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Changed line(s) 14 (click to see context) from:
** The song ends with Anya dressed in her famous yellow ballgown dancing with Czar Nicholas and he kisses her forehead. It gets harder when you remember that our first introduction to Anastasia is her as a cheeky and enthusiastic 8 year old girl playfully dancing with her father during the anniversary ball at the beginning of the film and shouting "Oh, Papa!" when he picks her up and twirls her around. Just before the song starts, Anastasia blows some dust off of a plate...and sees the memory of her being twirled by her father. It fades away and she brushes it off, putting the plate back down.
to:
** The song ends Watching Anya dance with Anya dressed in her famous yellow ballgown dancing with Czar Nicholas and he kisses her forehead. It late father's ghost gets harder when you remember that our first introduction to Anastasia is her as a cheeky and enthusiastic 8 year old girl playfully dancing with her father during the anniversary ball at the beginning of the film and shouting "Oh, Papa!" when he picks her up and twirls her around. Just before the song starts, Anastasia blows some dust off of a plate...and sees the memory of her being twirled by her father. It fades away and she brushes it off, putting the plate back down.
Changed line(s) 30,31 (click to see context) from:
* When Dimitri brings Anastasia to meet Marie at the ballet, the door doesn't close all the way. This leads to Anastasia overhearing the horrible truth about Dimitri; that he's a conman and has been on the search for an Anastasia lookalike in order to get the reward. She looks like a kicked puppy and is waiting with vitriolic words when he's thrown out of Marie's private box, not even caring to listen to Dimitri's insistences of who she really is.
--->'''Anastasia''': That was all a lie, wasn't it?\\
--->'''Anastasia''': That was all a lie, wasn't it?\\
to:
* When Dimitri brings Anastasia Anya to meet Marie at the ballet, the door doesn't close all the way. This leads to Anastasia Anya overhearing the horrible truth about Dimitri; that he's a conman and has been on the search for an Anastasia lookalike in order to get the reward. She looks like a kicked puppy and is waiting with vitriolic words when he's thrown out of Marie's private box, not even caring to listen to Dimitri's insistences of who she really is.
--->'''Anastasia''': --->'''Anya''': That was all a lie, wasn't it?\\
Changed line(s) 33 (click to see context) from:
'''Anastasia''': You ''used'' me?! I was just part of your con to get her money?!\\
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Changed line(s) 35 (click to see context) from:
'''Anastasia''': Stop it! From the very beginning ''you lied!'' And I not only believed you, I actually...(''groans in disgust'')\\
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Changed line(s) 37 (click to see context) from:
'''Anastasia''': (''yanks hand away'') NO! I don't want to hear about anything that I said I remembered! You just leave me alone! (''as Dimitri grabs her arm, she gives him a vicious slap across the face, which makes him let go and storms off'')\\
to:
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Changed line(s) 41 (click to see context) from:
** During the interaction, she's confronted by Marie, who wants to know who Anya is and what she wants. Anya tearfully tells her "I just want to know who I am. Whether or not I belong to a family. Your family." Marie's response is a dismissive "You're a very good actress. Best yet, in fact. But...I've heard enough." As she turns to leave, Anya catches a whiff of Marie's peppermint oil, which triggers a memory...
to:
** During the interaction, she's confronted by Marie, who wants to know who Anya is and what she wants. Anya tearfully tells her "I just want to know who I am. Whether or not I belong to a family. Your family." Marie's response is a dismissive "You're a very good actress. Best yet, in fact. But...I've heard had enough." As she turns to leave, Anya catches a whiff of Marie's peppermint oil, which triggers a memory...
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Changed line(s) 40 (click to see context) from:
** Just before Marie enters, Anya is seen packing, no doubt intending to strike out on her own and try to find her family. As she packs, she finds the rose given to her during "Paris Holds The Key To Your Heart". She looks at it, wistful, before chucking it into a nearby wastepaper basket and continues packing, saying in response to the knock "Go away, Dimitri..."
to:
** Just before Marie enters, Anya is seen packing, no doubt intending to strike out on her own and try to find her family. As she packs, she finds the rose given to her during "Paris Holds The Key To Your Heart". She looks at it, wistful, before chucking it into a nearby wastepaper basket and continues packing, saying in response to the Marie's knock "Go away, Dimitri...""
** During the interaction, she's confronted by Marie, who wants to know who Anya is and what she wants. Anya tearfully tells her "I just want to know who I am. Whether or not I belong to a family. Your family." Marie's response is a dismissive "You're a very good actress. Best yet, in fact. But...I've heard enough." As she turns to leave, Anya catches a whiff of Marie's peppermint oil, which triggers a memory...
