clarknova/answers/155624335849 There was actually an attempt]] to get the show to appear on Creator/{{Toonami}} during the block's time as a part of Cartoon Network, with Jason [=DeMarco=] himself leading the effort to get it on the block, and while it was licensed by ADV Films, it wound up being one that got away.
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* TheOtherDarrin: In Japanese, Ayerton Grenavan was voiced in episodes 3 and 15 by Creator/KoichiYamadera but for some reason was replaced by the late Creator/KoujiTsujitani when he joins the group towards the end of the series. His voice in the ADV dub stayed Jason B. Phelps all the way through.
** In ADV's dub, the Nautilus pilot was voiced originally voiced by Dan Bisbee but when the crew returned at the end Brian Yannish took over the part.

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Tweaked wording.


* CastTheRunnerUp: Margaret Cassidy originally auditioned for the title role in the ADV dub, but Charles Campbell and Lowell Bartholomee cast her as Marie instead.



* PopStarComposer: Yukihiro Takahashi, from Music/SadisticMikaBand and Music/YellowMagicOrchestra, was one of the composers for the show.

to:

* PopStarComposer: Yukihiro Takahashi, from Music/SadisticMikaBand and Music/YellowMagicOrchestra, was one of the composers for the show.show's songs.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* DuelingDubs: The first eight episodes were dubbed by Creator/StreamlinePictures before they stopped there. When ADV got the license, rather than simply continuing where Streamline left off, they started by redubbing those episodes from scratch and then going beyond where Streamline stopped.
Is there an issue? Send a MessageReason:


* MeanCharacterNiceActor: While Nadia's antisocial attitude does sometimes paint her in a negative light, her English voice actress is actually sociable and genial in real life. In fact, she and Jean's English VA were both good friends in real life, which is fitting considering the friendship between their onscreen characters.

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* MeanCharacterNiceActor: While Nadia's antisocial attitude does sometimes paint her in a negative light, her English voice actress is actually sociable and genial in real life. In fact, she and Jean's English VA were both good friends in real life, which is fitting considering the friendship between their onscreen characters.



* TroubledProduction: Aside from the unexpected decision to extend the show to 39 episodes (hence the Korean-animated filler arc), there were other problems plaguing the show's production progress. Anno reportedly disliked the original script for the show, and decided to rewrite it from scratch. Furthermore, any "suggestions" from NHK on how to "improve" the show were instantly disregarded, hence the DarkerAndEdgier tone for most of the canonical episodes. Because of Anno's demand for perfectionism, many episodes ran late, with Anno spending more than ''eighteen hours'' per day on the show! At one point, after episode 20 was broadcast, it took an entire month for audiences to see the subsequent one. The budget for the show also caused Gainax to lose more than ¥800 million (half a million dollars!) in finances. They were also denied any of the rights. Perhaps because of this, neither Gainax nor NHK worked together on another show, while Anno fell into [[CreatorBreakdown the heavy bout of depression]] that led to ''Anime/NeonGenesisEvangelion''.

to:

* TroubledProduction: Aside from the unexpected decision to extend the show to 39 episodes (hence the Korean-animated filler arc), there were other problems plaguing the show's production progress. Anno reportedly disliked the original script for the show, show and decided to rewrite it from scratch. Furthermore, any "suggestions" from NHK on how to "improve" the show were instantly disregarded, hence the DarkerAndEdgier tone for most of the canonical episodes. Because of Anno's demand for perfectionism, many episodes ran late, with Anno spending more than ''eighteen hours'' per day on the show! At one point, after episode 20 was broadcast, it took an entire month for audiences to see the subsequent one. The budget for the show also caused Gainax to lose more than ¥800 million (half a million dollars!) in finances. They were also denied any of the rights. Perhaps because of this, neither Gainax nor NHK worked together on another show, while Anno fell into [[CreatorBreakdown the heavy bout of depression]] that led to ''Anime/NeonGenesisEvangelion''.
Is there an issue? Send a MessageReason:
None


* The series makes its debut in ''VideoGame/SuperRobotWars'' as part of ''VideoGame/SuperRobotWars X''.

to:

* The series makes its debut in ''VideoGame/SuperRobotWars'' as part of ''VideoGame/SuperRobotWars X''.''VideoGame/SuperRobotWarsX''.
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None


* The series makes its debut in ''VideoGame/SuperRobotWars'' as part of ''Super Robot Wars X''.

to:

* The series makes its debut in ''VideoGame/SuperRobotWars'' as part of ''Super Robot Wars ''VideoGame/SuperRobotWars X''.
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None

Added DiffLines:

* The series makes its debut in ''VideoGame/SuperRobotWars'' as part of ''Super Robot Wars X''.
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None


* FakeNationality:

to:

* FakeNationality:FakeNationality: In ADV's English dub:



** Adelaide-born Nathan Parsons was tasked with voicing Jean Rocque Raltique with a French accent in ADV's English dub at the age of 12. [[OohMeAccentsSlipping Understandably, his accent falters at times, although he does improve on it as the show progresses]].
** Also from the ADV dub, Ev Lunning Jr. voices Nemo with an Indian accent. (This is intended to tie Nemo's characters close to his origins from Jules Verne's "Mysterious Island".)

to:

** Adelaide-born Nathan Parsons was tasked with voicing Jean Rocque Raltique with a French accent in ADV's English dub at the age of 12. [[OohMeAccentsSlipping Understandably, his accent falters at times, although he does improve on it as the show progresses]].
** Also from the ADV dub, Ev Lunning Jr. Jr., also an American-born actor, voices Nemo with an Indian accent. (This is intended to tie Nemo's characters close to his origins from Jules Verne's "Mysterious Island".)

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None


* FakeBrit: In ADV's English dub, American Jennifer Stuart voices the British Electra. Sarah Richardson and Martin Blacker also voice Grandis and Sanson, respectively, with British accents.


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** American-born Jennifer Stuart voices the [[FakeBrit British-accented]] Electra.
** Sarah Richardson and Martin Blacker, both Americans, provide the voices of Grandis and Sanson, who also have British accents.
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None


** Adelaide-born Nathan Parsons was tasked with voicing Jean Rocque Raltique with a French accent in ADV's English dub. [[OohMeAccentsSlipping Understandably, his accent falters at times, although he does improve on it as the show progresses]].

to:

** Adelaide-born Nathan Parsons was tasked with voicing Jean Rocque Raltique with a French accent in ADV's English dub.dub at the age of 12. [[OohMeAccentsSlipping Understandably, his accent falters at times, although he does improve on it as the show progresses]].
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None


** Adelaide-born Nathan Parsons tries to sound like a Frenchman when voicing Jean Rocque Raltique in ADV's English dub, but his accent slips sometimes.

to:

** Adelaide-born Nathan Parsons tries to sound like a Frenchman when was tasked with voicing Jean Rocque Raltique with a French accent in ADV's English dub, but dub. [[OohMeAccentsSlipping Understandably, his accent slips sometimes.falters at times, although he does improve on it as the show progresses]].
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** Adelaide-born Nathan Parsons voices the Frenchman Jean Rocque Raltique in ADV's English dub.

to:

** Adelaide-born Nathan Parsons voices the tries to sound like a Frenchman when voicing Jean Rocque Raltique in ADV's English dub.dub, but his accent slips sometimes.
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** Australian-born Nathan Parsons voices the Frenchman Jean Rocque Raltique in ADV's English dub.

to:

** Australian-born Adelaide-born Nathan Parsons voices the Frenchman Jean Rocque Raltique in ADV's English dub.
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* FakeBrit: In ADV's English dub, American Jennifer Stuart voices the British Electra. Sarah Richardson and Martin Blacker also voice Grandis and SaNon, respectively, with British accents.

to:

* FakeBrit: In ADV's English dub, American Jennifer Stuart voices the British Electra. Sarah Richardson and Martin Blacker also voice Grandis and SaNon, Sanson, respectively, with British accents.
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Corey Gagne plays Hanson. Martin Blacker does Sanson. But yes, the British accents from the Grandis gang are very fitting.


* FakeBrit: In ADV's English dub, Americans Jennifer Stuart voices the British Electra. Sarah Richardson and Corey Gagne also voice Grandis and Samson, respectively, with British accents.

to:

* FakeBrit: In ADV's English dub, Americans American Jennifer Stuart voices the British Electra. Sarah Richardson and Corey Gagne Martin Blacker also voice Grandis and Samson, SaNon, respectively, with British accents.



** Also from the ADV dub, Ev Lunning Jr. voices Nemo with an Indian accent.

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** Also from the ADV dub, Ev Lunning Jr. voices Nemo with an Indian accent. (This is intended to tie Nemo's characters close to his origins from Jules Verne's "Mysterious Island".)

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Changed: 196

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Expanding


* FakeBrit: In ADV's English dub, American Jennifer Stuart voices the British Electra.
* FakeNationality: Australian-born Nathan Parsons voices the Frenchman Jean Rocque Raltique in ADV's English dub.

to:

* FakeBrit: In ADV's English dub, American Americans Jennifer Stuart voices the British Electra.
Electra. Sarah Richardson and Corey Gagne also voice Grandis and Samson, respectively, with British accents.
* FakeNationality: FakeNationality:
**
Australian-born Nathan Parsons voices the Frenchman Jean Rocque Raltique in ADV's English dub.dub.
** Also from the ADV dub, Ev Lunning Jr. voices Nemo with an Indian accent.

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