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!!!Fiction
to:
[[folder:fiction]]
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!!!Reviews
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-->--'''Chris Sims''' and '''Matt Wilson''' [[http://comicsalliance.com/comicsalliance-reviews-x-men-3-the-last-stand-2006-part-two/ on]] ''[[{{Film/X-Men}} X-Men 3: The Last Stand]]''
to:
-->--'''Chris Sims''' and '''Matt Wilson''' [[http://comicsalliance.com/comicsalliance-reviews-x-men-3-the-last-stand-2006-part-two/ on]] ''[[{{Film/X-Men}} X-Men 3: The Last Stand]]''
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[[/folder]]
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Changed line(s) 25 (click to see context) from:
->Playing into the “[[Creator/WilliamShatner Bill Shatner]] power fantasy reading”, we also get a sense that ''The Final Frontier'' is “James Kirk vs. the Universe.” A key plot point of the film has most of the cast turning against Shatner Kirk. Given how Shatner has dismissed criticisms from his fellow stars, deriding them as petty jealousies (“[[SpearCarrier there was nothing to nick]]”), it’s not too difficult to buy into this. Indeed, one section of the commentary has Shatner passive-aggressively blame his co-stars for the movie’s dodgy appearance (''"A disproportionate amount of money is spent on talent as against production..."'') Not only are the characters inside the film betraying Kirk, the actors appearing in the film are actively sabotaging Shatner. It’s worth noting that his original outline for the film had both Spock and [=McCoy=] turning against Kirk – which would have left Kirk the ''only'' hero of the film – but both Creator/LeonardNimoy and [=DeForest Kelley=] [[CreatorBacklash steadfastly refused to play along.]]
to:
->Playing into the “[[Creator/WilliamShatner Bill Shatner]] power fantasy reading”, we also get a sense that ''The Final Frontier'' is “James Kirk vs. the Universe.” A key plot point of the film has most of the cast turning against Shatner Kirk. Given how Shatner has dismissed criticisms from his fellow stars, deriding them as petty jealousies (“[[SpearCarrier there was nothing to nick]]”), it’s not too difficult to buy into this. Indeed, one section of the commentary has Shatner passive-aggressively blame his co-stars for the movie’s dodgy appearance (''"A disproportionate amount of money is spent on talent as against production..."'') Not only are the characters inside the film betraying Kirk, the actors appearing in the film are actively sabotaging Shatner. It’s worth noting that his original outline for the film had both Spock and [=McCoy=] turning against Kirk – which would have left Kirk the ''only'' hero of the film film...Scotty – but both Creator/LeonardNimoy the trustworthy engineer who just busted the gang out of jail – walks around a corner [[TookALevelInDumbass and [=DeForest Kelley=] [[CreatorBacklash steadfastly refused bangs his head on a pipe]]. This is the one crew member who has spent the most time on the new ''Enterprise''. Uhura gets a “[[MsFanservice fan dance]]”, which is a really weird way to play along.]]treat the one female member of the ensemble.
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->''"Keiki is the main character of this series (although that's debatable)."''
to:
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->'''kyusiko''': i still relevant
->'''coobie''': [[BrutalHonesty no]]
->'''coobie''': [[BrutalHonesty no]]
to:
->'''kyusiko''': i still relevant
->'''coobie''': [[BrutalHonestyrelevant\\
'''coobie''': [[HaHaHaNo no]]
->'''coobie''': [[BrutalHonesty
'''coobie''': [[HaHaHaNo no]]
Changed line(s) 15 (click to see context) from:
->"Did you ever feel like... like somepony made you a background pony in your own story? [...] Like... Like you're reading a story, right? And you start out, and the first chapter or two you think 'oh, this story is all about THIS character! the peasant colt in the cottage!' and you go along and... then somewhere in the middle suddenly it's not anymore, it's all about the lonely princess in the tower or the wandering knight and the peasant colt is just a pony in the background for the rest of the story. I kinda feel like that. Like I'm the peasant pony and the writer's just forgot all about me and gone off and did something with somepony else. [...] When we first got here, Mom and me, I mean, everything just kept happening. And stuff started building up, and building up, and it felt like, I dunno, like something ''big and important'' was going to happen to me-- but instead it all happened to [[spoiler: ''Spike'']]. [...] I feel like I came all this way and ''something'' was supposed to happen... I was supposed to ''make'' something happen... and I never did."
to:
Changed line(s) 18,30 (click to see context) from:
->'''Madison''': I know I'm a Power Ranger, but c'mon. You guys are the ones that really... you know... lit it up. I don't feel like I did my share.
->'''Xander''': Maddie, that's ridiculous. You're as much a part of the team as anyone.
->'''Chip''': Yeah.
->'''Madison''': Thanks. But, um, lets get real here. Nick did the Catastros thing. Xander, you get all the spell codes. Chip, you saved Vida.
->'''Chip''': Oh, yeah.
->'''Xander''': That was cool.
->'''Madison''': And Vida kicks butt. And I...
->'''Chip''': What about Jenji? You helped Jenji.
->'''Madison''': As a friend, not a superhero. Oh, actually yeah, I did do something special. I got turned into a stone statue, and everyone had to come and save me. [[SarcasmMode Awesome]].
-->-- ''Series/PowerRangersMysticForce'', "The Light"
!!!On works
->''"Sorry, [[Creator/FamkeJanssen Famke]], you had your three scenes! [[StayInTheKitchen Now grown-ups are talking]]."''
->'''Xander''': Maddie, that's ridiculous. You're as much a part of the team as anyone.
->'''Chip''': Yeah.
->'''Madison''': Thanks. But, um, lets get real here. Nick did the Catastros thing. Xander, you get all the spell codes. Chip, you saved Vida.
->'''Chip''': Oh, yeah.
->'''Xander''': That was cool.
->'''Madison''': And Vida kicks butt. And I...
->'''Chip''': What about Jenji? You helped Jenji.
->'''Madison''': As a friend, not a superhero. Oh, actually yeah, I did do something special. I got turned into a stone statue, and everyone had to come and save me. [[SarcasmMode Awesome]].
-->-- ''Series/PowerRangersMysticForce'', "The Light"
!!!On works
->''"Sorry, [[Creator/FamkeJanssen Famke]], you had your three scenes! [[StayInTheKitchen Now grown-ups are talking]]."''
to:
->'''Xander''': Maddie, that's ridiculous. You're as much a part of the team as anyone.
->'''Chip''': Yeah.
->'''Madison''': Thanks. But, um, lets get real here. Nick did the Catastros thing. Xander, you get all the spell codes. Chip, you saved Vida.
->'''Chip''': Oh, yeah.
->'''Xander''': That was cool.
->'''Madison''': And Vida kicks butt. And I...
->'''Chip''': What about Jenji? You helped Jenji.
->'''Madison''': As a friend, not a superhero.
-->--
!!!On works
->''"Sorry,
!!!Reviews
->Sorry, [[Creator/FamkeJanssen Famke]], you had your three scenes! [[StayInTheKitchen Now grown-ups are talking]].
