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Deleted line(s) 91,92 (click to see context) :
* LongTitle: Hoo boy, lots of them. "Sorry, You're Not a Winner," "Anything Can Happen in the Next Half Hour," "Warm Smiles Do Not Make You Welcome Here" and "Hello Tyrannosaurus, Meet Tyrannicide" are but a couple examples.
** "Giant Pacific Octopus (i don't know you anymore)" and "giant pacific octopus swirling off into infinity…" from ''A Kiss For The Whole World''.
** "Giant Pacific Octopus (i don't know you anymore)" and "giant pacific octopus swirling off into infinity…" from ''A Kiss For The Whole World''.
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AKFTWW IS OUT YAYYYYY
** ''The Zone'' is referenced in "Enter Shikari".
** "Dead Wood" references ''Nothing Is True & Everything Is Possible''.
** The eponymous track in ''A Kiss For The Whole World''.
** "Dead Wood" references ''Nothing Is True & Everything Is Possible''.
** The eponymous track in ''A Kiss For The Whole World''.
** The music video for "T.I.N.A.".
** Two in "Dead Wood": to "(pls) set me on fire" and to ''Nothing Is True & Everything Is Possible''.
** "Jailbreak" references "The Dreamer's Hotel".
** "Giant Pacific Octopus" references "Live Outside".
** "Jailbreak" references "The Dreamer's Hotel".
** "Giant Pacific Octopus" references "Live Outside".
** "Torn Apart" fades into "interlude".
** Also applies to a lot of songs on both ''Nothing Is True & Everything Is Possible'' and ''A Kiss For The Whole World''.
** Also applies to a lot of songs on both ''Nothing Is True & Everything Is Possible'' and ''A Kiss For The Whole World''.
** "Elegy of Extinction" is an instrumental track portraying life on Earth with music. It devolves into LastNoteNightmare to signify climate change.
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* LongRunnerLineUp: The band have had the same lineup for 17 years (as of 2020).
to:
* LongRunnerLineUp: The band have had the same lineup for 17 20 years (as of 2020).2023).
** "Giant Pacific Octopus (i don't know you anymore)" and "giant pacific octopus swirling off into infinity…" from ''A Kiss For The Whole World''.
** Loud and energetic "Leap Into The Lighting" and "feed your soul" are right before quiet and somber "Dead Wood".
** "interlude" on ''The Mindsweep''.
** "Reprise 3" on ''Nothing Is True & Everything Is Possible''.
** "Reprise 3" on ''Nothing Is True & Everything Is Possible''.
** From "Goldfish": "You’re just a fucking goldfish".
* SiameseTwinSongs: A fair amount of songs:
** "Common Dreads" flows into "Solidarity".
** "System..." flows into "...Meltdown".
** "Marionettes (I. The Discovery of Strings)" and "Marionettes (II. The Ascent)".
** "Bloodshot" and "Bloodshot (Coda)".
** "Leap Into The Lightning" and "feed yøur søul".
** "Giant Pacific Octopus" and "giant pacific octopus swirling off into infinity…".
** "Common Dreads" flows into "Solidarity".
** "System..." flows into "...Meltdown".
** "Marionettes (I. The Discovery of Strings)" and "Marionettes (II. The Ascent)".
** "Bloodshot" and "Bloodshot (Coda)".
** "Leap Into The Lightning" and "feed yøur søul".
** "Giant Pacific Octopus" and "giant pacific octopus swirling off into infinity…".
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* SpokenWordInMusic: The intro to ''Common Dreads'' and "System...".
to:
* SpokenWordInMusic: The intro to ''Common Dreads'' and "System...". Also happens in the beginning of "Jailbreak".
** Carries on in ''A Kiss For The Whole World'' with "feed yøur søul" and "Goldfĭsh ~"
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If you were looking for 'Enter ''Music/{{Shakira}}'' ', you may be interested in [[YMMV/{{Shakira}} this YMMV]].
to:
If you were looking for 'Enter ''Music/{{Shakira}}'' ', "Enter ''Music/{{Shakira}}''", you may be interested in [[YMMV/{{Shakira}} this YMMV]].
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** Multiple songs in ''Nothing Is True & Everything Is Possible'' mention "something in the air".
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* VaguenessIsComing: The lyrics to multiple songs in ''Nothing is True & Everything is Possible'' mention that they can feel "it" coming, that it's getting closer and can be felt in the air. Judging by the albums themes, "it" is likely societal change or revolution.
