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* TheDoors' cover of "Alabama Song" (or [[RefrainFromAssuming "Whiskey Bar"]]) changed "Show us the way to the next pretty boy" to "Show me the way to the next little girl". Originally, the song was sung from the perspective of prostitutes.
** Well, that's a relief. I always assumed the original was from the point of view of a pedophile!
** Well, that's a relief. I always assumed the original was from the point of view of a pedophile!
to:
* TheDoors' cover of "Alabama Song" (or [[RefrainFromAssuming "Whiskey Bar"]]) changed "Show us the way to the next pretty little boy" to "Show me the way to the next little girl". Originally, the song was sung from the perspective of prostitutes.
** Well, that's a relief. I always assumed the original was from the point of view of a pedophile!prostitutes.
** Well, that's a relief. I always assumed the original was from the point of view of a pedophile!
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* "When She Loved Me" was originally sung by Sarah McLachlan for ''ToyStory 2'' from the point of view of the doll Jessie, which [[ItMakesSenseInContext makes perfect sense in context]]. Michael Crawford and a few other male singers have [[CoveredUp covered]] it, which makes a whole lot more sense if you think of it as a song about [[LoveHurts lost romantic love]]. The funny thing is, there's still [[LesYay female singers]] covering it, like Jordan Pruitt on Disneymania 5.
* Bruce Springsteen wrote "Because The Night" from a male perspective, but couldn't make it fit with the rest of ''Darkness on the Edge of Town''. He ended up giving it to Patti Smith, who recast it from a female perspective. (Only one (concert) recording of Springsteen's version has ever been commercially released.)
* Bruce Springsteen wrote "Because The Night" from a male perspective, but couldn't make it fit with the rest of ''Darkness on the Edge of Town''. He ended up giving it to Patti Smith, who recast it from a female perspective. (Only one (concert) recording of Springsteen's version has ever been commercially released.)
to:
* "When She Loved Me" was originally sung by Sarah McLachlan [=Sarah McLachlan=] for ''ToyStory 2'' from the point of view of the doll Jessie, which [[ItMakesSenseInContext makes perfect sense in context]]. Michael Crawford and a few other male singers have [[CoveredUp covered]] it, which makes a whole lot more sense if you think of it as a song about [[LoveHurts lost romantic love]]. The funny thing is, there's still [[LesYay female singers]] covering it, like Jordan Pruitt on Disneymania 5.
*Bruce Springsteen BruceSpringsteen wrote "Because The Night" from a male perspective, but couldn't make it fit with the rest of ''Darkness on the Edge of Town''. He ended up giving it to Patti Smith, who recast it from a female perspective. (Only one (concert) recording of Springsteen's version has ever been commercially released.)
*
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The male version seems to be the original, strange as it may seem
Deleted line(s) 133 (click to see context) :
* CabCalloway did a cover of "Blues in the Night (My Mama Done Told Me)" in which he sings about how his mother told him that women are 'two-faced' and will leave him to sing the blues. The odd thing about this version is his mother bashing her own gender, when in the original the mother warns the singer of the dangers of men.
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** Sinatra also recorded "The Girl Next Door," an alternate version of "The Boy Next Door" from ''MeetMeInStLouis''.
to:
** Sinatra also recorded "The Girl Next Door," an alternate alternate-pronoun version of "The Boy Next Door" from ''MeetMeInStLouis''.
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* Sufficiently old folk songs can go either way. "Black Is The Colour" by... [[CriticalResearchFailure whichever bloke it was originally by]] has been covered by Cara Dillon, who left it straight, and The Corrs, who flipped it. (Cara's is better.)
to:
* Sufficiently old folk songs can go either way. "Black Is The Colour" by... [[CriticalResearchFailure whichever bloke it was originally by]] by has been covered by Cara Dillon, who left it straight, and The Corrs, who flipped it. (Cara's is better.)it.
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** Not to mention their cover of the Marvelettes' "Please Mr. Postman".
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* Frank Sinatra performed "The Man That Got Away" as "The Gal That Got Away." However, this was averted in Jeff Buckley and RufusWainwright's version. (Then again, Rufus Wainwright is openly gay, so that's not surprising)
to:
* Frank Sinatra FrankSinatra performed "The Man That Got Away" as "The Gal That Got Away." (Aside from pronouns and such, the only difference in the lyrics was changing "A one-man woman" to "A lost, lost loser.") However, this was averted in Jeff Buckley and RufusWainwright's version. (Then again, Rufus Wainwright is openly gay, so that's not surprising)surprising)
** Sinatra also recorded "The Girl Next Door," an alternate version of "The Boy Next Door" from ''MeetMeInStLouis''.
** Sinatra also recorded "The Girl Next Door," an alternate version of "The Boy Next Door" from ''MeetMeInStLouis''.
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* All female covers "(If loving you is wrong) I don't wanna be right" change the point of view from the cheating husband to the other woman.
to:
* All female covers "(If loving you is wrong) Loving You Is Wrong) I don't wanna be right" Don't Wanna Be Right" change the point of view from the cheating husband to the other woman. woman.
* A country singer named Sunday Sharpe covered Paul Anka's "(You're) Having My Baby" as "I'm Having Your Baby".
* A country singer named Sunday Sharpe covered Paul Anka's "(You're) Having My Baby" as "I'm Having Your Baby".
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* Freek de Jonge's cover of "Peter" plays this for comedy. At the end of the song, he reveals that "Peter" is the name of a girl from Suriname.
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* Too many Baroque operas to count. Many of these operas were male roles written for castrati, male sopranos who were castrated before puberty so that they would retain their high vocal registers. Since modern society frowns upon castrating little boys, even for the sake of art, females often take over these roles. Mezzo-sopranos are usually favored in casting, leading to the saying among mezzo-soprano's of playing "witches, bitches, and britches".
to:
* Too many Baroque operas to count. Many of these operas were male roles written for castrati, male sopranos who were castrated before puberty so that they would retain their high vocal registers. Since modern society frowns upon castrating little boys, even for the sake of art, females often take The aria "Sposa, son disprezzata" from Vivaldi's opera "Bajazet", which was about a wife raging over these roles. Mezzo-sopranos are usually favored in casting, leading to her husband's infidelity. The original libretto, "Sposa, non mi conosci", from Geminiano Giacomelli's opera "Merope", was originally sung by the saying among mezzo-soprano's of playing "witches, bitches, and britches". husband, who was denying his infidelity.