** During the interaction, she's confronted by Marie, who wants to know who Anya is and what she wants. Anya tearfully tells her "I just want to know who I am. Whether or not I belong to a family. Your family." Marie's response is a dismissive "You're a very good actress. Best yet, in fact. But...I've heard enough." As she turns to leave, Anya catches a whiff of Marie's peppermint oil, which triggers a memory...
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Changed line(s) 34 (click to see context) from:
'''Dimitri''': No! No, no, no...look, it may have started out that way because you really ''are'' Anastasia! You are...\\
to:
'''Dimitri''': No! No, no, no...look, it may have started out that way because but things are different now. Because you really ''are'' Anastasia! You are...\\
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Added DiffLines:
** The song ends with Anya dressed in her famous yellow ballgown dancing with Czar Nicholas and he kisses her forehead. It gets harder when you remember that our first introduction to Anastasia is her as a cheeky and enthusiastic 8 year old girl playfully dancing with her father during the anniversary ball at the beginning of the film and shouting "Oh, Papa!" when he picks her up and twirls her around. Just before the song starts, Anastasia blows some dust off of a plate...and sees the memory of her being twirled by her father. It fades away and she brushes it off, putting the plate back down.
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Changed line(s) 10 (click to see context) from:
** Another moment is when her sisters come out of the painting and exchange gestures of affection, with one even putting beads around her neck. Anastasia later recalls how Olga teased her for a drawing the former made, but in these few moments her sisters, either as ghosts or as memories, are giving her their blessing for surviving.
to:
** Another moment is when her sisters come out of the painting and exchange gestures of affection, with one even putting beads a strand of pearls around her neck. Anastasia later recalls how Olga teased her for a drawing the former made, but in these few moments her sisters, either as ghosts or as memories, are giving her their blessing for surviving.
Changed line(s) 12 (click to see context) from:
** Blink and you'll miss it but Vlad is there as well, in the background when her dress changes, looking as jolly as ever and probably a little drunk. He's the only character from this entire sequence who isn't either dead or traumatised and it's oddly heartbreaking that he goes along with the con and doesn't recognise Anastasia.
to:
** Blink and you'll miss it but Vlad is there as well, in the background when her dress changes, looking as jolly as ever and probably a little drunk. He's the only character from this entire sequence who isn't either dead or traumatised and it's oddly heartbreaking that he goes along with the con and doesn't recognise Anastasia.Anastasia until Dimitri tells him at the ballet.
Changed line(s) 28 (click to see context) from:
** And just to add more salt into the wound, Marie had to deal with a bunch of impostors claiming they were her granddaughter and con artists wanting to get their hands on the reward money she was offering. By the time Anya arrives in Paris, Marie bitterly says that her heart can't take it anymore and has all but given up on any hope of being reunited with her only surviving grandchild.
to:
** And just to add more salt into the wound, Marie had to deal with a bunch of impostors claiming they were her granddaughter and con artists wanting to get their hands on the reward money she was offering. By the time Anya arrives in Paris, Marie bitterly says that her heart can't take it anymore and has all but given up on any hope of being reunited with her only surviving grandchild. She even places Anastasia's picture face down at the end of the scene, as if to say her granddaughter is dead.
* When Dimitri brings Anastasia to meet Marie at the ballet, the door doesn't close all the way. This leads to Anastasia overhearing the horrible truth about Dimitri; that he's a conman and has been on the search for an Anastasia lookalike in order to get the reward. She looks like a kicked puppy and is waiting with vitriolic words when he's thrown out of Marie's private box, not even caring to listen to Dimitri's insistences of who she really is.
--->'''Anastasia''': That was all a lie, wasn't it?\\
'''Dimitri''': No, no, no, no...\\
'''Anastasia''': You ''used'' me?! I was just part of your con to get her money?!\\
'''Dimitri''': No! No, no, no...look, it may have started out that way because you really ''are'' Anastasia! You are...\\
'''Anastasia''': Stop it! From the very beginning ''you lied!'' And I not only believed you, I actually...(''groans in disgust'')\\
'''Dimitri''': Anya, please! When you spoke of the hidden door of the wall opening and the little boy. (''grabs her hand'') Listen to me, that was...\\
'''Anastasia''': (''yanks hand away'') NO! I don't want to hear about anything that I said I remembered! You just leave me alone! (''as Dimitri grabs her arm, she gives him a vicious slap across the face, which makes him let go and storms off'')\\
'''Dimitri''': (''stopped by several people'') Anya! Please! You have to know the truth!
* When Dimitri brings Anastasia to meet Marie at the ballet, the door doesn't close all the way. This leads to Anastasia overhearing the horrible truth about Dimitri; that he's a conman and has been on the search for an Anastasia lookalike in order to get the reward. She looks like a kicked puppy and is waiting with vitriolic words when he's thrown out of Marie's private box, not even caring to listen to Dimitri's insistences of who she really is.
