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Changed line(s) 27 (click to see context) from:
** Also invoked by Max, who wants the show to fail and so wishes "good luck" to everyone he can. He even breaks a mirror and [[ThatPoorCat throws a black cat across the stage door path]] for good measure.
to:
** Also invoked by Max, who wants the show to fail and so wishes "good luck" to everyone he can. He even breaks a mirror and [[ThatPoorCat throws a black cat across the stage door path]] for good measure. Fate still screws him over by [[SpringtimeForHitler making the show a success]].
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Changed line(s) 22 (click to see context) from:
* In ''Theatre/LittleShopOfHorrors'', much ado is made about the fact that Audrey and Seymour are getting married tomorrow. There's even a CutSong called "We'll have tomorrow". They're both dead by the end of the day.
to:
* In ''Theatre/LittleShopOfHorrors'', much ado is made about the fact that Audrey and Seymour are getting married tomorrow. There's even a CutSong called "We'll have tomorrow". Have Tomorrow". They're both dead by the end of the day.day.
* In ''Theatre/OrpheusAPoeticDrama'', Orpheus sings a snake to sleep and tells Eurydice that nothing will wake it except stepping on it. Thanks to Aristaeus, Eurydice does just that, is bitten, and dies.
* In ''Theatre/OrpheusAPoeticDrama'', Orpheus sings a snake to sleep and tells Eurydice that nothing will wake it except stepping on it. Thanks to Aristaeus, Eurydice does just that, is bitten, and dies.
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Unnecessary.
Deleted line(s) 7 (click to see context) :
Return to the main page [[TemptingFate here]].
Changed line(s) 15,16 (click to see context) from:
* At the beginning of the musical ''Theatre/IfThen'', Elizabeth has to make a choice about which friend to go with.
-->'''Elizabeth''': Tell me, how can it make any difference? / How can it matter at all? / Why do I always make such an event / out of something so small?
-->'''Elizabeth''': Tell me, how can it make any difference? / How can it matter at all? / Why do I always make such an event / out of something so small?
to:
* ''Theatre/IfThen'':
** At the beginning of themusical ''Theatre/IfThen'', musical, Elizabeth has to make a choice about which friend to go with.
-->'''Elizabeth''': --->'''Elizabeth:''' Tell me, how can it make any difference? / How can it matter at all? / Why do I always make such an event / out of something so small?
** At the beginning of the
Changed line(s) 19,20 (click to see context) from:
-->'''Julius Caesar''': The Ides of March is come.\\
'''Soothsayer''': [[LampshadeHanging Ay, Caesar, but not gone.]]
'''Soothsayer''': [[LampshadeHanging Ay, Caesar, but not gone.]]
to:
-->'''Julius Caesar''': Caesar:''' The Ides of March is come.\\
'''Soothsayer''': '''Soothsayer:''' [[LampshadeHanging Ay, Caesar, but not gone.]]
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%% This page has been alphabetized. Please add new examples in the correct order. Thanks!
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%% This page has been alphabetized. Please add new examples in the correct order. Thanks!
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Changed line(s) 3,5 (click to see context) from:
* In ''Theatre/LittleShopOfHorrors'', much ado is made about the fact that Audrey and Seymour are getting married tomorrow. There's even a CutSong called "We'll have tomorrow". They're both dead by the end of the day.
* The ScreenToStageAdaptation of ''Film/TheProducers'' has a song about it being bad luck to say "good luck" on opening night. Therefore, everyone wishes Franz to "break a leg" as he dashes off to the show. It's just his luck that a moment later he literally breaks his leg.
** Also invoked by Max, who wants the show to fail and so wishes "good luck" to everyone he can. He even breaks a mirror and [[ThatPoorCat throws a black cat across the stage door path]] for good measure.
* The ScreenToStageAdaptation of ''Film/TheProducers'' has a song about it being bad luck to say "good luck" on opening night. Therefore, everyone wishes Franz to "break a leg" as he dashes off to the show. It's just his luck that a moment later he literally breaks his leg.
** Also invoked by Max, who wants the show to fail and so wishes "good luck" to everyone he can. He even breaks a mirror and [[ThatPoorCat throws a black cat across the stage door path]] for good measure.
to:
* The
** Also invoked by Max, who wants
Added line(s) 8 (click to see context) :
* In the Creator/LillianHellman version of ''Theatre/{{Candide}}'', after the auto-da-fé is over and Pangloss and the heretics have been executed, the Inquisitors announce to the people of Lisbon that they have been saved from the threat of an earthquake. The earthquake happens immediately after the Very, Very Old Inquisitor says, "The danger is over."
