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* Much of the events that transpired in ''Roleplay/DinoAttackRPG'' after the XERRD Fortress battle and before the journey to the Maelstrom Temple, especially following the Stromling attack on the camp, just seemed to drag on and on without much actually happening. This includes Rotor's trial and the Stromling infiltration paranoia. It speaks for itself that, ''in-universe'', Stromling!Zachary actually had to reset his "You Have Sixty Hours" ultimatum because Dino Attack Team was taking so long to get going.
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* The National Novel Writer Month arc of ''Helpdesk'' had the guy trying to write a 40,000 word short story in 30 days catch up after falling behind schedule by adding a time loop to the story, which basically meant that he copy-pasted the same chapter into his story five times. And after his story with a DownerEnding was complete, he discovered that he only wrote 39,994 words, so he added "And they lived happily ever after" to the ending.
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* ''Anime/{{Voltron}}'' had over half a dozen pieces of stock footage. Two of them (forming Voltron and forming Blazing Sword) happen in pretty much every episode. How many of the others (generally related to getting the pilots to the lions, launching the lions, and getting the lions to the battlefield) get used is a function of how much time the studio had to use up to get the episode to the desired length after all the actual plot-related scenes were finished.

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* ''Anime/{{Voltron}}'' had over half a dozen pieces of stock footage. Two of them (forming Voltron and forming Blazing Sword) happen in pretty much every episode. How many of the others (generally related to getting the pilots to the lions, launching the lions, and getting the lions to the battlefield) battlefield, and breaking out various other stock footage weapons that invariably don't work) get used is a function of how much time the studio had to use up to get the episode to the desired length after all the actual plot-related scenes were finished.
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** One commercial for ''WesternAnimation/ThePowerpuffGirls'' had Mojo Jojo do this on a show that was an obvious reference to ''Series/WhoWantsToBeAMillionaire'', though that's really his normal way of talking.

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** One commercial for ''WesternAnimation/ThePowerpuffGirls'' ''Franchise/ThePowerpuffGirls'' had Mojo Jojo do this on a show that was an obvious reference to ''Series/WhoWantsToBeAMillionaire'', though that's really his normal way of talking.
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* ''Film/FridayThe13th1980'' actually has several:
** There's an out of nowhere sequence where Alice discovers a snake in her cabin, and the other counsellors band together to kill it. To be charitable, it might trick the audience into thinking Bill is TheHero and Alice is more fragile, to prop up the tension when Alice is the one left alone with the killer, but the sequence wasn't in the script and thought up on the spot by make-up artist Tom Savini.
** Jack and Marcy have a conversation by the lake, where the latter starts talking about her frequent nightmares; one ominous dream has her describing rain turning to blood. It seems like a flimsy attempt at a 'character moment' and does little to foreshadow that anything bad is going to happen, since Annie has already been killed and the scene began with Ned following a mysterious stranger into a cabin.
** There's also a lengthy scene where all the other counsellors have vanished, and Alice makes a cup of coffee. For audiences at the time, it might have been to draw out tension whether the killer might strike while she's unaware.
* ''Film/FridayThe13thPart2'' opens with Alice Hardy, the FinalGirl of the previous film, having nightmares about said film's events. And then we're shown about five minutes' worth of extended flashback to her confrontation with Mrs Voorhees.


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* The Irish indie film ''Life's a Breeze'', about a grandmother's life savings being in a mattress her children have disposed of, has two:
** The grandmother and her granddaughter trick the {{Jerkass}} of a son that he's won the lottery via use of a recording of that week's broadcast. It was foreshadowed when the children's surprise home rennovation included a TV that could do that, but it puts the plot on hold for five minutes. Given that the son was played by Pat Shortt, the only other name in the cast besides Fionnuala Flanagan as the grandmother, it may have been to pad his screen time out.
** For the grandmother's birthday, all her children hire a male stripper and then bicker with themselves over who's going to pay him. It does little to further the plot and the gratuitous {{Fanservice}} is especially jarring with the movie's SliceOfLife tone.
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Up To Eleven is a defunct trope


* Similarly, the ''Manga/{{Naruto}}'' anime does this when it doesn't just decide to [[InactionSequence fill out episodes with nothing at all]]. For example, when Suigetsu joined Sasuke in the manga they went to the Land of Waves to get [[spoiler:Zabuza's {{BFS}}]] which was right where they expected it to be and it only took up a few pages. But in the anime someone else took it, and the two spend the episode retrieving it, eventually making a game out of it (as well as spending [[RuleOfFunny a rather amusing]] scene in a restaurant). This also serves the purpose of demonstrating Suigetsu's [[NighInvulnerable abilities]] much earlier than in the manga (where he doesn't get to properly demonstrate his power for nearly fifty chapters). The same thing happened with the other two members of their team, but with flashbacks. Earlier in the anime series, during the attempted rescue of Gaara, there were [[UpToEleven flashbacks to things that had been covered in previous and recent flashbacks,]] as well as flashbacks to things that had happened five real-time minutes earlier. While this is done in an attempt to not outpace the manga, it gets painful during fight scenes.

