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* In interviews before the premiere of Series/{{Angel}}, Creator/JossWhedon said the spin-off ''Angel'' would be a "case of the week"-type show, and not a soap opera like ''Buffy''. It ended up becoming a '''bigger''' soap opera, with multiple love triangles, {{Shot Reverse Shot}}s of people standing around in rooms and rehashing [[YoyoPlotPoint old plot points]], Angel's son going from a baby to teenager and [[spoiler:sleeping with Cordelia]], etc.
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* In interviews before the premiere of Series/{{Angel}}, show's premiere, Creator/JossWhedon said the spin-off ''Angel'' ''Series/{{Angel}}'' would be a "case of the week"-type show, and not a soap opera like ''Buffy''. It ended up becoming a '''bigger''' soap opera, with multiple love triangles, {{Shot Reverse Shot}}s of people standing around in rooms and rehashing [[YoyoPlotPoint old plot points]], Angel's son going from a baby to teenager and [[spoiler:sleeping with Cordelia]], etc.
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* In interviews before the premiere of Series/{{Angel}}, Creator/JossWhedon said the spin-off ''Angel'' would be a "case of the week"-type show, and not a soap opera like ''Buffy''. It ended up becoming a '''bigger''' soap opera, with multiple love triangles, {{Shot Reverse Shot}}s of people standing around in rooms and rehashing [[YoyoPlotPoint old plot points]], Angel's son going from a baby to teenager and [[spoiler:sleeping with Cordelia]], etc.
-->'''Fred:''' Who's Darla?\\
'''Gunn''': Angel's old flame from way back.\\
'''Fred''' Not [[{{Series/BuffyTheVampireSlayer}} the one who died?]]\\
'''Gunn:''' Yeah. --No, not that one, the ''other'' one that died and came back to life. She's a vampire.\\
'''Fred''': ''(confused)'' [[MetaGuy Do y'all have a chart or somethin'?]]\\
'''Gunn''': In the files, I'll get it for you later.
** Lampshaded by Cordy herself: "''Tell me'' we're not living in a soap opera."
** Lampshaded by Gunn as well in "Players": "Listen, I spent most of this year trapped in what I can only describe as a turgid supernatural soap-opera."
-->'''Fred:''' Who's Darla?\\
'''Gunn''': Angel's old flame from way back.\\
'''Fred''' Not [[{{Series/BuffyTheVampireSlayer}} the one who died?]]\\
'''Gunn:''' Yeah. --No, not that one, the ''other'' one that died and came back to life. She's a vampire.\\
'''Fred''': ''(confused)'' [[MetaGuy Do y'all have a chart or somethin'?]]\\
'''Gunn''': In the files, I'll get it for you later.
** Lampshaded by Cordy herself: "''Tell me'' we're not living in a soap opera."
** Lampshaded by Gunn as well in "Players": "Listen, I spent most of this year trapped in what I can only describe as a turgid supernatural soap-opera."
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%%%%%* ''Series/StarTrekTheNextGeneration,''
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%%* ProfessionalWrestling has often been called "Soap Operas for guys."
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[[folder:Newspapers]]
* There was an odd short-lived trend in TheSeventies of newspapers introducing daily or weekly serialized fiction, usually set in the city served by the paper, often called soap operas in print, mainly to appeal to young female readers (they often centered around a NaiveEverygirl). Armistead Maupin's ''Literature/TalesOfTheCity'', in ''The San Francisco Chronicle'', was the most successful, eventually spinning off into a book series. Across the Golden Gate, Cyra [=McFadden's=] ''The Serial'' (in the ''Pacific Sun'' in Marin County) was turned into a CultClassic novel (and later a movie starring Creator/MartinMull and Creator/ChristopherLee). But the others like ''Bagtime'' (''Chicago Sun-Times'') and ''Federal Triangle'' (''Washington Star'') faded into obscurity.
