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* ''{{Empowered}}'' starts right off as Late. Suprahumans are ubiquitous and derive their powers from a wide variety of sources, and a single organization regulates them all.
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* ''{{Empowered}}'' ''Comicbook/{{Empowered}}'' starts right off as Late. Suprahumans are ubiquitous and derive their powers from a wide variety of sources, and a single organization regulates them all.
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* The superhero is unlikely to work directly with/for the authorities. If aware of their existence, the authorities are likely to either deny it or call for his arrest as a vigilante. Any cooperation that does exist is likely to take the form of one or two "[[CommissionerGordon inside men]]" who cooperate with the superhero on a strictly informal basis. If the government is the source of the hero's or villain's powers, it's because a shadowy GovernmentConspiracy started a SuperSoldier project.
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* The superhero is unlikely to work directly with/for the authorities. If aware of their existence, the authorities are likely to either deny it or call for his arrest as a vigilante. Any cooperation that does exist is likely to take the form of one or two "[[CommissionerGordon "[[TheCommissionerGordon inside men]]" who cooperate with the superhero on a strictly informal basis. If the government is the source of the hero's or villain's powers, it's because a shadowy GovernmentConspiracy started a SuperSoldier project.
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* ''CaptainAmericaTheFirstAvenger'' definitely falls here: Captain America is the only SuperSoldier, created to fight a threat with a science-fiction bent to their methods, without any superhumans to oppose him, unless you count the Red Skull.
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* {{Alphas}} falls here, no-one [[NotWearingTights wears costumes]] and the very exsistance of superhumans is kept secret by the government. The only thing that differs it from most Early settings is supervillians (albeit noncostumed ones) are numerous, and highly organised. Of course [[spoiler: given that at the end of Season One, Rosen reveals the exsistance of Alphas, it may become Middle stage soon]].
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* {{Alphas}} falls here, no-one [[NotWearingTights wears costumes]] and the very exsistance existence of superhumans is kept secret by the government. The only thing that differs it from most Early settings is supervillians (albeit noncostumed non-costumed ones) are numerous, and highly organised. organized. Of course [[spoiler: given that at the end of Season One, Rosen reveals the exsistance existence of Alphas, it may become Middle stage soon]].
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* The superhero is unlikely to work directly with/for the authorities. If aware of their existence, the authorities are likely to either deny it or call for his arrest as a vigilante. Any cooperation that does exist is likely to take the form of one or two "[[CommissionerGordon inside men]]" who cooperate with the superhero on a strictly informal basis. If the government is the source of the hero's or villain's powers, it's because a shadowy GovernmentConspiracy started a SuperSoldier project.
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* The superhero is unlikely to work directly with/for the authorities. If aware of their existence, the authorities are likely to either deny it or call for his arrest as a vigilante. Any cooperation that does exist is likely to take the form of one or two "[[CommissionerGordon inside men]]" who cooperate with the superhero on a strictly informal basis. If the government is the source of the hero's or villain's powers, it's because a shadowy GovernmentConspiracy started a SuperSoldier project.
project.
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* {{Alphas}} falls here, no-one [[NotWearingTights wears costumes]] and the very exsistance of superhumans is kept secret by the government. The only thing that differs it from most Early settings is supervillians (albeit noncostumed ones) are numerous, and highly organised. Of course [[spoiler: given that at the end of Season One, Rosen reveals the exsistance of Alphas, it may become Middle stage soon]].
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* ''IronMan'' -- the hero fights terrorists, and his only superpowered enemy has a knockoff of his power suit.
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* ''Thor'' lands here, for while he and all his foes are Asgardians, there are agents of S.H.I.E.L.D. on hand who know about superheroes.
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[[AC:Film]]
* The upcoming ''Avengers'' film may be the first time this kind of setting ever makes it to celluloid.
* The upcoming ''Avengers'' film may be the first time this kind of setting ever makes it to celluloid.