--->'''Anastasia''': That was all a lie, wasn't it?\\
'''Dimitri''': No, no, no, no...\\
'''Anastasia''': You ''used'' me?! I was just part of your con to get her money?!\\
'''Dimitri''': No! No, no, no...look, it may have started out that way because you really ''are'' Anastasia! You are...\\
'''Anastasia''': Stop it! From the very beginning ''you lied!'' And I not only believed you, I actually...(''groans in disgust'')\\
'''Dimitri''': Anya, please! When you spoke of the hidden door of the wall opening and the little boy. (''grabs her hand'') Listen to me, that was...\\
'''Anastasia''': (''yanks hand away'') NO! I don't want to hear about anything that I said I remembered! You just leave me alone! (''as Dimitri grabs her arm, she gives him a vicious slap across the face, which makes him let go and storms off'')\\
'''Dimitri''': (''stopped by several people'') Anya! Please! You have to know the truth!
Added DiffLines:
** Just before Marie enters, Anya is seen packing, no doubt intending to strike out on her own and try to find her family. As she packs, she finds the rose given to her during "Paris Holds The Key To Your Heart". She looks at it, wistful, before chucking it into a nearby wastepaper basket and continues packing, saying in response to the knock "Go away, Dimitri..."
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Changed line(s) 31 (click to see context) from:
** "Oh Anastasia...my Anastasia!"
to:
** "Oh Anastasia...Anastasia (''voice cracking'')...my Anastasia!"
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-->'''Anastasia:''' Do it! And I will be with my parents and my brother and sisters on that cellar in Yekaterinburg ''all over again!''
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Changed line(s) 13 (click to see context) from:
** It becomes even more heartwrenching when you stop and realize how pointless their deaths were in the context of the film. Anya's family was murdered and stolen from her by an evil asshole who literally sold his soul to the devil because he felt slighted by Nicholas.
to:
** It becomes even more heartwrenching when you stop and realize how pointless their deaths were in the context of the film. Anya's family was murdered and stolen from her by an evil asshole who literally sold his soul to the devil because [[DisproportionateRetribution he felt slighted by Nicholas.Nicholas]].
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** It becomes even more heartwrenching when you stop and realize how pointless their deaths were in the context of the film. Anya's family was murdered and stolen from her by an evil asshole who literally sold his soul to the devil because he felt slighted by Nicholas.
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Changed line(s) 8 (click to see context) from:
to:
* Marie and Anastasia trying to get on the train to escape the country. There are tears in Anastasia's eyes when she tries to catch up with the train and Marie grabs onto her granddaughter's hand, saying, "[[TakeMyHand Take my hand! Hold onto my hand!"]] and Anastasia cries, "Don't let go!" However, they both lose their grip and Anastasia falls to the platform, hitting her head and getting knocked out cold, all while Marie desperately shouts her granddaughter's name and all the passengers are holding her back from jumping off the train to get to her.
Deleted line(s) 14,15 (click to see context) :
* The reunion between Anastasia and her grandmother Marie, namely when Marie examines the locket, realizes it's the one she gave Anastasia, and provides the music box. Her voice gains hope, slowly, as she sings the lullaby with her grown-up granddaughter. Also doubles as a SugarWiki/{{Heartwarming Moment|s}}.
** In the same scene, when Marie first sees Anya’s necklace, she says, in a choked voice, “it was our secret” then quickly states “Anastasia’s and mine”, making it seem as though she is accepting Anya really is her granddaughter at this point, but she cannot quite allow herself to believe it yet after having been disappointed so many times before.
** In the same scene, when Marie first sees Anya’s necklace, she says, in a choked voice, “it was our secret” then quickly states “Anastasia’s and mine”, making it seem as though she is accepting Anya really is her granddaughter at this point, but she cannot quite allow herself to believe it yet after having been disappointed so many times before.
Deleted line(s) 27 (click to see context) :
* The film itself could be this for anyone familiar with what actually happened to Anastasia. To put it simply, Animated Anastasia lived happily ever after with Dimitri while her RealLife counterpart (along with most of the Russian Royal Family) was executed at the age of 17. Even her other real-life inspiration, Anna Anderson, was ultimately proven to be an impostor and spent a large amount of her life institutionalized over her mental health before dying of pneumonia.
Changed line(s) 30,31 (click to see context) from:
** And just to add more salt into the wound, Marie had to deal with a bunch of impostors and con artists claiming they were Anastasia to get their hands on the reward money she was offering. By the time Anya arrives in Paris, Marie bitterly says that her heart can't take it anymore and has all but given up on any hope of being reunited with her only surviving grandchild.
