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* MeaningfulName[=/=]RedOniBlueOni: According to one story, youngsters Thomas Miller and Richard Meyers ran away from a boarding school and set fire to a field. When questioned by the cops, Miller (who would later rename himself Verlaine after the [[https://en.m.wikipedia.org/wiki/Paul_Verlaine 19th century French poet]]) said he [[{{Angst}} just wanted to feel warm]]; Meyers (who would later rename himself Hell, after the poem ''[[https://www.goodreads.com/book/show/168499.A_Season_in_Hell?from_search=true A Season in Hell]]'', by the poet [[https://en.m.wikipedia.org/wiki/Arthur_Rimbaud Arthur Rimbaud]], whom of which was Verlaine's lover) said [[PyroManiac he just wanted to see it burn]].

to:

* MeaningfulName[=/=]RedOniBlueOni: According to one story, youngsters Thomas Miller and Richard Meyers ran away from a boarding school and set fire to a field. When questioned by the cops, Miller (who would later rename himself Verlaine after the [[https://en.m.wikipedia.org/wiki/Paul_Verlaine 19th century French poet]]) said he [[{{Angst}} just wanted to feel warm]]; Meyers (who would later rename himself Hell, after the poem ''[[https://www.goodreads.com/book/show/168499.A_Season_in_Hell?from_search=true A Season in Hell]]'', by the poet [[https://en.m.wikipedia.org/wiki/Arthur_Rimbaud Arthur Rimbaud]], whom of which who was Verlaine's lover) said [[PyroManiac he just wanted to see it burn]].
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+ Music/{{REM}}, Music/JoyDivision, Music/{{Felt}}, Music/EchoAndTheBunnymen, Music/{{U2}}, Music/SonicYouth, Music/{{Pixies}}, Music/JohnFrusciante, Music/{{Wilco}}, Music/RedVox]

to:

+ Music/{{REM}}, Music/JoyDivision, Music/{{Felt}}, Music/EchoAndTheBunnymen, Music/{{U2}}, Music/SonicYouth, Music/{{Pixies}}, Music/JohnFrusciante, Music/TheStrokes, Music/{{Wilco}}, Music/RedVox]
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+ Music/{{REM}}, Music/JoyDivision, Music/EchoAndTheBunnymen, Music/{{U2}}, Music/SonicYouth, Music/{{Pixies}}, Music/JohnFrusciante, Music/{{Wilco}}, Music/RedVox]

to:

+ Music/{{REM}}, Music/JoyDivision, Music/{{Felt}}, Music/EchoAndTheBunnymen, Music/{{U2}}, Music/SonicYouth, Music/{{Pixies}}, Music/JohnFrusciante, Music/{{Wilco}}, Music/RedVox]
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* LighterAndSofter: ''Adventure'' has a more melodic sound compared to the first album, not that their sound was particularly hard to begin with.

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* LighterAndSofter: ''Adventure'' Downplayed with ''Adventure'', which has a slightly more melodic melodic, poppy sound compared to the their first album, not that their sound was particularly hard to begin with.
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The band were famous for being more technically proficient than the punk scene they were associated with, with their SignatureStyle involving complex, interlocking guitars (influenced by Music/VelvetUnderground, Music/{{Love}}, Music/BuffaloSpringfield, and the Music/NewYorkDolls) and extended {{Improv}}s and jamming.

to:

The band were famous for being more technically proficient than the punk scene they were associated with, with their SignatureStyle involving complex, interlocking guitars (influenced by Music/VelvetUnderground, Music/{{Love}}, Music/{{Love|Band}}, Music/BuffaloSpringfield, and the Music/NewYorkDolls) and extended {{Improv}}s and jamming.
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* LeadSingerPlaysLeadGuitar: Verlaine is the lead singer and shared lead guitar duties with Lloyd.

