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Removed \"And how\" Word Cruft
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* PungeonMaster: Touchstone. And ''how.''
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* PungeonMaster: Touchstone. And ''how.''
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Changed line(s) 49,50 (click to see context) from:
-->''Touchstone:'' Well, if I don't keep up my rank-
-->''Rosalind:'' ...you'll lose your smell.
-->''Rosalind:'' ...you'll lose your smell.
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** Rosalind has a few good one-liners:
-->''Touchstone:'' Well, if I don't keep up my rank-
-->''Rosalind:'' ...you'll lose your smell.
-->''Touchstone:'' Well, if I don't keep up my rank-
-->''Rosalind:'' ...you'll lose your smell.
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Changed line(s) 45 (click to see context) from:
* CoupledCouples
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* CoupledCouplesCoupledCouples: Brothers Orlando and Oliver falling for cousins Rosalind and Celia.
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* CardCarryingVillain: Oliver de Boys, before his HeelFaceTurn, says of his brother Orlando:
--> ''I hope I shall see an end of him; for my soul, yet I know not why, hates nothing more than he. Yet he's gentle, never schooled and yet learned, full of noble device, of all sorts enchantingly beloved, and indeed so much in the heart of the world, and especially of my own people, who best know him, that I am altogether misprised.''
** In other words, "Orlando is truly a good guy, and I want him dead for no good reason." (The subtext may suggest [[GreenEyedMonster jealousy]] as a possible motive.)
--> ''I hope I shall see an end of him; for my soul, yet I know not why, hates nothing more than he. Yet he's gentle, never schooled and yet learned, full of noble device, of all sorts enchantingly beloved, and indeed so much in the heart of the world, and especially of my own people, who best know him, that I am altogether misprised.''
** In other words, "Orlando is truly a good guy, and I want him dead for no good reason." (The subtext may suggest [[GreenEyedMonster jealousy]] as a possible motive.)
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add on to morton\'s fork
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* MortonsFork: Touchstone's attempt to argue for unchastity.
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* MortonsFork: Touchstone's attempt to argue for unchastity. (In a beautiful woman, chastity would be "honey as a sauce to sugar", while in an unattractive one, it is "good meat in an unclean dish".)
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Changed line(s) 60 (click to see context) from:
--> '''Le Beau''' ''(to Orlando):'' Hereafter, in a better world than this, [[HoYay I shall desire much love and knowledge of you.]]
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--> '''Le Beau''' ''(to Orlando):'' Sir! Fare thee well. Hereafter, in a better world than this, [[HoYay I shall desire much love and knowledge of you.]]
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* AmbiguouslyGay: Le Beau is sometimes played like this: See HaveAGayOldTime below.
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--> '''Le Beau''' ''(to Orlando):'' Hereafter, in a better world than this, [[HoYay I shall desire much love and knowledge of you.]]
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Changed line(s) 37 (click to see context) from:
* BadassBoast: Touchstone telling Silvius "I will kill the a hundred and fifty ways".
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* BadassBoast: Touchstone telling Silvius William "I will kill the thee a hundred and fifty ways".
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* BadassBoast: Touchstone telling Silvius "I will kill the a hundred and fifty ways".
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Changed line(s) 16,17 (click to see context) from:
Eventually, due to a mixture of cunning plots and DeusExMachina, the tangled love triangles are sorted out and Oliver and Frederick mend their ways, returning power to their brothers. The play ends with ''four'' marriages, and everyone returns happily to the duchy-- except melancholy Jaques, who stays behind in the forest.
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Eventually, due to a mixture of cunning plots and DeusExMachina, the tangled love triangles are sorted out and Oliver and Frederick mend their ways, returning power to their brothers. The play ends with ''four'' marriages, and everyone returns happily to the duchy-- except melancholy Jaques, who stays behind in the forest.
joins a monastery.
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* GettingCrapPastTheRadar: When Charles challenges Orlando, he calls for "this young gallant that is so desirous to lie with his mother earth". His phrasing makes it sound like he's looking for a young man eager to lie [[{{Squick}} with his]] [[IncestIsRelative mother]].
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* AuthorAvatar: Some have suggested William, the character who appears only to give Touchstone a chance to make fun of him. He has the same name as the author and was likely played by him (as Shakespeare was an actor in his own company) as well. A bit of SelfDeprecation, painting himself as a foolish yokel.
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The plot is closely based on the novel ''Rosalynde; or, Euphues' Golden Legacy'' by Thomas Lodge, published 1590.