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* Too many Baroque operas to count. Many of these operas were male roles written for castrati, male sopranos who were castrated before puberty so that they would retain their high vocal registers. Since modern society frowns upon castrating little boys, even for the sake of art, females often take over these roles. Mezzo-sopranos are usually favored in casting, leading to the saying among mezzo-soprano's of playing "witches, bitches, and britches".
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*[[SongsToWearPantsTo Andrew Huang's]] [[http://www.youtube.com/watch?v=bGF5iDrKvwY version of Rihanna's "Only Girl"]] is an aversion.
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* Twisted Sister's cover of "Leader of the Pack" reverses both the singer's gender and the relationship's outcome, having Betty die in a car crash rather than Jimmy wipe out fatally on his motorcycle.
to:
* Twisted Sister's cover of "Leader of the Pack" reverses both the singer's gender identity and the relationship's outcome, having Betty die in a car crash rather than Jimmy wipe out fatally on his motorcycle.
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Changed line(s) 86 (click to see context) from:
* Twisted Sister's cover of "Leader of the Pack" reverses both the singer's gender and the ending, having Betty die in a car crash rather than Jimmy wipe out fatally on his motorcycle.
to:
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* Twisted Sister's cover of "Leader of the Pack" reverses both the singer's gender and the relationship's outcome, having Betty die in a car crash rather than Jimmy wipe out fatally on his motorcycle.
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* Twisted Sister's cover of "Leader of the Pack" reverses both the singer's gender and the ending, having Betty die in a car crash rather than Jimmy wipe out fatally on his motorcycle.
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*** Also, "Danny Boy" is not actually a love song. If you listen to ALL of the lyrics, it's an older man singing to his younger relative -- a son or grandson -- who's going off to war, and the singer is basically saying "Kid, most likely I'm going to be dead by the time you get back, but just promise to visit my grave when you do and then I can die happy knowing you're off fighting the good fight."
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Changed line(s) 39,45 (click to see context) from:
** It's also averted in The Sisters of Mercy cover of... ABBA's ''"Gimme Gimme Gimme," of all songs.''
[[/folder]]
[[folder:Female singer covered by male singer]]
* Elvis performing DustySpringfield's ''You don't have to say you love me'' turns out pretty well, since there's no specific pronouns used. But regardless of gender it does come of with some HoYay subtext
* Tony Bennet did this all over his album "For The Ladies" which was entirely covers of songs made famous by female singers or written for female singers. This is averted in his live shows, however where he feels the original song is more important than the pronouns. And really trying to make Black and Blue about anything other than colorism black women experience doesn't work.
* Frank Sinatra performed "The Man That Got Away" as "The Gal That Got Away." However, this was averted in Jeff Buckley and RufusWainwright's version. (Then again, Rufus Wainwright is openly gay, so that's not surprising)
[[/folder]]
[[folder:Female singer covered by male singer]]
* Elvis performing DustySpringfield's ''You don't have to say you love me'' turns out pretty well, since there's no specific pronouns used. But regardless of gender it does come of with some HoYay subtext
* Tony Bennet did this all over his album "For The Ladies" which was entirely covers of songs made famous by female singers or written for female singers. This is averted in his live shows, however where he feels the original song is more important than the pronouns. And really trying to make Black and Blue about anything other than colorism black women experience doesn't work.
* Frank Sinatra performed "The Man That Got Away" as "The Gal That Got Away." However, this was averted in Jeff Buckley and RufusWainwright's version. (Then again, Rufus Wainwright is openly gay, so that's not surprising)
to:
** It's also averted in The Sisters of Mercy cover of... ABBA's ''"Gimme Gimme Gimme," of all songs.''
[[/folder]]
[[folder:Female singer covered''
* Averted in Emily Picha's cover of Leonard Cohen's "Chelsea Hotel No. 2," which adds a whole new level of meaning to "You told me again you preferred handsome men, but for me you would make an exception."
** Same goes for ReginaSpektor's cover of the same song.
* Averted bymale singer]]
Max Vernon's cover of "I Kissed A Girl": he kept the lyrics, [[TheCoverChangesTheMeaning which changed the meaning of the song]].
** The same goes for ''Attack! Attack!''s cover, and ''[=McFly=]'''s
** And John Barrowman's [[http://www.youtube.com/watch?v=WMncnFQkZ5w karaoke attempt]].
*Elvis performing DustySpringfield's ''You Corrinne Bailey Rae's cover of "Sexyback" changes "them other boys they don't have know how to say you love me'' turns out pretty well, since there's no specific pronouns used. But regardless act" to "them other ''girls''...", but leaves the "come here, girl" parts alone (probably to appeal to [[YuriFanboy a certain demographic]]).
* Apparently there was a time when it was illegal due to copyright law to change the lyrics ofgender it does come of with some HoYay subtext
* Tony Bennet did this all over hisa song, ''even pronouns''- Art Deco released an album "For called "Can't Help Lovin' that Man" featuring many gentlemen (including Bing Crosby and Ukulele Ike) singing songs intended for women.
* Similar to the Los Campesinos! aversion, the Future Bible Heroes cover of "Don't You Want Me" by TheLadies" which Human League has Claudia Gonson singing the male verse and Stephin Merritt singing the female verse (complete with the line "I was entirely working as a waitress in a cocktail bar"). And Chia Pet's version of the same song is a duet between two female vocalists, also without changing any lyrics.
* The Dan Band bases their entire existence around subverting this trope. This all-man band coversof nothing but songs made famous originally sung by female singers or written artists and never change the gender, but they do throw in gratuitous swearing for fun.
* Most times Blixa Bargeld sings the femalesingers. part of "Where The Wild Roses Grow" with Nick Cave, there seem to be no pronoun changes from when it was a borderline-SopranoAndGravel duet with Kylie Minogue . Or differences in how the two act when on stage. It makes it either a little more confusing or a little more HoYay. (Though it would work fairly well as a song between two men if it weren't for the fact that a major part of the chorus is "for my name was Eliza Day".)
** This isaverted in his live shows, however where he feels partly due to Bargeld having sung the female part on the original demo track and the song is more important than the pronouns. And really trying to make Black and Blue about anything other than colorism black women experience doesn't work.