Changed line(s) 33 (click to see context) from:
->''"Poor Roxanne Dawson. When the show began B’Elanna was one of the characters that the writing team were most invested in – you could tell by the way it was her story that they focused on immediately after the pilot. There was a nice little [[CharacterDevelopment character arc]] running through the first three seasons that saw the character go from an aggressive bully to a focused, professional Starfleet engineer and installments such as Dreadnought, Remember and Blood Fever were some of the best of their years. Season four was where it all started to go wrong (it seems that with the advent of Jeri Ryan’s [[SpotlightStealingSquad Seven of Nine]] that Torres was neglected almost as if the writers are commenting that you can’t have two such sophisticated characters on the show) and Torres underwent something of a character deterioration and the few times they could be bothered to give her an episode it seems that they felt the need to make an [[AesopAmnesia out-of-character regression]]. Dawson’s pregnancy might have had something to do with Torres vanishing into the shadows but episodes like Day of Honor, Extreme Risk (B’Elanna is [[SuddenlyAlwaysKnewThat addicted to extreme sports]]) and now Juggernaut (B’Elanna cannot control her anger – this is direct throwback to season one’s Parallax which was the second episode so it feels like we are [[StaticCharacter back where we started with the character]]) do her no favours at all...When Torres blatantly insults the Captain (‘Diplomacy, Janeway’s answer to everything’) it feels shockingly out of character considering what the two of them went through together in the first couple of years. That relationship has been completely ignored in favour of the Janeway/Seven duo and its almost as if [[CreatorBacklash you can hear Dawson’s disdain]]. Isn’t it fortunate that in an episode that deals with Torres’ anger she has to solve the problem by [[ViolenceReallyIsTheAnswer beating up the core labourer with a giant pipe]]."''
to:
-->--'''[[http://them0vieblog.com/2013/08/15/non-review-review-star-trek-v-the-final-frontier/ Darren Mooney]]''' on ''Film/StarTrekVTheFinalFrontier''
->Poor Roxanne Dawson. When the show began B’Elanna was one of the characters that the writing team were most invested in – you could tell by the way it was her story that they focused on immediately after the pilot. There was a nice little [[CharacterDevelopment character arc]] running through the first three seasons that saw the character go from an aggressive bully to a focused, professional Starfleet engineer and installments such as Dreadnought, Remember and Blood Fever were some of the best of their years. Season four was where it all started to go wrong (it seems that with the advent of Jeri Ryan’s [[SpotlightStealingSquad Seven of Nine]] that Torres was neglected almost as if the writers are commenting that you can’t have two such sophisticated characters on the show) and Torres underwent something of a character deterioration and the few times they could be bothered to give her an episode it seems that they felt the need to make an [[AesopAmnesia out-of-character regression]]. Dawson’s pregnancy might have had something to do with Torres vanishing into the shadows but episodes like Day of Honor, Extreme Risk (B’Elanna is [[SuddenlyAlwaysKnewThat addicted to extreme sports]]) and now Juggernaut (B’Elanna cannot control her anger – this is direct throwback to season one’s Parallax which was the second episode so it feels like we are [[StaticCharacter back where we started with the character]]) do her no favours at all...When Torres blatantly insults the Captain (‘Diplomacy, Janeway’s answer to everything’) it feels shockingly out of character considering what the two of them went through together in the first couple of years. That relationship has been completely ignored in favour of the Janeway/Seven duo and its almost as if [[CreatorBacklash you can hear Dawson’s disdain]]. Isn’t it fortunate that in an episode that deals with Torres’ anger she has to solve the problem by [[ViolenceReallyIsTheAnswer beating up the core labourer with a giant pipe]].
Changed line(s) 36 (click to see context) from:
->''"This is a Superman show where [[SpotlightStealingSquad Green Arrow is more of a character]], because Superman himself is [[StaticCharacter forced to be static]]. And it’s obvious that everyone involved has realized this. That’s why they’ve introduced Green Arrow, and the JSA, and all those other guys, because the only alternative is a show about Clark Kent not being Superman, and [[WhoWouldWantToWatchUs who in the hell wants to watch that?]]"''
to:
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Changed line(s) 33 (click to see context) from:
->''"Poor Roxanne Dawson. When the show began B’Elanna was one of the characters that the writing team were most invested in – you could tell by the way it was her story that they focused on immediately after the pilot. There was a nice little [[CharacterDevelopment character arc]] running through the first three seasons that saw the character go from an aggressive bully to a focused, professional Starfleet engineer and installments such as Dreadnought, Remember and Blood Fever were some of the best of their years. Season four was where it all started to go wrong (it seems that with the advent of Jeri Ryan’s [[SpotlightStealingSquad Seven of Nine]] that Torres was neglected almost as if the writers are commenting that you can’t have two such sophisticated characters on the show) and Torres underwent something of a character deterioration and the few times they could be bothered to give her an episode it seems that they felt the need to make an out of [[AesopAmnesia character regression]]. Dawson’s pregnancy might have had something to do with Torres vanishing into the shadows but episodes like Day of Honor, Extreme Risk (B’Elanna is [[SuddenlyAlwaysKnewThat addicted to extreme sports]]) and now Juggernaut (B’Elanna cannot control her anger – this is direct throwback to season one’s Parallax which was the second episode so it feels like we are [[StaticCharacter back where we started with the character]]) do her no favours at all...When Torres blatantly insults the Captain (‘Diplomacy, Janeway’s answer to everything’) it feels shockingly out of character considering what the two of them went through together in the first couple of years. That relationship has been completely ignored in favour of the Janeway/Seven duo and its almost as if [[CreatorBacklash you can hear Dawson’s disdain]]. Isn’t it fortunate that in an episode that deals with Torres’ anger she has to solve the problem by [[ViolenceReallyIsTheAnswer beating up the core labourer with a giant pipe]]."''
to:
->''"Poor Roxanne Dawson. When the show began B’Elanna was one of the characters that the writing team were most invested in – you could tell by the way it was her story that they focused on immediately after the pilot. There was a nice little [[CharacterDevelopment character arc]] running through the first three seasons that saw the character go from an aggressive bully to a focused, professional Starfleet engineer and installments such as Dreadnought, Remember and Blood Fever were some of the best of their years. Season four was where it all started to go wrong (it seems that with the advent of Jeri Ryan’s [[SpotlightStealingSquad Seven of Nine]] that Torres was neglected almost as if the writers are commenting that you can’t have two such sophisticated characters on the show) and Torres underwent something of a character deterioration and the few times they could be bothered to give her an episode it seems that they felt the need to make an out of [[AesopAmnesia character out-of-character regression]]. Dawson’s pregnancy might have had something to do with Torres vanishing into the shadows but episodes like Day of Honor, Extreme Risk (B’Elanna is [[SuddenlyAlwaysKnewThat addicted to extreme sports]]) and now Juggernaut (B’Elanna cannot control her anger – this is direct throwback to season one’s Parallax which was the second episode so it feels like we are [[StaticCharacter back where we started with the character]]) do her no favours at all...When Torres blatantly insults the Captain (‘Diplomacy, Janeway’s answer to everything’) it feels shockingly out of character considering what the two of them went through together in the first couple of years. That relationship has been completely ignored in favour of the Janeway/Seven duo and its almost as if [[CreatorBacklash you can hear Dawson’s disdain]]. Isn’t it fortunate that in an episode that deals with Torres’ anger she has to solve the problem by [[ViolenceReallyIsTheAnswer beating up the core labourer with a giant pipe]]."''
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Changed line(s) 36 (click to see context) from:
->''"This is a Superman show where [[SpotlightStealingSquad Green Arrow is more of a character]], because Superman himself is [[StaticCharacter forced to be static]]. And it’s obvious that everyone involved has realized this. That’s why they’ve introduced Green Arrow, and the JSA, and all those other guys, because the only alternative is a show about Clark Kent not being Superman, and [[WhoWouldWantToWatchUs who in the hell wants to watch that?]]"''\\
to:
->''"This is a Superman show where [[SpotlightStealingSquad Green Arrow is more of a character]], because Superman himself is [[StaticCharacter forced to be static]]. And it’s obvious that everyone involved has realized this. That’s why they’ve introduced Green Arrow, and the JSA, and all those other guys, because the only alternative is a show about Clark Kent not being Superman, and [[WhoWouldWantToWatchUs who in the hell wants to watch that?]]"''\\that?]]"''