* Marie and Anastasia trying to get on the train to escape the country. There are tears in Anastasia's eyes when she tries to catch up with the train and Marie grabs onto her granddaughter's hand, saying, "[[TakeMyHand Take my hand! Hold onto my hand!"]] and Anastasia cries, "Don't let go!" However, they both lose their grip and Anastasia falls to the platform, hitting her head and getting knocked out cold, all while Marie desperately shouts her granddaughter's name and all the passengers are holding her back from jumping off the train to get to her.
* Marie and Anastasia trying to get on the train to escape the country. There are tears in Anastasia's eyes when she tries to catch up with the train and Marie grabs onto her granddaughter's hand, saying, "[[TakeMyHand Take my hand! Hold onto my hand!"]] and Anastasia cries, "Don't let go!" However, they both lose their grip and Anastasia falls to the platform, hitting her head and getting knocked out cold, all while Marie desperately shouts her granddaughter's name and all the passengers are holding her back from jumping off the train to get to her.
to:
** And just to add more salt into the wound, Marie had to deal with a bunch of impostors and con artists claiming they were Anastasia her granddaughter and con artists wanting to get their hands on the reward money she was offering. By the time Anya arrives in Paris, Marie bitterly says that her heart can't take it anymore and has all but given up on any hope of being reunited with her only surviving grandchild.
*Marie and The reunion between Anastasia trying to get on the train to escape the country. There are tears in Anastasia's eyes and her grandmother Marie, namely when she tries to catch up with the train and Marie grabs onto examines the locket, realizes it's the one she gave Anastasia, and provides the music box. Her voice gains hope, slowly, as she sings the lullaby with her granddaughter's hand, saying, "[[TakeMyHand Take my hand! Hold onto my hand!"]] and Anastasia cries, "Don't let go!" However, they both lose their grip and Anastasia falls to grown-up granddaughter. Also doubles as a SugarWiki/{{Heartwarming Moment|s}}.
** In theplatform, hitting her head and getting knocked out cold, all while same scene, when Marie desperately shouts first sees Anya’s necklace, she says, in a choked voice, “it was our secret” then quickly states “Anastasia’s and mine”, making it seem as though she is accepting Anya really is her granddaughter's name and all the passengers are holding her back from jumping off the train granddaughter at this point, but she cannot quite allow herself to get to her.believe it yet after having been disappointed so many times before.
*
** In the
Added DiffLines:
* The film itself could be this for anyone familiar with what actually happened to Anastasia. To put it simply, Animated Anastasia lived happily ever after with Dimitri while her RealLife counterpart (along with most of the Russian royal family) was killed at the age of 17. Even her other real-life inspiration, Anna Anderson, was ultimately proven to be an impostor and spent a large amount of her life institutionalized over her mental health before dying of pneumonia.
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Changed line(s) 9 (click to see context) from:
* Anastasia's dance with the Czar, her father, during her DisneyAcidSequence dance. No matter what opinion you have about Czar Nicholas II, the flashbacks and visions involving the family, Alexandra (the mother), the older sisters (Tatiana, Olga, and Maria), and the little brother (Alexei), strikes as heartwrenching considering what happened to the family in reality.
to:
* Anastasia's dance with the Czar, her father, during her DisneyAcidSequence dance.the "Once Upon a December" sequence. No matter what opinion you have about Czar Nicholas II, the flashbacks and visions involving the family, Alexandra (the mother), the older sisters (Tatiana, Olga, and Maria), and the little brother (Alexei), strikes as heartwrenching considering what happened to the family in reality.
Changed line(s) 12,13 (click to see context) from:
** Blink and you'll miss it but Vlad is there as well, in the background when her dress changes, looking as jolly as ever and probably a little drunk. He's the only character from this entire sequence who isn't either dead or traumatised and it's oddly heartbreaking that he STILL goes along with the con and doesn't recognise Anastasia.
* The nightmare is a long, drawn-out KickTheDog moment, though perhaps Rasputin thought that he would be giving Anastasia a DyingDream by hypnotizing her into jumping into the freezing ocean. First Alexei approaches Anastasia with a large smile, and encourages her to follow him to where her sisters and father are jumping into a swimming pool. Alexei shows off his CheerfulChild side by jumping in and losing his hat. It shows what life might have been like for Anastasia if her family had managed to go into hiding and survive, so that she could have grown up with her sisters and her IllBoy of a brother. This makes the transition of [[JumpScare her father turning into a demon]] much harder to take.
* The nightmare is a long, drawn-out KickTheDog moment, though perhaps Rasputin thought that he would be giving Anastasia a DyingDream by hypnotizing her into jumping into the freezing ocean. First Alexei approaches Anastasia with a large smile, and encourages her to follow him to where her sisters and father are jumping into a swimming pool. Alexei shows off his CheerfulChild side by jumping in and losing his hat. It shows what life might have been like for Anastasia if her family had managed to go into hiding and survive, so that she could have grown up with her sisters and her IllBoy of a brother. This makes the transition of [[JumpScare her father turning into a demon]] much harder to take.
to:
** Blink and you'll miss it but Vlad is there as well, in the background when her dress changes, looking as jolly as ever and probably a little drunk. He's the only character from this entire sequence who isn't either dead or traumatised and it's oddly heartbreaking that he STILL goes along with the con and doesn't recognise Anastasia.