[[/folder]]
* There was an odd short-lived trend in TheSeventies of newspapers introducing daily or weekly serialized fiction, usually set in the city served by the paper, often called soap operas in print, mainly to appeal to young female readers (they often centered around a NaiveEverygirl). Armistead Maupin's ''Literature/TalesOfTheCity'', in ''The San Francisco Chronicle'', was the most successful, eventually spinning off into a book series. Across the Golden Gate, Cyra [=McFadden's=] ''The Serial'' (in the ''Pacific Sun'' in Marin County) was turned into a CultClassic novel (and later a movie starring Creator/MartinMull and Creator/ChristopherLee). But the others like ''Bagtime'' (''Chicago Sun-Times'') and ''Federal Triangle'' (''Washington Star'') faded into obscurity.
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%%%%* ''Comicbook/IncredibleHulk'', especially in TheSeventies and early Eighties.
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%%%%* ''Comicbook/IncredibleHulk'', ''ComicBook/TheIncredibleHulk'', especially in TheSeventies and early Eighties.
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%%%%* Also ''Series/MyHero''. He performs heroics, but never on camera.
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%%%%* Also ''Series/MyHero''.''Series/MyHero2000''. He performs heroics, but never on camera.
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-->-- '''Bode Locke''' from ''ComicBook/LockeAndKey''
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-->-- '''Bode Locke''' from Locke''', ''ComicBook/LockeAndKey''
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It's not uncommon for such series to [[{{Filler}} "take a break"]] from the normal heroics to have an episode of pure characterization (ComicBook fans have long nicknamed these "baseball issues") or to eschew the heroics/doctoring/detecting entirely in favor of other soap opera staples like the SoapWheel and FourLinesAllWaiting. In the case of superheroes, part of the drama will derive from separating hero and civilian identities with romantic complications. Anime {{beach episode}}s, when not entirely devoted to {{Fanservice}}, can be a form of this trope.
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It's not uncommon for such series to [[{{Filler}} "take a break"]] from the normal heroics to have an episode of pure characterization (ComicBook fans have long nicknamed these "baseball issues") issues", which [[BaseballEpisode inspired a trope name]]) or to eschew the heroics/doctoring/detecting entirely in favor of other soap opera staples like the SoapWheel and FourLinesAllWaiting. In the case of superheroes, part of the drama will derive from separating hero and civilian identities with romantic complications. Anime {{beach episode}}s, when not entirely devoted to {{Fanservice}}, can be a form of this trope.
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-->--'''Bode Locke''' from ''ComicBook/LockeAndKey''
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YMMV
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* ProfessionalWrestling has often [[FanNickname been called]] "Soap Operas for guys."
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* ''Anime/RinneNoLagrange'' is definitely more about the relationship between Madoka, Lan and Muginami than about outright mecha action.
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* ''Anime/RinneNoLagrange'' ''Anime/LagrangeTheFlowerOfRinne'' is definitely more about the relationship between Madoka, Lan and Muginami than about outright mecha action.
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* Pokemon fanfic 'Fanfic/OlivineRomance'. The usual Pokemon and Pokemon battles are relegated to subplot status while the human's drama and romances take center stage.
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* Pokemon The ''Franchise/{{Pokemon}}'' fanfic 'Fanfic/OlivineRomance'. ''Fanfic/OlivineRomance''. The usual Pokemon Pokémon and Pokemon Pokémon battles are relegated to subplot status while the human's drama and romances take center stage.
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* The ''Film/{{Scream}}'' series is notable for this in the {{slasher|Movie}} genre, with a heavy focus on the characters, their relationships, and their backstories. [[Film/{{Scream 1996}} The first film]] actually saw ExecutiveMeddling to add a death to the middle of the film, as outside the two opening kills, there were no deaths for the first hour in the original script.
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* The ''Film/{{Scream}}'' series is notable for this in the {{slasher|Movie}} genre, with a heavy focus on the characters, their relationships, and their backstories. [[Film/{{Scream 1996}} [[Film/Scream1996 The first film]] actually saw ExecutiveMeddling to add a death to the middle of the film, as outside the two opening kills, there were no deaths for the first hour in the original script.
script.
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* ''Series/LoisAndClark: The New Adventures of {{Superman}}'' caught a lot of flack in its day for being more like "''Series/{{Moonlighting}}'' with superheroes" than other Superman shows, which were traditionally more action-oriented.