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* ''Hero'' by Perry Moore, about a teen who ends up as a trainee with the League of superheroes. There are multiple other trainees, and his father is also a superhero.
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* ''Hero'' ''Literature/{{Hero}}'' by Perry Moore, PerryMoore, about a teen who ends up as a trainee with the League of superheroes. There are multiple other trainees, and his father is also a superhero.
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* Antagonists are likely to be garden-variety crooks and mobsters as opposed to supervillains and will generally lack superpowers, with the possible exception of one main archnemesis. Any villains with powers are likely to derive them from the same source as the hero(es). (Magical heroes will have magical villains; alien heroes, alien villains; mutant heroes, mutant villains, etc.)
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* Antagonists are likely to be garden-variety crooks and mobsters as opposed to supervillains and will generally lack superpowers, with the possible exception of one main archnemesis. Any villains with powers are likely to derive them from the same source as the hero(es). (Magical heroes will have magical villains; alien heroes, alien villains; mutant heroes, mutant villains, villains; etc.)
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* ''KimPossible'': The epynomous main character only has CharlesAtlasSuperpower, and the only persons with real superpowers are DarkActionGirl Shego and Team Go. Two other characters have powers that they got through magic. All other powers are technology-based.
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* ''KimPossible'': The epynomous main character only has CharlesAtlasSuperpower, and the only persons with real superpowers are DarkActionGirl Shego and Team Go. Two other characters have powers that they got through magic.{{Kung Fu magic}}. All other powers are technology-based.
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** ''PowerRangersWildForce'' "Forever Red" seems to [[AscendedFanon conform]] this.
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* ''BatmanBegins'' falls here: no superpowers, relatively grounded tech, mob bosses instead of supervillains, etc. Fitting, since it was loosely based on BatmanYearOne.
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* ''BatmanBegins'' falls here: no superpowers, relatively grounded tech, mob bosses instead of supervillains, etc. Fitting, since it was loosely based on BatmanYearOne.
''BatmanYearOne''.
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[[AC:Live Action TV]]
* ''PowerRangers'' in the "Zordon era" (its first six seasons). It has some elements of the Middle Stage already, but it's mainly just the one team and the public is in the dark about the details.
* ''PowerRangers'' in the "Zordon era" (its first six seasons). It has some elements of the Middle Stage already, but it's mainly just the one team and the public is in the dark about the details.
[[AC: Live Action TV]]
* ''PowerRangers'', post- "Zordon era". The Rangers are a known quantity now, and with the format changing to have new teams every year there's room for occasional team-ups. As for relationships with the government, ''PowerRangersLostGalaxy'' (season 7) hints that the local authorities are {{Secret Secret Keeper}}s and ''PowerRangersLightspeedRescue'' (season 8) sees the military field their own Ranger team.
* ''PowerRangers'', post- "Zordon era". The Rangers are a known quantity now, and with the format changing to have new teams every year there's room for occasional team-ups. As for relationships with the government, ''PowerRangersLostGalaxy'' (season 7) hints that the local authorities are {{Secret Secret Keeper}}s and ''PowerRangersLightspeedRescue'' (season 8) sees the military field their own Ranger team.
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[[AC:WebOriginal]]
* The WhateleyUniverse starts off in the Late Stage, with kids manifesting their mutant powers and going off to a SuperheroSchool of roughly 600 teenagers with dozens of powered teachers and staff. The backstory of Charlie Lodgeman is set starting in the late 1800's, and the universe was already Middle Stage at that point. He and five others form the superhero team the Mystic Six.
* {{Magellan}} starts off in Late Stage, with a girl motivated to become a superhero because she was saved years earlier by one of many well-known supers.
* The WhateleyUniverse starts off in the Late Stage, with kids manifesting their mutant powers and going off to a SuperheroSchool of roughly 600 teenagers with dozens of powered teachers and staff. The backstory of Charlie Lodgeman is set starting in the late 1800's, and the universe was already Middle Stage at that point. He and five others form the superhero team the Mystic Six.