* Frank Sinatra performed "The Man That Got Away" as "The Gal That Got Away." However,Bargeld being such fan favourites that there was no issue performing it like this was averted in Jeff Buckley and RufusWainwright's version. (Then again, Rufus Wainwright is openly gay, so that's live. Also, it follows the traditional folk song convention of not surprising)changing pronouns.
* Patti Smith's semi-cover of Van Morrison's "Gloria" leaves the gender unchanged.
* Averted by Mr. Bungle performing the Portishead song "Glory Box", with Mike Patton leaving the lyrics (such as "I just wanna be a woman") unchanged.
** Anyone capable of covering that song with a GenderFlip has to get some sort of prize.
[[/folder]]
[[folder:Female singer covered
* Averted in Emily Picha's cover of Leonard Cohen's "Chelsea Hotel No. 2," which adds a whole new level of meaning to "You told me again you preferred handsome men, but for me you would make an exception."
** Same goes for ReginaSpektor's cover of the same song.
* Averted by
** The same goes for ''Attack! Attack!''s cover, and ''[=McFly=]'''s
** And John Barrowman's [[http://www.youtube.com/watch?v=WMncnFQkZ5w karaoke attempt]].
*
* Apparently there was a time when it was illegal due to copyright law to change the lyrics of
* Tony Bennet did this all over his
* Similar to the Los Campesinos! aversion, the Future Bible Heroes cover of "Don't You Want Me" by The
* The Dan Band bases their entire existence around subverting this trope. This all-man band covers
* Most times Blixa Bargeld sings the female
** This is
* Frank Sinatra performed "The Man That Got Away" as "The Gal That Got Away." However,
* Patti Smith's semi-cover of Van Morrison's "Gloria" leaves the gender unchanged.
* Averted by Mr. Bungle performing the Portishead song "Glory Box", with Mike Patton leaving the lyrics (such as "I just wanna be a woman") unchanged.
** Anyone capable of covering that song with a GenderFlip has to get some sort of prize.
* Averted by RichardCheese, who has no problem asking his bandmate to "lick his pussy", in his cover of ''My Neck, My Back'' (originally by KHIA).
* About half of the songs on the David Arnold Project of JamesBond covers are done like this, but with the lyrics remaining the same, leading to a man singing "Diamonds Are Forever".
* Averted, or rather ignored altogether in the name of camp, in {{Erasure}}'s cover of Abba's "Lay All Your Love On Me" and "Voulez Vous" from the Abba-Esque EP. The lyrics "I wasn't jealous before we met/Now every woman I see is a potential threat" and "I still don't know what you've done with me/A grown-up woman should never fall so easily" from "Lay All Your Love On Me" and "I know what you think/The girl means business, so I'll offer her a drink", originally sung by a woman, are sung unchanged by male singer Andy Bell.
** And don't forget "Gimme gimme gimme (a man after midnight)".
** They've done this with several non-Abba covers, namely The Partridge Family's "Walking in the Rain" and Ike & Tina Turner's "River Deep, Mountain High". It's rather amusing to hear a man sing "When I was a little girl, I had a ragdoll/The only doll I've ever owned"...
* Averted in Blixa Bargeld's cover of Peggy Lee's "Johnny Guitar" which uses the same lyrics as the original. As a result, it sounds like a love song from one man to another.
* Bluntly averted by The Killing Moon's cover of AlanisMorissette's rather explicit song "You Oughta Know". Which brings us lines like "Are you thinking of me when you fuck her?" sung by a man. The end result is much like a guy being left by his boyfriend for a woman and being seriously pissed off about it (that he's singing about his girlfriend leaving him for another girl gets unlikely with the lines "Would she have your baby?" and "Did you forget about me, Mr. Duplicity?").
** 1,000 Mona Lisas did the same with their cover, which was something of a novelty hit in the 90's.
* Amusingly averted in The AllAmericanRejects cover of "[[http://www.youtube.com/watch?v=faBOHMv6SJ8 Womanizer]]"
* Averted hard by Me First and the Gimme Gimmes' [[JustForPun Are A Drag]], an entire album of non-gender-flipped covers of originally female songs.
* JohnBarrowman's cover of "You're So Vain" averts this trope, leaving in lines like "All the girls thought that they'd be your partner".
* The trope was averted more frequently in years past, which is (probably) the reason Dolly Parton did so when she covered "Rockytop". ("Once I had a girl on Rockytop, half-bear the other half cat/Wild as a mink but sweet as soda-pop; I still dream about that.")
* Patricia O'Callaghan covered Leonard Cohen's "I'm Your Man" without changing the lyrics at all, turning a fairly standard love song into a wonderfully lesbian love song.
** Which has since been used as an ''epic'' background song for an International [[SlashFic Femmeslash]] Day music vid.
* Averted by Marissa Nadler's musical treatment of [[EdgarAllanPoe Poe]]'s "''Annabelle Lee''", giving the tale a new LesYay flavor.
** Her cover of Leonard Cohen's "Famous Blue Raincoat" averts this as well.
* It probably goes without saying that Pansy Division averted this in their version of "Son of A Preacher Man", since that was the whole point of them covering the song in the first place.
* Used by the Cardigans cover of Restless Heart's "The Bluest Eyes in Texas", turning a sad country song about leaving your woman into... well, the same thing, only now [[InSpace with lesbians!]]
* Averted by Sarah Blasko in her covers of "Flame Trees" and "Goodbye Yellow Brick Road". Yes, she sings "this boy's too young to be singing the blues".
* Averted by Cyndi Lauper when she covered Prince's "When You Were Mine". Given the image she was trying to cultivate, this may have been intentional.
* Sixpence None the Richer's cover of "There She Goes" kept the original gender pronouns, leading to lots of comment wars on Youtube over whether lead singer Leigh Nash was a lesbian or not. She isn't, she just didn't want to change the lyric.
* Averted by ToriAmos in her covers of "Famous Blue Raincoat", "Angie", "I'm On Fire", and many other songs.
** Of course the whole point of her ''Strange Little Girls'' album was to take songs originally written by men and to cover them from a female perspective.
* Averted in the Save Ferris cover of "Come On Eileen". Which is pretty natural, given a female name is ''in the title''. "You in that dress/Oh, my thoughts, I confess/Verge on dirty..."