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* Similarly, the ''Manga/{{Naruto}}'' anime does this when it doesn't just decide to [[InactionSequence fill out episodes with nothing at all]]. For example, when Suigetsu joined Sasuke in the manga they went to the Land of Waves to get [[spoiler:Zabuza's {{BFS}}]] which was right where they expected it to be and it only took up a few pages. But in the anime someone else took it, and the two spend the episode retrieving it, eventually making a game out of it (as well as spending [[RuleOfFunny a rather amusing]] scene in a restaurant). This also serves the purpose of demonstrating Suigetsu's [[NighInvulnerable abilities]] much earlier than in the manga (where he doesn't get to properly demonstrate his power for nearly fifty chapters). The same thing happened with the other two members of their team, but with flashbacks. Earlier in the anime series, during the attempted rescue of Gaara, there were [[UpToEleven flashbacks to things that had been covered in previous and recent flashbacks,]] flashbacks, as well as flashbacks to things that had happened five real-time minutes earlier. While this is done in an attempt to not outpace the manga, it gets painful during fight scenes.



* The fourth and fifth books of ''Literature/ASongOfIceAndFire'' take this UpToEleven. New Dornish and Ironborn [=POVs=] are introduced and most are largely unimportant to the main plot. Areo Hotah, Arys Oakheart and Aeron Greyjoy's chapters and especially the eight Brienne chapters in ''A Feast for Crows'', which are long sequences of traveling through the Riverlands looking for Sansa have almost no bearing whatsoever to the main plot aside from a bit of character development and world-building. ''A Dance With Dragons'' continues the padding with the Quentyn chapters, which follow the story of a completely inconsequential character whose only point is getting burned by Daenerys' dragons at the end.

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* The fourth and fifth books of ''Literature/ASongOfIceAndFire'' take this UpToEleven. ''Literature/ASongOfIceAndFire'': New Dornish and Ironborn [=POVs=] are introduced in the fourth and fifth books and most are largely unimportant to the main plot. Areo Hotah, Arys Oakheart and Aeron Greyjoy's chapters and especially the eight Brienne chapters in ''A Feast for Crows'', which are long sequences of traveling through the Riverlands looking for Sansa have almost no bearing whatsoever to the main plot aside from a bit of character development and world-building. ''A Dance With Dragons'' continues the padding with the Quentyn chapters, which follow the story of a completely inconsequential character whose only point is getting burned by Daenerys' dragons at the end.



** Really Gets taken UpToEleven for Season 8 with the last last episode in particular being an all-time low for the amount of dialogue spoken in an episode. It is packed with long and slow scenes of characters walking, character reaction shots and sweeping pans of Kingslanding. It's quite egregious as it's also meant to be the episode that wraps up 8 seasons worth of epic fantasy plot.

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** Really Gets taken UpToEleven for Season 8 with the last The last episode of Season 8 in particular being is an all-time low for the amount of dialogue spoken in an episode. It is packed with long and slow scenes of characters walking, character reaction shots and sweeping pans of Kingslanding. It's quite egregious as it's also meant to be the episode that wraps up 8 seasons worth of epic fantasy plot.
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"Not to be confused with" cleanup.


Padding is often frequently present in music, too. It can range from parts without the main melody or sudden stop periods. Examples are quite subjective. '''BUT!!!''' Despite the name, Padding has not even a smidgen to do with [[JustForFun/IThoughtItMeant diapers]].

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Padding is often frequently present in music, too. It can range from parts without the main melody or sudden stop periods. Examples are quite subjective. '''BUT!!!''' Despite the name, Padding has not even a smidgen to do with [[JustForFun/IThoughtItMeant diapers]].
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** The first episode of "[[Recap/DoctorWhoS18E1TheLeisureHive The Leisure Hive]]" notoriously opens with a slow, nearly two-minute pan across an empty beach. Reportedly, this was because the story was a holdover from Creator/GrahamWilliams' tenure as producer, and when Creator/JohnNathanTurner took over, he ordered all the comedy to be stripped out to fit the DarkerAndEdgier direction he had in mind.

