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* A third person variation is used in the ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' fanfic [[http://www.fimfiction.net/story/38135/who-we-are Who We Are]] in order to conceal which character is secretly a changeling; it works because while it refers to "she" and "her", ''all'' of the characters are female.

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* A third person variation is used in the ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' fanfic [[http://www.fimfiction.net/story/38135/who-we-are Who We Are]] in order to conceal which character Element-Bearer is secretly a changeling; it works because while it refers to "she" and "her", ''all'' of the characters Bearers are female.female. All that's made clear is that it isn't Twilight, who the changeling's narration mentions by name.
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* ''Fanfic/TheMorrigan'' has an intermission chapter told from first person pov, apparently following Renee Costa as she takes a break from the [[HiveMind TAT system]] after an argument with her fellow valkyries, then runs into her ex, Lilique, and they share a cup of tea with Lilique being surprisingly open about her regrets regarding their relationship. Only when the pov character calls Lilique "Lili," a nickname only Renee used for her, is it revealed that [[spoiler:the pov has been Henao Jazz the whole time, one of Renee's sisters who has been slowly losing herself in the TAT hivemind, and can't clearly sepparate her personality from Renee's anymore]].
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* ''VideoGame/TheStarshipDamrey'' sees your character, depicted in first-person, trapped inside of a cold-sleep capsule, interacting with the world via a remote controlled mech. When you're finally able to free yourself from the capsule, [[spoiler:an alien hand reaches out]].
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* "Literature/AngelDerinEdala": The protagonist narrates in first person and their gender is never revealed.
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* On a lighter [[IncrediblyLamePun note]], the song "Christmas Isn't Christmas Without You" seems like a typical jazzy song about a woman who's sad that the man she loves can't be with her on Christmas Eve. In the end, it's revealed that the woman is Mrs. Claus.

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* On a lighter [[IncrediblyLamePun [[{{Pun}} note]], the song "Christmas Isn't Christmas Without You" seems like a typical jazzy song about a woman who's sad that the man she loves can't be with her on Christmas Eve. In the end, it's revealed that the woman is Mrs. Claus.
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** According to the live-action movie starring Mike Myers, the boy's name is Conrad, and in ''WesternAnimation/TheCatInTheHatKnowsALotAboutThat'', the boy (who is now black via RaceLift) is instead named Nick.

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** According to In the live-action movie starring Mike Myers, the boy's name is Conrad, and in ''WesternAnimation/TheCatInTheHatKnowsALotAboutThat'', the boy (who is now black via RaceLift) [[note]]who shares Sally's brother's design save for his [[RaceLift skin color]] but is instead her neighbor[[/note]] is named Nick.
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index wick


* A tale from the Website/SCPFoundation, ''[[http://www.scp-wiki.net/the-little-lost-dragon The Little Lost *blotted*]]'' is portrayed as a series of diary entries. The diary entries are peppered with ██████, [DATA EXPUNGED], and [REDACTED], in the usual method of SCP censoring delicate info. The narrator is despairing about the approach of final exams they haven't studied for and relating gossip about the dating habits of their acquaintances, when... ''something'' happens. The narrator ends up confined somewhere, alone, being tortured by horrible creatures for no discernable reason... and the last line cuts off in the middle of [[spoiler: [[OmnicidalManiac SCP]]-[[HumansThroughAlienEyes 682's]] CatchPhrase]].

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* A tale from the Website/SCPFoundation, ''[[http://www.scp-wiki.net/the-little-lost-dragon The Little Lost *blotted*]]'' is portrayed as a series of diary entries. The diary entries are peppered with ██████, [DATA EXPUNGED], and [REDACTED], in the usual method of SCP censoring delicate info. The narrator is despairing about the approach of final exams they haven't studied for and relating gossip about the dating habits of their acquaintances, when... ''something'' happens. The narrator ends up confined somewhere, alone, being tortured by horrible creatures for no discernable reason... and the last line cuts off in the middle of [[spoiler: [[OmnicidalManiac SCP]]-[[HumansThroughAlienEyes 682's]] CatchPhrase]].catchphrase]].
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** There's also ''WebOriginal/ABrightFlash'', from the perspective of someone who had been disfigured in a bomb explosion and seeks revenge. [[spoiler: It's [[Film/Godzilla1954 Godzilla]]]].