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As of this writing, they've released seven albums: ''Take to the Skies'' in 2007, ''Common Dreads'' in 2009, ''A Flash Flood of Colour'' in 2012, ''The Mindsweep'' in 2015, ''The Spark'' in 2017, ''Nothing Is True & Everything Is Possible'' in 2020, and "A Kiss for the Whole World" in 2023. They also released two compilations of B-sides and demos, ''The Zone'' in 2007 and ''Tribalism'' in 2010, and as of 2013, they have begun a {{dubstep}} side project called Shikari Sound System.
to:
As of this writing, they've released seven albums: ''Take to the Skies'' in 2007, ''Common Dreads'' in 2009, ''A Flash Flood of Colour'' in 2012, ''The Mindsweep'' in 2015, ''The Spark'' in 2017, ''Nothing Is True & Everything Is Possible'' in 2020, and "A ''A Kiss for the Whole World" World'' in 2023. They also released two compilations of B-sides and demos, ''The Zone'' in 2007 and ''Tribalism'' in 2010, and as of 2013, they have begun a {{dubstep}} side project called Shikari Sound System.
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Changed line(s) 11,12 (click to see context) from:
As of this writing, they've released six albums: ''Take to the Skies'' in 2007, ''Common Dreads'' in 2009, ''A Flash Flood of Colour'' in 2012, ''The Mindsweep'' in 2015, ''The Spark'' in 2017, and ''Nothing Is True & Everything Is Possible'' in 2020. They also released two compilations of B-sides and demos, ''The Zone'' in 2007 and ''Tribalism'' in 2010, and as of 2013, they have begun a {{dubstep}} side project called Shikari Sound System.
to:
As of this writing, they've released six seven albums: ''Take to the Skies'' in 2007, ''Common Dreads'' in 2009, ''A Flash Flood of Colour'' in 2012, ''The Mindsweep'' in 2015, ''The Spark'' in 2017, and ''Nothing Is True & Everything Is Possible'' in 2020.2020, and "A Kiss for the Whole World" in 2023. They also released two compilations of B-sides and demos, ''The Zone'' in 2007 and ''Tribalism'' in 2010, and as of 2013, they have begun a {{dubstep}} side project called Shikari Sound System.
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Deleted line(s) 31 (click to see context) :
* AwesomeMcCoolname: "Ladies and gentlemen, show your appreciation for JONNY SNNNIPEEEERRRRR!"
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Uncanny Valley is IUEO now and the subjective version has been split; cleaning up misuse and ZCE in the process
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* AnimatedMusicVideo: "[[https://www.youtube.com/watch?v=LAVne8dOzEA Thumper]]" is a black-and-white performance video, with ([[UncannyValley fairly terrifying]]) doodle-style drawings of the band rotoscoped over it.
to:
* AnimatedMusicVideo: "[[https://www.youtube.com/watch?v=LAVne8dOzEA Thumper]]" is a black-and-white performance video, with ([[UncannyValley fairly terrifying]]) doodle-style drawings of the band rotoscoped over it.
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cut trope
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Enter Shikari are a British four-piece {{Electronicore}} / AvantGardeMetal band. [[NeoclassicalPunkZydecoRockabilly They could probably be described as post-hardcore, although they also have elements of punk, metal, screamo and many different sub-genres of electronic music, and even occasionally hip hop.]]
to:
Enter Shikari are a British four-piece {{Electronicore}} / AvantGardeMetal band. [[NeoclassicalPunkZydecoRockabilly They could probably be described as post-hardcore, although they also have elements of punk, metal, screamo and many different sub-genres of electronic music, and even occasionally hip hop.]]
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* NeoclassicalPunkZydecoRockabilly: Their music is... surprisingly hard to pin down to a genre. In fact, they have a shirt that references this. "Enter Shikari Sound System: [[GenreBusting Abusing Music Genres Worthless Boundaries Since 2003]]"
** So far, their music has used elements of HardcorePunk, {{Metalcore}}, ThrashMetal, {{Trance}}, {{Dubstep}}, DrumAndBass and {{House|Music}}. That's a lot of genres...
** So far, their music has used elements of HardcorePunk, {{Metalcore}}, ThrashMetal, {{Trance}}, {{Dubstep}}, DrumAndBass and {{House|Music}}. That's a lot of genres...
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* MohsScaleOfLyricalHardness: Generally ranges from 4-8.
* MohsScaleOfRockAndMetalHardness: They come in at an 8, occasionally going down to a 7 or going up to a 9.
* MohsScaleOfRockAndMetalHardness: They come in at an 8, occasionally going down to a 7 or going up to a 9.
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Changed line(s) 89 (click to see context) from:
** [[EvilBrit Bassist Chris Batten puts on a "posh" British accent when he is speaking from the point of view of a "government" or "establishment" figure]] ("Fanfare for the Conscious Man" and "Gandhi Mate, Gandhi" being two obvious examples).
to:
** Chris has been known to put on a [[EvilBrit Bassist Chris Batten puts on a "posh" British accent accent]] when he is speaking from playing the point of view role of a "government" or "establishment" figure]] figure ("Fanfare for the Conscious Man" and "Gandhi Mate, Gandhi" being two obvious examples).