Deleted line(s) 8 (click to see context) :
* The second act of ''Theatre/ThePhantomOfTheOpera'' opens with a MasqueradeBall where everyone is having a good time and several principal characters express relief that the Phantom has been unheard from for several months. Yeah, guess who crashes the party and ''immediately'' mocks them for [[DidYouActuallyBelieve thinking they were going to be rid of him that easily?]]
* At the beginning of the musical ''Theatre/IfThen'', Elizabeth has to make a choice about which friend to go with.
-->'''Elizabeth''': Tell me, how can it make any difference? / How can it matter at all? / Why do I always make such an event / out of something so small?
** And the rest of the musical covers two alternate timelines that show the outcomes of each decision. Needless to say, the outcomes are ''very'' different.
-->'''Elizabeth''': Tell me, how can it make any difference? / How can it matter at all? / Why do I always make such an event / out of something so small?
** And the rest of the musical covers two alternate timelines that show the outcomes of each decision. Needless to say, the outcomes are ''very'' different.
Deleted line(s) 13,18 (click to see context) :
* In the Creator/LillianHellman version of ''Theatre/{{Candide}}'', after the auto-da-fé is over and Pangloss and the heretics have been executed, the Inquisitors announce to the people of Lisbon that they have been saved from the threat of an earthquake. The earthquake happens immediately after the Very, Very Old Inquisitor says, "The danger is over."
* The play ''Theatre/AuntieMame'' has a prologue in which Edwin Dennis (in voiceover) dictates his will, directing that, in the event of his death, Patrick, his only son and sole heir, be placed in the care of Mame Dennis, "that crazy sister of mine." The music becomes facetious as he adds, "Since I keep myself in splendid physical condition through daily workouts at the Chicago Athletic Club, I am confident that these provisions will not go into force or effect for many years." The music then suddenly becomes ominous, and the will is followed by a newspaper headline from the very next day: "BUSINESSMAN DROPS DEAD IN STEAMROOM OF CHICAGO ATHLETIC CLUB."
* At the beginning of the musical ''Theatre/IfThen'', Elizabeth has to make a choice about which friend to go with.
-->'''Elizabeth''': Tell me, how can it make any difference? / How can it matter at all? / Why do I always make such an event / out of something so small?
** And the rest of the musical covers two alternate timelines that show the outcomes of each decision. Needless to say, the outcomes are ''very'' different.
* In ''Theatre/PacificOvertures'', after the treaty with the Americans is concluded, the Treaty House is dismantled, and the Reciter proclaims that the barbarian threat to Japan had thereby been ended forever--"Ha!" Cue Commodore Perry's VictoryDance.
* The play ''Theatre/AuntieMame'' has a prologue in which Edwin Dennis (in voiceover) dictates his will, directing that, in the event of his death, Patrick, his only son and sole heir, be placed in the care of Mame Dennis, "that crazy sister of mine." The music becomes facetious as he adds, "Since I keep myself in splendid physical condition through daily workouts at the Chicago Athletic Club, I am confident that these provisions will not go into force or effect for many years." The music then suddenly becomes ominous, and the will is followed by a newspaper headline from the very next day: "BUSINESSMAN DROPS DEAD IN STEAMROOM OF CHICAGO ATHLETIC CLUB."
* At the beginning of the musical ''Theatre/IfThen'', Elizabeth has to make a choice about which friend to go with.
-->'''Elizabeth''': Tell me, how can it make any difference? / How can it matter at all? / Why do I always make such an event / out of something so small?
** And the rest of the musical covers two alternate timelines that show the outcomes of each decision. Needless to say, the outcomes are ''very'' different.
* In ''Theatre/PacificOvertures'', after the treaty with the Americans is concluded, the Treaty House is dismantled, and the Reciter proclaims that the barbarian threat to Japan had thereby been ended forever--"Ha!" Cue Commodore Perry's VictoryDance.