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->''"Poor Roxanne Dawson. When the show began B’Elanna was one of the characters that the writing team were most invested in – you could tell by the way it was her story that they focused on immediately after the pilot. There was a nice little [[CharacterDevelopment character arc]] running through the first three seasons that saw the character go from an aggressive bully to a focused, professional Starfleet engineer and installments such as Dreadnought, Remember and Blood Fever were some of the best of their years. Season four was where it all started to go wrong (it seems that with the advent of Jeri Ryan’s [[SpotlightStealingSquad Seven of Nine]] that Torres was neglected almost as if the writers are commenting that you can’t have two such sophisticated characters on the show) and Torres underwent something of a character deterioration and the few times they could be bothered to give her an episode it seems that they felt the need to make an out of [[AesopAmnesia character regression]]. Dawson’s pregnancy might have had something to do with Torres vanishing into the shadows but episodes like Day of Honor, Extreme Risk (B’Elanna is [[SuddenlyAlwaysKnewThat addicted to extreme sports]]) and now Juggernaut (B’Elanna cannot control her anger – this is direct throwback to season one’s Parallax which was the second episode so it feels like we are [[StaticCharacter back where we started with the character]]) do her no favours at all...When Torres blatantly insults the Captain (‘Diplomacy, Janeway’s answer to everything’) it feels shockingly out of character considering what the two of them went through together in the first couple of years. That relationship has been completely ignored in favour of the Janeway/Seven duo and its almost as if [[CreatorBacklash you can hear Dawson’s disdain]]. Isn’t it fortunate that in an episode that deals with Torres’ anger she has to solve the problem by [[ViolenceReallyIsTheAnswer beating up the core labourer with a giant pipe]]."''
-->--'''[[http://docohobigfinish.blogspot.co.uk/2012/07/voyager-season-five.html Doc Oho]]''' on ''Series/StarTrekVoyager'', "Juggernaut"
-->--'''[[http://docohobigfinish.blogspot.co.uk/2012/07/voyager-season-five.html Doc Oho]]''' on ''Series/StarTrekVoyager'', "Juggernaut"
Changed line(s) 34,38 (click to see context) from:
--'''''[=ComicsAlliance=]''''' [[http://comicsalliance.com/recap-smallville-finale/ on]] ''{{Series/Smallville}}'' ("Finale")
->''"Poor Roxanne Dawson. When the show began B’Elanna was one of the characters that the writing team were most invested in – you could tell by the way it was her story that they focused on immediately after the pilot. There was a nice little [[CharacterDevelopment character arc]] running through the first three seasons that saw the character go from an aggressive bully to a focused, professional Starfleet engineer and installments such as Dreadnought, Remember and Blood Fever were some of the best of their years. Season four was where it all started to go wrong (it seems that with the advent of Jeri Ryan’s [[SpotlightStealingSquad Seven of Nine]] that Torres was neglected almost as if the writers are commenting that you can’t have two such sophisticated characters on the show) and Torres underwent something of a character deterioration and the few times they could be bothered to give her an episode it seems that they felt the need to make an out of [[AesopAmnesia character regression]]. Dawson’s pregnancy might have had something to do with Torres vanishing into the shadows but episodes like Day of Honor, Extreme Risk (B’Elanna is [[SuddenlyAlwaysKnewThat addicted to extreme sports]]) and now Juggernaut (B’Elanna cannot control her anger – this is direct throwback to season one’s Parallax which was the second episode so it feels like we are [[StaticCharacter back where we started with the character]]) do her no favours at all...When Torres blatantly insults the Captain (‘Diplomacy, Janeway’s answer to everything’) it feels shockingly out of character considering what the two of them went through together in the first couple of years. That relationship has been completely ignored in favour of the Janeway/Seven duo and its almost as if [[CreatorBacklash you can hear Dawson’s disdain]]. Isn’t it fortunate that in an episode that deals with Torres’ anger she has to solve the problem by [[ViolenceReallyIsTheAnswer beating up the core labourer with a giant pipe]]."''
-->--'''[[http://docohobigfinish.blogspot.co.uk/2012/07/voyager-season-five.html Doc Oho]]''' on ''Series/StarTrekVoyager'', "Juggernaut"
->''"Poor Roxanne Dawson. When the show began B’Elanna was one of the characters that the writing team were most invested in – you could tell by the way it was her story that they focused on immediately after the pilot. There was a nice little [[CharacterDevelopment character arc]] running through the first three seasons that saw the character go from an aggressive bully to a focused, professional Starfleet engineer and installments such as Dreadnought, Remember and Blood Fever were some of the best of their years. Season four was where it all started to go wrong (it seems that with the advent of Jeri Ryan’s [[SpotlightStealingSquad Seven of Nine]] that Torres was neglected almost as if the writers are commenting that you can’t have two such sophisticated characters on the show) and Torres underwent something of a character deterioration and the few times they could be bothered to give her an episode it seems that they felt the need to make an out of [[AesopAmnesia character regression]]. Dawson’s pregnancy might have had something to do with Torres vanishing into the shadows but episodes like Day of Honor, Extreme Risk (B’Elanna is [[SuddenlyAlwaysKnewThat addicted to extreme sports]]) and now Juggernaut (B’Elanna cannot control her anger – this is direct throwback to season one’s Parallax which was the second episode so it feels like we are [[StaticCharacter back where we started with the character]]) do her no favours at all...When Torres blatantly insults the Captain (‘Diplomacy, Janeway’s answer to everything’) it feels shockingly out of character considering what the two of them went through together in the first couple of years. That relationship has been completely ignored in favour of the Janeway/Seven duo and its almost as if [[CreatorBacklash you can hear Dawson’s disdain]]. Isn’t it fortunate that in an episode that deals with Torres’ anger she has to solve the problem by [[ViolenceReallyIsTheAnswer beating up the core labourer with a giant pipe]]."''
-->--'''[[http://docohobigfinish.blogspot.co.uk/2012/07/voyager-season-five.html Doc Oho]]''' on ''Series/StarTrekVoyager'', "Juggernaut"
to:
->''"Poor Roxanne Dawson. When the show began B’Elanna was one of the characters that the writing team were most invested in – you could tell by the way it was her story that they focused on immediately after the pilot. There was a nice little [[CharacterDevelopment character arc]] running through the first three seasons that saw the character go from an aggressive bully to a focused, professional Starfleet engineer and installments such as Dreadnought, Remember and Blood Fever were some of the best of their years. Season four was where it all started to go wrong (it seems that with the advent of Jeri Ryan’s [[SpotlightStealingSquad Seven of Nine]] that Torres was neglected almost as if the writers are commenting that you can’t have two such sophisticated characters on the show) and Torres underwent something of a character deterioration and the few times they could be bothered to give her an episode it seems that they felt the need to make an out of [[AesopAmnesia character regression]]. Dawson’s pregnancy might have had something to do with Torres vanishing into the shadows but episodes like Day of Honor, Extreme Risk (B’Elanna is [[SuddenlyAlwaysKnewThat addicted to extreme sports]]) and now Juggernaut (B’Elanna cannot control her anger – this is direct throwback to season one’s Parallax which was the second episode so it feels like we are [[StaticCharacter back where we started with the character]]) do her no favours at all...When Torres blatantly insults the Captain (‘Diplomacy, Janeway’s answer to everything’) it feels shockingly out of character considering what the two of them went through together in the first couple of years. That relationship has been completely ignored in favour of the Janeway/Seven duo and its almost as if [[CreatorBacklash you can hear Dawson’s disdain]]. Isn’t it fortunate that in an episode that deals with Torres’ anger she has to solve the problem by [[ViolenceReallyIsTheAnswer beating up the core labourer with a giant pipe]]."''