* The nightmareis a long, drawn-out KickTheDog moment, though perhaps Rasputin thought that he would be giving Anastasia a DyingDream by hypnotizing her into jumping into on the freezing ocean. First ship is not just full of NightmareFuel. First, Alexei approaches Anastasia with a large smile, smile and encourages calls out to her to follow him to where her their sisters and father are jumping into a swimming pool. Alexei shows off his CheerfulChild side by jumping in and losing his hat. It shows what life might have been like for Anastasia if her family had managed to go into hiding and survive, survive so that she could have grown up with her sisters and her IllBoy of a little brother. This makes the transition of [[JumpScare her father turning into a demon]] much harder to take.
* The nightmare
Changed line(s) 22,23 (click to see context) from:
* Later scenes add to this: Him being forced to bow to her, refusing the money, and his expression when he sees Pooka holding her crown. No one's telling Dimitri he's not good enough for Anya - he just knows he is. The instinctive values here can't be emphasized enough. He was a servant at the beginning who admired the Princess but was never noticed. He obviously spent years trying to move past that, and now, because of a difference in title, Anya is unreachable again. They're still the same people, she's still the same girl he's insulted and saved and comforted, but suddenly that's it, he's just as inferior to her as when they were children. And he can't do anything about it.
** Then there's Dimitri's part in "Paris holds the Key"
** Then there's Dimitri's part in "Paris holds the Key"
to:
* Later scenes add to this: Him being forced to bow to her, refusing the money, and his expression when he sees Pooka holding her crown. No one's telling Dimitri he's not good enough for Anya - he just knows he is. The instinctive values here can't be emphasized enough. He was a servant at the beginning who admired the Princess but was never noticed. He obviously spent years trying to move past that, and now, because of a difference in title, birth, Anya is unreachable again. They're still the same people, she's still the same girl he's insulted and saved and comforted, but suddenly that's it, he's just as inferior to her as when they were children. And he can't do anything about it.
** Then there's Dimitri's part in "Paris holds theKey"Key":
** Then there's Dimitri's part in "Paris holds the
Changed line(s) 27,28 (click to see context) from:
* The film itself could be this for anyone familiar to what actually happened to Anastasia. To put it simply, animated!Anastasia lived happily ever after with Dimitri while her Real Life counterpart (along with most of the Russian Royal Family) was executed at the age of 17. Even her other real life inspiration, Anna Anderson, was deemed an impostor and spent a large amount of her life institutionalized over her mental health before dying of pneumonia.
* Any scene with the Dowager Empress Marie. Take out the whole revolution and royalty thing and all you have is an old woman who watched her son and grandchildren die.
* Any scene with the Dowager Empress Marie. Take out the whole revolution and royalty thing and all you have is an old woman who watched her son and grandchildren die.
to:
* The film itself could be this for anyone familiar to with what actually happened to Anastasia. To put it simply, animated!Anastasia Animated Anastasia lived happily ever after with Dimitri while her Real Life RealLife counterpart (along with most of the Russian Royal Family) was executed at the age of 17. Even her other real life real-life inspiration, Anna Anderson, was deemed ultimately proven to be an impostor and spent a large amount of her life institutionalized over her mental health before dying of pneumonia.
* Any scene with the Dowager Empress Marie. Take out the whole revolution and royalty thing and all you have is [[OutlivingOnesOffspring an old woman who watched her son and grandchildrendie.be murdered]].
* Any scene with the Dowager Empress Marie. Take out the whole revolution and royalty thing and all you have is [[OutlivingOnesOffspring an old woman who watched her son and grandchildren
Changed line(s) 30,33 (click to see context) from:
** After seeing a rather cheerful grandmother indulging her granddaughter, it's rather sad to see her bereft about losing her child and grandchildren. Then add those impostors that keep coming and claiming they're Anastasia, as she said, her heart can't take it any longer. She pretty much gave up there.
* The scene where Marie and Anastasia trying to get on the train at the beginning. There are tears in Anastasia's eyes during when she tries to catch up with the train and Marie grabs onto her granddaughter's hand, saying, "[[TakeMyHand Take my hand! Hold onto my hand!"]] and Anastasia cries, "Don't let go!" However, they both lose their grip and Anastasia falls to the platform, hitting her head and getting knocked out cold, all while Marie desperately shouts her granddaughter's name and all the passengers are holding her back from jumping off the train to get to her.