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** The first episode of "[[Recap/DoctorWhoS18E1TheLeisureHive The Leisure Hive]]" notoriously opens with a slow, nearly two-minute pan across an empty beach. Reportedly, this was because the story was a holdover from Creator/GrahamWilliams' tenure as producer, and when Creator/JohnNathanTurner took over, he ordered all the comedy to be stripped out to fit the DarkerAndEdgier direction he had in mind.mind, which had the side-effect of causing part one to underrun.
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** The first episode of "[[Recap/DoctorWhoS18E1TheLeisureHive The Leisure Hive]]" notoriously opens with a slow, nearly two-minute pan across an empty beach. Reportedly, this was because the story was a holdover from Creator/GrahamWilliams' tenure as producer, and when Creator/JohnNathanTurner took over, he ordered all the comedy to be stripped out to fit the DarkerAndEdgier direction he had in mind.

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** "Mathelete's Feat" ends with self-admitted filler, featuring the Simpson family as hillbillies playing jugs.



*** In "The Masterpiece," there is a sequence of [=SpongeBob=] revving up the grill, slicing cheese, opening the restaurant, and Squidward watching a soap opera before Mr. Krabs sees the Sea Chicken Shack commercial that sets the plot in motion. There's then a scene of [=SpongeBob=] showing off his spy gadgets to Mr. Krabs, even though he only uses one of them. And ''then'' there's a scene of [=SpongeBob=] inside the Sea Chicken Shack before getting kicked out and noticing the statue that gives Mr. Krabs an idea to build his own. There's minutes of mundane conversation before Squidward agrees to building the statue.
*** "Kracked Krabs" starts with [=SpongeBob=] making fries in a rather long sequence.

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*** ** In "The Masterpiece," there is a sequence of [=SpongeBob=] revving up the grill, slicing cheese, opening the restaurant, and Squidward watching a soap opera before Mr. Krabs sees the Sea Chicken Shack commercial that sets the plot in motion. There's then a scene of [=SpongeBob=] showing off his spy gadgets to Mr. Krabs, even though he only uses one of them. And ''then'' there's a scene of [=SpongeBob=] inside the Sea Chicken Shack before getting kicked out and noticing the statue that gives Mr. Krabs an idea to build his own. There's minutes of mundane conversation before Squidward agrees to building the statue.
***
statue. Not helping is that the episode has {{Overly Long Gag}}s throughout ([=SpongeBob=] going "oh!" and raising his hand, Krabs pacing around looking for an artist).
**
"Kracked Krabs" starts with [=SpongeBob=] making fries in a rather long sequence.sequence.
** "The Executive Treatment" starts Patrick going to the Krusty Krab, Krabs verifying that his money is legit, him waiting in line and hearing about a sandwich, then he and Squidward having a tedious conversation about it. It takes almost four minutes for Patrick to arrive at the office that he spends the rest of the episode in, and the plot is so simple (Patrick wants a popular sandwich that's only for business executives) that it really shouldn't take that long to set up.
** "The Card" starts with a minute and a half of [=SpongeBob=] withdrawing money at the bank. While he ''does'' spend it, the scene could easily be cut from the episode without losing any plot, because exactly where [=SpongeBob=] gets the money from isn't relevant.
** "Hide and Then What Happens?" has a lot of filler. It starts with [=SpongeBob=] and Patrick just staring and blinking at each other, then multiple demonstrations on how hide-and-seek works.
** In "Gramma's Secret Recipe", we see Plankton's plan to get the secret formula: dress up as an old lady, ask Krabs for the list of ingredients (so none of them trip up his health conditions), and then take it. This scene proves pointless and irrelevant, as he instead goes straight to [=SpongeBob=]'s house and pretends to be ''his'' grandma so he'll take him to his work station.
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* ''Film/FireMaidensFromOuterSpace'' barely runs 80 minutes, yet still manages to wear its plot really thinly. Filmmaker Cy Roth had to LeaveTheCameraRunning in a lot of scenes, and there are endless sequences of the men sitting around and smoking and of the maidens dancing to Borodin.

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* ''Film/FireMaidensFromOuterSpace'' ''Film/FireMaidensOfOuterSpace'' barely runs 80 minutes, yet still manages to wear its plot really thinly. Filmmaker Cy Roth had to LeaveTheCameraRunning in a lot of scenes, and there are endless sequences of the men sitting around and smoking and of the maidens dancing to Borodin.
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* An InUniverse example comes from ''WesternAnimation/RockosModernLife'', Big Head's son who wanted to get out of his contract with the TV Studio so he purposely made episodes that just showed a single image of a jar of mayonnaise for the entire run or just a black screen from exposing the film to sunlight. However each time he did so [[SpringtimeForHitler the episode was praised]].