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Changed line(s) 89 (click to see context) from:
** [[EvilBrit He also puts on a "posh" British accent when he is speaking from the point of view of a "government" or an "establishment" figure]] ("Fanfare for the Conscious Man" and "Gandhi Mate, Gandhi" being two obvious examples).
to:
** [[EvilBrit He also Bassist Chris Batten puts on a "posh" British accent when he is speaking from the point of view of a "government" or an "establishment" figure]] ("Fanfare for the Conscious Man" and "Gandhi Mate, Gandhi" being two obvious examples).
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* AdamSmithHatesYourGuts: The song "Bank of England" is about failures with the marketing system in RealLife. It's complete with counteragruing Adam Smith's infamous "invisible hand" argument, telling the lister "the invisible hand no longer guides, it chokes".
to:
* AdamSmithHatesYourGuts: The song "Bank of England" is about failures with the marketing system in RealLife. It's complete with counteragruing Adam Smith's infamous "invisible hand" argument, telling the lister listener "the invisible hand no longer guides, it chokes".
Added DiffLines:
** Multiple songs in ''Nothing Is True & Everything Is Possible'' mention "something in the air".
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** So far, their music has used elements of HardcorePunk, {{Metalcore}}, ThrashMetal, {{Trance}}, {{Dubstep}}, DrumAndBass and {{House}}. That's a lot of genres...
to:
** So far, their music has used elements of HardcorePunk, {{Metalcore}}, ThrashMetal, {{Trance}}, {{Dubstep}}, DrumAndBass and {{House}}.{{House|Music}}. That's a lot of genres...
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None
Changed line(s) 52 (click to see context) from:
* CapitalismSucks: Occurs so often that it's hard to find a song that doesn't at least nod to it.
to:
* CapitalismSucks: CapitalismIsBad: Occurs so often that it's hard to find a song that doesn't at least nod to it.
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Added DiffLines:
* AdamSmithHatesYourGuts: The song "Bank of England" is about failures with the marketing system in RealLife. It's complete with counteragruing Adam Smith's infamous "invisible hand" argument, telling the lister "the invisible hand no longer guides, it chokes".
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* CapitalismSucks: Occurs so often that it's hard to find a song that doesn't at least nod to it.
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* GreenAesop: Happens A LOT.
to:
* GreenAesop: Happens A LOT. Enter Shikari purposely include one in every album.
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** "Myopia" from the Mindsweep is about lack of action taken against climate change and how it's important to take action because all living things are related.
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Changed line(s) 129,130 (click to see context) from:
** Almost every song in ''Nothing Is True & Everything Is Possible'' features either additional symbols, fancy letter accents, selective capitalisation, or a mixture of the three, most notably for three of the album's four singles:
"{ The Dreamer's Hotel }", "thē kĭñg", and "satellites* *".
"{ The Dreamer's Hotel }", "thē kĭñg", and "satellites* *".
to:
** Almost every song in ''Nothing Is True & Everything Is Possible'' features either additional symbols, fancy letter accents, or selective capitalisation, or a mixture of the three, most notably for in three of the album's four singles:
singles: "{ The Dreamer's Hotel }", "thē kĭñg", and "satellites* *".
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Changed line(s) 129 (click to see context) from:
** Almost every song in ''Nothing Is True & Everything Is Possible'' features either additional symbols, fancy letter accents, selective capitalisation, or a mixture of the three, most notably for three of the album's four singles: "{ The Dreamer's Hotel }", "thē kĭñg", and "satellites* *".
to:
** Almost every song in ''Nothing Is True & Everything Is Possible'' features either additional symbols, fancy letter accents, selective capitalisation, or a mixture of the three, most notably for three of the album's four singles: singles:
"{ The Dreamer's Hotel }", "thē kĭñg", and "satellites* *".
"{ The Dreamer's Hotel }", "thē kĭñg", and "satellites* *".
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None
Changed line(s) 129 (click to see context) from:
** Almost every song in ''Nothing Is True & Everything Is Possible'' features either additional symbols, fancy letter accents, selective capitalisation, or a mixture of the three, most notably for three of the four singles from that album: "{ The Dreamer's Hotel }", "thē kĭñg", and "satellites* *".
to:
** Almost every song in ''Nothing Is True & Everything Is Possible'' features either additional symbols, fancy letter accents, selective capitalisation, or a mixture of the three, most notably for three of the album's four singles from that album: singles: "{ The Dreamer's Hotel }", "thē kĭñg", and "satellites* *".