* ''Series/{{Smallville}}'' has always focused on interpersonal drama to a bit higher degree than, say, ''WesternAnimation/SupermanTheAnimatedSeries'', in later seasons the story-to-angst balance was tipped ''far'' towards angst, even after [[LoveTriangle Lana]] was PutOnABus.
* ''Series/{{Smallville}}'' has always focused on interpersonal drama to a bit higher degree than, say, ''WesternAnimation/SupermanTheAnimatedSeries'', in later seasons the story-to-angst balance was tipped ''far'' towards angst, even after [[LoveTriangle Lana]] was PutOnABus.
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* ''Series/LoisAndClark: The New Adventures of {{Superman}}'' Superman'' caught a lot of flack in its day for being more like "''Series/{{Moonlighting}}'' with superheroes" than other Superman shows, which were traditionally more action-oriented.
* ''Series/{{Smallville}}'' has always focused on interpersonal drama to a bit higher degree than, say,''WesternAnimation/SupermanTheAnimatedSeries'', in ''WesternAnimation/SupermanTheAnimatedSeries''. In later seasons seasons, the story-to-angst balance was tipped ''far'' towards angst, even after [[LoveTriangle Lana]] was PutOnABus.
* ''Series/{{Smallville}}'' has always focused on interpersonal drama to a bit higher degree than, say,
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* ComicBook/GreenLanterns devotes one issue to Simon telling his mom he's a superhero, and another to detailing Jessica's everyday struggle with anxiety.
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* ComicBook/GreenLanterns ''ComicBook/GreenLanterns'' devotes one issue to Simon telling his mom he's a superhero, and another to detailing Jessica's everyday struggle with anxiety.
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* ''ComicBook/UltimateSpiderMan'' has several issues that are just focused on Peter's personal life, with little to no costumed crimefighting whatsoever. A few examples are the issue where he tells Mary Jane his secret identity, and another issue that focuses solely on Aunt May talking to her therapist about Peter's [[SecretIdentity odd behavior]] since Uncle Ben's death.
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Too much complaining about Smalville
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* ''Series/{{Smallville}}'' has always focused on interpersonal drama to a bit higher degree than, say, ''WesternAnimation/SupermanTheAnimatedSeries'', in later seasons the story-to-sitting-around-{{wangst}}ing balance was tipped ''far'' in the wrong direction, even after [[RomanticPlotTumor Lana]] was PutOnABus.
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* ''Series/{{Smallville}}'' has always focused on interpersonal drama to a bit higher degree than, say, ''WesternAnimation/SupermanTheAnimatedSeries'', in later seasons the story-to-sitting-around-{{wangst}}ing story-to-angst balance was tipped ''far'' in the wrong direction, towards angst, even after [[RomanticPlotTumor [[LoveTriangle Lana]] was PutOnABus.
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* ''Series/DoctorWho'''s revival is much soapier than the classic series, probably thanks to [[Creator/RussellTDavies its initial showrunner]] being a soap writer. The Doctor now had romances with several companions, most notably Rose, there was lots of drama with companions' families, and characters spent a lot of time angsting over the Doctor's role in the universe. Series 1 was probably the soapiest of the revival, with the action quotient increasing as the show went on, especially after Creator/StevenMoffat took over as showrunner, but the soap influences never really went away.
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* ComicBook/GreenLanterns devotes one issue to Simon telling his mom he's a superhero, and another to detailing Jessica's everyday struggle with anxiety.
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* ''Series/TheOfficeUS'' had this especially during Season4 and early Season 9 what with the drama over Jim and Pam and the Dwight-Angela-Andy LoveTriangle. Season 9 also leaned heavily in this direction, with the Halpert marriage becoming rocky, Angela becoming TheBeard for a gay politician, Dwight suspecting he's the father of Angela's child, and Andy deciding to break into show business.
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* ''Series/TheOfficeUS'' had this especially during Season4 Season 4 and early Season 9 5 what with the drama over Jim and Pam and the Dwight-Angela-Andy LoveTriangle. Season 9 also leaned heavily in this direction, with the Halpert marriage becoming rocky, Angela becoming TheBeard for a gay politician, Dwight suspecting he's the father of Angela's child, and Andy deciding to break into show business.
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* ''Series/TheOfficeUS'' had this especially during season four and early season five what with the drama over Jim and Pam and the Dwight-Angela-Andy LoveTriangle.
