History Narm / SilentHill

** The very [[SarcasmMode polished]] [[ObviousBeta HD]] [[PortingDisaster Collection.]] For instance, the scene where [[https://youtu.be/58n-Gg1GrE4?t=9m56s James goes to the Lakeview Hotel.]] Cybil was right about the drugs!

** Made even worse knowing the ending. [[spoiler:He's not talking to Harry, he's talking to Cheryl. He was telling a girl in her late teens to early 20s that she should have more sex to solve her psychological problems. Uh... what?]]

** How about the mysterious caller's ''voice''? No jury would convict you for barking out "Holy shit, it's Woody Allen!" when he starts singing "Happy Birthday to You."

* Pyramid Head's raping of the town's monsters, while [[NightmareFuel terrifying]], is so insanely out of place that one can't help but laugh, especially the second time when the monster being raped is ''moaning in pleasure'' (apparently even abominations wrapped in their own skin [[MemeticMolester like it]]).

* Cynthia's death scene features the very spine-chilling and sad piece "Room Of Angel", actually a theme of the game's main antagonist - both the music and lyrics make it a TearJerker in that context. As for Cynthia's death, the ''music'' may provide effective tone, but if you notice the lyrics in that situation? "Here's a lullaby to close your eyes/It was always you that I despised/I don't feel enough for you to cry." [[SarcasmMode Why, thank you.]]

* ''Downpour'' has its fair share of narm. Every time Murphy screams, he sounds ridiculous. And then there's the childish "Get away from me!" he'll do on occasion. But the most notable mention goes to when he has the flashback of [[spoiler: Charlie's death]] in the prison. [[spoiler: [[SkywardScream "CHARLIIIIEEEEE!!!"]]]] Then we get treated to an awkward closeup of a little girl screaming. The models definitely don't do it justice.
** It's understandable Murphy would scream like that when the Void is tearing pieces of existence out of him, but he does so ''constantly'', even when slipping down what's basically a water slide.

* Don't forget ''Origins'', where Travis can run around in a freaking ''dog suit''.

* So much of the dialogue and the voice acting in ''1''. However, many fans find a certain [[NarmCharm charm in the narm]]. "Huh, radio. What's going on with that radio?"

* In ''2'', James' random yell just before [[spoiler:the two Pyramid Heads kill Maria is definitely narm]].
* The second game has Pyramid Head's raping of the town's monsters, which, while [[NightmareFuel terrifying]], is so insanely out of place that one can't help but laugh, especially the second time when the monster being raped is ''moaning in pleasure'' (apparently even abominations wrapped in their own skin [[MemeticMolester like it]]).

* In ''3'', Heather answers a payphone in a locker and some never-identified man wishes her a happy 31st/24th birthday and an extremely bizarre one-sided conversation ensues. All Heather can say after he hangs up? "... But you're wrong. It's not my birthday." Interesting thing to focus on.
*** How about the mysterious caller's ''voice''? No jury would convict you for barking out "Holy shit, it's Woody Allen!" when he starts singing "Happy Birthday to You."

* The fourth game has Henry's epic-level DullSurprise reaction to everything from people being brutally murdered in front of him to [[spoiler:discovering the corpse of the murderer in his apartment]].
* Cynthia's death scene in ''4'' features the very spine-chilling and sad piece "Room Of Angel", actually a theme of the game's main antagonist - both the music and lyrics make it a TearJerker in that context, but as for Cynthia's death, the ''music'' may provide effective tone, but if you notice the lyrics in that situation? "Here's a lullaby to close your eyes/It was always you that I despised/I don't feel enough for you to cry." [[SarcasmMode Why, thank you.]]

** Alex Shepherd is in a mostly abandoned town that is riddled with chasms blocking all exits to the town, and the only means of departure is by boat. However, in spite of encountering killer monsters, in addition to the previously mentioned problems with the town, he can inspect an old beat-up vehicle and wonder "Why hasn't this been towed? It's clearly broken down." Seriously Alex, is that what's on your mind at that moment?

* The cutscene in ''Shattered Memories'' where Harry meets up with Michelle in the bar. After Michelle says a few things about how her relationship wasn't what she thought it was, it then cuts to a shot of Harry, whose staring-off-into-space expression indicates that he wasn't paying attention.
*** There's also calling for Cheryl in the first area. "Cheryl? Cheryl? Sweetie? CHERYYYYL!"
*** Kaufmann is a complete ham in this game. We'll just mention his bizarre sex rant. "'''THE TIGER IN SPACE!'''" which he then ends with "You know, people who get enough don't need analysis. And you clearly are not getting enough."

** Made even worse knowing the ending. [[spoiler:He's not talking to Harry, he's talking to Cheryl. He was telling a girl in her late teens to early 20s that she should have more sex to solve her psychological problems. Uh......what?]]

* In ''3'', Heather answers a payphone in a locker and some never-identified man wishes her a happy 31st/24th birthday and an extremely bizarre one-sided conversation ensues. All Heather can say after he hangs up? "...But you're wrong. It's not my birthday." Interesting thing to focus on.

** "Eddie, you can't kill someone just for the way they looked at you!" This delivered like a kindergarten teacher to a child, swapping "kill" for, maybe "push".
** "I'm kind of lost." (incredibly long pause) "...Lost?"

** In the second part, there are some panels where the main character looks like he's been traced off of Creator/ChristopherEccleston of ''Series/DoctorWho'' and ''GIJoeTheRiseOfCobra'' fame. Then there's the confrontation with an evil doctor who looks ''just like'' ChristianBale, and, in the next panel featuring him, it's the exact same image, only flipped. It certainly takes the reader out of the experience a bit.

* The classic "corpse in the locker" JumpScare. Once you get over the shock, it's hard not to think something along the lines of "Huh, so ''[[?StuffedIntoALocker that's]]'' what happened to the Glee Club president."

* The classic "corpse in the locker" JumpScare. Once you get over the shock, it's hard not to think something along the lines of "Huh, so ''that's'' what happened to the Glee Club president."

* The fight with [[spoiler:Eddie]] comes off really awkward; despite being presumably human, he can soak up a few clips worth of ammunition. This alone wouldn't be so bad, except that you have almost no space to maneuver, so all you're doing is emptying your guns into him at near-point blank and hearing him awkwardly gasp in pain, while he tries to do the same to you.

* The fight with [[spoiler:Eddie]] comes off really awkward; despite being presumably human, he can soak up a few clips worth of ammunition. This alone wouldn't be so bad, except that you have almost no space to maneuver, so all you're doing is emptying your guns into him at near-point blank and hearing his awkward gasps of pain, while he tries to do the same to you.

* The fight with Eddie comes off really awkward; despite being presumably human, he can soak up a few clips worth of ammunition. This alone wouldn't be so bad, except that you have almost no space to maneuver, so all you're doing is emptying your guns into him at near-point blank and hearing his awkward gasps of pain, while he does the same to you.

** Especially MalcolmMcDowell as one of the villains, Leonard. What the heck was [=McDowell=] on before he stepped onto set? It's like he came from a different movie altogether.