* {{Magellan}} starts off in Late Stage, with a girl motivated to become a superhero because she was saved years earlier by one of many well-known supers.
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** With the 2011 DC relaunch, several titles are focusing on a hard year one (as opposed to in the previous universe where there had been a "Year One" for the current age of superheroes but there had been superheroes in prior eras.) The rest are focused on year five which seems to be middle stage. Lots of secret organizations alongside several heroes acting publicly but only beginning to meet each other and organize.
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* Antagonists are likely to be garden-variety crooks and mobsters as opposed to supervillains and will generally lack superpowers, with the possible exception of one main archnemesis. Any villains with powers are likely to derive them from the same source as the hero(es). (Magical heroes will have magical villains; alien heroes, alien villains, mutant heroes, mutant villains, etc.)
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* Antagonists are likely to be garden-variety crooks and mobsters as opposed to supervillains and will generally lack superpowers, with the possible exception of one main archnemesis. Any villains with powers are likely to derive them from the same source as the hero(es). (Magical heroes will have magical villains; alien heroes, alien villains, villains; mutant heroes, mutant villains, etc.)
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* In ''MagicalGirlLyricalNanohaStrikers' and beyond, every named character who matters is a superpowered mage, cyborg, clone, mutant, etc.
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* In ''MagicalGirlLyricalNanohaStrikers' ''MagicalGirlLyricalNanohaStrikers'' and beyond, every named character who matters is a superpowered mage, cyborg, clone, mutant, etc.
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* In ''MagicalGirlLyricalNanohaStrikerS'' and beyond, every named character who matters is a superpowered mage, cyborg, clone, mutant, etc.
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* In ''MagicalGirlLyricalNanohaStrikerS'' ''MagicalGirlLyricalNanohaStrikers' and beyond, every named character who matters is a superpowered mage, cyborg, clone, mutant, etc.
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* ''MysteryMen'' seems a pretty quintessential example. Soft sci-fi is showcased throughout the film, the plot focuses on a team of heroes going through some rather disorganized recruiting, the existence of superheroes is widely known (though disorganized unlike later stage works), and one "celebrity" superhero takes on a number of sponsors (although all of the sponsors in question are ''corporate'' ones).
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[[AC: Literature]]
* ''Hero'' by Perry Moore, about a teen who ends up as a trainee with the League of superheroes. There are multiple other trainees, and his father is also a superhero.
* ''Hero'' by Perry Moore, about a teen who ends up as a trainee with the League of superheroes. There are multiple other trainees, and his father is also a superhero.
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* ''TigerAndBunny'' is well into the Late Stage. [[DifferentlyPoweredIndividuals NEXT]] have been around for forty-five years and are generally regarded as a normal occurrence. A reasonable SuperRegistrationAct (for superheroes, not NEXT) is in full operation, and superhero is an actual ''career'' that people get salaries and can [[HeroAcademy go to specialized colleges for]]. Watching supherheroes arrest criminals and save lives is a national pastime, complete with [[ShowWithinAShow a hybrid news-RealityTelevision show covering their exploits]]. While most superheroes are technically competing against each other, joint operations are common for larger threats, facilities are shared, and many of the superheroes are actually friends.
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* Due to the relative lack of other superheroes beside the main character(s), there will be few to no crossovers. Those that do occur will typically concern two superheroes meeting for the first time; they are likely to be antagonistic toward each other at first.
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* Due to the relative lack of other superheroes beside the main character(s), there will be few to no crossovers. Those that do occur will typically concern two superheroes meeting for the first time; they are likely to be [[LetsYouAndHimFight antagonistic toward each other other]] at first.