Changed line(s) 20 (click to see context) from:
* ''Theatre/WesterosAnAmericanMusical'': Both "King Robert Baratheon" and "Hand-Holding" hold a big, shining beacon for fate. The former boasts about the mere fact that Robert is alive, while the latter has Ned and Robert sing of a future time in which both of them will be dead. Robert realizes this in "Hand-Holding" and goes out of his way to specify that they are imagining that time to be quite a few decades away. [[Literature/ASongOfIceAndFire The work the play is a parody of]] is notorious for its high death toll, and Robert and Ned are among the first to bite it in the original work.
to:
* ''Theatre/WesterosAnAmericanMusical'': Both "King Robert Baratheon" and "Hand-Holding" hold a big, shining beacon for fate. The former boasts In ''Theatre/LittleShopOfHorrors'', much ado is made about the mere fact that Robert is alive, while Audrey and Seymour are getting married tomorrow. There's even a CutSong called "We'll have tomorrow". They're both dead by the latter has Ned end of the day.
* In ''Theatre/PacificOvertures'', after the treaty with the Americans is concluded, the Treaty House is dismantled, andRobert sing the Reciter proclaims that the barbarian threat to Japan had thereby been ended forever--"Ha!" Cue Commodore Perry's VictoryDance.
* The second act of ''Theatre/ThePhantomOfTheOpera'' opens with afuture MasqueradeBall where everyone is having a good time in which both of and several principal characters express relief that the Phantom has been unheard from for several months. Yeah, guess who crashes the party and ''immediately'' mocks them will be dead. Robert realizes this in "Hand-Holding" and goes out of his way to specify that for [[DidYouActuallyBelieve thinking they are imagining that time were going to be quite a few decades away. [[Literature/ASongOfIceAndFire rid of him that easily?]]
* Thework ScreenToStageAdaptation of ''Film/TheProducers'' has a song about it being bad luck to say "good luck" on opening night. Therefore, everyone wishes Franz to "break a leg" as he dashes off to the play is show. It's just his luck that a parody of]] is notorious moment later he literally breaks his leg.
** Also invoked by Max, who wants the show to fail and so wishes "good luck" to everyone he can. He even breaks a mirror and [[ThatPoorCat throws a black cat across the stage door path]] forits high death toll, and Robert and Ned are among the first to bite it in the original work.good measure.
* In ''Theatre/PacificOvertures'', after the treaty with the Americans is concluded, the Treaty House is dismantled, and
* The second act of ''Theatre/ThePhantomOfTheOpera'' opens with a
* The
** Also invoked by Max, who wants the show to fail and so wishes "good luck" to everyone he can. He even breaks a mirror and [[ThatPoorCat throws a black cat across the stage door path]] for
Added DiffLines:
* ''Theatre/WesterosAnAmericanMusical'': Both "King Robert Baratheon" and "Hand-Holding" hold a big, shining beacon for fate. The former boasts about the mere fact that Robert is alive, while the latter has Ned and Robert sing of a future time in which both of them will be dead. Robert realizes this in "Hand-Holding" and goes out of his way to specify that they are imagining that time to be quite a few decades away. [[Literature/ASongOfIceAndFire The work the play is a parody of]] is notorious for its high death toll, and Robert and Ned are among the first to bite it in the original work.
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Added DiffLines:
* In ''Theatre/{{Hamilton}}'', Hamilton laughs when Washington tells him that Jefferson resigned to run for president since no one can beat Washington in the campaign. Washington tells him, "I'm stepping down, I'm not running for President."
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Changed line(s) 13 (click to see context) from:
* The play ''Literature/AuntieMame'' has a prologue in which Edwin Dennis (in voiceover) dictates his will, directing that, in the event of his death, Patrick, his only son and sole heir, be placed in the care of Mame Dennis, "that crazy sister of mine." The music becomes facetious as he adds, "Since I keep myself in splendid physical condition through daily workouts at the Chicago Athletic Club, I am confident that these provisions will not go into force or effect for many years." The music then suddenly becomes ominous, and the will is followed by a newspaper headline from the very next day: "BUSINESSMAN DROPS DEAD IN STEAMROOM OF CHICAGO ATHLETIC CLUB."
to:
* The play ''Literature/AuntieMame'' ''Theatre/AuntieMame'' has a prologue in which Edwin Dennis (in voiceover) dictates his will, directing that, in the event of his death, Patrick, his only son and sole heir, be placed in the care of Mame Dennis, "that crazy sister of mine." The music becomes facetious as he adds, "Since I keep myself in splendid physical condition through daily workouts at the Chicago Athletic Club, I am confident that these provisions will not go into force or effect for many years." The music then suddenly becomes ominous, and the will is followed by a newspaper headline from the very next day: "BUSINESSMAN DROPS DEAD IN STEAMROOM OF CHICAGO ATHLETIC CLUB."