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** There's also ''WebOriginal/ABrightFlash'', ''Fanfic/ABrightFlash'', from the perspective of someone who had been disfigured in a bomb explosion and seeks revenge. [[spoiler: It's [[Film/Godzilla1954 Godzilla]]]].
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* A common trait of CreepyPasta, for example ''WebOriginal/CaptainsLog'', where the twist is that the captain and his crew are [[spoiler:TheGreys]].

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* A common trait of CreepyPasta, for example ''WebOriginal/CaptainsLog'', ''Literature/CaptainsLog'', where the twist is that the captain and his crew are [[spoiler:TheGreys]].

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Adding an example and fixed a work link.


** There's also ''WebOriginal/ABrightFlash'', from the perspective of someone who had been disfigured in a bomb explosion and seeks revenge. [[spoiler: It's [[Film/{{Gojira}} Godzilla.]]]]

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** There's also ''WebOriginal/ABrightFlash'', from the perspective of someone who had been disfigured in a bomb explosion and seeks revenge. [[spoiler: It's [[Film/{{Gojira}} Godzilla.]]]][[Film/Godzilla1954 Godzilla]]]].
** "My Perfect World, Shattered" is about a scientist attempting to build an utopia on an island, only to be thwarted by an AnimalisticAbomination that survives all of his attempts to neutralize it. The final line reveals just who the scientist is: [[spoiler:[[VideoGame/SonicTheHedgehog1 Dr. Ivo Robotnik]]]].
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On the other hand, the structure of English grammar also makes it easy to use a first-person narrative to avoid mentioning basic facts about the narrator. These facts may include the [[GenderNeutralWriting gender]], the [[NoNameGiven name]], and even the very identity of the narrator. This is a frequent way to achieve a TomatoSurprise.

The extent to which this is possible or necessary is very language-specific, especially when the subject to be concealed is a gender. For example, [[UsefulNotes/JapanesePronouns Japanese first person pronouns]] ''may'' indicate gender in certain contexts, so depending on the type of protagonist you are writing, GenderNeutralWriting might not be much easier in the first person than in the third person. In fact, because people outside of family and friends are often referred to by last name alone and use of pronouns is uncommon, it can be easier to surprise the reader about the gender of a third person than it would be to surprise the reader about the gender of the narrator. Similarly, many languages (notably both Romance and Slavic languages) have enough grammatical gender markers other than pronouns that this trope becomes a practical if not a definitional impossibility. Conversely, a number of languages lack gender in the third person, permitting gender-neutral writing without resorting to first person.

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On the other hand, the structure of English grammar also makes it easy to use a first-person narrative to avoid mentioning basic facts about the narrator. These facts may include the [[GenderNeutralWriting [[GenderConcealingWriting gender]], the [[NoNameGiven name]], and even the very identity of the narrator. This is a frequent way to achieve a TomatoSurprise.

The extent to which this is possible or necessary is very language-specific, especially when the subject to be concealed is a gender. For example, [[UsefulNotes/JapanesePronouns Japanese first person pronouns]] ''may'' indicate gender in certain contexts, so depending on the type of protagonist you are writing, GenderNeutralWriting gender-neutral writing might not be much easier in the first person than in the third person. In fact, because people outside of family and friends are often referred to by last name alone and use of pronouns is uncommon, it can be easier to surprise the reader about the gender of a third person than it would be to surprise the reader about the gender of the narrator. Similarly, many languages (notably both Romance and Slavic languages) have enough grammatical gender markers other than pronouns that this trope becomes a practical if not a definitional impossibility. Conversely, a number of languages lack gender in the third person, permitting gender-neutral writing without resorting to first person.



* ''The Turbulent Term of Tyke Tiler'' by Gene Kemp is written so as to make it natural to assume that Tyke is a boy, thanks to GenderNeutralWriting and her tomboyish character.

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* ''The Turbulent Term of Tyke Tiler'' by Gene Kemp is written so as to make it natural to assume that Tyke is a boy, thanks to GenderNeutralWriting gender-neutral writing and her tomboyish character.



* ''Literature/EarlyRiser'' is written from protagonist Charlie Worthing's point of view, keeping viewers in the dark about Charlie's [[spoiler: facial deformity]] for the first few chapters, and about Charlie's gender for the rest of the novel due to the GenderNeutralWriting.