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* LeadSingerPlaysLeadGuitar: Verlaine is was the lead singer and shared lead guitar duties with Lloyd.
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* LeadSingerPlaysLeadGuitar: Verlaine is the lead singer and shared lead guitar duties with Lloyd.
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* ThreeChordsAndTheTruth: Completely averted, despite Television's frequent categorisation as a PunkRock band (this may be because they played it when it was still an UnbuiltTrope). Some of the band's songs have standard chorus/verse structure. Still, they manage to be more complicated than average punk songs, and some leave all semblance of normal structure behind entirely and take off into the stratosphere (good examples of this being "Marquee Moon" and "Little Johnny Jewel").

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* ThreeChordsAndTheTruth: Completely averted, despite Television's frequent categorisation as a PunkRock band (this may be because they played it when it was still an UnbuiltTrope). Some While some of the band's songs have standard chorus/verse structure. Still, verse/chorus/verse structures, they still manage to be more complicated than your average punk songs, song, and some leave all semblance of normal structure behind entirely and take off into the stratosphere (good examples of this being "Marquee Moon" and "Little Johnny Jewel").
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* GratuitousPanning: Their records had Lloyd's guitar panned to one channel and Verlaine's to the other, though subverted in that it wasn't really gratuitous - it made it much easier to sort through the complex guitar interplay.



* ProgressiveRock: Despite being associated with the punk scene, they were ironically much closer to this, with often lengthy and complex compositions that took heavy influence from jazz and featured complicated counter-melodies as a SignatureStyle. If it wasn't for their ties to Richard Hell, they would have never had any connection to punk.

to:

* ProgressiveRock: Despite being associated with the punk scene, they were ironically much closer to this, with often lengthy and complex compositions that took heavy influence from jazz and featured complicated counter-melodies as a SignatureStyle. If it wasn't for their ties to Richard Hell, they would have never had any connection to punk.punk, at least in the studio. Their live material, which tends to be a lot more energetic, is still something of a crossover between punk and this, with perhaps a bit of jam bands à la Music/GratefulDead thrown in.
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Television were a cult PunkRock[=/=][[NewWaveMusic New Wave]] band from the USA, active between 1973-1978, 1992-1993 and since 2001. Its core lineup included guitarist/vocalist Tom Verlaine, guitarist/vocalist Richard Lloyd, bassist/vocalist Fred Smith and drummer Billy Ficca. Early on, their line-up also included bassist Richard Hell, who would go on to front the Voidoids, another influential punk group.

to:

Television were a cult PunkRock[=/=][[NewWaveMusic New Wave]] band from the USA, New York City, active between 1973-1978, 1992-1993 and since 2001. Its core lineup included guitarist/vocalist Tom Verlaine, guitarist/vocalist Richard Lloyd, bassist/vocalist Fred Smith and drummer Billy Ficca. Early on, their line-up also included bassist Richard Hell, who would go on to front the Voidoids, another influential punk group.
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+ Music/{{REM}}, Music/JoyDivision, Music/EchoAndTheBunnymen, Music/{{U2}}, Music/SonicYouth, Music/{{Pixies}}, Music/JohnFrusciante, Music/{{Wilco}}]

to:

+ Music/{{REM}}, Music/JoyDivision, Music/EchoAndTheBunnymen, Music/{{U2}}, Music/SonicYouth, Music/{{Pixies}}, Music/JohnFrusciante, Music/{{Wilco}}]
Music/{{Wilco}}, Music/RedVox]
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Television were a cult PunkRock[=/=][[NewWaveMusic New Wave]] band from the USA, active between 1973-1978, 1992-1993 and since 2001. Its core lineup includes guitarist/vocalist Tom Verlaine, guitarist/vocalist Richard Lloyd, bassist/vocalist Fred Smith and drummer Billy Ficca. Early on, their line-up also included bassist Richard Hell, who would go on to front the Voidoids, another influential punk group.

Lloyd left the band in 2007, and Jimmy Rip became his temporary then permanent replacement.

to:

Television were a cult PunkRock[=/=][[NewWaveMusic New Wave]] band from the USA, active between 1973-1978, 1992-1993 and since 2001. Its core lineup includes included guitarist/vocalist Tom Verlaine, guitarist/vocalist Richard Lloyd, bassist/vocalist Fred Smith and drummer Billy Ficca. Early on, their line-up also included bassist Richard Hell, who would go on to front the Voidoids, another influential punk group.