-->--'''[[http://docohobigfinish.blogspot.co.uk/2012/07/voyager-season-five.html Doc Oho]]''' on ''Series/StarTrekVoyager'', "Juggernaut"
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Changed line(s) 33,35 (click to see context) from:
->''"''Smallville'' has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character."''
-->--'''''[=ComicsAlliance=]''''' [[http://comicsalliance.com/recap-smallville-episode-8-22-doomsday/ on]] ''{{Series/Smallville}}'' ("Doomsday")
-->--'''''[=ComicsAlliance=]''''' [[http://comicsalliance.com/recap-smallville-episode-8-22-doomsday/ on]] ''{{Series/Smallville}}'' ("Doomsday")
to:
-->--'''''[=ComicsAlliance=]'''''
--'''''[=ComicsAlliance=]''''' [[http://comicsalliance.
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Changed line(s) 33,36 (click to see context) from:
->'''David''': ''Smallville'' is “no tights, no flights.” It’s about the human sides to the characters, man, not that adolescent power fantasy crap. It’s about what’s deep. SMALLVILLE IS ABOUT WHAT’S REAL.\\
'''Chris''': ''Smallville'' has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character.
-->--'''Chris Sims''' and '''David Uzumeri''' [[http://comicsalliance.com/recap-smallville-episode-8-22-doomsday/ on]] ''{{Series/Smallville}}'' ("Doomsday")
'''Chris''': ''Smallville'' has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character.
-->--'''Chris Sims''' and '''David Uzumeri''' [[http://comicsalliance.com/recap-smallville-episode-8-22-doomsday/ on]] ''{{Series/Smallville}}'' ("Doomsday")
to:
'''Chris''': ''Smallville''
-->--'''Chris Sims''' and '''David Uzumeri'''
-->--'''''[=ComicsAlliance=]''''' [[http://comicsalliance.com/recap-smallville-episode-8-22-doomsday/ on]] ''{{Series/Smallville}}'' ("Doomsday")
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Changed line(s) 37 (click to see context) from:
->''"Poor Roxanne Dawson. When the show began B’Elanna was one of the characters that the writing team were most invested in – you could tell by the way it was her story that they focused on immediately after the pilot. There was a nice little [[CharacterDevelopment character arc]] running through the first three seasons that saw the character go from an aggressive bully to a focused, professional Starfleet engineer and installments such as Dreadnought, Remember and Blood Fever were some of the best of their years. Season four was where it all started to go wrong (it seems that with the advent of Jeri Ryan’s [[SpotlightStealingSquad Seven of Nine]] that Torres was neglected almost as if the writers are commenting that you can’t have two such sophisticated characters on the show) and Torres underwent something of a character deterioration and the few times they could be bothered to give her an episode it seems that they felt the need to make an out of [[AesopAmnesia character regression]]. Dawson’s pregnancy might have had something to do with Torres vanishing into the shadows but episodes like Day of Honor, Extreme Risk (B’Elanna is [[SuddenlyAlwaysKnewThat addicted to extreme sports]]) and now Juggernaut (B’Elanna cannot control her anger – this is direct throwback to season one’s Parallax which was the second episode so it feels like we are [[StaticCharacter back where we started with the character]]) do her no favours at all...When Torres blatantly insults the Captain (‘Diplomacy, Janeway’s answer to everything’) it feels shockingly out of character considering what the two of them went through together in the first couple of years. That relationship has been completely ignored in favour of the Janeway/Seven duo and its almost as if [[ArtistDisillusionment you can hear Dawson’s disdain]]. Isn’t it fortunate that in an episode that deals with Torres’ anger she has to solve the problem by [[ViolenceReallyIsTheAnswer beating up the core labourer with a giant pipe]]."''
to:
->''"Poor Roxanne Dawson. When the show began B’Elanna was one of the characters that the writing team were most invested in – you could tell by the way it was her story that they focused on immediately after the pilot. There was a nice little [[CharacterDevelopment character arc]] running through the first three seasons that saw the character go from an aggressive bully to a focused, professional Starfleet engineer and installments such as Dreadnought, Remember and Blood Fever were some of the best of their years. Season four was where it all started to go wrong (it seems that with the advent of Jeri Ryan’s [[SpotlightStealingSquad Seven of Nine]] that Torres was neglected almost as if the writers are commenting that you can’t have two such sophisticated characters on the show) and Torres underwent something of a character deterioration and the few times they could be bothered to give her an episode it seems that they felt the need to make an out of [[AesopAmnesia character regression]]. Dawson’s pregnancy might have had something to do with Torres vanishing into the shadows but episodes like Day of Honor, Extreme Risk (B’Elanna is [[SuddenlyAlwaysKnewThat addicted to extreme sports]]) and now Juggernaut (B’Elanna cannot control her anger – this is direct throwback to season one’s Parallax which was the second episode so it feels like we are [[StaticCharacter back where we started with the character]]) do her no favours at all...When Torres blatantly insults the Captain (‘Diplomacy, Janeway’s answer to everything’) it feels shockingly out of character considering what the two of them went through together in the first couple of years. That relationship has been completely ignored in favour of the Janeway/Seven duo and its almost as if [[ArtistDisillusionment [[CreatorBacklash you can hear Dawson’s disdain]]. Isn’t it fortunate that in an episode that deals with Torres’ anger she has to solve the problem by [[ViolenceReallyIsTheAnswer beating up the core labourer with a giant pipe]]."''
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Changed line(s) 37 (click to see context) from:
->''"Poor Roxanne Dawson. When the show began B’Elanna was one of the characters that the writing team were most invested in – you could tell by the way it was her story that they focused on immediately after the pilot. There was a nice little [[CharacterDevelopment character arc]] running through the first three seasons that saw the character go from an aggressive bully to a focused, professional Starfleet engineer and installments such as Dreadnought, Remember and Blood Fever were some of the best of their years. Season four was where it all started to go wrong (it seems that with the advent of Jeri Ryan’s [[SpotlightStealingSquad Seven of Nine]] that Torres was neglected almost as if the writers are commenting that you can’t have two such sophisticated characters on the show) and Torres underwent something of a character deterioration and the few times they could be bothered to give her an episode it seems that they felt the need to make an out of [[AesopAmnesia character regression]]. Dawson’s pregnancy might have had something to do with Torres vanishing into the shadows but episodes like Day of Honor, Extreme Risk (B’Elanna is [[SuddenlyAlwaysKnewThat addicted to extreme sports]]) and now Juggernaut (B’Elanna cannot control her anger – this is direct throwback to season one’s Parallax which was the second episode so it feels like we are back where we started with the character) do her know favours at all...When Torres blatantly insults the Captain (‘Diplomacy, Janeway’s answer to everything’) it feels shockingly out of character considering what the two of them went through together in the first couple of years. That relationship has been completely ignored in favour of the Janeway/Seven duo and its almost as if [[ArtistDisillusionment you can hear Dawson’s disdain]]. Isn’t it fortunate that in an episode that deals with Torres’ anger she has to solve the problem by [[ViolenceReallyIsTheAnswer beating up the core labourer with a giant pipe]]."''