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Added DiffLines:
* From the very first song of ''Theatre/AVeryPotterMusical'':
-->'''Harry:''' No way this year anyone's gonna die!
-->'''Harry:''' No way this year anyone's gonna die!
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Changed line(s) 19 (click to see context) from:
* ''Theatre/WesterosAnAmericanMusical'': Both "King Robert Baratheon" and "Hand-Holding" hold a big, shining beacon for fate. The former boasts about the mere fact that Robert is alive, while the latter has Ned and Robert sing of a future time in which both of them will be dead. Ned realizes this in "Hand-Holding" and goes out of his way to specify that they are imagining that time to be quite a few decades away. [[Literature/ASongOfIceAndFire The work the play is a parody of]] is notorious for its high death toll, and Robert and Ned are among the first to bite it in the original work.
to:
* ''Theatre/WesterosAnAmericanMusical'': Both "King Robert Baratheon" and "Hand-Holding" hold a big, shining beacon for fate. The former boasts about the mere fact that Robert is alive, while the latter has Ned and Robert sing of a future time in which both of them will be dead. Ned Robert realizes this in "Hand-Holding" and goes out of his way to specify that they are imagining that time to be quite a few decades away. [[Literature/ASongOfIceAndFire The work the play is a parody of]] is notorious for its high death toll, and Robert and Ned are among the first to bite it in the original work.
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Added DiffLines:
* ''Theatre/WesterosAnAmericanMusical'': Both "King Robert Baratheon" and "Hand-Holding" hold a big, shining beacon for fate. The former boasts about the mere fact that Robert is alive, while the latter has Ned and Robert sing of a future time in which both of them will be dead. Ned realizes this in "Hand-Holding" and goes out of his way to specify that they are imagining that time to be quite a few decades away. [[Literature/ASongOfIceAndFire The work the play is a parody of]] is notorious for its high death toll, and Robert and Ned are among the first to bite it in the original work.
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Changed line(s) 8 (click to see context) from:
* The second act of ''[[ThePhantomOfTheOpera Phantom of the Opera]]'' opens with a MasqueradeBall where everyone is having a good time and several principal characters express relief that the Phantom has been unheard from for several months. Yeah, guess who crashes the party and ''immediately'' mocks them for [[DidYouActuallyBelieve thinking they were going to be rid of him that easily?]]
to:
* The second act of ''[[ThePhantomOfTheOpera Phantom of the Opera]]'' ''Theatre/ThePhantomOfTheOpera'' opens with a MasqueradeBall where everyone is having a good time and several principal characters express relief that the Phantom has been unheard from for several months. Yeah, guess who crashes the party and ''immediately'' mocks them for [[DidYouActuallyBelieve thinking they were going to be rid of him that easily?]]
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Added DiffLines:
Return to the main page [[TemptingFate here]].
----
----
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Added DiffLines:
* In ''Theatre/TheLittleFoxes'', Horace keeps insisting to his wife Regina that he will have his way "as long as I live," which is a rather dangerous thing to say for an obviously sickly man with a LethalDiagnosis.
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Changed line(s) 15 (click to see context) from:
* ''Theatre/PacificOvertures'', after the treaty with the Americans is concluded, the Treaty House is dismantled, and the Reciter proclaims that the barbarian threat to Japan had thereby been ended forever--"Ha!" Cue Commodore Perry's VictoryDance.
to:
* In ''Theatre/PacificOvertures'', after the treaty with the Americans is concluded, the Treaty House is dismantled, and the Reciter proclaims that the barbarian threat to Japan had thereby been ended forever--"Ha!" Cue Commodore Perry's VictoryDance.
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None
Added DiffLines:
* ''Theatre/PacificOvertures'', after the treaty with the Americans is concluded, the Treaty House is dismantled, and the Reciter proclaims that the barbarian threat to Japan had thereby been ended forever--"Ha!" Cue Commodore Perry's VictoryDance.
