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* NoCelebritiesWereHarmed: In the original play, the anti-hero's DeadpanSnarker writer friend Julia was based on Creator/DorothyParker. This is downplayed with Mary, her counterpart in the musical.

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* NoCelebritiesWereHarmed: In the original play, the anti-hero's DeadpanSnarker writer friend Julia was based on Creator/DorothyParker. This is downplayed with Mary, her counterpart in the musical.musical (though she is partially based on Sondheim's friend Mary Rodgers).
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/194d1a38d6329c3bf3f82b429628bc04.jpg]]

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[[quoteright:350:https://static.[[quoteright:280:https://static.tvtropes.org/pmwiki/pub/images/194d1a38d6329c3bf3f82b429628bc04.jpg]]
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** Not A Day Goes By is probably the biggest example of this. Chronologically, it is first sung as Beth and Frank are getting married about how they don't want to ever be apart. The next time it is chronologically sung is by Beth after the divorce about how she can't truly move on from Frank no matter how much she wants to.
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* FramingDevice: The original Broadway production began with an older Frank (played by the only person in the cast over the age of thirty) coming back to his old high school to deliver a speech where he tells the graduating students to give up on their dreams and face life as it is. Rejecting his advice, the students sing the title song and proceed to act out his life in reverse to show how he went wrong. The show ends with a HopeSpot where adult Frank returns to stand next to his young, hopeful self, and the two of them smile at each other. When the creators rewrote the show after it closed on Broadway, they dropped the framing device and only a few productions since then have restored it.

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* FramingDevice: The original Broadway production began with an older Frank (played by the only person in the cast over the age of thirty) coming back to his old high school to deliver a speech where he tells the graduating students to give up on their dreams and face life as it is. Rejecting his advice, the students sing the title song and proceed to act out his life in reverse to show how he went wrong. The show ends with a HopeSpot where adult Frank returns to stand next to smiles at and reconnects with his young, hopeful self, and the two of them smile at each other.younger self. When the creators rewrote the show after it closed on Broadway, they dropped the framing device and only a few productions since then have restored it.
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* FramingDevice: The original Broadway production began with an older Frank (played by the only person in the cast over the age of thirty) coming back to his old high school to deliver a speech where he tells the graduating students to give up on their dreams and face life as it is. Rejecting his advice, the students sing the title song and proceed to act out his life in reverse to show how he went wrong. The show ends with a HopeSpot where adult Frank returns to stand wordlessly next to his young, hopeful self at his own graduation. When the creators rewrote the show after it closed on Broadway, they dropped the framing device and only a few productions since then have restored it.

to:

* FramingDevice: The original Broadway production began with an older Frank (played by the only person in the cast over the age of thirty) coming back to his old high school to deliver a speech where he tells the graduating students to give up on their dreams and face life as it is. Rejecting his advice, the students sing the title song and proceed to act out his life in reverse to show how he went wrong. The show ends with a HopeSpot where adult Frank returns to stand wordlessly next to his young, hopeful self self, and the two of them smile at his own graduation.each other. When the creators rewrote the show after it closed on Broadway, they dropped the framing device and only a few productions since then have restored it.
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* SanitySlippageSong: Downplayed - "Franklin Shepard Inc." doesn't represent a psychotic break, but it ''is'' a meltdown (on national TV, live, no less). Charley is aware enough that he can joke about it -- "Mommy! Mommy! There's a crazy man on my TV!" Played straight in that it's a great place for the singer to show off.

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* SanitySlippageSong: Downplayed - "Franklin Shepard Inc." doesn't represent a psychotic break, but it ''is'' a meltdown (on national TV, live, no less). Charley is aware enough that he can joke about it -- "Mommy! Mommy! "Get the President! There's a crazy man on my TV!" TV screen!" Played straight in that it's a great place for the singer actor to show off.
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* LeftItIn: Frank shows off a new song he's working on, and after the line "They're always popping their cork", he mutters, "I'll fix that line". He never gets a chance to, because they get a booking and the show with the song in it goes up too quickly.

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* LeftItIn: Frank shows off a new song he's working on, and after the line "They're While auditioning an earlier version of “Good Thing Going” for Joe Josephson, Charley sings “They’re always popping their cork", cork”, which he mutters, "I'll appends with “I’ll fix that line". He never gets a chance to, because they get a booking line”. Cut to auditions for Frank and Charley’s revue and that line is still there. Eventually averted when the show with the song in it goes up too quickly.final version of “Good Thing Going” is performed.
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In 2019, Creator/RichardLinklater announced that he's making a film version, reviving the same method he'd used to make ''Film/{{Boyhood}}'': the 20 years covered in the story will be filmed in real time, with production finishing in 2039. Creator/BlakeJenner plays Franklin, Creator/BenPlatt plays Charley, and Beanie Feldstein plays Mary.