Lloyd left the band in 2007, and Jimmy Rip became his temporary temporary, then permanent replacement.
replacement. Verlaine died of an unspecified illness in 2023.
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The band were famous for being more technically proficient than the punk scene they were associated with, with their SignatureStyle involving complex, interlocking guitars (influenced by Music/VelvetUnderground, Music/{{Love}} and Buffalo Springfield) and extended {{Improv}}s and jamming.

to:

The band were famous for being more technically proficient than the punk scene they were associated with, with their SignatureStyle involving complex, interlocking guitars (influenced by Music/VelvetUnderground, Music/{{Love}} Music/{{Love}}, Music/BuffaloSpringfield, and Buffalo Springfield) the Music/NewYorkDolls) and extended {{Improv}}s and jamming.
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* CoverVersion: The band's live repertoire included Music/The13thFloorElevators' "Fire Engine", Music/BobDylan's "Knockin' on Heaven's Door", and Music/TheRollingStones' "(I Can't Get No) Satisfaction".

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* CoverVersion: The band's live repertoire included Music/The13thFloorElevators' "Fire Engine", Music/BobDylan's "Knockin' on Heaven's Door", and Music/TheRollingStones' Music/{{The Rolling Stones|Band}}' "(I Can't Get No) Satisfaction".
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Added DiffLines:

Lloyd left the band in 2007, and Jimmy Rip became his temporary then permanent replacement.
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Minor grammar fixes


* TechnicianVersusPerformer: Richard Lloyd (technician) vs. Tom Verlaine (performer). Lloyd's guitar solos tend to be more legato, melodic, and complex (i.e. "See No Evil", "Elevation", the short solo in "Marquee Moon"), while Verlaine's guitar solos tend to be more jagged, noisy, and unpredictable (i.e. "Friction", the long solo in "Marquee Moon").
* ThreeChordsAndTheTruth: Completely averted, despite Television's frequent categorisation as a PunkRock band (this may be because they played it when it was still an UnbuiltTrope). Some of the band's songs have standard chorus/verse structure, but still manage to be more complicated than average punk songs, and some leave all semblance of normal structure behind entirely and take off into the stratosphere (good examples of this being "Marquee Moon" and "Little Johnny Jewel").

to:

* TechnicianVersusPerformer: Richard Lloyd (technician) vs. Tom Verlaine (performer). Lloyd's guitar solos tend to be more legato, melodic, and complex (i.e. , "See No Evil", "Elevation", the short solo in "Marquee Moon"), while Verlaine's guitar solos tend to be more jagged, noisy, and unpredictable (i.e. , "Friction", the long solo in "Marquee Moon").
* ThreeChordsAndTheTruth: Completely averted, despite Television's frequent categorisation as a PunkRock band (this may be because they played it when it was still an UnbuiltTrope). Some of the band's songs have standard chorus/verse structure, but still structure. Still, they manage to be more complicated than average punk songs, and some leave all semblance of normal structure behind entirely and take off into the stratosphere (good examples of this being "Marquee Moon" and "Little Johnny Jewel").
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* MohsScaleOfRockAndMetalHardness: Lower than usual for a PunkRock band, as befits their unusual sound (for the genre, at least)- Television's work ranges from a 2 ("Guiding Light", "Days") up to about a 5 on a few rare occasions ("Foxhole" is a good example, powered as it is by a [[Music/TheRollingStones Stones-y]] groove). Most of their work is in the 3-4 range, though.