* The mere fact that, even though Anastasia found her grandmother, her parents and siblings are all dead. She wanted to remember them so badly, but when she finally did, it was only to realize that most of her family was brutally killed.
* As mentioned below in the folder for the stage version, the real Dowager Empress Marie died in 1928, only a year after the events of the film. If this holds true for the fictionalized Marie too, then the film's ending becomes all the more bittersweet: even though Anya's letter at the end promises that she and her grandmother will still keep in touch and see each other again soon, it won't be long before Marie's death parts them.
* The scene where Marie and Anastasia trying to get on the train at the beginning. There are tears in Anastasia's eyes during when she tries to catch up with the train and Marie grabs onto her granddaughter's hand, saying, "[[TakeMyHand Take my hand! Hold onto my hand!"]] and Anastasia cries, "Don't let go!" However, they both lose their grip and Anastasia falls to the platform, hitting her head and getting knocked out cold, all while Marie desperately shouts her granddaughter's name and all the passengers are holding her back from jumping off the train to get to her.
* The mere fact that, even though Anastasia found her grandmother, her parents and siblings are all dead. She wanted to remember them so badly, but when she finally did, it was only to realize that most of her family was brutally killed.
* As mentioned below in the folder for the stage version, the real Dowager Empress Marie died in 1928, only a year after the events of the film. If this holds true for the fictionalized Marie too, then the film's ending becomes all the more bittersweet: even though Anya's letter at the end promises that she and her grandmother will still keep in touch and see each other again soon, it won't be long before Marie's death parts them.
to:
** After seeing a rather cheerful grandmother indulging her granddaughter, it's rather sad And just to see her bereft about losing her child and grandchildren. Then add those more salt into the wound, Marie had to deal with a bunch of impostors that keep coming and con artists claiming they're Anastasia, as they were Anastasia to get their hands on the reward money she said, was offering. By the time Anya arrives in Paris, Marie bitterly says that her heart can't take it anymore and has all but given up on any longer. She pretty much gave up there.
hope of being reunited with her only surviving grandchild.
*The scene where Marie and Anastasia trying to get on the train at to escape the beginning. country. There are tears in Anastasia's eyes during when she tries to catch up with the train and Marie grabs onto her granddaughter's hand, saying, "[[TakeMyHand Take my hand! Hold onto my hand!"]] and Anastasia cries, "Don't let go!" However, they both lose their grip and Anastasia falls to the platform, hitting her head and getting knocked out cold, all while Marie desperately shouts her granddaughter's name and all the passengers are holding her back from jumping off the train to get to her.
* The mere factthat, even though that Anastasia found her grandmother, had to realize her parents and siblings are all dead. dead as she regained her memories. She wanted to remember find them so badly, but when she finally did, it was badly and risked her life and safety to get answers due to her amnesia, only to realize find that most of them are dead and she and her family was brutally killed.
grandmother were the only ones who survived.
* As mentioned below in the folder for the stage version, the real Dowager Empress Marie died in 1928, only a year after the events of the film. If this holds true for the fictionalized Marie too, then the film's ending becomes all the more bittersweet: even though Anya's letter at the end promises that she and her grandmother will still keep in touch and see each other again soon, it won't be long before Marie's death partsthem.them again.
*
* The mere fact
* As mentioned below in the folder for the stage version, the real Dowager Empress Marie died in 1928, only a year after the events of the film. If this holds true for the fictionalized Marie too, then the film's ending becomes all the more bittersweet: even though Anya's letter at the end promises that she and her grandmother will still keep in touch and see each other again soon, it won't be long before Marie's death parts
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Changed line(s) 24 (click to see context) from:
--->'''Dimitri:''' Paris holds the key to her past/yes Princess, I've found you at last/No more pretend/you'll be gone/that's the end
to:
--->'''Dimitri:''' Paris holds the key to her past/yes past...\\
Yes Princess, I've found you atlast/No last.\\
No morepretend/you'll pretend; you'll be gone/that's gone, that's the endend...
Yes Princess, I've found you at
No more
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Changed line(s) 24 (click to see context) from:
--->'''Dimitri:'''Paris holds the key to her past/yes Princess, I've found you at last/No more pretend/you'll be gone/that's the end
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Changed line(s) 18,21 (click to see context) from:
--> '''Vlad:''' That means Anya has found her family! And you--
--> '''Dimitri:''' Will walk out of her life forever.
--> '''Vlad:''' But--
--> '''Dimitri:''' Princesses don't marry kitchen boys.
--> '''Dimitri:''' Will walk out of her life forever.
--> '''Vlad:''' But--
--> '''Dimitri:''' Princesses don't marry kitchen boys.