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[[quoteright:227:http://static.tvtropes.org/pmwiki/pub/images/ayli_1433.jpg]]
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* ActorAllusion: A touchstone is a tool used in jewellery to assess the quality of precious metals. Robert Armin, who created the role of Touchstone (probably his first major role), had trained as a goldsmith before deciding to become an actor.
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* GenreSavvy: Rosalind is unimpressed when Orlando trots out Petrarchan cliches.
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* GenreSavvy: Rosalind is unimpressed when Orlando trots out Petrarchan cliches.
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A comedy by WilliamShakespeare. Like many of his lighter plays, this one focuses on young love, comic misunderstandings, and good ol' fashioned cross-dressing.
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A comedy by WilliamShakespeare.Creator/WilliamShakespeare. Like many of his lighter plays, this one focuses on young love, comic misunderstandings, and good ol' fashioned cross-dressing.
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** A literal example; at the end of the play Hymen, the Greek God of Marriage, arrives with Rosalind to sort out the four couples once and for all, and give his blessing to their marriages.
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* NatureLover: Or so they profess in exile.
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Namespace thing Fixed
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* AllGirlsWantBadBoys:
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* AllGirlsWantBadBoys: AllGirlsWantBadBoys:
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** There is also a Forest of Arden in England that was just outside Shakespeare's hometown of Stratford-on-Avon. In fact, Shakespeare's mother was born Mary Arden. Her family had taken their name from the forest. No doubt Shakespeare combined elements of all these for the play.
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** There is also a Forest of Arden in England that was just outside Shakespeare's hometown of Stratford-on-Avon. In fact, Shakespeare's mother was born Mary Arden. Her family had taken their name from the forest. No doubt Shakespeare combined elements of all these for the play.
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* {{Bifauxnen}}: Rosalind again. She gives [[TwelfthNight Viola]] a run for her money.
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* {{Bifauxnen}}: Rosalind again. She gives [[TwelfthNight [[Theatre/TwelfthNight Viola]] a run for her money.
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* DeusExMachina: Oliver repents his ways and reunites with Orlando because Orlando saves him from a conveniently placed ''lion''. Riiight.
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* DeusExMachina: Oliver repents his ways and reunites with Orlando because Orlando saves him from a conveniently placed ''lion''. Riiight.
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* DisproportionateRetribution: Touchstone's threatened punishment to William for ''daring'' to like Audrey:
--> "...abandon the society of this female, or, clown, thou perishest; or, to thy better understanding, diest; or, to wit I kill thee, make thee away, translate thy life into death, thy liberty into bondage: I will deal in poison with thee, or in bastinado, or in steel; I will bandy with thee in faction; I will o'errun thee with policy; I will kill thee [[UpToEleven a hundred and fifty ways]]: therefore tremble and depart!"
--> "...abandon the society of this female, or, clown, thou perishest; or, to thy better understanding, diest; or, to wit I kill thee, make thee away, translate thy life into death, thy liberty into bondage: I will deal in poison with thee, or in bastinado, or in steel; I will bandy with thee in faction; I will o'errun thee with policy; I will kill thee [[UpToEleven a hundred and fifty ways]]: therefore tremble and depart!"
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* DisproportionateRetribution: Touchstone's threatened punishment to William for ''daring'' to like Audrey:
Audrey:
--> "...abandon the society of this female, or, clown, thou perishest; or, to thy better understanding, diest; or, to wit I kill thee, make thee away, translate thy life into death, thy liberty into bondage: I will deal in poison with thee, or in bastinado, or in steel; I will bandy with thee in faction; I will o'errun thee with policy; I will kill thee [[UpToEleven a hundred and fifty ways]]: therefore tremble anddepart!" depart!"
--> "...abandon the society of this female, or, clown, thou perishest; or, to thy better understanding, diest; or, to wit I kill thee, make thee away, translate thy life into death, thy liberty into bondage: I will deal in poison with thee, or in bastinado, or in steel; I will bandy with thee in faction; I will o'errun thee with policy; I will kill thee [[UpToEleven a hundred and fifty ways]]: therefore tremble and
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* GrumpyBear: Jaques is a pre-Nietzsche NietzscheWannabe stuck in a pastoral comedy.
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* GrumpyBear: Jaques is a pre-Nietzsche NietzscheWannabe stuck in a pastoral comedy.
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* LoveLetterLunacy: Hanging love notes on every tree in the forest.
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* LoveLetterLunacy: Hanging love notes on every tree in the forest.
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* MeaningfulName: Celia deliberately uses one of these as her alias ("Aliena" means "the estranged one"), as she wants her name to be "something that hath a reference to [her] state".