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* ''Literature/EarlyRiser'' is written from protagonist Charlie Worthing's point of view, keeping viewers in the dark about Charlie's [[spoiler: facial deformity]] for the first few chapters, and about Charlie's gender for the rest of the novel due to the GenderNeutralWriting.GenderConcealingWriting.
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It's impossible to fully hide the twist on this page in particular, but lengthening the spoilered-out section makes it less obvious than it was.


* The secret concealed by this trope in Creator/AgathaChristie's ''Literature/TheMurderOfRogerAckroyd'' provoked considerable outrage, including the possibly apocryphal reaction by the Queen, "Oh, Agatha, how could you?"; in this book, possibly the pinnacle of Christie's mystery-writing career, the narrator and de-facto assistant to the detective [[spoiler:was the one who did it]].

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* The secret concealed by this trope in Creator/AgathaChristie's ''Literature/TheMurderOfRogerAckroyd'' provoked considerable outrage, including the possibly apocryphal reaction by the Queen, "Oh, Agatha, how could you?"; in this book, possibly the pinnacle of Christie's mystery-writing career, the [[spoiler:the narrator and de-facto assistant to the detective [[spoiler:was was the one who did it]].
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Inu Yasha the Movie 3: Swords of an Honorable Ruler give his name as "Toga". Apparently, that movie is canon, at least, to the anime's version of the story.


* This trope was the only viable way to write the ''FanFic/{{Memoirs}}'' of Manga/InuYasha's father, who [[NoNameGiven has no canon name]].

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* This trope was the only viable way to write the ''FanFic/{{Memoirs}}'' of Manga/InuYasha's father, who [[NoNameGiven has had no canon name]].
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* Many Japanese light-novels invert this trope, if they have multiple viewpoint characters -- Japanese first-person pronouns not only mark the gender of the speaker but also things like formality, so they're actually an identifier. Thus, for example, in ''LightNovel/BakaAndTestSummonTheBeasts'', which is usually narrated by Akihisa but (when two sets of events are going on) sometimes by Yuuji, it never bothers to specify which one, because Akihisa uses "boku" and Yuuji uses "ore" (the few chapters from the POV of Himeji, Minami, or Hideyoshi, likewise, use "atashi", "uchi", and "washi"). Light novels also use "which person says which pronoun" as a shorthand for identifying speakers other than the narrator, since they generally don't make much use of dialogue tags.

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* Many Japanese light-novels LightNovels invert this trope, if they have multiple viewpoint characters -- Japanese first-person pronouns not only mark the gender of the speaker but also things like formality, so they're actually an identifier. Thus, for example, in ''LightNovel/BakaAndTestSummonTheBeasts'', ''Literature/BakaAndTestSummonTheBeasts'', which is usually narrated by Akihisa but (when two sets of events are going on) sometimes by Yuuji, it never bothers to specify which one, because Akihisa uses "boku" and Yuuji uses "ore" (the few chapters from the POV of Himeji, Minami, or Hideyoshi, likewise, use "atashi", "uchi", and "washi"). Light novels also use "which person says which pronoun" as a shorthand for identifying speakers other than the narrator, since they generally don't make much use of dialogue tags.
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Adding example

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* In the distant prequel to ''Fanfic/TheLostElement'', the VillainProtagonist narrator exploits this trope to avoid revealing any concrete details about himself. The closest thing to any sort of identity the reader gets is his moniker [[DarkLord "Lord of Midnight"]].
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* ''Leech'' by Hiron Ennes, about a parasitic HiveMind that has taken control of all human medical care in the wake of an apocalypse discovering that a rival parasite has apparently murdered one of its host bodies, uses the first-person narration to hide that [[spoiler: the Institute is losing its grip on the point-of-view host body. It only becomes clear that "I" is entirely her own person and no longer an appendage of the Institute when more of the Institute shows up and there's no connection.]]
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Wiki/ namespace clean up.