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-->
'''Dimitri:''' Will walk out of her life
-->
'''Vlad:'''
-->
'''Dimitri:''' Princesses don't marry kitchen boys.
Changed line(s) 24 (click to see context) from:
-->'''Dimitri:'''Paris holds the key to her past/yes Princess, I've found you at last/No more pretend/you'll be gone/that's the end
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--> '''Dimitry:''' She only wants what's rightfully hers! Your recognition and your loving embrace! Try to imagine her life since her parents, sisters, little brother were murdered!
--> '''Dowager Empress:''' I do not need reminding of what happened to my family. I lost everything I loved that day!
--> '''Dimitry:''' So did she.
--> '''Dowager Empress:''' I do not need reminding of what happened to my family. I lost everything I loved that day!
--> '''Dimitry:''' So did she.
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-->
'''Dowager Empress:''' I do not need reminding of what happened to my family. I lost everything I loved that
-->
'''Dimitry:''' So did she.
Changed line(s) 44,48 (click to see context) from:
--> ''In my heart, I know''
--> ''You're a lie that I've waited for''
--> ''Tell them all to go''
--> ''Tell them all "No more!"''
--> ''Tell them I close the door''
--> ''You're a lie that I've waited for''
--> ''Tell them all to go''
--> ''Tell them all "No more!"''
--> ''Tell them I close the door''
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-->
''You're a lie that I've waited
-->
''Tell them all to
-->
''Tell them all "No
-->
''Tell them I close the door''
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--> '''Dowager Empress:''' ''All'' of them?
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Changed line(s) 29,30 (click to see context) from:
* The scene where they're trying to get on the train at the beginning. There are tears in Anastasia's eyes during when she tries to catch up with the train and Marie grabs onto her granddaughter's hand, saying, "[[TakeMyHand Take my hand! Hold onto my hand!"]] and Anastasia cries, "Don't let go!" However, they both lose their grip and Anastasia falls to the platform, hitting her head and getting knocked out cold, all while Marie desperately shouts her granddaughter's name and all the passengers are holding her back from jumping off the train to get to her.
* The mere fact that, even though Anastasia found her grandmother, her parents and siblings are all dead. She wanted to remember them so badly, but when she finally did, it was only to realise that most of her family was brutally killed.
* The mere fact that, even though Anastasia found her grandmother, her parents and siblings are all dead. She wanted to remember them so badly, but when she finally did, it was only to realise that most of her family was brutally killed.
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* The scene where they're Marie and Anastasia trying to get on the train at the beginning. There are tears in Anastasia's eyes during when she tries to catch up with the train and Marie grabs onto her granddaughter's hand, saying, "[[TakeMyHand Take my hand! Hold onto my hand!"]] and Anastasia cries, "Don't let go!" However, they both lose their grip and Anastasia falls to the platform, hitting her head and getting knocked out cold, all while Marie desperately shouts her granddaughter's name and all the passengers are holding her back from jumping off the train to get to her.
* The mere fact that, even though Anastasia found her grandmother, her parents and siblings are all dead. She wanted to remember them so badly, but when she finally did, it was only torealise realize that most of her family was brutally killed.killed.
* As mentioned below in the folder for the stage version, the real Dowager Empress Marie died in 1928, only a year after the events of the film. If this holds true for the fictionalized Marie too, then the film's ending becomes all the more bittersweet: even though Anya's letter at the end promises that she and her grandmother will still keep in touch and see each other again soon, it won't be long before Marie's death parts them.
* The mere fact that, even though Anastasia found her grandmother, her parents and siblings are all dead. She wanted to remember them so badly, but when she finally did, it was only to
* As mentioned below in the folder for the stage version, the real Dowager Empress Marie died in 1928, only a year after the events of the film. If this holds true for the fictionalized Marie too, then the film's ending becomes all the more bittersweet: even though Anya's letter at the end promises that she and her grandmother will still keep in touch and see each other again soon, it won't be long before Marie's death parts them.
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** Then there's Dimitri's part in "Paris holds the Key"
-->'''Dimitri:'''Paris holds the key to her past/yes Princess, I've found you at last/No more pretend/you'll be gone/that's the end
-->'''Dimitri:'''Paris holds the key to her past/yes Princess, I've found you at last/No more pretend/you'll be gone/that's the end
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Added an image of Anastasia being separated from her grandmother.
Changed line(s) 6 (click to see context) from:
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/anastasia_grandmother_separated.jpg]]
[[caption-width-right:350:''"And my Anastasia, my beloved grandchild... I never saw her again."'']]
[[caption-width-right:350:''"And my Anastasia, my beloved grandchild... I never saw her again."'']]