* Averted in the Anne Murray cover of "You Won't See Me" by the Beatles. The few occurrences of "girl" are merely omitted, which does not significantly alter the song.
* Averted by The Watson Twins' cover of The Cure's "Just Like Heaven". All the original feminine pronouns are kept intact.
* Judy Collins covered The Incredible String Band's "First Girl I Loved" as "First Boy I Loved".
* Averted by Joan Jett in her LesYay-filled cover of "Crimson & Clover"...although played - er, straight - in her cover of "I Love Rock and Roll."
* Averted with AmyWinehouse's cover of "Valerie".
* Anya Marina's version of T.I.'s "Whatever You Like" averts this: The original is mostly addressed to someone in the second person anyway, but she does keep lines like "My chick can have what she want" and "I know you ain't ever had a man like that". The only thing that ''is'' a minor change is "Tell them other broke [[NWordPrivileges brothers]] be quiet".
[[/folder]]
[[folder:Female singer covered by male singer]]
* Elvis performing DustySpringfield's ''You don't have to say you love me'' turns out pretty well, since there's no specific pronouns used. But regardless of gender it does come of with some HoYay subtext
* Tony Bennet did this all over his album "For The Ladies" which was entirely covers of songs made famous by female singers or written for female singers. This is averted in his live shows, however where he feels the original song is more important than the pronouns. And really trying to make Black and Blue about anything other than colorism black women experience doesn't work.
* Frank Sinatra performed "The Man That Got Away" as "The Gal That Got Away." However, this was averted in Jeff Buckley and RufusWainwright's version. (Then again, Rufus Wainwright is openly gay, so that's not surprising)
* About half of the songs on the David Arnold Project of JamesBond covers are done like this, but with the lyrics remaining the same, leading to a man singing "Diamonds Are Forever".
* Averted, or rather ignored altogether in the name of camp, in {{Erasure}}'s cover of Abba's "Lay All Your Love On Me" and "Voulez Vous" from the Abba-Esque EP. The lyrics "I wasn't jealous before we met/Now every woman I see is a potential threat" and "I still don't know what you've done with me/A grown-up woman should never fall so easily" from "Lay All Your Love On Me" and "I know what you think/The girl means business, so I'll offer her a drink", originally sung by a woman, are sung unchanged by male singer Andy Bell.
** And don't forget "Gimme gimme gimme (a man after midnight)".
** They've done this with several non-Abba covers, namely The Partridge Family's "Walking in the Rain" and Ike & Tina Turner's "River Deep, Mountain High". It's rather amusing to hear a man sing "When I was a little girl, I had a ragdoll/The only doll I've ever owned"...
* Averted in Blixa Bargeld's cover of Peggy Lee's "Johnny Guitar" which uses the same lyrics as the original. As a result, it sounds like a love song from one man to another.
* Bluntly averted by The Killing Moon's cover of AlanisMorissette's rather explicit song "You Oughta Know". Which brings us lines like "Are you thinking of me when you fuck her?" sung by a man. The end result is much like a guy being left by his boyfriend for a woman and being seriously pissed off about it (that he's singing about his girlfriend leaving him for another girl gets unlikely with the lines "Would she have your baby?" and "Did you forget about me, Mr. Duplicity?").
** 1,000 Mona Lisas did the same with their cover, which was something of a novelty hit in the 90's.
* Amusingly averted in The AllAmericanRejects cover of "[[http://www.youtube.com/watch?v=faBOHMv6SJ8 Womanizer]]"
* Averted hard by Me First and the Gimme Gimmes' [[JustForPun Are A Drag]], an entire album of non-gender-flipped covers of originally female songs.
* JohnBarrowman's cover of "You're So Vain" averts this trope, leaving in lines like "All the girls thought that they'd be your partner".
* The trope was averted more frequently in years past, which is (probably) the reason Dolly Parton did so when she covered "Rockytop". ("Once I had a girl on Rockytop, half-bear the other half cat/Wild as a mink but sweet as soda-pop; I still dream about that.")
* Patricia O'Callaghan covered Leonard Cohen's "I'm Your Man" without changing the lyrics at all, turning a fairly standard love song into a wonderfully lesbian love song.
** Which has since been used as an ''epic'' background song for an International [[SlashFic Femmeslash]] Day music vid.
* Averted by Marissa Nadler's musical treatment of [[EdgarAllanPoe Poe]]'s "''Annabelle Lee''", giving the tale a new LesYay flavor.
** Her cover of Leonard Cohen's "Famous Blue Raincoat" averts this as well.
* It probably goes without saying that Pansy Division averted this in their version of "Son of A Preacher Man", since that was the whole point of them covering the song in the first place.
* Used by the Cardigans cover of Restless Heart's "The Bluest Eyes in Texas", turning a sad country song about leaving your woman into... well, the same thing, only now [[InSpace with lesbians!]]
* Averted by Sarah Blasko in her covers of "Flame Trees" and "Goodbye Yellow Brick Road". Yes, she sings "this boy's too young to be singing the blues".
* Averted by Cyndi Lauper when she covered Prince's "When You Were Mine". Given the image she was trying to cultivate, this may have been intentional.
* Sixpence None the Richer's cover of "There She Goes" kept the original gender pronouns, leading to lots of comment wars on Youtube over whether lead singer Leigh Nash was a lesbian or not. She isn't, she just didn't want to change the lyric.
* Averted by ToriAmos in her covers of "Famous Blue Raincoat", "Angie", "I'm On Fire", and many other songs.
** Of course the whole point of her ''Strange Little Girls'' album was to take songs originally written by men and to cover them from a female perspective.
* Averted in the Save Ferris cover of "Come On Eileen". Which is pretty natural, given a female name is ''in the title''. "You in that dress/Oh, my thoughts, I confess/Verge on dirty..."
* Averted in the Anne Murray cover of "You Won't See Me" by the Beatles. The few occurrences of "girl" are merely omitted, which does not significantly alter the song.
* Averted by The Watson Twins' cover of The Cure's "Just Like Heaven". All the original feminine pronouns are kept intact.
* Judy Collins covered The Incredible String Band's "First Girl I Loved" as "First Boy I Loved".
* Averted by Joan Jett in her LesYay-filled cover of "Crimson & Clover"...although played - er, straight - in her cover of "I Love Rock and Roll."
* Averted with AmyWinehouse's cover of "Valerie".
