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Changed line(s) 80,84 (click to see context) from:
--> ''So far beyond difficult''
--> ''to resist another gulp''
--> ''Yeah, I know it's poison''
--> ''You're feeding me poison''
--> ''I'm choking from the taste and I can't help but swallow''
--> ''to resist another gulp''
--> ''Yeah, I know it's poison''
--> ''You're feeding me poison''
--> ''I'm choking from the taste and I can't help but swallow''
to:
--> ''So far beyond difficult''
--> ''todifficult\\
to resist anothergulp''
--> ''Yeah,gulp\\
Yeah, I know it'spoison''
--> ''You'repoison\\
You're feeding mepoison''
--> ''I'mpoison\\
I'm choking from the taste and I can't help but swallow''
--> ''to
to resist another
--> ''Yeah,
Yeah, I know it's
--> ''You're
You're feeding me
--> ''I'm
I'm choking from the taste and I can't help but swallow''
Changed line(s) 92,93 (click to see context) from:
** Husk himself did this a LOT, and he doesn't recommend it.
-->'''Husk:''' Look, if you've got a problem, you're not gonna find a solution at the bottom of a bottle. I should know, I've been looking there a long time....
-->'''Husk:''' Look, if you've got a problem, you're not gonna find a solution at the bottom of a bottle. I should know, I've been looking there a long time....
to:
** Husk himself did this a LOT, and he himself, being near-perpetually drunk, doesn't recommend it.
-->'''Husk:'''it for Angel.
--->'''Husk:''' Look, if you've got a problem, you're not gonna find a solution at the bottom of a bottle. I should know, I've been looking there a long time....
-->'''Husk:'''
--->'''Husk:''' Look, if you've got a problem, you're not gonna find a solution at the bottom of a bottle. I should know, I've been looking there a long time....
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** Husk himself did this a LOT, and he doesn't recommend it.
-->'''Husk:''' Look, if you've got a problem, you're not gonna find a solution at the bottom of a bottle. I should know, I've been looking there a long time....
-->'''Husk:''' Look, if you've got a problem, you're not gonna find a solution at the bottom of a bottle. I should know, I've been looking there a long time....
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Changed line(s) 45 (click to see context) from:
* BaitAndSwitch: "Loser, Baby" starts off like your typical PepTalkSong, with Husk counting all the ways Angel's life sucks right now in a manner that implies he's going to say it's not as bad as Angel thinks... only for Husk to end the verse by telling Angel that he's right, his life really does suck ass. Subverted in that the song is in the end meant to cheer Angel up, but does so in a much more realistic way and without trying to downplay how horrible Angel's circumstances are.
to:
* BaitAndSwitch: "Loser, Baby" starts off like your typical PepTalkSong, with Husk counting all the ways Angel's life sucks right now in a manner that implies he's going to say it's not as bad as Angel thinks... only for Husk to end the verse by telling Angel that he's right, his life really does suck ass. Subverted in that the song is in the end meant to cheer Angel up, but does so in a much more realistic way and without trying to downplay how horrible Angel's circumstances are.are, with an added portion of YouAreNotAlone.
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removing redundant markup; the double backslashes already make the formatting span multiple lines
Changed line(s) 6 (click to see context) from:
-> ''"Dollface, it's my job. I know you wanna fix everything, but unless you can fix my boss, there's nothin' you can do."''
to:
Changed line(s) 41,44 (click to see context) from:
--> ''Oh''\\
''Any way you want me, Baby, that's the way you got me, I'll be''\\
''Yours''\\
''[[SexSlave My story's gonna end with me dead from your poison]]''
''Any way you want me, Baby, that's the way you got me, I'll be''\\
''Yours''\\
''[[SexSlave My story's gonna end with me dead from your poison]]''
to:
''Any
Any way you want me, Baby, that's the way you got me, I'll
''Yours''\\
''[[SexSlave
Yours\\
[[SexSlave My story's gonna end with me dead from your poison]]''
Changed line(s) 65,67 (click to see context) from:
-->''You're a loser, Baby''\\
''A loser, but just maybe if we''\\
''Eat shit together, things will end up differently.''
''A loser, but just maybe if we''\\
''Eat shit together, things will end up differently.''
to:
-->''You're a loser, Baby''\\
''ABaby\\
A loser, but just maybe ifwe''\\
''Eatwe\\
Eat shit together, things will end up differently.''