* MenDontCry: Referenced several times by Celia and Rosalind. Rosalind's disguised as a man, so crying wouldn't "become" her.
* MenDontCry: Referenced several times by Celia and Rosalind. Rosalind's disguised as a man, so crying wouldn't "become" her.
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* MeaningfulName: Celia deliberately uses one of these as her alias ("Aliena" means "the estranged one"), as she wants her name to be "something that hath a reference to [her] state".
state".
* MenDontCry: Referenced several times by Celia and Rosalind. Rosalind's disguised as a man, so crying wouldn't "become" her.
* MenDontCry: Referenced several times by Celia and Rosalind. Rosalind's disguised as a man, so crying wouldn't "become" her.
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* GrumpyBear: Jaques is a pre-Nietzsche NietzscheWannabe stuck in a pastoral comedy.
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* MortonsFork: Touchstone's attempt to argue for unchastity.
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Deleted line(s) 55,56 (click to see context) :
* HoYay: Orlando courts Rosalind ''while he thinks she's a man''. Even in the productions that don't play this as him falling for "Ganymede,"[[hottip:*:That name, by the by, originally belonged to Zeus' male lover in GreekMythology and thus was used to denote an object of male homosexual affection in Renaissance England]] the implications are pretty overt.
** Also a Les Yay: The aforementioned Rosalind and Celia.
** Also a Les Yay: The aforementioned Rosalind and Celia.
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* SelfDeprecation: In the epilogue, Rosalind says that it is "neither a good epilogue nor cannot insinuate with you in the behalf of a good play".
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** HeelFaithTurn: Frederick (off-stage) decides to give up the duchy after talking to an old cleric and finding religion.
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* TheJester: Touchstone. {{lampshade|Hanging}}d by Jaques when he reveals that he plans on becoming "a fool" as well--he'd ''love'' to be able to criticize everyone and everything without retribution!
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* TheJester: Touchstone. {{lampshade|Hanging}}d {{Lampshade|Hanging}}d by Jaques when he reveals that he plans on becoming "a fool" as well--he'd ''love'' to be able to criticize everyone and everything without retribution!
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* WholesomeCrossdresser
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* WholesomeCrossdresserWholesomeCrossdresser: Rosalind.
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Namespacing
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* {{Arcadia}}: The Forest of ''Arden''. [[TheBible Ringing any bells?]]
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* {{Arcadia}}: The Forest of ''Arden''. [[TheBible [[Literature/TheBible Ringing any bells?]]
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Changed line(s) 35 (click to see context) from:
* GenreSavy: Rosalind is unimpressed when Orlando trots out Petrarchan cliches.
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* GenreSavy: GenreSavvy: Rosalind is unimpressed when Orlando trots out Petrarchan cliches. cliches.
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previous editor included misinformation regarding the relationship between Audrey and Touchstone
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** Also, Fredrick just ''suddenly'' has a change of heart, goes religious, and gives the duchy back to the Duke? All offstage? Due to a previously unmentioned THIRD brother who happens to be the priest who performs the quadruple wedding?
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** Also, Fredrick just ''suddenly'' has a change of heart, goes religious, and gives the duchy back to the Duke? All offstage? Due to a previously unmentioned THIRD brother who happens to be the priest who performs the quadruple wedding?brother?
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** Touchstone, by the way, doesn't even especially like Audrey: he's only marrying her so that he can justify having a fling with her, and he's planning to divorce her afterwards. And Audrey's got about zero interest in William, so he isn't even a ''threat.''
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** Audrey probably thinks she and Touchstone are an example, but he's just in it for the sex and already planning their divorce.
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* GenreSavy: Rosalind is unimpressed when Orlando trots out Petrarchan cliches.
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\"Les Yay\" is \"Ho Yay\" now.
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** LesYay: The aforementioned Rosalind and Celia.
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** LesYay: Also a Les Yay: The aforementioned Rosalind and Celia.
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** Subverted with Phebe. She originally spurns Silvius and falls for "Ganymede" right away, but when it becomes obvious [[MistakenIdentity that]] [[GenderBender isn't]] [[LesYay going]] [[IncompatibleOrientation to work]], it's Silvius' unswerving devotion that wins the day.
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** Subverted with Phebe. She originally spurns Silvius and falls for "Ganymede" right away, but when it becomes obvious [[MistakenIdentity that]] [[GenderBender isn't]] [[LesYay [[HoYay going]] [[IncompatibleOrientation to work]], it's Silvius' unswerving devotion that wins the day.