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[floatboxright:
Influenced:
+ Music/{{REM}}, Music/JoyDivision, Music/EchoAndTheBunnymen, Music/{{U2}}, Music/SonicYouth, Music/{{Pixies}}, Music/JohnFrusciante, Music/{{Wilco}}]
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* LoudnessWar: Averted or downplayed at worst, even on the remasters of their music - the 2003 Rhino remasters of ''Marquee Moon'' and ''Adventure'', probably the most widely available versions these days, come out to [=DR9=] and [=DR10=], respectively, with no tracks on either scoring below [=DR8=]. The original [=CDs=] were still slightly more dynamic ([=DR13=] for ''Marquee Moon'' and [=DR12=] for ''Adventure''). A 2015 [=HDTracks=] release of ''Marquee Moon'' splits the difference and comes out to [=DR11=]. The closest thing to an offender in the band's discography is a 2006 Japanese remaster of ''Marquee Moon'', which is still not very bad at [=DR8=] overall, with no track scoring below [=DR7=]. The SelfTitledAlbum, meanwhile, is the most dynamic release in the band's discography at [=DR14=].

to:

* LoudnessWar: Averted or downplayed at worst, even on the remasters of their music - the 2003 Rhino Creator/RhinoRecords remasters of ''Marquee Moon'' and ''Adventure'', probably the most widely available versions these days, come out to [=DR9=] and [=DR10=], respectively, with no tracks on either scoring below [=DR8=]. The original [=CDs=] were still slightly more dynamic ([=DR13=] for ''Marquee Moon'' and [=DR12=] for ''Adventure''). A 2015 [=HDTracks=] release of ''Marquee Moon'' splits the difference and comes out to [=DR11=]. The closest thing to an offender in the band's discography is a 2006 Japanese remaster of ''Marquee Moon'', which is still not very bad at [=DR8=] overall, with no track scoring below [=DR7=]. The SelfTitledAlbum, meanwhile, is the most dynamic release in the band's discography at [=DR14=].
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None

Added DiffLines:

* TechnicianVersusPerformer: Richard Lloyd (technician) vs. Tom Verlaine (performer). Lloyd's guitar solos tend to be more legato, melodic, and complex (i.e. "See No Evil", "Elevation", the short solo in "Marquee Moon"), while Verlaine's guitar solos tend to be more jagged, noisy, and unpredictable (i.e. "Friction", the long solo in "Marquee Moon").
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* CoverVersion: The band's live repertoire included Music/The13thFloorElevators' "Fire Engine".
* EpicRocking: "Marquee Moon", "Torn Curtain", "The Fire", "The Dream's Dream", "Little Johnny Jewel".

to:

* CoverVersion: The band's live repertoire included Music/The13thFloorElevators' "Fire Engine".
Engine", Music/BobDylan's "Knockin' on Heaven's Door", and Music/TheRollingStones' "(I Can't Get No) Satisfaction".
* EpicRocking: In the studio: "Marquee Moon" (10:47), "Torn Curtain" (7:10), "The Fire" (5:57), "The Dream's Dream" (6:45), "Little Johnny Jewel" (7:09), the instrumental demo of "Ain't That Nothin'" (9:48). In concert, any track could become this due to the band's penchant for jamming. As but one example, ''The Blow-Up'' has a 6:13 "Ain't That Nothin'", a 7:50 "Knockin' on Heaven's Door", a 14:56 "Little Johnny Jewel", a 14:45 "Marquee Moon", "Torn Curtain", "The Fire", "The Dream's Dream", "Little Johnny Jewel".and a 7:18 "Satisfaction".
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Added DiffLines:

* LoudnessWar: Averted or downplayed at worst, even on the remasters of their music - the 2003 Rhino remasters of ''Marquee Moon'' and ''Adventure'', probably the most widely available versions these days, come out to [=DR9=] and [=DR10=], respectively, with no tracks on either scoring below [=DR8=]. The original [=CDs=] were still slightly more dynamic ([=DR13=] for ''Marquee Moon'' and [=DR12=] for ''Adventure''). A 2015 [=HDTracks=] release of ''Marquee Moon'' splits the difference and comes out to [=DR11=]. The closest thing to an offender in the band's discography is a 2006 Japanese remaster of ''Marquee Moon'', which is still not very bad at [=DR8=] overall, with no track scoring below [=DR7=]. The SelfTitledAlbum, meanwhile, is the most dynamic release in the band's discography at [=DR14=].
Is there an issue? Send a MessageReason:
None