* Anya Marina's version of T.I.'s "Whatever You Like" averts this: The original is mostly addressed to someone in the second person anyway, but she does keep lines like "My chick can have what she want" and "I know you ain't ever had a man like that". The only thing that ''is'' a minor change is "Tell them other broke [[NWordPrivileges brothers]] be quiet".
[[/folder]]
[[folder:Female singer covered by male singer]]
* Elvis performing DustySpringfield's ''You don't have to say you love me'' turns out pretty well, since there's no specific pronouns used. But regardless of gender it does come of with some HoYay subtext
* Tony Bennet did this all over his album "For The Ladies" which was entirely covers of songs made famous by female singers or written for female singers. This is averted in his live shows, however where he feels the original song is more important than the pronouns. And really trying to make Black and Blue about anything other than colorism black women experience doesn't work.
* Frank Sinatra performed "The Man That Got Away" as "The Gal That Got Away." However, this was averted in Jeff Buckley and RufusWainwright's version. (Then again, Rufus Wainwright is openly gay, so that's not surprising)
Deleted line(s) 54,56 (click to see context) :
** Averted by Max Vernon's cover of "I Kissed A Girl": he kept the lyrics, [[TheCoverChangesTheMeaning which changed the meaning of the song]].
*** The same goes for ''Attack! Attack!''s cover, and ''[=McFly=]'''s
*** And John Barrowman's [[http://www.youtube.com/watch?v=WMncnFQkZ5w karaoke attempt]].
*** The same goes for ''Attack! Attack!''s cover, and ''[=McFly=]'''s
*** And John Barrowman's [[http://www.youtube.com/watch?v=WMncnFQkZ5w karaoke attempt]].
Changed line(s) 64,65 (click to see context) from:
* The Jonas Brothers' cover of "[[TheLittleMermaid Poor Unfortunate Souls]]" removes the singer's gender ("I'm a very busy ''person''/And I haven't got all day.") They still keep other lyrics [[UnfortunateImplications ("It's she who holds her tongue who gets a man")]] for some reason.
** But the song (in ''The Little Mermaid'') is sung by Ursula to Ariel: the line they didn't change is about Ariel - not the singer - anyway, so why change it? It's not like a woman saying to a young girl "you're better off keeping your trap shut" is any better than a man saying it.
** But the song (in ''The Little Mermaid'') is sung by Ursula to Ariel: the line they didn't change is about Ariel - not the singer - anyway, so why change it? It's not like a woman saying to a young girl "you're better off keeping your trap shut" is any better than a man saying it.
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* The Jonas Brothers' cover of "[[TheLittleMermaid Poor Unfortunate Souls]]" removes the singer's gender ("I'm a very busy ''person''/And I haven't got all day.") They still keep other lyrics [[UnfortunateImplications ("It's she who holds her tongue who gets a man")]] for some reason.
** But the song (in ''The Little Mermaid'') is sung by Ursula to Ariel: the line they didn't change is about Ariel - not the singer - anyway, so why change it? It's not like a woman saying to a young girl "you're better off keeping your trap shut" is any better than a man saying it.
** But the song (in ''The Little Mermaid'') is sung by Ursula to Ariel: the line they didn't change is about Ariel - not the singer - anyway, so why change it? It's not like a woman saying to a young girl "you're better off keeping your trap shut" is any better than a man saying it.
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* Apparently there was a time when it was illegal due to copyright law to change the lyrics of a song, ''even pronouns''- Art Deco released an album called "Can't Help Lovin' that Man" featuring many gentlemen (including Bing Crosby and Ukulele Ike) singing songs intended for women.
* Similar to the Los Campesinos! aversion, the Future Bible Heroes cover of "Don't You Want Me" by The Human League has Claudia Gonson singing the male verse and Stephin Merritt singing the female verse (complete with the line "I was working as a waitress in a cocktail bar"). And Chia Pet's version of the same song is a duet between two female vocalists, also without changing any lyrics.
* Similar to the Los Campesinos! aversion, the Future Bible Heroes cover of "Don't You Want Me" by The Human League has Claudia Gonson singing the male verse and Stephin Merritt singing the female verse (complete with the line "I was working as a waitress in a cocktail bar"). And Chia Pet's version of the same song is a duet between two female vocalists, also without changing any lyrics.
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** Think about it as the perspective of a child who just got a new little sibling. A LOT more sense with the female covers then.
*** Or a mother whose daughter has grown up and so forth.
* The Dan Band bases their entire existence around subverting this trope. This all-man band covers nothing but songs originally sung by female artists and never change the gender, but they do throw in gratuitous swearing for fun.
* Most times Blixa Bargeld sings the female part of "Where The Wild Roses Grow" with Nick Cave, there seem to be no pronoun changes from when it was a borderline-SopranoAndGravel duet with Kylie Minogue . Or differences in how the two act when on stage. It makes it either a little more confusing or a little more HoYay. (Though it would work fairly well as a song between two men if it weren't for the fact that a major part of the chorus is "for my name was Eliza Day".)
** This is partly due to Bargeld having sung the female part on the original demo track and the song and Bargeld being such fan favourites that there was no issue performing it like this live. Also, it follows the traditional folk song convention of not changing pronouns. See also: Sinead O'Connor's amazing-yet-mystifying cover of 'I Am Stretched On Your Grave'.
* Averted by a cover of American Pie, but I can't remember by whom or which pronoun it was that was left in.
** Don't know if it's the one you're thinking of, but Madonna's cover didn't change the lyrics.
*** It did leave out some verses, though. Not sure about pronouns, but there is the line "I was a lonely teenage broncin' buck / with a pink carnation and a pickup truck."
*** Or a mother whose daughter has grown up and so forth.
* The Dan Band bases their entire existence around subverting this trope. This all-man band covers nothing but songs originally sung by female artists and never change the gender, but they do throw in gratuitous swearing for fun.
* Most times Blixa Bargeld sings the female part of "Where The Wild Roses Grow" with Nick Cave, there seem to be no pronoun changes from when it was a borderline-SopranoAndGravel duet with Kylie Minogue . Or differences in how the two act when on stage. It makes it either a little more confusing or a little more HoYay. (Though it would work fairly well as a song between two men if it weren't for the fact that a major part of the chorus is "for my name was Eliza Day".)