to:
->''"Poor Roxanne Dawson. When the show began B’Elanna was one of the characters that the writing team were most invested in – you could tell by the way it was her story that they focused on immediately after the pilot. There was a nice little [[CharacterDevelopment character arc]] running through the first three seasons that saw the character go from an aggressive bully to a focused, professional Starfleet engineer and installments such as Dreadnought, Remember and Blood Fever were some of the best of their years. Season four was where it all started to go wrong (it seems that with the advent of Jeri Ryan’s [[SpotlightStealingSquad Seven of Nine]] that Torres was neglected almost as if the writers are commenting that you can’t have two such sophisticated characters on the show) and Torres underwent something of a character deterioration and the few times they could be bothered to give her an episode it seems that they felt the need to make an out of [[AesopAmnesia character regression]]. Dawson’s pregnancy might have had something to do with Torres vanishing into the shadows but episodes like Day of Honor, Extreme Risk (B’Elanna is [[SuddenlyAlwaysKnewThat addicted to extreme sports]]) and now Juggernaut (B’Elanna cannot control her anger – this is direct throwback to season one’s Parallax which was the second episode so it feels like we are [[StaticCharacter back where we started with the character) character]]) do her know no favours at all...When Torres blatantly insults the Captain (‘Diplomacy, Janeway’s answer to everything’) it feels shockingly out of character considering what the two of them went through together in the first couple of years. That relationship has been completely ignored in favour of the Janeway/Seven duo and its almost as if [[ArtistDisillusionment you can hear Dawson’s disdain]]. Isn’t it fortunate that in an episode that deals with Torres’ anger she has to solve the problem by [[ViolenceReallyIsTheAnswer beating up the core labourer with a giant pipe]]."''
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Changed line(s) 6,7 (click to see context) from:
-->-'''The Lady of the Lake''', ''{{Spamalot}}'', ''Whatever Happened To My Part?''
to:
Added DiffLines:
->''"Sorry, [[Creator/FamkeJanssen Famke]], you had your three scenes! [[StayInTheKitchen Now grown-ups are talking]]."''
-->--'''Chris Sims''' and '''Matt Wilson''' [[http://comicsalliance.com/comicsalliance-reviews-x-men-3-the-last-stand-2006-part-two/ on]] ''[[{{Film/X-Men}} X-Men 3: The Last Stand]]''
-->--'''Chris Sims''' and '''Matt Wilson''' [[http://comicsalliance.com/comicsalliance-reviews-x-men-3-the-last-stand-2006-part-two/ on]] ''[[{{Film/X-Men}} X-Men 3: The Last Stand]]''
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Changed line(s) 30,31 (click to see context) from:
->'''David''': Why wouldn’t it? ''Smallville'' is “no tights, no flights.” It’s about the human sides to the characters, man, not that adolescent power fantasy crap. It’s about what’s deep. SMALLVILLE IS ABOUT WHAT’S REAL. If you excuse me, I’m going to go cry in front of my Aaron Ashmore shrine.\\
'''Chris''': Really, I don’t blame them. ''Smallville'' has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character.
'''Chris''': Really, I don’t blame them. ''Smallville'' has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character.
to:
->'''David''': Why wouldn’t it? ''Smallville'' is “no tights, no flights.” It’s about the human sides to the characters, man, not that adolescent power fantasy crap. It’s about what’s deep. SMALLVILLE IS ABOUT WHAT’S REAL. If you excuse me, I’m going to go cry in front of my Aaron Ashmore shrine.\\
'''Chris''':Really, I don’t blame them. ''Smallville'' has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character.
'''Chris''':
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Changed line(s) 1,7 (click to see context) from:
->'''David''': Why wouldn’t it? ''Smallville'' is “no tights, no flights.” It’s about the human sides to the characters, man, not that adolescent power fantasy crap. It’s about what’s deep. SMALLVILLE IS ABOUT WHAT’S REAL. If you excuse me, I’m going to go cry in front of my Aaron Ashmore shrine.\\
'''Chris''': Really, I don’t blame them. ''Smallville'' has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character.
-->--'''Chris Sims''' and '''David Uzumeri''' [[http://comicsalliance.com/recap-smallville-episode-8-22-doomsday/ on]] ''{{Series/Smallville}}'' ("Doomsday")
->''"Poor Roxanne Dawson. When the show began B’Elanna was one of the characters that the writing team were most invested in – you could tell by the way it was her story that they focused on immediately after the pilot. There was a nice little [[CharacterDevelopment character arc]] running through the first three seasons that saw the character go from an aggressive bully to a focused, professional Starfleet engineer and installments such as Dreadnought, Remember and Blood Fever were some of the best of their years. Season four was where it all started to go wrong (it seems that with the advent of Jeri Ryan’s [[SpotlightStealingSquad Seven of Nine]] that Torres was neglected almost as if the writers are commenting that you can’t have two such sophisticated characters on the show) and Torres underwent something of a character deterioration and the few times they could be bothered to give her an episode it seems that they felt the need to make an out of [[AesopAmnesia character regression]]. Dawson’s pregnancy might have had something to do with Torres vanishing into the shadows but episodes like Day of Honor, Extreme Risk (B’Elanna is [[SuddenlyAlwaysKnewThat addicted to extreme sports]]) and now Juggernaut (B’Elanna cannot control her anger – this is direct throwback to season one’s Parallax which was the second episode so it feels like we are back where we started with the character) do her know favours at all...When Torres blatantly insults the Captain (‘Diplomacy, Janeway’s answer to everything’) it feels shockingly out of character considering what the two of them went through together in the first couple of years. That relationship has been completely ignored in favour of the Janeway/Seven duo and its almost as if [[ArtistDisillusionment you can hear Dawson’s disdain]]. Isn’t it fortunate that in an episode that deals with Torres’ anger she has to solve the problem by [[ViolenceReallyIsTheAnswer beating up the core labourer with a giant pipe]]."''
-->--'''[[http://docohobigfinish.blogspot.co.uk/2012/07/voyager-season-five.html Doc Oho]]''' on ''Series/StarTrekVoyager'', "Juggernaut"
'''Chris''': Really, I don’t blame them. ''Smallville'' has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character.
-->--'''Chris Sims''' and '''David Uzumeri''' [[http://comicsalliance.com/recap-smallville-episode-8-22-doomsday/ on]] ''{{Series/Smallville}}'' ("Doomsday")
->''"Poor Roxanne Dawson. When the show began B’Elanna was one of the characters that the writing team were most invested in – you could tell by the way it was her story that they focused on immediately after the pilot. There was a nice little [[CharacterDevelopment character arc]] running through the first three seasons that saw the character go from an aggressive bully to a focused, professional Starfleet engineer and installments such as Dreadnought, Remember and Blood Fever were some of the best of their years. Season four was where it all started to go wrong (it seems that with the advent of Jeri Ryan’s [[SpotlightStealingSquad Seven of Nine]] that Torres was neglected almost as if the writers are commenting that you can’t have two such sophisticated characters on the show) and Torres underwent something of a character deterioration and the few times they could be bothered to give her an episode it seems that they felt the need to make an out of [[AesopAmnesia character regression]]. Dawson’s pregnancy might have had something to do with Torres vanishing into the shadows but episodes like Day of Honor, Extreme Risk (B’Elanna is [[SuddenlyAlwaysKnewThat addicted to extreme sports]]) and now Juggernaut (B’Elanna cannot control her anger – this is direct throwback to season one’s Parallax which was the second episode so it feels like we are back where we started with the character) do her know favours at all...When Torres blatantly insults the Captain (‘Diplomacy, Janeway’s answer to everything’) it feels shockingly out of character considering what the two of them went through together in the first couple of years. That relationship has been completely ignored in favour of the Janeway/Seven duo and its almost as if [[ArtistDisillusionment you can hear Dawson’s disdain]]. Isn’t it fortunate that in an episode that deals with Torres’ anger she has to solve the problem by [[ViolenceReallyIsTheAnswer beating up the core labourer with a giant pipe]]."''