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Changed line(s) 25 (click to see context) from:
* The scene where they're trying to get on the train at the beginning. You can see there are tears in Anastasia's eyes during the part where she tries to catch up with the train and Marie grabs onto her granddaughter's hand, saying, "[[TakeMyHand Take my hand! Hold onto my hand!"]] and Anastasia cries, "Don't let go!" However, they both lose their grip on each other's hand and Anastasia falls to the platform, hitting her head and getting knocked out cold, all while Marie desperately shouts her granddaughter's name and all the passengers are holding her back from jumping off the train to get to her.
to:
* The scene where they're trying to get on the train at the beginning. You can see there There are tears in Anastasia's eyes during the part where when she tries to catch up with the train and Marie grabs onto her granddaughter's hand, saying, "[[TakeMyHand Take my hand! Hold onto my hand!"]] and Anastasia cries, "Don't let go!" However, they both lose their grip on each other's hand and Anastasia falls to the platform, hitting her head and getting knocked out cold, all while Marie desperately shouts her granddaughter's name and all the passengers are holding her back from jumping off the train to get to her.
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** Also depending on the version, there may be a little Anastasia waiting just behind her in the doorway, and when she says she gives up, little Anastasia will look down sadly and walk away. What makes it even sadder is that the Dowager Empress doesn't even turn around to acknowledge her.
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Moments pages are Spoilers Off pages.
'''As a Moments subpage, all spoilers are unmarked [[Administrivia/SpoilersOff as per policy.]] Administrivia/YouHaveBeenWarned.'''
Changed line(s) 19 (click to see context) from:
* The film itself could be this for anyone familiar to what actually happened to Anastasia. To put it simply, [[spoiler: animated!Anastasia lived happily ever after with Dimitri while her Real Life counterpart (along with most of the Russian Royal Family) was executed at the age of 17. Even her other real life inspiration Anna Anderson, was deemed an impostor and spent a large amount of her life institutionalised over her mental health before dying of pneumonia.]]
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* The film itself could be this for anyone familiar to what actually happened to Anastasia. To put it simply, [[spoiler: animated!Anastasia lived happily ever after with Dimitri while her Real Life counterpart (along with most of the Russian Royal Family) was executed at the age of 17. Even her other real life inspiration inspiration, Anna Anderson, was deemed an impostor and spent a large amount of her life institutionalised institutionalized over her mental health before dying of pneumonia.]]
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[[folder: The film]]
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[[folder: The animated film]]
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* The Dowager Empress died in 1928, aged 80. The musical's events take place in 1927. It's either the good kind of tearjerker (she got to see Anastasia before she died) or the bad (she waited and searched for ten years only to die shortly after she was reunited with her favorite granddaughter).
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* "Stay, I Pray You": the Russians about to board the train to Paris bidding farewell to their homeland forever, saying goodbye to everything they had ever known.
** HarsherInHindsight: Count Ipolitov led the ensemble in saying goodbye. He never got to leave Russia, as he was dragged off the train and shot after the very next song.
** HarsherInHindsight: Count Ipolitov led the ensemble in saying goodbye. He never got to leave Russia, as he was dragged off the train and shot after the very next song.
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Changed line(s) 10 (click to see context) from:
* The reunion between Anastasia and her grandmother Marie, namely when Marie examines the locket, realizes it's the one she gave Anastasia, and provides the music box. Her voice gains hope, slowly, as she sings the lullaby with her grown-up granddaughter. Also doubles as a CrowningMomentOfHeartwarming.
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* The reunion between Anastasia and her grandmother Marie, namely when Marie examines the locket, realizes it's the one she gave Anastasia, and provides the music box. Her voice gains hope, slowly, as she sings the lullaby with her grown-up granddaughter. Also doubles as a CrowningMomentOfHeartwarming.SugarWiki/{{Heartwarming Moment|s}}.
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Changed line(s) 19 (click to see context) from:
* The film itself could be this for anyone familiar to what actually happened to Anastasia. To put it simply, [[spoiler: animated!Anastasia lived happily ever after with Dimitri while her Real Life counterpart (along with most of the Russian Royal Family) was brutally shot and stabbed to death at the age of 17. Even her other real life inspiration Anna Anderson, was deemed an impostor and spent a large amount of her life institutionalised over her mental health before dying of pneumonia.]]
to:
* The film itself could be this for anyone familiar to what actually happened to Anastasia. To put it simply, [[spoiler: animated!Anastasia lived happily ever after with Dimitri while her Real Life counterpart (along with most of the Russian Royal Family) was brutally shot and stabbed to death executed at the age of 17. Even her other real life inspiration Anna Anderson, was deemed an impostor and spent a large amount of her life institutionalised over her mental health before dying of pneumonia.]]
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* In the Prologue, the Dowager Empress receiving the news that her son, daughter-in-law and grandchildren have all been murdered.
--> '''Dowager Empress:''' ''All'' of them?
--> '''Dowager Empress:''' ''All'' of them?