''A
A loser, but just maybe if
''Eat
Eat shit together, things will end up differently.''
Changed line(s) 121,123 (click to see context) from:
--> ''I got so good at bein' untrue''\\
''I got so good at tellin' you what you wanna hear''\\
''I disassociate, disappear (yeah, yeah, yeah)''
''I got so good at tellin' you what you wanna hear''\\
''I disassociate, disappear (yeah, yeah, yeah)''
to:
''I
I got so good at tellin' you what you wanna
''I
I disassociate, disappear (yeah, yeah, yeah)''
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Changed line(s) 207 (click to see context) from:
----
to:
--> '''Angel:''' Like I said, you don't know me. Sex ain't the only thing I'm good at.\\
'''Husk:''' Good to know. 'Cause [[TookALevelInKindness this guy?]] Ain't half bad.
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Changed line(s) 18 (click to see context) from:
'''Valentino''' When I say "You are fucking twenty guys before lunch", you say...\\
to:
Changed line(s) 113 (click to see context) from:
* INeedAFreakingDrink: After Angel's long night with Valentino, he staggers back to the Hotel and collapses in front of husk at the bar, demanding he make him the strongest drink possible.
to:
* INeedAFreakingDrink: After Angel's long night with Valentino, he staggers back to the Hotel and collapses in front of husk Husk at the bar, demanding he make him the strongest drink possible.
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* {{Anaphora}}: Valentino pulls this rhetorical device on Angel Dust to horrific effect while browbeating him as a way of reminding him that he has no free will or agency inside Val's porn studio and that he has to do whatever Val tells him to due to his contract.
--> '''Valentino:''' When I say "cum", you say...\\
'''Angel:''' Yes, Valentino.\\
'''Valentino''' When I say "You are fucking twenty guys before lunch", you say...\\
'''Angel:''' Yes, Valentino.\\
'''Valentino:''' When I say "You'd better get that fucking '''CUNT''' out of my '''STUDIO'''", you say...\\
'''Angel:''' ...I-I--\\
'''Valentino:''' '''YOU SAY...!'''\\
[...]\\
'''Angel:''' ''[defeated, scared]'' Yes, Val.
--> '''Valentino:''' When I say "cum", you say...\\
'''Angel:''' Yes, Valentino.\\
'''Valentino''' When I say "You are fucking twenty guys before lunch", you say...\\
'''Angel:''' Yes, Valentino.\\
'''Valentino:''' When I say "You'd better get that fucking '''CUNT''' out of my '''STUDIO'''", you say...\\
'''Angel:''' ...I-I--\\
'''Valentino:''' '''YOU SAY...!'''\\
[...]\\
'''Angel:''' ''[defeated, scared]'' Yes, Val.
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* INeedAFreakingDrink: After Angel's long night with Valentino, he staggers back to the Hotel and collapses in front of husk at the bar, demanding he make him the strongest drink possible.
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Added DiffLines:
* DeathGlare:
** When Charlie explains to Valentino that she's paying him a visit to get Angel some time off work, he very briefly looks over his shoulder and scowls at Angel, complete with a [[SickeningCrunch "bone cracking" sound effect]].
** When Charlie sets Valentino's studio on fire, Angel spots Valentino [[ShadowedFaceGlowingEyes glaring at him whilst silhouetted amongst the conflagration]]. Angel's [[WideEyesAndShrunkenIrises irises shrink in fear]] as he knows what's coming next.
** As Angel tells Charlie to GetOut, she initially tries to desperately apologize to him, but one final stinkeye from him sends her running on her way.
** When Charlie explains to Valentino that she's paying him a visit to get Angel some time off work, he very briefly looks over his shoulder and scowls at Angel, complete with a [[SickeningCrunch "bone cracking" sound effect]].
** When Charlie sets Valentino's studio on fire, Angel spots Valentino [[ShadowedFaceGlowingEyes glaring at him whilst silhouetted amongst the conflagration]]. Angel's [[WideEyesAndShrunkenIrises irises shrink in fear]] as he knows what's coming next.
** As Angel tells Charlie to GetOut, she initially tries to desperately apologize to him, but one final stinkeye from him sends her running on her way.