-->--'''[[http://docohobigfinish.blogspot.co.uk/2012/07/voyager-season-five.html Doc Oho]]''' on ''Series/StarTrekVoyager'', "Juggernaut"
to:
->''"Whatever happened to my part?\\
It was exciting at the
Now we're halfway through Act Two,\\
And I've had nothing yet to do!"''
-->-'''The Lady of the
'''Chris''': Really, I don’t blame them. ''Smallville'' has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he
->''"Keiki is the main
-->--'''Chris Sims''' and '''David Uzumeri''' [[http://comicsalliance.com/recap-smallville-episode-8-22-doomsday/ on]] ''{{Series/Smallville}}'' ("Doomsday")
->''"Poor Roxanne Dawson. When the show began B’Elanna was one of the characters that the writing team were most invested in – you could tell by the way it was her story that they focused on immediately after the pilot. There was a nice little [[CharacterDevelopment
Deleted line(s) 12,17 (click to see context) :
->Whatever happened to my part?
->It was exciting at the start.
->Now we're halfway through Act Two,
->And I've had nothing yet to do!
-->-'''The Lady of the Lake''', ''{{Spamalot}}'', ''Whatever Happened To My Part?''
->It was exciting at the start.
->Now we're halfway through Act Two,
->And I've had nothing yet to do!
-->-'''The Lady of the Lake''', ''{{Spamalot}}'', ''Whatever Happened To My Part?''
Added DiffLines:
!!!On works
->'''David''': Why wouldn’t it? ''Smallville'' is “no tights, no flights.” It’s about the human sides to the characters, man, not that adolescent power fantasy crap. It’s about what’s deep. SMALLVILLE IS ABOUT WHAT’S REAL. If you excuse me, I’m going to go cry in front of my Aaron Ashmore shrine.\\
'''Chris''': Really, I don’t blame them. ''Smallville'' has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character.
-->--'''Chris Sims''' and '''David Uzumeri''' [[http://comicsalliance.com/recap-smallville-episode-8-22-doomsday/ on]] ''{{Series/Smallville}}'' ("Doomsday")
->''"Poor Roxanne Dawson. When the show began B’Elanna was one of the characters that the writing team were most invested in – you could tell by the way it was her story that they focused on immediately after the pilot. There was a nice little [[CharacterDevelopment character arc]] running through the first three seasons that saw the character go from an aggressive bully to a focused, professional Starfleet engineer and installments such as Dreadnought, Remember and Blood Fever were some of the best of their years. Season four was where it all started to go wrong (it seems that with the advent of Jeri Ryan’s [[SpotlightStealingSquad Seven of Nine]] that Torres was neglected almost as if the writers are commenting that you can’t have two such sophisticated characters on the show) and Torres underwent something of a character deterioration and the few times they could be bothered to give her an episode it seems that they felt the need to make an out of [[AesopAmnesia character regression]]. Dawson’s pregnancy might have had something to do with Torres vanishing into the shadows but episodes like Day of Honor, Extreme Risk (B’Elanna is [[SuddenlyAlwaysKnewThat addicted to extreme sports]]) and now Juggernaut (B’Elanna cannot control her anger – this is direct throwback to season one’s Parallax which was the second episode so it feels like we are back where we started with the character) do her know favours at all...When Torres blatantly insults the Captain (‘Diplomacy, Janeway’s answer to everything’) it feels shockingly out of character considering what the two of them went through together in the first couple of years. That relationship has been completely ignored in favour of the Janeway/Seven duo and its almost as if [[ArtistDisillusionment you can hear Dawson’s disdain]]. Isn’t it fortunate that in an episode that deals with Torres’ anger she has to solve the problem by [[ViolenceReallyIsTheAnswer beating up the core labourer with a giant pipe]]."''
-->--'''[[http://docohobigfinish.blogspot.co.uk/2012/07/voyager-season-five.html Doc Oho]]''' on ''Series/StarTrekVoyager'', "Juggernaut"
->'''David''': Why wouldn’t it? ''Smallville'' is “no tights, no flights.” It’s about the human sides to the characters, man, not that adolescent power fantasy crap. It’s about what’s deep. SMALLVILLE IS ABOUT WHAT’S REAL. If you excuse me, I’m going to go cry in front of my Aaron Ashmore shrine.\\
'''Chris''': Really, I don’t blame them. ''Smallville'' has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character.
-->--'''Chris Sims''' and '''David Uzumeri''' [[http://comicsalliance.com/recap-smallville-episode-8-22-doomsday/ on]] ''{{Series/Smallville}}'' ("Doomsday")
->''"Poor Roxanne Dawson. When the show began B’Elanna was one of the characters that the writing team were most invested in – you could tell by the way it was her story that they focused on immediately after the pilot. There was a nice little [[CharacterDevelopment character arc]] running through the first three seasons that saw the character go from an aggressive bully to a focused, professional Starfleet engineer and installments such as Dreadnought, Remember and Blood Fever were some of the best of their years. Season four was where it all started to go wrong (it seems that with the advent of Jeri Ryan’s [[SpotlightStealingSquad Seven of Nine]] that Torres was neglected almost as if the writers are commenting that you can’t have two such sophisticated characters on the show) and Torres underwent something of a character deterioration and the few times they could be bothered to give her an episode it seems that they felt the need to make an out of [[AesopAmnesia character regression]]. Dawson’s pregnancy might have had something to do with Torres vanishing into the shadows but episodes like Day of Honor, Extreme Risk (B’Elanna is [[SuddenlyAlwaysKnewThat addicted to extreme sports]]) and now Juggernaut (B’Elanna cannot control her anger – this is direct throwback to season one’s Parallax which was the second episode so it feels like we are back where we started with the character) do her know favours at all...When Torres blatantly insults the Captain (‘Diplomacy, Janeway’s answer to everything’) it feels shockingly out of character considering what the two of them went through together in the first couple of years. That relationship has been completely ignored in favour of the Janeway/Seven duo and its almost as if [[ArtistDisillusionment you can hear Dawson’s disdain]]. Isn’t it fortunate that in an episode that deals with Torres’ anger she has to solve the problem by [[ViolenceReallyIsTheAnswer beating up the core labourer with a giant pipe]]."''