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* The superhero is unlikely to work directly with/for the authorities. If aware of their existence, the authorities are likely to either deny it or call for his arrest as a vigilante. Any cooperation that does exist is likely to take the form of one or two "inside men" who cooperate with the superhero on a strictly informal basis. If the government is the source of the hero's or villain's powers, it's because a shadowy GovernmentConspiracy started a SuperSoldier project.
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* The superhero is unlikely to work directly with/for the authorities. If aware of their existence, the authorities are likely to either deny it or call for his arrest as a vigilante. Any cooperation that does exist is likely to take the form of one or two "inside men" "[[CommissionerGordon inside men]]" who cooperate with the superhero on a strictly informal basis. If the government is the source of the hero's or villain's powers, it's because a shadowy GovernmentConspiracy started a SuperSoldier project.
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* In ''MagicalGirlLyricalNanohaOriginal'', we have exactly one superhuman (the title character) and her pet/mentor at first. Half-way through, they are pitted against her superpowered rival and some superpowered SpacePolice joins the fray towards the end.
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* In ''MagicalGirlLyricalNanohaOriginal'', ''Anime/MagicalGirlLyricalNanoha'', we have exactly one superhuman (the title character) and her pet/mentor at first. Half-way through, they are pitted against her superpowered rival and some superpowered SpacePolice joins the fray towards the end.
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* In TheOriginalSeries of ''MagicalGirlLyricalNanoha'', we have exactly one superhuman (the title character) and her pet/mentor at first. Half-way through, they are pitted against her superpowered rival and some superpowered SpacePolice joins the fray towards the end.
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* In TheOriginalSeries of ''MagicalGirlLyricalNanoha'', ''MagicalGirlLyricalNanohaOriginal'', we have exactly one superhuman (the title character) and her pet/mentor at first. Half-way through, they are pitted against her superpowered rival and some superpowered SpacePolice joins the fray towards the end.
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* In ''MagicalGirlLyricalNanoha A's'', we have superpowered team vs. team action, but there is still a considerably Muggle presence (as in, there are some who are still relevant to the plot).
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* In ''MagicalGirlLyricalNanoha A's'', ''MagicalGirlLyricalNanohaAs'', we have superpowered team vs. team action, but there is still a considerably Muggle presence (as in, there are some who are still relevant to the plot).
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* In ''MagicalGirlLyricalNanoha [=StrikerS=]'' and beyond, every named character who matters is a superpowered mage, cyborg, clone, mutant, etc.
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* In ''MagicalGirlLyricalNanoha [=StrikerS=]'' ''MagicalGirlLyricalNanohaStrikerS'' and beyond, every named character who matters is a superpowered mage, cyborg, clone, mutant, etc.
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These three stages roughly correspond to the first three of TheAgesOfSuperheroComics:
* The Early Stage roughly coincides with TheGoldenAgeOfComicBooks
* The Middle Stage roughly coincides with TheSilverAgeOfComicBooks
* The Late Stage roughly coincides with TheBronzeAgeOfComicBooks and its subsequent Ages.
This correlation shows itself clearest in newly created superhero universes of each era: the [[CharltonComics Charlton Universe]] (1960) and the Lee-Kirby-Ditko MarvelUniverse (1961) both began in the Early Stage, but progressed to the Middle Stage within a year or so of publishing. Similarly, the [[ImageComics Image Universe]] (1992) began as a Middle Stage universe and rapidly progressed to Late Stage. (Arguably, the only reason Image took any time at all to progress from Middle to Late was the necessary time to introduce a sufficiently large number of characters.)
* The Early Stage roughly coincides with TheGoldenAgeOfComicBooks
* The Middle Stage roughly coincides with TheSilverAgeOfComicBooks
* The Late Stage roughly coincides with TheBronzeAgeOfComicBooks and its subsequent Ages.