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* ''Series/TheOfficeUS'' had this especially during season four Season4 and early season five Season 9 what with the drama over Jim and Pam and the Dwight-Angela-Andy LoveTriangle.LoveTriangle. Season 9 also leaned heavily in this direction, with the Halpert marriage becoming rocky, Angela becoming TheBeard for a gay politician, Dwight suspecting he's the father of Angela's child, and Andy deciding to break into show business.
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Cardcaptor Sakura was always about the relationships than the card catching. It was the "Card Captors" english Dub that actionnized the source mateial. "sometimes accused of this" is qualified and weasel words.
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** Some would say yes. ''Anime/EurekaSeven'''s first half certainly thinks so, and the middle section of ''Anime/RahXephon'' also has these traits.
** ''Anime/RinneNoLagrange'' is definitely more about the relationship between Madoka, Lan and Muginami than about outright mecha action.
** ''Anime/RinneNoLagrange'' is definitely more about the relationship between Madoka, Lan and Muginami than about outright mecha action.
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%%%% * middle section of ''Anime/RahXephon'' also has these traits.
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* A lot of Anime fit this description. ''Manga/CardcaptorSakura'' comes to mind, quite a few episodes of the Anime had no action at all.
* ''Manga/RozenMaiden''. Given that this is pretty much a {{Moe}} series, it's not surprising.
* ''Manga/RozenMaiden''. Given that this is pretty much a {{Moe}} series, it's not surprising.
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*
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%%* ''Manga/GunslingerGirl'' is somewhat like this.
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%%* ''Manga/GunslingerGirl'' is somewhat like this.
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* [[Franchise/SpiderMan Peter Parker]] was the original poster-boy of this, apt considering he's probably the tropemaker.
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* ''ComicBook/{{Empowered}}'' and ''Ultra'' come to mind.
* ''ComicBook/NobleCauses'' is a SoapOpera where the characters just happen to have super powers.
* ''ComicBook/{{Runaways}}''. Yes, the plot really is the driving force, but we wouldn't have the whole Nico/Karolina/Xavin subplot if it wasn't at all Soaperheroes.
* ''ComicBook/NobleCauses'' is a SoapOpera where the characters just happen to have super powers.
* ''ComicBook/{{Runaways}}''. Yes, the plot really is the driving force, but we wouldn't have the whole Nico/Karolina/Xavin subplot if it wasn't at all Soaperheroes.
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* ''Young Heroes in Love'', a short-lived DC Comic.
* Exemplified by Creator/ChrisClaremont's work on the ''ComicBook/XMen''.
* Likewise, Creator/MarvWolfman's work on ''ComicBook/TeenTitans'', especially in the 80s.
* Exemplified by Creator/ChrisClaremont's work on the ''ComicBook/XMen''.
* Likewise, Creator/MarvWolfman's work on ''ComicBook/TeenTitans'', especially in the 80s.
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%%%* Exemplified by Creator/ChrisClaremont's work on the ''ComicBook/XMen''.
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* ''Comicbook/IncredibleHulk'', especially in TheSeventies and early Eighties.
* Done regularly in ''ComicBook/StrikeforceMorituri'', given the character-driven nature of the series.
* ''ComicBook/ScottPilgrim'' has a lot of character drama for a mostly action series.
* Done regularly in ''ComicBook/StrikeforceMorituri'', given the character-driven nature of the series.
* ''ComicBook/ScottPilgrim'' has a lot of character drama for a mostly action series.
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* ''Series/{{Soap}}'' of course.
* ''Series/{{Heroes}}'', at first anyway. The third season so far seems to be focusing almost entirely on superheroics.
* Also ''Series/MyHero''. He performs heroics, but never on camera.
* ''Series/StarTrekTheNextGeneration,'' though it's usually NegativeSpaceWedgie [[MonsterOfTheWeek Of The Week]].
* ''Series/{{Heroes}}'', at first anyway. The third season so far seems to be focusing almost entirely on superheroics.
* Also ''Series/MyHero''. He performs heroics, but never on camera.
* ''Series/StarTrekTheNextGeneration,'' though it's usually NegativeSpaceWedgie [[MonsterOfTheWeek Of The Week]].