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In 2019, Creator/RichardLinklater announced that he's making a film version, reviving the same method he'd used to make ''Film/{{Boyhood}}'': the 20 years covered in the story will be filmed in real time, with production finishing in 2039. Creator/BlakeJenner plays Franklin, Creator/BenPlatt plays Charley, and Beanie Feldstein Creator/BeanieFeldstein plays Mary.
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In 2019, Creator/RichardLinklater announced that he's making a film version, reviving the same method he'd used to make ''Film/{{Boyhood}}'': the 20 years covered in the story will be filmed in real time, with production finishing in 2039. Blake Jenner plays Franklin, Ben Platt plays Charley, and Beanie Feldstein plays Mary.

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In 2019, Creator/RichardLinklater announced that he's making a film version, reviving the same method he'd used to make ''Film/{{Boyhood}}'': the 20 years covered in the story will be filmed in real time, with production finishing in 2039. Blake Jenner Creator/BlakeJenner plays Franklin, Ben Platt Creator/BenPlatt plays Charley, and Beanie Feldstein plays Mary.
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* FramingDevice: The original Broadway production began with an older Frank (played by the only person in the cast over the age of thirty) coming back to his old high school to deliver a speech where he tells the graduating students to give up on their dreams and face life as it is. Rejecting his advice, the students sing the title song and proceed to act out his life in reverse to show how he went wrong. The show ends with adult Frank returning to stand wordlessly next to his young, hopeful self at his own graduation. When the creators rewrote the show after it closed on Broadway, they dropped the framing device and only a few productions since then have restored it.

to:

* FramingDevice: The original Broadway production began with an older Frank (played by the only person in the cast over the age of thirty) coming back to his old high school to deliver a speech where he tells the graduating students to give up on their dreams and face life as it is. Rejecting his advice, the students sing the title song and proceed to act out his life in reverse to show how he went wrong. The show ends with a HopeSpot where adult Frank returning returns to stand wordlessly next to his young, hopeful self at his own graduation. When the creators rewrote the show after it closed on Broadway, they dropped the framing device and only a few productions since then have restored it.
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-->'''Julia''': To Richard Niles! Our most fashionable playwright! The man who has everything! And I'd rather be what I am — a drunken whore!

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-->'''Julia''': --->'''Julia''': To Richard Niles! Our most fashionable playwright! The man who has everything! And I'd rather be what I am — a drunken whore!
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** Julia, her counterpart in the original play, even more so.
-->'''Julia''': To Richard Niles! Our most fashionable playwright! The man who has everything! And I'd rather be what I am — a drunken whore!
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* FramingDevice: The original Broadway production began with an older Frank (played by the only person in the cast over the age of thirty) coming back to his old high school to deliver a speech where he tells the graduating students to give up on their dreams and face life as it is. Rejecting his advice, the students sing the title song and proceed to act out his life in reverse to show how he went wrong. The show ends with adult Frank returning to stand wordlessly next to his young, hopeful self at his own graduation. When the creators rewrote the show after it closed on Broadway, they dropped the framing device and ended the show with "Our Time."

to:

* FramingDevice: The original Broadway production began with an older Frank (played by the only person in the cast over the age of thirty) coming back to his old high school to deliver a speech where he tells the graduating students to give up on their dreams and face life as it is. Rejecting his advice, the students sing the title song and proceed to act out his life in reverse to show how he went wrong. The show ends with adult Frank returning to stand wordlessly next to his young, hopeful self at his own graduation. When the creators rewrote the show after it closed on Broadway, they dropped the framing device and ended the show with "Our Time."only a few productions since then have restored it.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* FramingDevice: The original Broadway production began with an older Frank (played by the only person in the cast over the age of thirty) coming back to his old high school to deliver a speech where he tells the graduating students to give up on their dreams and face life as it is. Rejecting his advice, the students sing the title song and proceed to act out his life in reverse to show how he went wrong. The show ends with adult Frank returning to stand wordlessly next to his young, hopeful self at his own graduation. When the creators rewrote the show after it closed on Broadway, they dropped the framing device and ended the show with "Our Time."
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None


* NoCelebritiesWereHarmed: In the original play, the anti-hero's DeadpanSnarker writer friend Julia was based on Creator/Dorothy Parker. This is downplayed with Mary, her counterpart in the musical.

to:

* NoCelebritiesWereHarmed: In the original play, the anti-hero's DeadpanSnarker writer friend Julia was based on Creator/Dorothy Parker.Creator/DorothyParker. This is downplayed with Mary, her counterpart in the musical.
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* NoCelebritiesWereHarmed: In the original play, the anti-hero's DeadpanSnarker writer friend Julia was based on Dorothy Parker. This is downplayed with Mary, her counterpart in the musical.

to:

* NoCelebritiesWereHarmed: In the original play, the anti-hero's DeadpanSnarker writer friend Julia was based on Dorothy Creator/Dorothy Parker. This is downplayed with Mary, her counterpart in the musical.