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Grammar
Changed line(s) 129 (click to see context) from:
** Almost every song in ''Nothing Is True & Everything Is Possible'' features either additional symbols, fancy letter accents, selective capitalisation, or a mixture of the three. Most notable for three of the four singles from that album: "{ The Dreamer's Hotel }", "thē kĭñg", and "satellites* *".
to:
** Almost every song in ''Nothing Is True & Everything Is Possible'' features either additional symbols, fancy letter accents, selective capitalisation, or a mixture of the three. Most notable three, most notably for three of the four singles from that album: "{ The Dreamer's Hotel }", "thē kĭñg", and "satellites* *".
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Added link to Unplugged Version on entry in Cover Version regarding an acoustic cover/mashup of Wonderwall and Live Outside.
Changed line(s) 56 (click to see context) from:
** They’ve even performed an acoustic cover/mashup version of Oasis’ “Wonderwall” and their own song “[[https://m.youtube.com/watch?v=mi0Mqt6nZZ0 Live Outside]]” (starts around 3:10).
to:
** They’ve even performed an [[UnpluggedVersion acoustic cover/mashup cover]]/mashup version of Oasis’ “Wonderwall” and their own song “[[https://m.youtube.com/watch?v=mi0Mqt6nZZ0 Live Outside]]” (starts around 3:10).
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Changed line(s) 114 (click to see context) from:
** Some fans were particularly incensed by [[GayAesop message of the song]], though Rou was [[https://twitter.com/roureynolds/status/1256215481272414214?lang=en-gb more than happy to see the back of them]].
to:
** Some fans were particularly incensed by [[GayAesop the message of the song]], though Rou was [[https://twitter.com/roureynolds/status/1256215481272414214?lang=en-gb more than happy to see the back of them]].
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Added Fun With Acronyms section for the song T.I.N.A.
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* FunWithAcronyms: as seen with the third single from ''Nothing Is True & Everything Is Possible'', "T.I.N.A." (There Is No Alternative).
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Addition to Xtreme Kool Letterz regarding their most recent album and its singles.
Added DiffLines:
** Almost every song in ''Nothing Is True & Everything Is Possible'' features either additional symbols, fancy letter accents, selective capitalisation, or a mixture of the three. Most notable for three of the four singles from that album: "{ The Dreamer's Hotel }", "thē kĭñg", and "satellites* *".
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Added in Queer Media section for the song satellites* *, which all-but explicitly talks about a queer romance, which Rou later confirmed in an interview (linked in the edit).
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* QueerMedia: If the lyrics weren't already clear enough, [[https://genius.com/Enter-shikari-satellites-lyrics#about Rou confirmed in an interview]] that "satellites* *" was written as "an exercise in empathy towards the LGBTQ community".
** Some fans were particularly incensed by [[GayAesop message of the song]], though Rou was [[https://twitter.com/roureynolds/status/1256215481272414214?lang=en-gb more than happy to see the back of them]].
** Some fans were particularly incensed by [[GayAesop message of the song]], though Rou was [[https://twitter.com/roureynolds/status/1256215481272414214?lang=en-gb more than happy to see the back of them]].
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Grammar
Changed line(s) 100 (click to see context) from:
** Neither do ''The Spark'' or ''Nothing Is True & Everything Is Possible'' for that matter, with the latter even including one ''fully orchestral'' tracks.
to:
** Neither do ''The Spark'' or ''Nothing Is True & Everything Is Possible'' for that matter, with the latter even including one ''fully orchestral'' tracks.track.
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Updated now-redundant link to Labyrinth in Last Note Nightmare so that it links to a working You Tube video.
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* LastNoteNightmare: The last few seconds of "[[https://www.youtube.com/watch?v=dlatYFKdvig Labyrinth]]" are rather... chilling.
to:
* LastNoteNightmare: The last few seconds of "[[https://www.youtube.com/watch?v=dlatYFKdvig "[[https://youtu.be/eGl21lZsr5A Labyrinth]]" are rather... chilling.
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** Neither do ''The Spark'' or ''Nothing Is True & Everything Is Possible'' for that matter, with the latter even including one ''fully orchestral'' tracks.
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grammar
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** ''Nothing Is True & Everything Is Possible'' is repeated at the end of "Waltzing off the Face of the Earth (I. Crescendo)"
to:
** ''Nothing Is True & Everything Is Possible'' is repeated at the end of "Waltzing off the Face of the Earth (I. Crescendo)"Crescendo)".
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Added example from Waltzing off the Face of the Earth (I. Crescendo) to Album Title Drop.
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** ''Nothing Is True & Everything Is Possible'' is repeated at the end of "Waltzing off the Face of the Earth (I. Crescendo)"
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Minor edit to Genre Shift entry
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** Both ''The Spark'' and ''Nothing Is True & Everything is Possible'' are much lighter than even ''Common Dreads'', [[NostalgiaFilter much to the chagrin of some fans]].
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** Both ''The Spark'' and ''Nothing Is True & Everything is Possible'' are much lighter than even ''Common Dreads'', [[NostalgiaFilter much to the chagrin of some old school fans]].