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None
Changed line(s) 10 (click to see context) from:
* In the Lillian Hellman version of ''Theatre/{{Candide}}'', after the auto-da-fé is over and Pangloss and the heretics have been executed, the Inquisitors announce to the people of Lisbon that they have been saved from the threat of an earthquake. The earthquake happens immediately after the Very, Very Old Inquisitor says, "The danger is over."
to:
* In the Lillian Hellman Creator/LillianHellman version of ''Theatre/{{Candide}}'', after the auto-da-fé is over and Pangloss and the heretics have been executed, the Inquisitors announce to the people of Lisbon that they have been saved from the threat of an earthquake. The earthquake happens immediately after the Very, Very Old Inquisitor says, "The danger is over."
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None
Added DiffLines:
* At the beginning of the musical ''Theatre/IfThen'', Elizabeth has to make a choice about which friend to go with.
-->'''Elizabeth''': Tell me, how can it make any difference? / How can it matter at all? / Why do I always make such an event / out of something so small?
**And the rest of the musical covers two alternate timelines that show the outcomes of each decision. Needless to say, the outcomes are ''very'' different.
-->'''Elizabeth''': Tell me, how can it make any difference? / How can it matter at all? / Why do I always make such an event / out of something so small?
**And the rest of the musical covers two alternate timelines that show the outcomes of each decision. Needless to say, the outcomes are ''very'' different.
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None
Changed line(s) 11 (click to see context) from:
* The play ''Literature/AuntieMame'' has a prologue in which Edwin Dennis (in voiceover) dictates his will leaving his only son and sole heir in the care of Mame Dennis, "that crazy sister of mine." The music becomes facetious as he adds, "Since I keep myself in splendid physical condition through daily workouts at the Chicago Athletic Club, I am confident that these provisions will not go into force or effect for many years." The music then suddenly becomes ominous, and the will is followed by a newspaper headline from the very next day: "BUSINESSMAN DROPS DEAD IN STEAMROOM OF CHICAGO ATHLETIC CLUB."
to:
* The play ''Literature/AuntieMame'' has a prologue in which Edwin Dennis (in voiceover) dictates his will leaving will, directing that, in the event of his death, Patrick, his only son and sole heir heir, be placed in the care of Mame Dennis, "that crazy sister of mine." The music becomes facetious as he adds, "Since I keep myself in splendid physical condition through daily workouts at the Chicago Athletic Club, I am confident that these provisions will not go into force or effect for many years." The music then suddenly becomes ominous, and the will is followed by a newspaper headline from the very next day: "BUSINESSMAN DROPS DEAD IN STEAMROOM OF CHICAGO ATHLETIC CLUB."
Is there an issue? Send a MessageReason:
None
Changed line(s) 10 (click to see context) from:
* In the Lillian Hellman version of ''Theatre/{{Candide}}'', after the auto-da-fé is over and Pangloss and the heretics have been executed, the Inquisitors announce to the people of Lisbon that they have been saved from the threat of an earthquake. The earthquake happens as soon as the Very, Very Old Inquisitor says, "The danger is over."
to:
* In the Lillian Hellman version of ''Theatre/{{Candide}}'', after the auto-da-fé is over and Pangloss and the heretics have been executed, the Inquisitors announce to the people of Lisbon that they have been saved from the threat of an earthquake. The earthquake happens as soon as immediately after the Very, Very Old Inquisitor says, "The danger is over."
* The play ''Literature/AuntieMame'' has a prologue in which Edwin Dennis (in voiceover) dictates his will leaving his only son and sole heir in the care of Mame Dennis, "that crazy sister of mine." The music becomes facetious as he adds, "Since I keep myself in splendid physical condition through daily workouts at the Chicago Athletic Club, I am confident that these provisions will not go into force or effect for many years." The music then suddenly becomes ominous, and the will is followed by a newspaper headline from the very next day: "BUSINESSMAN DROPS DEAD IN STEAMROOM OF CHICAGO ATHLETIC CLUB."
* The play ''Literature/AuntieMame'' has a prologue in which Edwin Dennis (in voiceover) dictates his will leaving his only son and sole heir in the care of Mame Dennis, "that crazy sister of mine." The music becomes facetious as he adds, "Since I keep myself in splendid physical condition through daily workouts at the Chicago Athletic Club, I am confident that these provisions will not go into force or effect for many years." The music then suddenly becomes ominous, and the will is followed by a newspaper headline from the very next day: "BUSINESSMAN DROPS DEAD IN STEAMROOM OF CHICAGO ATHLETIC CLUB."