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* InformedWrongness: "Franklin Shepard, Inc." is Charley's TheVillainSucksSong about Frank, but the things he portrays Frank as doing - talking to his lawyer and secretary, working out contracts and rights issues - are pretty normal for a successful Broadway musical creator, and, as Charley admits, have resulted in both of them making a lot of money from their collaborations. [[JustifiedTrope Justified]] in that Charley also admits near the end of the number that what he's really upset about is that his friendship with Frank is over and they're now just business partners.


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* NoCelebritiesWereHarmed: In the original play, the anti-hero's DeadpanSnarker writer friend Julia was based on Dorothy Parker. This is downplayed with Mary, her counterpart in the musical.
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None

Added DiffLines:

* InformedWrongness: "Franklin Shepard, Inc." is Charley's TheVillainSucksSong about Frank, but the things he portrays Frank as doing - talking to his lawyer and secretary, working out contracts and rights issues - are pretty normal for a successful Broadway musical creator, and, as Charley admits, have resulted in both of them making a lot of money from their collaborations. [[JustifiedTrope Justified]] in that Charley also admits near the end of the number that what he's really upset about is that his friendship with Frank is over and they're now just business partners.
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* InformedAbility: Frank is described as a brilliantly talented composer, but almost every time we hear him play one of his songs, it's a variation on "Good Thing Going," making it sound like he's been writing one song over and over again for 20 years.
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In 2019, Creator/RichardLinklater announced that he's making a film version, reviving the same method he'd used to make ''Film/{{Boyhood}}'': the 20 years covered in the story will be filmed in real time, with production finishing in 2039. Ben Platt plays Franklin, and Beanie Feldstein plays Mary.

to:

In 2019, Creator/RichardLinklater announced that he's making a film version, reviving the same method he'd used to make ''Film/{{Boyhood}}'': the 20 years covered in the story will be filmed in real time, with production finishing in 2039. Blake Jenner plays Franklin, Ben Platt plays Franklin, Charley, and Beanie Feldstein plays Mary.

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''Merrily We Roll Along'' is [[TheMusical a musical]] with a book by George Furth and lyrics and music by Music/StephenSondheim. It is [[AllMusicalsAreAdaptations based on]] the 1934 play of the same name by George S. Kaufman and Moss Hart. Furth and Sondheim retained the basic structure and overall tone of the play but updated it to encompass the period from 1957 to 1976. The plot focuses on Franklin Shepard, who, in 1976, is a one-time composer of Broadway musicals who has become a highly successful but cynical and jaded film producer who has lost his friends, Charley Kringas (also long-time collaborator) and Mary Flynn. Like the play, the musical moves backwards in time showing how Frank has become the man he is today. The musical closed on Broadway after only 16 performances in 1981 and marked the end of the Harold Prince-Sondheim collaborations until ''Theatre/{{Bounce}}'' in 2003.

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''Merrily We Roll Along'' is [[TheMusical a musical]] with a book by George Furth and lyrics and music by Music/StephenSondheim. It is [[AllMusicalsAreAdaptations based on]] the 1934 play of the same name by George S. Kaufman and Moss Hart. Furth and Sondheim retained the basic structure and overall tone of the play but updated it to encompass the period from 1957 to 1976. The plot focuses on Franklin Shepard, who, in 1976, is a one-time composer of Broadway musicals who has become a highly successful but cynical and jaded film producer who has lost his friends, Charley Kringas (also long-time collaborator) and Mary Flynn. Like the play, the musical moves backwards in time showing how Frank has become the man he is today. The musical closed on Broadway after only 16 performances in 1981 and marked the end of the Harold Prince-Sondheim collaborations until ''Theatre/{{Bounce}}'' in 2003. It's considered a CultClassic by some people, and has seen occasional revivals, as well as becoming the subject of the documentary ''[[https://en.wikipedia.org/wiki/Best_Worst_Thing_That_Ever_Could_Have_Happened Best Worst Thing That Ever Could Have Happened]]''.