** This is partly due to Bargeld having sung the female part on the original demo track and the song and Bargeld being such fan favourites that there was no issue performing it like this live. Also, it follows the traditional folk song convention of not changing pronouns. See also: Sinead O'Connor's amazing-yet-mystifying cover of 'I Am Stretched On Your Grave'.
* Averted by a cover of American Pie, but I can't remember by whom or which pronoun it was that was left in.
** Don't know if it's the one you're thinking of, but Madonna's cover didn't change the lyrics.
*** It did leave out some verses, though. Not sure about pronouns, but there is the line "I was a lonely teenage broncin' buck / with a pink carnation and a pickup truck."
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** Patti Smith's semi-cover of Van Morrison's "Gloria", though, leaves the gender unchanged.
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* Alan Jackson's cover of Charly [=McClain=]'s 1981 hit "Who's Cheatin' Who" changes the pronouns so that it's a male singing about a female, instead of vice-versa. (Yes, Charly is a female.)
* Averted by Mr. Bungle performing the Portishead song "Glory Box", with Mike Patton leaving the lyrics (such as "I just wanna be a woman") unchanged.
** Anyone capable of covering that song with a GenderFlip has to get some sort of prize.
* Averted by Mr. Bungle performing the Portishead song "Glory Box", with Mike Patton leaving the lyrics (such as "I just wanna be a woman") unchanged.
** Anyone capable of covering that song with a GenderFlip has to get some sort of prize.
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* Alan Jackson's cover of Charly [=McClain=]'s 1981 hit "Who's Cheatin' Who" changes the pronouns so that it's a male singing about a female, instead of vice-versa. (Yes, Charly is a female.)
* Averted by Mr. Bungle performing the Portishead song "Glory Box", with Mike Patton leaving the lyrics (such as "I just wanna be a woman") unchanged.
** Anyone capable of covering that song with a GenderFlip has to get some sort of prize.)
* Averted by Mr. Bungle performing the Portishead song "Glory Box", with Mike Patton leaving the lyrics (such as "I just wanna be a woman") unchanged.
** Anyone capable of covering that song with a GenderFlip has to get some sort of prize.
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* JohnBarrowman's cover of "You're So Vain" averts this trope, leaving in lines like "All the girls thought that they'd be your partner".
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* Averted, the White Stripes cover of Jolene, a Dolly Parton song about another woman stealing her man, sung by a man, does not change the perspective gender.
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* Averted by RichardCheese, who has no problem asking his bandmate to "lick his pussy", in his cover of ''My Neck, My Back'' (originally by KHIA).
* The Kinston Trio's [[http://www.musicsonglyrics.com/K/kingstontriolyrics/kingstontriosomedaysoonlyrics.htm cover]] of [[http://www.cowboylyrics.com/lyrics/bogguss-suzy/someday-soon-4692.html "Someday Soon"]] is gender-flipped, and makes a lot more sense once you know that.
* About half of the songs on the David Arnold Project of JamesBond covers are done like this, but with the lyrics remaining the same, leading to a man singing "Diamonds Are Forever".
* Averted, or rather ignored altogether in the name of camp, in {{Erasure}}'s cover of Abba's "Lay All Your Love On Me" and "Voulez Vous" from the Abba-Esque EP. The lyrics "I wasn't jealous before we met/Now every woman I see is a potential threat" and "I still don't know what you've done with me/A grown-up woman should never fall so easily" from "Lay All Your Love On Me" and "I know what you think/The girl means business, so I'll offer her a drink", originally sung by a woman, are sung unchanged by male singer Andy Bell.
** And don't forget "Gimme gimme gimme (a man after midnight)".
** They've done this with several non-Abba covers, namely The Partridge Family's "Walking in the Rain" and Ike & Tina Turner's "River Deep, Mountain High". It's rather amusing to hear a man sing "When I was a little girl, I had a ragdoll/The only doll I've ever owned"...
* Averted in Blixa Bargeld's cover of Peggy Lee's "Johnny Guitar" which uses the same lyrics as the original. As a result, it sounds like a love song from one man to another.
* The Kinston Trio's [[http://www.musicsonglyrics.com/K/kingstontriolyrics/kingstontriosomedaysoonlyrics.htm cover]] of [[http://www.cowboylyrics.com/lyrics/bogguss-suzy/someday-soon-4692.html "Someday Soon"]] is gender-flipped, and makes a lot more sense once you know that.
* About half of the songs on the David Arnold Project of JamesBond covers are done like this, but with the lyrics remaining the same, leading to a man singing "Diamonds Are Forever".
* Averted, or rather ignored altogether in the name of camp, in {{Erasure}}'s cover of Abba's "Lay All Your Love On Me" and "Voulez Vous" from the Abba-Esque EP. The lyrics "I wasn't jealous before we met/Now every woman I see is a potential threat" and "I still don't know what you've done with me/A grown-up woman should never fall so easily" from "Lay All Your Love On Me" and "I know what you think/The girl means business, so I'll offer her a drink", originally sung by a woman, are sung unchanged by male singer Andy Bell.
** And don't forget "Gimme gimme gimme (a man after midnight)".
** They've done this with several non-Abba covers, namely The Partridge Family's "Walking in the Rain" and Ike & Tina Turner's "River Deep, Mountain High". It's rather amusing to hear a man sing "When I was a little girl, I had a ragdoll/The only doll I've ever owned"...
* Averted in Blixa Bargeld's cover of Peggy Lee's "Johnny Guitar" which uses the same lyrics as the original. As a result, it sounds like a love song from one man to another.
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* About half of the songs on the David Arnold Project of JamesBond covers are done like this, but with the lyrics remaining the same, leading to a man singing "Diamonds Are Forever".
* Averted, or rather ignored altogether in the name of camp, in {{Erasure}}'s cover of Abba's "Lay All Your Love On Me" and "Voulez Vous" from the Abba-Esque EP. The lyrics "I wasn't jealous before we met/Now every woman I see is a potential threat" and "I still don't know what you've done with me/A grown-up woman should never fall so easily" from "Lay All Your Love On Me" and "I know what you think/The girl means business, so I'll offer her a drink", originally sung by a woman, are sung unchanged by male singer Andy Bell.