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None
Added DiffLines:
* In ''Theatre/JuliusCaesar'', when the Ides of March, previously established as a day of danger for Caesar, arrives, Caesar happens to pass by the soothsayer that predicted that danger would befall Caesar on that day... and proceeds to boast that nothing has happened to him... ''yet.''
-->'''Julius Caesar''': The Ides of March is come.\\
'''Soothsayer''': [[LampshadeHanging Ay, Caesar, but not gone.]]
-->'''Julius Caesar''': The Ides of March is come.\\
'''Soothsayer''': [[LampshadeHanging Ay, Caesar, but not gone.]]
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None
Changed line(s) 7 (click to see context) from:
* In the Lillian Hellman version of ''Theatre/{{Candide}}'', after the auto-da-fé is over and Pangloss and the heretics have been executed, the Inquisitors announce to the people of Lisbon that they have been saved from the threat of an earthquake. The earthquake happens as soon as they say, "The danger is over."
to:
* In the Lillian Hellman version of ''Theatre/{{Candide}}'', after the auto-da-fé is over and Pangloss and the heretics have been executed, the Inquisitors announce to the people of Lisbon that they have been saved from the threat of an earthquake. The earthquake happens as soon as they say, the Very, Very Old Inquisitor says, "The danger is over."
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Removing a Zero Context Example
Changed line(s) 7,8 (click to see context) from:
* [[Theatre/JuliusCaesar "The Ides of March is come."]]
** [[LampshadeHanging "Ay, Caesar, but not gone."]]
** [[LampshadeHanging "Ay, Caesar, but not gone."]]
to:
* [[Theatre/JuliusCaesar In the Lillian Hellman version of ''Theatre/{{Candide}}'', after the auto-da-fé is over and Pangloss and the heretics have been executed, the Inquisitors announce to the people of Lisbon that they have been saved from the threat of an earthquake. The earthquake happens as soon as they say, "The Ides of March danger is come."]]
** [[LampshadeHanging "Ay, Caesar, but not gone."]]over."
----
** [[LampshadeHanging "Ay, Caesar, but not gone."]]
----
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Reverse order gets right trope name.
Changed line(s) 2 (click to see context) from:
* The StageToScreenAdaptation of ''Film/TheProducers'' has a song about it being bad luck to say "good luck" on opening night. Therefore, everyone wishes Franz to "break a leg" as he dashes off to the show. It's just his luck that a moment later he literally breaks his leg.
to:
* The StageToScreenAdaptation ScreenToStageAdaptation of ''Film/TheProducers'' has a song about it being bad luck to say "good luck" on opening night. Therefore, everyone wishes Franz to "break a leg" as he dashes off to the show. It's just his luck that a moment later he literally breaks his leg.
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None
Changed line(s) 4 (click to see context) from:
* In ''AvenueQ'', the number "If You Were Gay" begins with Rod reading alone in his apartment, saying, "No roommate to bother me, how can it get any better than this?" Cue "Oh, hi Rod!" as the door slams.
to:
* In ''AvenueQ'', ''Theatre/AvenueQ'', the number "If You Were Gay" begins with Rod reading alone in his apartment, saying, "No roommate to bother me, how can it get any better than this?" Cue "Oh, hi Rod!" as the door slams.
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None
Changed line(s) 1 (click to see context) from:
* In ''LittleShopOfHorrors'', much ado is made about the fact that Audrey and Seymour are getting married tomorrow. There's even a CutSong called "We'll have tomorrow". They're both dead by the end of the day.
to:
* In ''LittleShopOfHorrors'', ''Theatre/LittleShopOfHorrors'', much ado is made about the fact that Audrey and Seymour are getting married tomorrow. There's even a CutSong called "We'll have tomorrow". They're both dead by the end of the day.
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Changed line(s) 1,2 (click to see context) from:
* In ''{{Little Shop of Horrors}}'', much ado is made about the fact that Audrey and Seymour are getting married tomorrow. There's even a CutSong called "We'll have tomorrow". They're both dead by the end of the day.
* The StageToScreenAdaptation of ''TheProducers'' has a song about it being bad luck to say "good luck" on opening night. Therefore, everyone wishes Franz to "break a leg" as he dashes off to the show. It's just his luck that a moment later he literally breaks his leg.