This correlation shows itself clearest in newly created superhero universes of each era: the [[CharltonComics Charlton Universe]] (1960) and the Lee-Kirby-Ditko MarvelUniverse (1961) both began in the Early Stage, but progressed to the Middle Stage within a year or so of publishing. Similarly, the [[ImageComics Image Universe]] (1992) began as a Middle Stage universe and rapidly progressed to Late Stage. (Arguably, the only reason Image took any time at all to progress from Middle to Late was the necessary time to introduce a sufficiently large number of characters.)
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Wait, no. D\'oh.
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** The whole DarkKnightTrilogy falls into the early stage - Nolan has stated that this is deliberate, to keep the films more grounded in realism.
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oops
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** The whole DarkKnightSaga falls into the early stage - Nolan has stated that this is deliberate, to keep the films more grounded in realism.
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** The whole DarkKnightSaga DarkKnightTrilogy falls into the early stage - Nolan has stated that this is deliberate, to keep the films more grounded in realism.
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** The whole DarkKnightSaga falls into the early stage - Nolan has stated that this is deliberate, to keep the films more grounded in realism.
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* Early settings tend to contain as few as one or no powered superheroes. In a work centered around a superhero team, there may be five or six. Technological superpowers and gadgets will tend toward the hard side of [[MohsScaleOfScienceFictionHardness Moh's Scale.]]
* Due to the relative lack of other superheroes beside the main character(s), there will be few to no crossovers. Those that do occur will typically concern two superheroes meeting for the first time; they are likely to be antagonistic toward one another at first.
* Antagonists are likely to be garden-variety crooks and mobsters as opposed to supervillains and will generally lack superpowers, with the possible exception of one main archnemesis. Any villains with powers are likely to derive them from the same source as the hero(es). (Magical heroes will have magical villains, alien heroes alien villains, mutant heroes mutant villains, etc.)
to:
* Due to the relative lack of other superheroes beside the main character(s), there will be few to no crossovers. Those that do occur will typically concern two superheroes meeting for the first time; they are likely to be antagonistic toward
* Antagonists are likely to be garden-variety crooks and mobsters as opposed to supervillains and will generally lack superpowers, with the possible exception of one main archnemesis. Any villains with powers are likely to derive them from the same source as the hero(es). (Magical heroes will have magical
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* The superhero is unlikely to work directly with/for the authorities. If aware of their existence, the authorities are likely to either deny it or call for their arrest as a vigilante. Any cooperation that does exist is likely to take the form of one or two "inside men" who cooperate with the superhero on a strictly informal basis. If the government is the source of the hero's or villain's powers, it's because a shadowy GovernmentConspiracy started a SuperSoldier project.
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* The superhero is unlikely to work directly with/for the authorities. If aware of their existence, the authorities are likely to either deny it or call for their his arrest as a vigilante. Any cooperation that does exist is likely to take the form of one or two "inside men" who cooperate with the superhero on a strictly informal basis. If the government is the source of the hero's or villain's powers, it's because a shadowy GovernmentConspiracy started a SuperSoldier project.
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* Middle settings may include more than one major superhero, most with superpowers and each with a rogue's gallery of villains both powered and unpowered. Technological superpowers and gadgets will begin to trend toward the softer side of [[MohsScaleOfScienceFictionHardness Moh's Scale.]]
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* More superheroes are likely to work directly with or for the authorities on a regular and/or formal basis. Some nations may "sponsor" one or more superheroes and/or hero teams, openly providing them with a headquarters, police cooperation, and/or possibly even the source of their powers (if technological).
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* More superheroes are likely to work directly with or for the authorities on a regular and/or or formal basis. Some nations may "sponsor" one or more superheroes and/or or hero teams, openly providing them with a headquarters, police cooperation, and/or cooperation and possibly even the source of their powers (if technological).
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* Late settings tend to include dozens if not hundreds of superpowered individuals. They may be considered a minority group (likely if they are mutants or aliens) or even form one or more small nations. Technological powers and gadgets will represent the entire spectrum of [[MohsScaleOfScienceFictionHardness Moh's Scale.]]