* A tale from the Wiki/SCPFoundation, ''[[http://www.scp-wiki.net/the-little-lost-dragon The Little Lost *blotted*]]'' is portrayed as a series of diary entries. The diary entries are peppered with ██████, [DATA EXPUNGED], and [REDACTED], in the usual method of SCP censoring delicate info. The narrator is despairing about the approach of final exams they haven't studied for and relating gossip about the dating habits of their acquaintances, when... ''something'' happens. The narrator ends up confined somewhere, alone, being tortured by horrible creatures for no discernable reason... and the last line cuts off in the middle of [[spoiler: [[OmnicidalManiac SCP]]-[[HumansThroughAlienEyes 682's]] CatchPhrase]].
* Used to great effect in the Journal of Aframos Longjourney, a story in ''Wiki/TheWanderersLibrary'', to conceal the fact that [[spoiler: basically every assumption you make about the main character is wrong.]]

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* A tale from the Wiki/SCPFoundation, Website/SCPFoundation, ''[[http://www.scp-wiki.net/the-little-lost-dragon The Little Lost *blotted*]]'' is portrayed as a series of diary entries. The diary entries are peppered with ██████, [DATA EXPUNGED], and [REDACTED], in the usual method of SCP censoring delicate info. The narrator is despairing about the approach of final exams they haven't studied for and relating gossip about the dating habits of their acquaintances, when... ''something'' happens. The narrator ends up confined somewhere, alone, being tortured by horrible creatures for no discernable reason... and the last line cuts off in the middle of [[spoiler: [[OmnicidalManiac SCP]]-[[HumansThroughAlienEyes 682's]] CatchPhrase]].
* Used to great effect in the Journal of Aframos Longjourney, a story in ''Wiki/TheWanderersLibrary'', ''Website/TheWanderersLibrary'', to conceal the fact that [[spoiler: basically every assumption you make about the main character is wrong.]]
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Oops.


* The narrator of the first ''Fanfic/PoniesAfterPeople'' fic, mainly known as "A" or Lonely Day, does not reveal their gender in the story until [[spoiler:Princess Luna]] blurts out their full name. [[spoiler:She was turned into a mare, but was a man before.]]

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* A third person variation is used in the WesternAnimation/MyLittlePonyFriendshipIsMagic fanfic [[http://www.fimfiction.net/story/38135/who-we-are Who We Are]] in order to conceal which character is secretly a changeling; it works because while it refers to "she" and "her", ''all'' of the characters are female.

to:

* The narrator of the first ''Fanfic/PoniesAfterPeople'' fic, mainly known as "A" or Lonely Day, does not reveal their gender in the story until [[spoiler:Princess Luna]] blurts out their full name. [[spoiler:She was turned into a mare, but was a man before.]]
* A third person variation is used in the WesternAnimation/MyLittlePonyFriendshipIsMagic ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' fanfic [[http://www.fimfiction.net/story/38135/who-we-are Who We Are]] in order to conceal which character is secretly a changeling; it works because while it refers to "she" and "her", ''all'' of the characters are female.
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None


* Darren Shan's "Zom-B" novels begin with a book by the same name. The narrator only goes by their initial ("B"), dresses ruggedly and shaves their head, and the text goes out of its way to avoid pronouns--it isn't until B's father uses [[spoiler: her]] full name, [[spoiler: Becky]], that we find out B is [[spoiler: a girl]].

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* Darren Shan's "Zom-B" novels begin with a book by the same name. The narrator only goes by their initial ("B"), dresses ruggedly and shaves their head, and the text goes out of its way to avoid pronouns--it isn't until B's father uses [[spoiler: her]] their full name, [[spoiler: Becky]], that we find out B is [[spoiler: a girl]].
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* John Scalzi uses this in ''Literature/LockIn'' to hide the protagonist's gender. Most people don't catch it on the first read, through.

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* John Scalzi uses this in ''Literature/LockIn'' to hide the protagonist's gender. Most people don't catch it on the first read, through. In fact, there are two versions of the audiobook: one narrated by Creator/WilWheaton, and one narrated by Amber Benson. The same is true for the sequel ''Head-On''.
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* ''Literature/HarrowTheNinth'' uses SecondPersonNarration for large portions of the book to conceal that the narrator is actually [[spoiler: Gideon, whose consciousness is alive in Harrow's brain after Harrow gave herself a lobotomy to erase the trauma of absorbing it]]. Notably, sections of the book set [[spoiler: (supposedly)]] in the past use ThirdPersonFlashback. When [[spoiler: Gideon is in control of Harrow's body]] the narration switches back to more typical first-person.
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* Darren Shan's "Zom-B" novels begin with a book by the same name. The narrator only goes by their initial ("B"), dresses ruggedly and shaves their head, and the text goes out of its way to avoid pronouns--it isn't until B's father uses [[spoiler: her]] full name, [[spoiler: Becky]], that we find out B is [[spoiler: a girl]].
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Missing space now added