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* ''Series/StargateUniverse'' is sometimes accused of this (and, tellingly, is also accused at times of being a ''Series/{{Battlestar Galactica|2003}}'' ripoff).
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** Though ''Series/{{Smallville}}'' has always focused on interpersonal drama to a bit higher degree than, say, ''WesternAnimation/SupermanTheAnimatedSeries'', in later seasons the story-to-sitting-around-{{wangst}}ing balance was tipped ''far'' in the wrong direction, even after [[RomanticPlotTumor Lana]] was PutOnABus.
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* The complaint of soaperization was frequently levied at ''Series/TheOfficeUS'', especially during season four and early season five (what with the drama over Jim and Pam and the Dwight-Angela-Andy LoveTriangle).
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* The complaint of soaperization was frequently levied at ''Series/TheOfficeUS'', ''Series/TheOfficeUS'' had this especially during season four and early season five (what what with the drama over Jim and Pam and the Dwight-Angela-Andy LoveTriangle).LoveTriangle.
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* On ''Series/{{JAG}}'', this trend began to accelerate in the second and third seasons.
* ''Series/NoHeroics''. The clue's in the title.
* ''Series/NoHeroics''. The clue's in the title.
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* Techincally, this is part game mechanic for ''Franchise/ShinMegamiTensei'' ''VideoGame/{{Persona 3}}'' and ''VideoGame/{{Persona 4}}'' as the player not only goes through an EasternRPG with DatingSim elements. And it's become a CashCowFranchise and brought Atlus into the mainstream English videogame market.
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* Techincally, this is part game mechanic for ''Franchise/ShinMegamiTensei'' ''VideoGame/{{Persona 3}}'' and ''VideoGame/{{Persona 4}}'' as the player not only goes through an EasternRPG with DatingSim elements. And it's It's become a CashCowFranchise and brought Atlus into the mainstream English videogame market.
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* ''WesternAnimation/TheVentureBrothers'', though not precisely superheroes, a mix of {{Deconstruction}}, parody, soaperheroics and BlackComedy.
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* Techincally, this is part game mechanic for ''ShinMegamiTensei'' ''VideoGame/{{Persona 3}}'' and ''VideoGame/{{Persona 4}}'' as the player not only goes through an EasternRPG with DatingSim elements. And it's become a CashCowFranchise and brought Atlus into the mainstream English videogame market.
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* Techincally, this is part game mechanic for ''ShinMegamiTensei'' ''Franchise/ShinMegamiTensei'' ''VideoGame/{{Persona 3}}'' and ''VideoGame/{{Persona 4}}'' as the player not only goes through an EasternRPG with DatingSim elements. And it's become a CashCowFranchise and brought Atlus into the mainstream English videogame market.
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* The ''Franchise/{{Scream}}'' series is notable for this in the {{slasher|Movie}} genre, with a heavy focus on the characters, their relationships, and their backstories. [[Film/{{Scream 1996}} The first film]] actually saw ExecutiveMeddling to add a death to the middle of the film, as outside the two opening kills, there were no deaths for the first hour in the original script.
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* The ''Franchise/{{Scream}}'' ''Film/{{Scream}}'' series is notable for this in the {{slasher|Movie}} genre, with a heavy focus on the characters, their relationships, and their backstories. [[Film/{{Scream 1996}} The first film]] actually saw ExecutiveMeddling to add a death to the middle of the film, as outside the two opening kills, there were no deaths for the first hour in the original script.
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* [[Franchise/SpiderMan Peter Parker]] is the posterboy of this, apt considering he's probably the tropemaker.
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* [[Franchise/SpiderMan Peter Parker]] is was the posterboy original poster-boy of this, apt considering he's probably the tropemaker.tropemaker.
* The ''Franchise/XMen'' are perhaps the most dramatic case of this in comics, with the X-Men and their related characters carrying on absurdly complex and thoroughly incestuous relationships (usually figuratively, sometimes borderline literally) with one another, some platonic, some romantic, and some somewhere in-between. If you come up with two random X-Men, odds are good that they shared a bed or a relative - and if they didn't, one probably shared a bed with the other's relative.