* The StageToScreenAdaptation of ''TheProducers'' has a song about it being bad luck to say "good luck" on opening night. Therefore, everyone wishes Franz to "break a leg" as he dashes off to the show. It's just his luck that a moment later he literally breaks his leg.
to:
* In ''{{Little Shop of Horrors}}'', ''LittleShopOfHorrors'', much ado is made about the fact that Audrey and Seymour are getting married tomorrow. There's even a CutSong called "We'll have tomorrow". They're both dead by the end of the day.
* The StageToScreenAdaptation of''TheProducers'' ''Film/TheProducers'' has a song about it being bad luck to say "good luck" on opening night. Therefore, everyone wishes Franz to "break a leg" as he dashes off to the show. It's just his luck that a moment later he literally breaks his leg.
* The StageToScreenAdaptation of
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Changed line(s) 7 (click to see context) from:
* [[JuliusCaesar "The Ides of March is come."]]
to:
* [[JuliusCaesar [[Theatre/JuliusCaesar "The Ides of March is come."]]
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Changed line(s) 5 (click to see context) from:
* In ''{{Chicago}}'': "And I said, 'You pop that gum one more time'... sigh... and he did. So I took the shotgun off the wall, and fired three warning shots. Into his head."
to:
* In ''{{Chicago}}'': ''Theatre/{{Chicago}}'': "And I said, 'You pop that gum one more time'... sigh... and he did. So I took the shotgun off the wall, and fired three warning shots. Into his head."
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Added DiffLines:
* In ''{{Little Shop of Horrors}}'', much ado is made about the fact that Audrey and Seymour are getting married tomorrow. There's even a CutSong called "We'll have tomorrow". They're both dead by the end of the day.
* The StageToScreenAdaptation of ''TheProducers'' has a song about it being bad luck to say "good luck" on opening night. Therefore, everyone wishes Franz to "break a leg" as he dashes off to the show. It's just his luck that a moment later he literally breaks his leg.
** Also invoked by Max, who wants the show to fail and so wishes "good luck" to everyone he can. He even breaks a mirror and [[ThatPoorCat throws a black cat across the stage door path]] for good measure.
* In ''AvenueQ'', the number "If You Were Gay" begins with Rod reading alone in his apartment, saying, "No roommate to bother me, how can it get any better than this?" Cue "Oh, hi Rod!" as the door slams.
* In ''{{Chicago}}'': "And I said, 'You pop that gum one more time'... sigh... and he did. So I took the shotgun off the wall, and fired three warning shots. Into his head."
* The second act of ''[[ThePhantomOfTheOpera Phantom of the Opera]]'' opens with a MasqueradeBall where everyone is having a good time and several principal characters express relief that the Phantom has been unheard from for several months. Yeah, guess who crashes the party and ''immediately'' mocks them for [[DidYouActuallyBelieve thinking they were going to be rid of him that easily?]]
* [[JuliusCaesar "The Ides of March is come."]]
** [[LampshadeHanging "Ay, Caesar, but not gone."]]
* The StageToScreenAdaptation of ''TheProducers'' has a song about it being bad luck to say "good luck" on opening night. Therefore, everyone wishes Franz to "break a leg" as he dashes off to the show. It's just his luck that a moment later he literally breaks his leg.
** Also invoked by Max, who wants the show to fail and so wishes "good luck" to everyone he can. He even breaks a mirror and [[ThatPoorCat throws a black cat across the stage door path]] for good measure.
* In ''AvenueQ'', the number "If You Were Gay" begins with Rod reading alone in his apartment, saying, "No roommate to bother me, how can it get any better than this?" Cue "Oh, hi Rod!" as the door slams.
* In ''{{Chicago}}'': "And I said, 'You pop that gum one more time'... sigh... and he did. So I took the shotgun off the wall, and fired three warning shots. Into his head."
* The second act of ''[[ThePhantomOfTheOpera Phantom of the Opera]]'' opens with a MasqueradeBall where everyone is having a good time and several principal characters express relief that the Phantom has been unheard from for several months. Yeah, guess who crashes the party and ''immediately'' mocks them for [[DidYouActuallyBelieve thinking they were going to be rid of him that easily?]]
* [[JuliusCaesar "The Ides of March is come."]]
** [[LampshadeHanging "Ay, Caesar, but not gone."]]