The extent to which this is possible or necessary is very language-specific, especially when the subject to be concealed is a gender. For example,[[UsefulNotes/JapanesePronouns Japanese first person pronouns]] ''may'' indicate gender in certain contexts, so depending on the type of protagonist you are writing, GenderNeutralWriting might not be much easier in the first person than in the third person. In fact, because people outside of family and friends are often referred to by last name alone and use of pronouns is uncommon, it can be easier to surprise the reader about the gender of a third person than it would be to surprise the reader about the gender of the narrator. Similarly, many languages (notably both Romance and Slavic languages) have enough grammatical gender markers other than pronouns that this trope becomes a practical if not a definitional impossibility. Conversely, a number of languages lack gender in the third person, permitting gender-neutral writing without resorting to first person.

to:

The extent to which this is possible or necessary is very language-specific, especially when the subject to be concealed is a gender. For example,[[UsefulNotes/JapanesePronouns example, [[UsefulNotes/JapanesePronouns Japanese first person pronouns]] ''may'' indicate gender in certain contexts, so depending on the type of protagonist you are writing, GenderNeutralWriting might not be much easier in the first person than in the third person. In fact, because people outside of family and friends are often referred to by last name alone and use of pronouns is uncommon, it can be easier to surprise the reader about the gender of a third person than it would be to surprise the reader about the gender of the narrator. Similarly, many languages (notably both Romance and Slavic languages) have enough grammatical gender markers other than pronouns that this trope becomes a practical if not a definitional impossibility. Conversely, a number of languages lack gender in the third person, permitting gender-neutral writing without resorting to first person.
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Read "Japanese Language, Gender and Ideology: Cultureal Models and Real People" for a better idea on how this works. It's definitely not "seperate male and female pronouns" though.


The extent to which this is possible or necessary is very language-specific, especially when the subject to be concealed is a gender. For example, Japanese [[UsefulNotes/JapanesePronouns generally]] has separate male and female first-person pronouns, so GenderNeutralWriting isn't much easier in the first person than in the third person. In fact, because people outside of family and friends are often referred to by last name alone and use of pronouns is uncommon, it can be easier to surprise the reader about the gender of a third person than it would be to surprise the reader about the gender of the narrator. Similarly, many languages (notably both Romance and Slavic languages) have enough grammatical gender markers other than pronouns that this trope becomes a practical if not a definitional impossibility. Conversely, a number of languages lack gender in the third person, permitting gender-neutral writing without resorting to first person.

to:

The extent to which this is possible or necessary is very language-specific, especially when the subject to be concealed is a gender. For example, example,[[UsefulNotes/JapanesePronouns Japanese [[UsefulNotes/JapanesePronouns generally]] has separate male and female first-person pronouns, first person pronouns]] ''may'' indicate gender in certain contexts, so depending on the type of protagonist you are writing, GenderNeutralWriting isn't might not be much easier in the first person than in the third person. In fact, because people outside of family and friends are often referred to by last name alone and use of pronouns is uncommon, it can be easier to surprise the reader about the gender of a third person than it would be to surprise the reader about the gender of the narrator. Similarly, many languages (notably both Romance and Slavic languages) have enough grammatical gender markers other than pronouns that this trope becomes a practical if not a definitional impossibility. Conversely, a number of languages lack gender in the third person, permitting gender-neutral writing without resorting to first person.
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* Used in the WesternAnimation/MyLittlePonyFriendshipIsMagic fanfic, "FanFic/MyLittleDashie." We know the protagonist is a young man, but that's about it.

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* Used in the WesternAnimation/MyLittlePonyFriendshipIsMagic fanfic, "FanFic/MyLittleDashie." "FanFic/MyLittleDashie". We know the protagonist is a young man, but that's about it.
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->''"The frank yet graceful use of ‘I’ distinguishes a good writer from a bad; the latter carries with it the manner of a thief trying to cloak his loot."''

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->''"The frank yet graceful use of ‘I’ 'I' distinguishes a good writer from a bad; the latter carries with it the manner of a thief trying to cloak his loot."''

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