** And don't forget "Gimme gimme gimme (a man after midnight)".
** They've done this with several non-Abba covers, namely The Partridge Family's "Walking in the Rain" and Ike & Tina Turner's "River Deep, Mountain High". It's rather amusing to hear a man sing "When I was a little girl, I had a ragdoll/The only doll I've ever owned"...
* Averted in Blixa Bargeld's cover of Peggy Lee's "Johnny Guitar" which uses the same lyrics as the original. As a result, it sounds like a love song from one man to another.
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* Bluntly averted by The Killing Moon's cover of AlanisMorissette's rather explicit song "You Oughta Know". Which brings us lines like "Are you thinking of me when you fuck her?" sung by a man. The end result is much like a guy being left by his boyfriend for a woman and being seriously pissed off about it (that he's singing about his girlfriend leaving him for another girl gets unlikely with the lines "Would she have your baby?" and "Did you forget about me, Mr.Duplicity?").
** 1,000 Mona Lisas did the same with their cover, which was something of a novelty hit in the 90's.
** 1,000 Mona Lisas did the same with their cover, which was something of a novelty hit in the 90's.
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* Amusingly averted in The AllAmericanRejects cover of "[[http://www.youtube.com/watch?v=faBOHMv6SJ8 Womanizer]]"
* Averted hard by Me First and the Gimme Gimmes' [[JustForPun Are A Drag]], an entire album of non-gender-flipped covers of originally female songs.
* Averted hard by Me First and the Gimme Gimmes' [[JustForPun Are A Drag]], an entire album of non-gender-flipped covers of originally female songs.
* Used by Forever the Sickest Kids in their cover of Taylor Swift's ''Love Story''.
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* The trope was averted more frequently in years past, which is (probably) the reason Dolly Parton did so when she covered "Rockytop". ("Once I had a girl on Rockytop, half-bear the other half cat/Wild as a mink but sweet as soda-pop; I still dream about that.")
* The Cowboy Junkies cover of The Beatles' "Run For Your Life" does this, to mixed results: It ''does'' jarringly break the rhyme scheme at times ("you'd better run for your if you can little boy / hide your head in the sand, little boy/ catch you with another ''woman'', that's the end"), but it's still sort of interesting to see their ObsessionSong receive a GenderFlip.
* The Cowboy Junkies cover of The Beatles' "Run For Your Life" does this, to mixed results: It ''does'' jarringly break the rhyme scheme at times ("you'd better run for your if you can little boy / hide your head in the sand, little boy/ catch you with another ''woman'', that's the end"), but it's still sort of interesting to see their ObsessionSong receive a GenderFlip.
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* Used by Forever the Sickest Kids in their cover of Taylor Swift's ''Love Story''.
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* Patricia O'Callaghan covered Leonard Cohen's "I'm Your Man" without changing the lyrics at all, turning a fairly standard love song into a wonderfully lesbian love song.
** Which has since been used as an ''epic'' background song for an International [[SlashFic Femmeslash]] Day music vid.
** Which has since been used as an ''epic'' background song for an International [[SlashFic Femmeslash]] Day music vid.
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* Averted by Marissa Nadler's musical treatment of [[EdgarAllanPoe Poe]]'s "''Annabelle Lee''", giving the tale a new LesYay flavor.
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* It probably goes without saying that Pansy Division averted this in their version of "Son of A Preacher Man", since that was the whole point of them covering the song in the first place.
* Used by the Cardigans cover of Restless Heart's "The Bluest Eyes in Texas", turning a sad country song about leaving your woman into…well, the same thing, only now [[InSpace with lesbians!]]
* Used by the Cardigans cover of Restless Heart's "The Bluest Eyes in Texas", turning a sad country song about leaving your woman into…well, the same thing, only now [[InSpace with lesbians!]]
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* Averted by Sarah Blasko in her covers of "Flame Trees" and "Goodbye Yellow Brick Road". Yes, she sings "this boy's too young to be singing the blues".
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* Averted by Cyndi Lauper when she covered Prince's "When You Were Mine". Given the image she was trying to cultivate, this may have been intentional.
** "Girls Just Want to Have Fun" was originally written from the male point of view by songwriter Robert Hazard before Cyndi Lauper recorded it.
** "Girls Just Want to Have Fun" was originally written from the male point of view by songwriter Robert Hazard before Cyndi Lauper recorded it.
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* Averted by Cyndi Lauper when she covered Prince's "When You Were Mine". Given the image she was trying to cultivate, this may have been intentional.
**"Girls Just Want to Have Fun" was originally written from the male point of view by songwriter Robert Hazard before Cyndi Lauper recorded it.
**
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* Sixpence None the Richer's cover of "There She Goes" kept the original gender pronouns, leading to lots of comment wars on Youtube over whether lead singer Leigh Nash was a lesbian or not. She isn't, she just didn't want to change the lyric.
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* Averted by ToriAmos in her covers of "Famous Blue Raincoat", "Angie", "I'm On Fire", and many other songs.
** Of course the whole point of her ''Strange Little Girls'' album was to take songs originally written by men and to cover them from a female perspective.
** Of course the whole point of her ''Strange Little Girls'' album was to take songs originally written by men and to cover them from a female perspective.
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* Averted by Joan Jett in her LesYay-filled cover of "Crimson & Clover"...although played - er, straight - in her cover of "I Love Rock and Roll."
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* Averted in Emily Picha's cover of Leonard Cohen's "Chelsea Hotel No. 2," which adds a whole new level of meaning to "You told me again you preferred handsome men, but for me you would make an exception."
* Averted with AmyWinehouse's cover of "Valerie".
* Averted with AmyWinehouse's cover of "Valerie".
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* Anya Marina's version of T.I.'s "Whatever You Like" averts this: The original is mostly addressed to someone in the second person anyway, but she does keep lines like "My chick can have what she want" and "I know you ain't ever had a man like that". The only thing that ''is'' a minor change is "Tell them other broke [[NWordPrivileges brothers]] be quiet".
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* Averted in the Save Ferris cover of "Come On Eileen". Which is pretty natural, given a female name is ''in the title''. "You in that dress/Oh, my thoughts, I confess/Verge on dirty..."
* Averted in the Anne Murray cover of "You Won't See Me" by the Beatles. The few occurrences of "girl" are merely omitted, which does not significantly alter the song.
* Averted by The Watson Twins' cover of The Cure's "Just Like Heaven". All the original feminine pronouns are kept intact.