* The ''Franchise/XMen'' are perhaps the most dramatic case of this in comics, with the X-Men and their related characters carrying on absurdly complex and thoroughly incestuous relationships (usually figuratively, sometimes borderline literally) with one another, some platonic, some romantic, and some somewhere in-between. If you come up with two random X-Men, odds are good that they shared a bed or a relative - and if they didn't, one probably shared a bed with the other's relative.
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* ''Fanfic/ChildOfTheStorm'' zig-zags the trope. On the one hand, it's heavily character-driven, with the Avengers and their various associates being cast as a dysfunctional family, and the effects of the plot on the characters being emphasised, and a persistent criticism of the first 30 chapters of the first book is that they're very short on actual action. On the other hand, the grander plot starts picking up speed from chapter 40, with the vast majority of major events (and many minor ones) being revealed as part of a grand chess game being played by Doctor Strange, taking on more characteristics of a superhero epic, while the story (and its author) disdain a number of classic soap opera tropes (particularly of the wacky misunderstanding variety) as ridiculous.
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* Techincally, this is part game mechanic for ''ShinMegamiTensei'' ''VideoGame/{{Persona 3}}'' and ''VideoGame/{{Persona 4}}'' as the player not only goes through an EasternRPG with DatingSim elements. And it's become a CashCowFranchise and brought Atlus into the mainstream english videogame market.
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* Techincally, this is part game mechanic for ''ShinMegamiTensei'' ''VideoGame/{{Persona 3}}'' and ''VideoGame/{{Persona 4}}'' as the player not only goes through an EasternRPG with DatingSim elements. And it's become a CashCowFranchise and brought Atlus into the mainstream english English videogame market.
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Context, please.
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* ''Manga/GunslingerGirl'' is somewhat like this.
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* While ''Series/TheTick'' was more of a sitcom-type than a soap-type, it rarely showed the superheroes fighting, instead throwing them in plots like "meeting new heroes in an abusive relationship" or "suing the magazine that displayed naked pictures of Captain Liberty".
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* While ''Series/TheTick'' ''Series/TheTick2001'' was more of a sitcom-type than a soap-type, it rarely showed the superheroes fighting, instead throwing them in plots like "meeting new heroes in an abusive relationship" or "suing the magazine that displayed naked pictures of Captain Liberty".
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%%* ''Liteture/WildCards'', in places.
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* ''Webcomic/{{Homestuck}}'', especially in act 6. The emphasis on romance (actually called "shipping" in-universe) had started much earlier, but in Act 5 the characters' romantic attractions provided impetus for the plot. By Act 6 it had consumed the storyline, and one of the very last scenes before the GainaxEnding is a tea party date between new characters with no plot relevance whatsoever.
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* [[{{Spider-Man}} Peter Parker]] is the posterboy of this, apt considering he's probably the tropemaker.
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* [[{{Spider-Man}} [[Franchise/SpiderMan Peter Parker]] is the posterboy of this, apt considering he's probably the tropemaker.
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* ''InterviewingLeather'' focuses primarily on the interview of the supervillainess rather than seeing her in action.
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* ''InterviewingLeather'' ''Literature/InterviewingLeather'' focuses primarily on the interview of the supervillainess rather than seeing her in action.
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Fetish Fuel is now just a fan-speak term. It shouldn't be linked to, not even for YMMV purposes. In-universe examples are the Fetish trope.
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* While ''Series/TheTick'' was more of a sitcom-type than a soap-type, it rarely showed the superheroes fighting, instead throwing them in plots like "meeting new heroes in an abusive relationship" or "suing the magazine that displayed [[FetishFuel naked pictures of Captain Liberty]]".
to:
* While ''Series/TheTick'' was more of a sitcom-type than a soap-type, it rarely showed the superheroes fighting, instead throwing them in plots like "meeting new heroes in an abusive relationship" or "suing the magazine that displayed [[FetishFuel naked pictures of Captain Liberty]]".Liberty".
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* Exemplified by Creator/ChrisClaremont's work on the ''ComicBook/{{X-Men}}''.
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* Exemplified by Creator/ChrisClaremont's work on the ''ComicBook/{{X-Men}}''.''ComicBook/XMen''.