In 2019, Creator/RichardLinklater announced that he's making a film version, reviving the same method he'd used to make ''Film/{{Boyhood}}'': the 20 years covered in the story will be filmed in real time, with production finishing in 2039. Ben Platt plays Franklin, and Beanie Feldstein plays Mary.
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Okay, hopefully that reads more smoothly.


* YouOweMe: The hostess of the television show in the second (presented) scene is calling in a big favor that Frank, currently famous, owes her. In the last scene before Intermission, we see what that favor was, and it's a heartbreaker. [[spoiler: Years ago, when the hostess was a gossip reporter and Frank's first divorce was in progress, the reporter snapped a great photo of Frank and his son reaching for each other. Frank's son was taken away; bereft, Frank begged the reporter to not use that photo. She agreed, but said, "You owe me a favor."]]

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* YouOweMe: The Alex, he hostess of the television show in the second (presented) scene scene, is calling in a big favor that Frank, currently famous, owes her. In the last scene before Intermission, we see what that favor was, and it's a heartbreaker. was. [[spoiler: Years ago, when the hostess Alex was a gossip reporter and Frank's first divorce was in progress, the reporter her attendant photographer snapped a great photo of Frank and his son reaching for each other. Frank's son was taken away; bereft, Frank begged the reporter Alex to not use that photo. She agreed, but said, "You owe me a favor."]]
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* RemarriedToTheMistress: Frank's first marriage fell apart because of infidelity. He married his mistress/leading lady... and when the play starts he's been cheating on ''her'', too.


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* WhenYouComingHomeDad: In the first presented scene, Mary reminds Frank that he's just missed his son's graduation to work on a film he doesn't even like. [[spoiler: The last scene before intermission shows that Frank, once upon a time, dearly loved his son and was heartbroken to lose custody in the divorce.]]


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* YouOweMe: The hostess of the television show in the second (presented) scene is calling in a big favor that Frank, currently famous, owes her. In the last scene before Intermission, we see what that favor was, and it's a heartbreaker. [[spoiler: Years ago, when the hostess was a gossip reporter and Frank's first divorce was in progress, the reporter snapped a great photo of Frank and his son reaching for each other. Frank's son was taken away; bereft, Frank begged the reporter to not use that photo. She agreed, but said, "You owe me a favor."]]
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* BackToFront

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* BackToFrontBackToFront: The scenes are presented backwards, chronologically, separated by years. Fortunately each reprise of "Merrily We Roll Along" (the song) ends with a statement of what year it is now.



* SanitySlippageSong: "Franklin Shepard Inc."

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* SanitySlippageSong: Downplayed - "Franklin Shepard Inc."" doesn't represent a psychotic break, but it ''is'' a meltdown (on national TV, live, no less). Charley is aware enough that he can joke about it -- "Mommy! Mommy! There's a crazy man on my TV!" Played straight in that it's a great place for the singer to show off.



* TradeYourPassionForGlory

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* TradeYourPassionForGloryTradeYourPassionForGlory: Frank gets swept up in big projects that eventually land him on the top of the screenwriting world, but he spends decades wanting to get back to his collaboration with Charley.
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''Merrily We Roll Along'' is [[TheMusical a musical]] with a book by George Furth and lyrics and music by StephenSondheim. It is [[AllMusicalsAreAdaptations based on]] the 1934 play of the same name by George S. Kaufman and Moss Hart. Furth and Sondheim retained the basic structure and overall tone of the play but updated it to encompass the period from 1957 to 1976. The plot focuses on Franklin Shepard, who, in 1976, is a one-time composer of Broadway musicals who has become a highly successful but cynical and jaded film producer who has lost his friends, Charley Kringas (also long-time collaborator) and Mary Flynn. Like the play, the musical moves backwards in time showing how Frank has become the man he is today. The musical closed on Broadway after only 16 performances in 1981 and marked the end of the Harold Prince-Sondheim collaborations until ''Theatre/{{Bounce}}'' in 2003.

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''Merrily We Roll Along'' is [[TheMusical a musical]] with a book by George Furth and lyrics and music by StephenSondheim.Music/StephenSondheim. It is [[AllMusicalsAreAdaptations based on]] the 1934 play of the same name by George S. Kaufman and Moss Hart. Furth and Sondheim retained the basic structure and overall tone of the play but updated it to encompass the period from 1957 to 1976. The plot focuses on Franklin Shepard, who, in 1976, is a one-time composer of Broadway musicals who has become a highly successful but cynical and jaded film producer who has lost his friends, Charley Kringas (also long-time collaborator) and Mary Flynn. Like the play, the musical moves backwards in time showing how Frank has become the man he is today. The musical closed on Broadway after only 16 performances in 1981 and marked the end of the Harold Prince-Sondheim collaborations until ''Theatre/{{Bounce}}'' in 2003.
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* DownerEnding: Played with -- as a result of the back-to-front structure, it happens at the beginning of the show.