-->--'''[[http://docohobigfinish.blogspot.co.uk/2012/07/voyager-season-five.html Doc Oho]]''' on ''Series/StarTrekVoyager'', "Juggernaut"
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Changed line(s) 2 (click to see context) from:
'''Chris''': Really, I don’t blame them. ''Smallville'' has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character. Anyway, we get a nice [[PietaPlagiarism pieta ]] with Chloe and Jimmy to commemorate the sudden devaluation of a thousand fanfics…
to:
'''Chris''': Really, I don’t blame them. ''Smallville'' has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character. Anyway, we get a nice [[PietaPlagiarism pieta ]] with Chloe and Jimmy to commemorate the sudden devaluation of a thousand fanfics…
Added DiffLines:
->''"Poor Roxanne Dawson. When the show began B’Elanna was one of the characters that the writing team were most invested in – you could tell by the way it was her story that they focused on immediately after the pilot. There was a nice little [[CharacterDevelopment character arc]] running through the first three seasons that saw the character go from an aggressive bully to a focused, professional Starfleet engineer and installments such as Dreadnought, Remember and Blood Fever were some of the best of their years. Season four was where it all started to go wrong (it seems that with the advent of Jeri Ryan’s [[SpotlightStealingSquad Seven of Nine]] that Torres was neglected almost as if the writers are commenting that you can’t have two such sophisticated characters on the show) and Torres underwent something of a character deterioration and the few times they could be bothered to give her an episode it seems that they felt the need to make an out of [[AesopAmnesia character regression]]. Dawson’s pregnancy might have had something to do with Torres vanishing into the shadows but episodes like Day of Honor, Extreme Risk (B’Elanna is [[SuddenlyAlwaysKnewThat addicted to extreme sports]]) and now Juggernaut (B’Elanna cannot control her anger – this is direct throwback to season one’s Parallax which was the second episode so it feels like we are back where we started with the character) do her know favours at all...When Torres blatantly insults the Captain (‘Diplomacy, Janeway’s answer to everything’) it feels shockingly out of character considering what the two of them went through together in the first couple of years. That relationship has been completely ignored in favour of the Janeway/Seven duo and its almost as if [[ArtistDisillusionment you can hear Dawson’s disdain]]. Isn’t it fortunate that in an episode that deals with Torres’ anger she has to solve the problem by [[ViolenceReallyIsTheAnswer beating up the core labourer with a giant pipe]]."''
-->--'''[[http://docohobigfinish.blogspot.co.uk/2012/07/voyager-season-five.html Doc Oho]]''' on ''Series/StarTrekVoyager'', "Juggernaut"
-->--'''[[http://docohobigfinish.blogspot.co.uk/2012/07/voyager-season-five.html Doc Oho]]''' on ''Series/StarTrekVoyager'', "Juggernaut"
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Changed line(s) 2 (click to see context) from:
'''Chris''': Really, I don’t blame them. ''Smallville'' has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character. Anyway, we get a nice [[pieta|Plagiarism]] with Chloe and Jimmy to commemorate the sudden devaluation of a thousand fanfics…
to:
'''Chris''': Really, I don’t blame them. ''Smallville'' has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character. Anyway, we get a nice [[pieta|Plagiarism]] [[PietaPlagiarism pieta ]] with Chloe and Jimmy to commemorate the sudden devaluation of a thousand fanfics…
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Changed line(s) 2 (click to see context) from:
'''Chris''': Really, I don’t blame them. ''Smallville'' has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character. Anyway, we get a nice [[PietaPlagerism pieta]] with Chloe and Jimmy to commemorate the sudden devaluation of a thousand fanfics…
to:
'''Chris''': Really, I don’t blame them. ''Smallville'' has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character. Anyway, we get a nice [[PietaPlagerism pieta]] [[pieta|Plagiarism]] with Chloe and Jimmy to commemorate the sudden devaluation of a thousand fanfics…
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Changed line(s) 2 (click to see context) from:
'''Chris''': Really, I don’t blame them. Smallville has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character. Anyway, we get a nice [[PietaPlagersm pieta]] with Chloe and Jimmy to commemorate the sudden devaluation of a thousand fanfics…
to:
'''Chris''': Really, I don’t blame them. Smallville ''Smallville'' has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character. Anyway, we get a nice [[PietaPlagersm [[PietaPlagerism pieta]] with Chloe and Jimmy to commemorate the sudden devaluation of a thousand fanfics…
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Added DiffLines:
->'''David''': Why wouldn’t it? ''Smallville'' is “no tights, no flights.” It’s about the human sides to the characters, man, not that adolescent power fantasy crap. It’s about what’s deep. SMALLVILLE IS ABOUT WHAT’S REAL. If you excuse me, I’m going to go cry in front of my Aaron Ashmore shrine.\\
'''Chris''': Really, I don’t blame them. Smallville has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character. Anyway, we get a nice [[PietaPlagersm pieta]] with Chloe and Jimmy to commemorate the sudden devaluation of a thousand fanfics…
-->--'''Chris Sims''' and '''David Uzumeri''' [[http://comicsalliance.com/recap-smallville-episode-8-22-doomsday/ on]] ''{{Series/Smallville}}'' ("Doomsday")
'''Chris''': Really, I don’t blame them. Smallville has done its level best to take away any reason we have to care about Clark. It’s just crazy that this is happening on a show in which he is the main character. Anyway, we get a nice [[PietaPlagersm pieta]] with Chloe and Jimmy to commemorate the sudden devaluation of a thousand fanfics…
-->--'''Chris Sims''' and '''David Uzumeri''' [[http://comicsalliance.com/recap-smallville-episode-8-22-doomsday/ on]] ''{{Series/Smallville}}'' ("Doomsday")
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Deleted line(s) 1,4 (click to see context) :
->'''David''': I really hope they do a future-of-''Smallville'' Superman comic at some point, where Clark is just a completely [[DesignatedHero incompetent asshole]] with terrible advice who repeatedly gets dismissed by the rest of the League because all of his ideas are terrible.\\
'''Chris''': You may have noticed that at this point, we are halfway through the episode and we haven’t even seen [[JustHereForGodzilla Doomsday]], let alone any actual Superman/Doomsday conflict. But that’s okay, because now it’s time for Tess and Lois [[GirlOnGirlIsHot to wrestle on Clark’s desk.]]
-->--'''Chris Sims''' and '''David Uzumeri''' [[http://comicsalliance.com/recap-smallville-episode-8-22-doomsday/ on]] ''{{Series/Smallville}}'' ("Doomsday")
'''Chris''': You may have noticed that at this point, we are halfway through the episode and we haven’t even seen [[JustHereForGodzilla Doomsday]], let alone any actual Superman/Doomsday conflict. But that’s okay, because now it’s time for Tess and Lois [[GirlOnGirlIsHot to wrestle on Clark’s desk.]]
-->--'''Chris Sims''' and '''David Uzumeri''' [[http://comicsalliance.com/recap-smallville-episode-8-22-doomsday/ on]] ''{{Series/Smallville}}'' ("Doomsday")
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Changed line(s) 1,3 (click to see context) from:
->"AAARGH! I haven't had any lines in ''months!'' Am I even still a ''main character?!''"
-->-'''Gilgamesh Wulfenbach''', ''Webcomic/GirlGenius''
-->-'''Gilgamesh Wulfenbach''', ''Webcomic/GirlGenius''
to:
'''Chris''': You may have noticed that at this point, we are halfway through the episode and we haven’t even
-->-'''Gilgamesh Wulfenbach''', ''Webcomic/GirlGenius''
-->--'''Chris Sims''' and '''David Uzumeri''' [[http://comicsalliance.com/recap-smallville-episode-8-22-doomsday/ on]] ''{{Series/Smallville}}'' ("Doomsday")
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Added DiffLines:
->'''Madison''': I know I'm a Power Ranger, but c'mon. You guys are the ones that really... you know... lit it up. I don't feel like I did my share.
->'''Xander''': Maddie, that's ridiculous. You're as much a part of the team as anyone.