* There is likely to be one large, very organized superhero governing body with a shared headquarters. It may have the authority to sanction and/or reprimand individual heroes, divide up regional territories as the responsibility of individual heroes or smaller teams, dispatch heroes where they are needed in times of crisis, etc. This organization may be considered a military (pardon the pun) superpower and have diplomatic relations with governments or the U.N. as though it were a nation itself.
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* There is likely to be one large, very organized superhero governing body with a shared headquarters. It may have the authority to sanction
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Any setting that persists for any length of time will find itself naturally sliding toward the Later end of the spectrum as more characters and plot elements are added. Almost nothing short of a CosmicRetcon can shift a setting the other way. On the other hand, individual works set in an established setting may very well display earlier stages, if the author chooses not to borrow too many superhuman elements from the overall setting ''for that particular work'' (case in point: ''BatmanBeyond'', while set in the Late Stage {{DCAU}}, falls squarely into the Middle Stage itself).
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Any setting that persists for any length of time will find itself naturally sliding toward the Later end of the spectrum as more characters and plot elements are added. Almost nothing short of a CosmicRetcon can shift a setting the other way. On the other hand, individual works set in an established setting may very well display earlier stages, if the author chooses not to borrow too many superhuman elements from the overall setting ''for that particular work'' (case work''. Case in point: ''BatmanBeyond'', while set in the Late Stage {{DCAU}}, falls squarely into the Middle Stage itself).itself.
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[[AC: Anime and Manga]]
* In TheOriginalSeries of ''MagicalGirlLyricalNanoha'' we have exactly one superpowered individual (the title character) and her pet/mentor at first. Half-way through, they are pitted against her superpowered rival and some superpowered SpacePolice joins the fray towards the end.
[[AC: Comic Books]]
* In TheOriginalSeries of ''MagicalGirlLyricalNanoha'' we have exactly one superpowered individual (the title character) and her pet/mentor at first. Half-way through, they are pitted against her superpowered rival and some superpowered SpacePolice joins the fray towards the end.
[[AC: Comic Books]]
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* In TheOriginalSeries of
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* Most if not all Golden Age comics belong here: typically characters like Superman and Wonder Woman were assumed to be the only superheroes in their universes, and it was only later that they were combined into publisher-specific, overarching universes encompassing many different heroes.
[[AC: Film]]
* BatmanBegins falls here: no superpowers, relatively grounded tech, mob bosses instead of supervillains, etc. Fitting, since it was loosely based on BatmanYearOne.
[[AC: WesternAnimation]]
[[AC: Film]]
* BatmanBegins falls here: no superpowers, relatively grounded tech, mob bosses instead of supervillains, etc. Fitting, since it was loosely based on BatmanYearOne.
[[AC: WesternAnimation]]
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* Most if not all Golden Age comics belong here: typically Typically, characters like Superman and Wonder Woman were assumed to be the only superheroes in their universes, and it was only later that they were combined into publisher-specific, overarching universes encompassing many different heroes.
[[AC: Film]]
[[AC:{{Film}}]]
*BatmanBegins ''BatmanBegins'' falls here: no superpowers, relatively grounded tech, mob bosses instead of supervillains, etc. Fitting, since it was loosely based on BatmanYearOne.
[[AC: WesternAnimation]][[AC:WesternAnimation]]
*
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[[AC: Anime and Manga]]
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[[AC: Film]]
* Nolan's TheDarkKnight arguably falls here: the sci-fi is starting to go a lot more soft, the existence of the Batman is an established fact of Gotham life, his cooperation with the police has gotten a lot more regular now that Gordon is promoted and once they bring Dent in, and the Joker is a bona fide supervillain (albeit ''sans'' superpowers).
[[AC: Tabletop Games]]
* FreedomCity and possibly the flagship settings of most {{Superhero}} TabletopGames are set in a mid-to-late scenario.