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* SanitySlippageSong: "Franklin Shepard Inc."
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* LonelyAtTheTop: Frank in the first (presented) scene. Yeah, he's now a hit Hollywood producer rolling in cash and prestige, but he's abandoned all the projects that really matter to him, he's surrounded by shallow phonies (glimpsed in "The Blob") and he's driven away the best friends he's ever had.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/194d1a38d6329c3bf3f82b429628bc04.jpg]]

->''"Years from now,\\
We'll remember and we'll come back,\\
Buy the rooftop and hang a plaque:\\
This is where we began,\\
Being what we can."''

''Merrily We Roll Along'' is [[TheMusical a musical]] with a book by George Furth and lyrics and music by StephenSondheim. It is [[AllMusicalsAreAdaptations based on]] the 1934 play of the same name by George S. Kaufman and Moss Hart. Furth and Sondheim retained the basic structure and overall tone of the play but updated it to encompass the period from 1957 to 1976. The plot focuses on Franklin Shepard, who, in 1976, is a one-time composer of Broadway musicals who has become a highly successful but cynical and jaded film producer who has lost his friends, Charley Kringas (also long-time collaborator) and Mary Flynn. Like the play, the musical moves backwards in time showing how Frank has become the man he is today. The musical closed on Broadway after only 16 performances in 1981 and marked the end of the Harold Prince-Sondheim collaborations until ''Theatre/{{Bounce}}'' in 2003.
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!!Merrily We Trope Along:
* TheAce: Deconstructed with Frank, especially in "Rich and Happy"/"That Frank" in the new version
* AllMusicalsAreAdaptations
* BackToFront
* BittersweetEnding: The musical ends with one of Sondheim's most touching [[FriendshipSong Friendship Songs]], "Our Time", but see DramaticIrony below.
* DarkReprise: Inverted. Since it moves backward chronologically, songs are reprised first, and then used in full during earlier, happier times.
* DeadpanSnarker: Mary, especially early on.
* DramaticIrony: A corollary of the BackToFront structure - whenever the audience sees the characters' relationships developing or at a turning point, we've already seen them go wrong. Especially strong and poignant during "Our Time", an inspiring and optimistic song in the last ([[BackToFront or first]]) scene when Frank and Charley meet Mary for the first time and they reflect on how their generation will change the world.
* EngagingConversation: Subverted--in the final scene (first chronologically), Mary compliments Frank's music, compelling him to say "I've just met the girl I'm going to marry". He never does, however.
* HollywoodToneDeaf: The auditioning girl in "Opening Doors." "Sopranos with voices like bees" indeed.
* LadyDrunk: Mary, by the end/beginning.
* LeftItIn: Frank shows off a new song he's working on, and after the line "They're always popping their cork", he mutters, "I'll fix that line". He never gets a chance to, because they get a booking and the show with the song in it goes up too quickly.
* ObliviousToLove: Frank to Mary, even throughout twenty years and two disastrous marriages.
* OpeningChorus
* OstrichHeadHiding: In the Kaufman and Hart play ''Theatre/MerrilyWeRollAlong'', the grotesquely old-fashioned Mrs. Riley complains about the title of a play her daughter is starring in (in 1923), and her son-in-law tries to explain its significance:
-->'''Mrs. Riley''': What the hell was it all about, will you tell me that? What did the name mean? "The Ostrich." Wasn't a God-damn bird in it.
-->'''Harry''': Well, the whole idea is--people afraid to face things. Sticking your head in the sand.
-->'''Mrs. Riley''': Well, why didn't they come out and say so?
* PatterSong: Parts of Charley's "Franklin Shepard, Inc."
* PowerTrio:
** Frank: Id
** Mary: Ego
** Charley: Superego
* QuarrelingSong: "Old Friends, Part 2" lapses in and out of this.
* TakeThatCritics: Played with when Joe makes the same criticisms of Frank's work that many have made of Sondheim's work.
* TradeYourPassionForGlory
* TwoGuysAndAGirl: Frank, Charley, and Mary.
* TheVillainSucksSong: "Franklin Shepard Inc." [[SugarWiki/AwesomeMusic and it's awesome]].
* WithFriendsLikeThese: What the relationship between the three friends eventually degrades into.
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