->'''Chip''': Yeah.
->'''Madison''': Thanks. But, um, lets get real here. Nick did the Catastros thing. Xander, you get all the spell codes. Chip, you saved Vida.
->'''Chip''': Oh, yeah.
->'''Xander''': That was cool.
->'''Madison''': And Vida kicks butt. And I...
->'''Chip''': What about Jenji? You helped Jenji.
->'''Madison''': As a friend, not a superhero. Oh, actually yeah, I did do something special. I got turned into a stone statue, and everyone had to come and save me. [[SarcasmMode Awesome]].
-->-- ''Series/PowerRangersMysticForce'', "The Light"
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Changed line(s) 15 (click to see context) from:
-->-'''Nyx''', ''RealityChecksNyxverse'', ''Nyx's family'', final chapter.
to:
-->-'''Nyx''', ''RealityChecksNyxverse'', ''Fanfic/RealityChecksNyxverse'', ''Nyx's family'', final chapter.
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Added DiffLines:
->"Did you ever feel like... like somepony made you a background pony in your own story? [...] Like... Like you're reading a story, right? And you start out, and the first chapter or two you think 'oh, this story is all about THIS character! the peasant colt in the cottage!' and you go along and... then somewhere in the middle suddenly it's not anymore, it's all about the lonely princess in the tower or the wandering knight and the peasant colt is just a pony in the background for the rest of the story. I kinda feel like that. Like I'm the peasant pony and the writer's just forgot all about me and gone off and did something with somepony else. [...] When we first got here, Mom and me, I mean, everything just kept happening. And stuff started building up, and building up, and it felt like, I dunno, like something ''big and important'' was going to happen to me-- but instead it all happened to [[spoiler: ''Spike'']]. [...] I feel like I came all this way and ''something'' was supposed to happen... I was supposed to ''make'' something happen... and I never did."
-->-'''Nyx''', ''RealityChecksNyxverse'', ''Nyx's family'', final chapter.
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fixed namespace
Changed line(s) 2,3 (click to see context) from:
-->-'''Gilgamesh Wulfenbach''', ''GirlGenius''
to:
-->-'''Gilgamesh Wulfenbach''', ''GirlGenius''
''Webcomic/GirlGenius''
Changed line(s) 6,7 (click to see context) from:
-->-- [[PuellaMagiMadokaMagica Meduka meguca]] [[http://images.puella-magi.net.nyud.net/8/8a/Meduka_meguca_epiode3.png Episode 3]]
to:
-->-- [[PuellaMagiMadokaMagica [[Anime/PuellaMagiMadokaMagica Meduka meguca]] [[http://images.puella-magi.net.nyud.net/8/8a/Meduka_meguca_epiode3.png Episode 3]]
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Changed line(s) 12 (click to see context) from:
-->-'''The Lady of the Lake''', ''{{Spamalot}}'', ''Whatever Happened To My Part?''
to:
-->-'''The Lady of the Lake''', ''{{Spamalot}}'', ''Whatever Happened To My Part?''Part?''
----
----
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Changed line(s) 1 (click to see context) from:
-->"AAARGH! I haven't had any lines in ''months!'' Am I even still a ''main character?!''"
to:
Changed line(s) 4,5 (click to see context) from:
-->'''kyusiko''': i still relevant
-->'''coobie''': [[BrutalHonesty no]]
-->'''coobie''': [[BrutalHonesty no]]
to:
Changed line(s) 8,11 (click to see context) from:
-->Whatever happened to my part?
-->It was exciting at the start.
-->Now we're halfway through Act Two,
-->And I've had nothing yet to do!
-->It was exciting at the start.
-->Now we're halfway through Act Two,
-->And I've had nothing yet to do!
to:
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Spamalot example
Changed line(s) 6 (click to see context) from:
-->-- [[PuellaMagiMadokaMagica Meduka meguca]] [[http://images.puella-magi.net.nyud.net/8/8a/Meduka_meguca_epiode3.png Episode 3]]
to:
-->-- [[PuellaMagiMadokaMagica Meduka meguca]] [[http://images.puella-magi.net.nyud.net/8/8a/Meduka_meguca_epiode3.png Episode 3]]3]]
-->Whatever happened to my part?
-->It was exciting at the start.
-->Now we're halfway through Act Two,
-->And I've had nothing yet to do!
-->-'''The Lady of the Lake''', ''{{Spamalot}}'', ''Whatever Happened To My Part?''
-->Whatever happened to my part?
-->It was exciting at the start.
-->Now we're halfway through Act Two,
-->And I've had nothing yet to do!
-->-'''The Lady of the Lake''', ''{{Spamalot}}'', ''Whatever Happened To My Part?''
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Changed line(s) 2 (click to see context) from:
-->-'''Gilgamesh Wulfenbach''', ''GirlGenius''
to:
-->-'''Gilgamesh Wulfenbach''', ''GirlGenius''''GirlGenius''
-->'''kyusiko''': i still relevant
-->'''coobie''': [[BrutalHonesty no]]
-->-- [[PuellaMagiMadokaMagica Meduka meguca]] [[http://images.puella-magi.net.nyud.net/8/8a/Meduka_meguca_epiode3.png Episode 3]]
-->'''kyusiko''': i still relevant
-->'''coobie''': [[BrutalHonesty no]]
-->-- [[PuellaMagiMadokaMagica Meduka meguca]] [[http://images.puella-magi.net.nyud.net/8/8a/Meduka_meguca_epiode3.png Episode 3]]
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...
Changed line(s) 2,5 (click to see context) from:
-->-'''Gilgamesh Wulfenbach''', ''GirlGenius''
-->Why does Sega drop the recurrers and build relationships between Sonic and one-shots, rather than developing Tails, Knuckles, and Blaze (the only good ones in most people's opinions) because of the Loads And Loads Of Characters? Making oneshots rather than developing Tails, Knuckles, and Blaze (and improving on the hated ones) is expanding the cast.
--> Tropers/{{Miru}}
-->Why does Sega drop the recurrers and build relationships between Sonic and one-shots, rather than developing Tails, Knuckles, and Blaze (the only good ones in most people's opinions) because of the Loads And Loads Of Characters? Making oneshots rather than developing Tails, Knuckles, and Blaze (and improving on the hated ones) is expanding the cast.
--> Tropers/{{Miru}}
to:
-->-'''Gilgamesh Wulfenbach''', ''GirlGenius''
-->Why does Sega drop the recurrers and build relationships between Sonic and one-shots, rather than developing Tails, Knuckles, and Blaze (the only good ones in most people's opinions) because of the Loads And Loads Of Characters? Making oneshots rather than developing Tails, Knuckles, and Blaze (and improving on the hated ones) is expanding the cast.
--> Tropers/{{Miru}}''GirlGenius''
-->Why does Sega drop the recurrers and build relationships between Sonic and one-shots, rather than developing Tails, Knuckles, and Blaze (the only good ones in most people's opinions) because of the Loads And Loads Of Characters? Making oneshots rather than developing Tails, Knuckles, and Blaze (and improving on the hated ones) is expanding the cast.
--> Tropers/{{Miru}}
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Added DiffLines:
-->Why does Sega drop the recurrers and build relationships between Sonic and one-shots, rather than developing Tails, Knuckles, and Blaze (the only good ones in most people's opinions) because of the Loads And Loads Of Characters? Making oneshots rather than developing Tails, Knuckles, and Blaze (and improving on the hated ones) is expanding the cast.
--> Tropers/{{Miru}}