Television were a cult PunkRock[=/=][[NewWaveMusic New Wave]] band from the USA, active between 1973-1978, 1992-1993 and since 2001. Its core lineup includes guitarist/vocalist Tom Verlaine, guitarist/vocalist Richard Lloyd, bassist/vocalist Fred Smith and drummer Billy Ficca. Early on, their line-up also included guitarist Richard Hell, who would go on to front the Voidoids, another influential punk group.

to:

Television were a cult PunkRock[=/=][[NewWaveMusic New Wave]] band from the USA, active between 1973-1978, 1992-1993 and since 2001. Its core lineup includes guitarist/vocalist Tom Verlaine, guitarist/vocalist Richard Lloyd, bassist/vocalist Fred Smith and drummer Billy Ficca. Early on, their line-up also included guitarist bassist Richard Hell, who would go on to front the Voidoids, another influential punk group.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ProgressiveRock: Despite being associated with the punk scene, they were ironically much closer to this, with often lengthy and complex compositions that took heavy influence from jazz and featured complicated counter-melodies as a SignatureStyle. If it wasn't for their ties to Richard Hell, they would have never had any connection to punk.
Is there an issue? Send a MessageReason:
None


* MeaningfulName[=/=]RedOniBlueOni: According to one story, youngsters Thomas Miller and Richard Meyers ran away from a boarding school and set fire to a field. When questioned by the cops, Miller (who would later rename himself Verlaine after the [[https://en.m.wikipedia.org/wiki/Paul_Verlaine 19th century French poet]]) said he [[{{Angst}} just wanted to feel warm]]; Meyers (who would later rename himself Hell, after the poem ''[[https://www.goodreads.com/book/show/168499.A_Season_in_Hell?from_search=true A Season in Hell]]'', by the post Artbut Rimbaud, whom of which was Verlaine's lover) said [[PyroManiac he just wanted to see it burn]].

to:

* MeaningfulName[=/=]RedOniBlueOni: According to one story, youngsters Thomas Miller and Richard Meyers ran away from a boarding school and set fire to a field. When questioned by the cops, Miller (who would later rename himself Verlaine after the [[https://en.m.wikipedia.org/wiki/Paul_Verlaine 19th century French poet]]) said he [[{{Angst}} just wanted to feel warm]]; Meyers (who would later rename himself Hell, after the poem ''[[https://www.goodreads.com/book/show/168499.A_Season_in_Hell?from_search=true A Season in Hell]]'', by the post Artbut Rimbaud, poet [[https://en.m.wikipedia.org/wiki/Arthur_Rimbaud Arthur Rimbaud]], whom of which was Verlaine's lover) said [[PyroManiac he just wanted to see it burn]].
Is there an issue? Send a MessageReason:
None


* MeaningfulName[=/=]RedOniBlueOni: According to one story, youngsters Thomas Miller and Richard Meyers ran away from a boarding school and set fire to a field. When questioned by the cops, Miller (who would later rename himself Verlaine after the 19th century French poet) said he [[{{Angst}} just wanted to feel warm]]; Meyers (who would later rename himself {{Hell}}) said [[PyroManiac he just wanted to see it burn]].

to:

* MeaningfulName[=/=]RedOniBlueOni: According to one story, youngsters Thomas Miller and Richard Meyers ran away from a boarding school and set fire to a field. When questioned by the cops, Miller (who would later rename himself Verlaine after the [[https://en.m.wikipedia.org/wiki/Paul_Verlaine 19th century French poet) poet]]) said he [[{{Angst}} just wanted to feel warm]]; Meyers (who would later rename himself {{Hell}}) Hell, after the poem ''[[https://www.goodreads.com/book/show/168499.A_Season_in_Hell?from_search=true A Season in Hell]]'', by the post Artbut Rimbaud, whom of which was Verlaine's lover) said [[PyroManiac he just wanted to see it burn]].

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