[[AC: Video Games]]
* The FreedomForce games start with early as Energy X creates heroes and villains, but quickly reaches middle period as more and more heroes join the Freedom Force.
[[AC: Western Animation]]
* The Bruce Timm BatmanTheAnimatedSeries and SupermanTheAnimatedSeries fall pretty squarely here. The existence of the heroes is well known, they fight powered villains, work directly with the police, team up frequently but are not yet part of an organized team, and the sci-fi is pretty soft.
* Nolan's TheDarkKnight arguably falls here: the sci-fi is starting to go a lot more soft, the existence of the Batman is an established fact of Gotham life, his cooperation with the police has gotten a lot more regular now that Gordon is promoted and once they bring Dent in, and the Joker is a bona fide supervillain (albeit ''sans'' superpowers).
[[AC: Tabletop Games]]
* FreedomCity and possibly the flagship settings of most {{Superhero}} TabletopGames are set in a mid-to-late scenario.
[[AC: Video Games]]
* The FreedomForce games start with early as Energy X creates heroes and villains, but quickly reaches middle period as more and more heroes join the Freedom Force.
[[AC: Western Animation]]
* The Bruce Timm BatmanTheAnimatedSeries and SupermanTheAnimatedSeries fall pretty squarely here. The existence of the heroes is well known, they fight powered villains, work directly with the police, team up frequently but are not yet part of an organized team, and the sci-fi is pretty soft.
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* Nolan's
*
* The
* The Bruce Timm
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[[AC: Anime and Manga]]
* In ''MagicalGirlLyricalNanoha [=StrikerS=]'' and beyond, every named character that matters is a superpowered mage, cyborg, clone, mutant, etc.
[[AC: Comics]]
* In ''MagicalGirlLyricalNanoha [=StrikerS=]'' and beyond, every named character that matters is a superpowered mage, cyborg, clone, mutant, etc.
[[AC: Comics]]
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* In ''MagicalGirlLyricalNanoha [=StrikerS=]'' and beyond, every named character
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[[AC: Video Games]]
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[[AC: Western Animation]]
* The DCAU's JusticeLeague and JusticeLeagueUnlimited fit here, particularly the latter. Dozens of superheroes and villains operating in large, organized teams, working with (and occasionally against) the government on a large scale.
* The first scene of TheIncredibles takes place in the Middle period, but the setting quickly shifts to Late after the [[SuperRegistrationAct superhero ban]] is put into effect.
* The DCAU's JusticeLeague and JusticeLeagueUnlimited fit here, particularly the latter. Dozens of superheroes and villains operating in large, organized teams, working with (and occasionally against) the government on a large scale.
* The first scene of TheIncredibles takes place in the Middle period, but the setting quickly shifts to Late after the [[SuperRegistrationAct superhero ban]] is put into effect.
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* The DCAU's
* The first scene of
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[[AC: WesternAnimation]]
* ''KimPossible'': The epynomous main character only has CharlesAtlasSuperpower, and the only persons with real superpowers are DarkActionGirl Shego and Team Go. Two other characters have powers that they got through magic. All other powers are technology-based.
* ''KimPossible'': The epynomous main character only has CharlesAtlasSuperpower, and the only persons with real superpowers are DarkActionGirl Shego and Team Go. Two other characters have powers that they got through magic. All other powers are technology-based.
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[[AC: Video Games]]
* ''CityOfHeroes[=/=]Villains''. Player heroes start out with a contact in the Federal Bureau for Superpowered Affairs, villains join the organization that rules a small island nation, and Praetorian metahumans are conscripted into a special division of their universe's police department. Enemies run the full spectrum from normal humans to gods, often within the same group.
* ''CityOfHeroes[=/=]Villains''. Player heroes start out with a contact in the Federal Bureau for Superpowered Affairs, villains join the organization that rules a small island nation, and Praetorian metahumans are conscripted into a special division of their universe's police department. Enemies run the full spectrum from normal humans to gods, often within the same group.