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* ALadyOnEachArm: Gender-inverted. Husk finds Angel at a bar called the Black Dot surrounded by a booth full of shark demons he's picked up and is now sitting in the middle of whilst snorting cocaine and chatting them up.
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Changed line(s) 38 (click to see context) from:
* BerserkButton: Angel Dust hates his outward persona being called "fake", because he believes it's who he has to be in order to escape Valentino's abuse and as such it is ''very'' real to him.
to:
* BerserkButton: Angel Dust hates his outward persona being called "fake", because he believes it's who he has to be in order to escape Valentino's abuse and as such it is ''very'' real to him. The first time Husk calls him as such he tries to brush it off and turn it into a joke, but the second time he says it later in the episode Angel is at the end of his rope after having worked for Valentino all night, and is not in a laughing mood. Husk continuing to push his buttons leads to him getting extremely fed up with Husk's indignance and storming out of the Hotel to go get wasted.
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Changed line(s) 116 (click to see context) from:
* MythologyGag: Angel is wearing the gloves from his pilot design in the opening scene. He can also be heard shrieking "~WHOO, ''HARDER'', DADDY!~" in an obvious parallel to one of his most famous pilot lines.
to:
* MythologyGag: MythologyGag:
** Angel is wearing the gloves from his pilot design in the opening scene. He can also be heard shrieking "~WHOO, ''HARDER'', DADDY!~" in an obvious parallel to one of his most famous pilotlines.lines.
** According to Angel, Valentino once took 30 minutes to count three bills. This is a reference to [[https://youtu.be/ulfeM8JGq7s?si=rnBeqWrrwwGvlhGp&t=111 a scene]] in "Music/{{Addict}}" where Valentino is looking through three bills in his hand.[[note]]According to [[https://www.youtube.com/watch?v=VRxkD6NFVKE&t=1455s an interview]], this aspect of "Addict" was an error and he was meant to be counting a stack of bills.[[/note]]
** Angel is wearing the gloves from his pilot design in the opening scene. He can also be heard shrieking "~WHOO, ''HARDER'', DADDY!~" in an obvious parallel to one of his most famous pilot
** According to Angel, Valentino once took 30 minutes to count three bills. This is a reference to [[https://youtu.be/ulfeM8JGq7s?si=rnBeqWrrwwGvlhGp&t=111 a scene]] in "Music/{{Addict}}" where Valentino is looking through three bills in his hand.[[note]]According to [[https://www.youtube.com/watch?v=VRxkD6NFVKE&t=1455s an interview]], this aspect of "Addict" was an error and he was meant to be counting a stack of bills.[[/note]]
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Added DiffLines:
* ThreeMinutesOfWrithing: During the second chorus of "Poison", Angel is [[DisneyAcidSequence seemingly whisked away into some kind of pocket dimension]] where he starts performing an extremely provocative dance while wearing a {{Stripperific}} leather outfit with a NavelDeepNeckline. However, it's still intercut with very brief flashes of Valentino implicilty raping Angel, suggesting that [[HappyPlace this is some kind of mental illusion where Angel feels liberated and empowered he's conjured for himself]] to [[LieBackAndThinkOfEngland help get through the experience]], made all the more obvious when [[RuleOfSymbolism Valentino drags him out of it at the end of the chorus]].
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Changed line(s) 63 (click to see context) from:
* DisneyAcidSequence: A ''very'' dark invocation of this trope -- it's subtly implied that Angel's dance break in "Poison" is meant to represent him dissociating while being raped.
to:
* DisneyAcidSequence: A ''very'' dark invocation of this trope -- it's subtly implied that Angel's [[ThreeMinutesOfWrithing sexually-charged dance break break]] in "Poison" is meant to represent him dissociating while being raped.
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Added DiffLines:
* DisneyAcidSequence: A ''very'' dark invocation of this trope -- it's subtly implied that Angel's dance break in "Poison" is meant to represent him dissociating while being raped.
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Changed line(s) 174 (click to see context) from:
* WindFromBeneathMyWings: Valentino uses this to put out the studio fire.
to:
* WindFromBeneathMyWings: Valentino uses this his wings to create a huge gust to put out the studio fire.
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* ShooOutTheClowns: Sir Pentious and Niffty only appear in the first few minutes of the episode and don't have any lines. Given that this is one of the darker episodes of the show, it's expected that the Hotel's most actively comedic residents spend most of it pushed into the background.