* Judy Collins covered The Incredible String Band's "First Girl I Loved" as "First Boy I Loved".
* Averted in the Anne Murray cover of "You Won't See Me" by the Beatles. The few occurrences of "girl" are merely omitted, which does not significantly alter the song.
* Averted by The Watson Twins' cover of The Cure's "Just Like Heaven". All the original feminine pronouns are kept intact.
* Judy Collins covered The Incredible String Band's "First Girl I Loved" as "First Boy I Loved".
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* All female covers "(If loving you is wrong) I don't wanna be right" change the point of view from the cheating husband to the other woman.
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** This is partly due to Bargeld having sung the female part on the original demo track and the song and Bargeld being such fan favourites that there was no issue performing it like this live. Also, it follows the traditional folk song convention of not changing pronouns. See also: Sinead O'Connor's amazing-yet-mystifying cover of 'I Am Stretched On Your Grave'.
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* This convention resulted in one of the strangest mainstream release pop covers of a traditional folk song ever in Sinead O'Connor's rendition of 'I Am Stretched On Your Grave' which because O'Connor did not change the pronouns becomes O'Connor's dirge to her dead female lover who went to her grave with maidenhood intact as the one opportunity she and O'Connor had to consummate their relationship they didn't.
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* This convention resulted in one of the strangest mainstream release pop covers of a traditional folk song ever in Sinead O'Connor's rendition of 'I Am Stretched On Your Grave' which because O'Connor did not change the pronouns becomes O'Connor's dirge to her dead female lover who went to her grave with maidenhood intact as the one opportunity she and O'Connor had to consummate their relationship they didn't.
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* Mario Winans' plaintive R&B ballad 'I Don't Wanna Know' - the 2004 single for reasons due to copyright law dealing with sampling of other tracks hilariously co-credits both P. Diddy and Enya - is sung by a man who suspects his girlfriend is cheating and just prays that she keep it secret because if he discovered it for sure it would break his heart. Shola Ama came back with a devastating response from the woman's perspective called 'You Should Really Know', the gist of which was that if the guy was so in tune with the woman and so invested in the relationship he should know her damn well enough to know that she's not cheating. Oh, snap.
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* Westworld's cover of AlanisMorrisette 's "Uninvited". It helps that the singer Tony Harnell is a high-octave singer.
* Bluntly averted by The Killing Moon's cover of Alanis Morissette's rather explicit song "You Oughta Know". Which brings us lines like "Are you thinking of me when you fuck her?" sung by a man. The end result is much like a guy being left by his boyfriend for a woman and being seriously pissed off about it (that he's singing about his girlfriend leaving him for another girl gets unlikely with the lines "Would she have your baby?" and "Did you forget about me, Mr.Duplicity?").
* Bluntly averted by The Killing Moon's cover of Alanis Morissette's rather explicit song "You Oughta Know". Which brings us lines like "Are you thinking of me when you fuck her?" sung by a man. The end result is much like a guy being left by his boyfriend for a woman and being seriously pissed off about it (that he's singing about his girlfriend leaving him for another girl gets unlikely with the lines "Would she have your baby?" and "Did you forget about me, Mr.Duplicity?").
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* Westworld's cover of AlanisMorrisette AlanisMorissette 's "Uninvited". It helps that the singer Tony Harnell is a high-octave singer.
* Bluntly averted by The Killing Moon's cover ofAlanis Morissette's AlanisMorissette's rather explicit song "You Oughta Know". Which brings us lines like "Are you thinking of me when you fuck her?" sung by a man. The end result is much like a guy being left by his boyfriend for a woman and being seriously pissed off about it (that he's singing about his girlfriend leaving him for another girl gets unlikely with the lines "Would she have your baby?" and "Did you forget about me, Mr.Duplicity?").
* Bluntly averted by The Killing Moon's cover of
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* Averted with Amy Winehouse's cover of "Valerie".
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* Averted with Amy Winehouse's AmyWinehouse's cover of "Valerie".
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** On the other hand, the "Sock it to me!" part definitely sounds harsher being sung by Franklin....
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** Well, that's a relief. I always assumed the original was from the point of view of a pedophile!
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** This is also the case on the BlindGuardian cover. This is made somewhat weirder in the [[http://www.youtube.com/watch?v=qDFmNgmaEe0 music video]], in which the band's singer is dressed in drag. Of course, according to the video the (not-so-desired) "dream" is apparently a bunch of {{Monster Clown}}s, SoYeah ...
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** This is also the case on the BlindGuardian cover. This is made somewhat weirder in the [[http://www.youtube.com/watch?v=qDFmNgmaEe0 music video]], in which the band's singer is dressed in drag. Of course, according to the video the (not-so-desired) "dream" is apparently a bunch of {{Monster Clown}}s, SoYeah ...Clown}}s.
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* Parodied heavily in an episode of ''MalcolmInTheMiddle'', in which a male singer does a cover of "Papa, Don't Preach", in which he sings "She's keeping my baby!" while pregnant showgirls pose on stage. It's very bit as sexist and disturbing as it sounds.
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* Parodied heavily in an episode of ''MalcolmInTheMiddle'', in which a male singer does a cover of "Papa, Don't Preach", in which he sings "She's keeping my baby!" while pregnant showgirls pose on stage. It's very every bit as sexist and disturbing as it sounds.
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* "When She Loved Me" was originally sung by Sarah McLachlan for ''ToyStory 2'' from the point of view of the doll Jessie, which [[ItMakesSenseInContext makes perfect sense in context]]. Michael Crawford and a few other male singers have [[CoveredUp covered]] it, which makes a whole lot more sense if you think of it as a song about [[LoveHurts lost romantic love]]. The funny thing is, there's still [[LesYay female singers]] covering it, like Jordan Pruitt on Disneymania 5...OrSoIHeard.
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* "When She Loved Me" was originally sung by Sarah McLachlan for ''ToyStory 2'' from the point of view of the doll Jessie, which [[ItMakesSenseInContext makes perfect sense in context]]. Michael Crawford and a few other male singers have [[CoveredUp covered]] it, which makes a whole lot more sense if you think of it as a song about [[LoveHurts lost romantic love]]. The funny thing is, there's still [[LesYay female singers]] covering it, like Jordan Pruitt on Disneymania 5...OrSoIHeard.5.
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