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* An InUniverse example comes from ''WesternAnimation/RockosModernLife'', Big Head's son who ''WesternAnimation/RockosModernLife''. Ralph Bighead wanted to get out of his contract with the TV Studio his studio, so he purposely made episodes an episode that just showed a single image of a jar of mayonnaise for the entire run or just a black screen from exposing the film to sunlight. However each time he did so run. [[SpringtimeForHitler the The episode was praised]].became a hit]].
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* ''Fim/TicklesTheClown'': Expect the cast to do a lot of talking, oftentimes just to stretch out the movie's run time.

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* ''Fim/TicklesTheClown'': ''Film/TicklesTheClown'': Expect the cast to do a lot of talking, oftentimes just to stretch out the movie's run time.
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* ''Fim/TicklesTheClown'': Expect the cast to do a lot of talking, oftentimes just to stretch out the movie's run time.

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* In ''Anime/YuGiOh'', a lot of the duels suffer from this, which generally also makes them less epic than if they just focused on the duels and saved everything else for after the damn card games... In particular, the Battle City Arc is full of padding. The duel between Yugi and Kaiba, for instance, is ''six episodes'' long, one of which is dedicated to nothing but Osiris/Slifer and Obelisk destroying each other. Also, duels tend to be stretched out longer compared to the original manga.

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* In ''Anime/YuGiOh'', a ''Anime/YuGiOh'': A lot of the duels suffer from this, which generally also makes them less epic than if they just focused on the duels and saved everything else for after the damn card games... In particular, the Battle City Arc is full of padding. The duel between Yugi and Kaiba, for instance, is ''six episodes'' long, one of which is dedicated to nothing but Osiris/Slifer and Obelisk destroying each other. Also, duels tend to be stretched out longer compared to the original manga.



* A huge amount of ''ComicBook/CountdownToFinalCrisis'' is this, with each issue jammed with [[FourLinesAllWaiting snippets of several different storylines spread across the entire DC universe]] introducing plot points that are forgotten three issues later, with special mention to everything having to do with the Monitors [[WebVideo/AtopTheFourthWall ("We should do something!" "Should we do something?" "We should do something!" "Should we do something?")]]. Also, many of the events happening in Countdown were completely unrelated to the series' plot lines themselves, and were instead random intersections with all the other (and better) stuff happening in the DC universe at the same time, reducing the event to a series of advertisements for plots in dozens of other comic titles. To top it off, ''Countdown'' was so incredibly bad, nonsensical, confusing, and unpopular that everything that happened in it with the exception of a few plot points was immediately shunted into CanonDiscontinuity, and ''ComicBook/FinalCrisis'', the event Countdown was supposed to be, y'know, ''counting down to'', latched on to entirely different events to act as its lead-up, meaning that the [[ShootTheShaggyDog entirety of Countdown wound up as one whole year of padding]] for Final Crisis.
-->'''Linkara:''' ''(singing)'' This is padding! This is padding!

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* A huge amount of ''ComicBook/CountdownToFinalCrisis'' is this, with each issue jammed with [[FourLinesAllWaiting snippets of several different storylines spread across the entire DC universe]] introducing plot points that are forgotten three issues later, with special mention to everything having to do with the Monitors [[WebVideo/AtopTheFourthWall ("We should do something!" "Should we do something?" "We should do something!" "Should we do something?")]]. Monitors. Also, many of the events happening in Countdown were completely unrelated to the series' plot lines themselves, and were instead random intersections with all the other (and better) stuff happening in the DC universe at the same time, reducing the event to a series of advertisements for plots in dozens of other comic titles. To top it off, ''Countdown'' was so incredibly bad, nonsensical, confusing, and unpopular that everything that happened in it with the exception of a few plot points was immediately shunted into CanonDiscontinuity, and ''ComicBook/FinalCrisis'', the event Countdown was supposed to be, y'know, ''counting down to'', latched on to entirely different events to act as its lead-up, meaning that the [[ShootTheShaggyDog entirety of Countdown wound up as one whole year of padding]] for Final Crisis.
-->'''Linkara:''' ''(singing)'' This is padding! This is padding!
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* ''Franchise/{{Superman}}'' storyline ''ComicBook/TwoForTheDeathOfOne'' is eight issues long. Four of those issues have Superman fight villains unrelated to his plight, as well as cross over with the ''Omega Men'' and the ''Teen Titans'', and do little to push the main plot forward. Most of it could be cut to fit the few relevant scenes in the remainder issues. It may come across as Marv Wolfman using Superman as a self-promoting vehicle since the Omega Men are his own creations and he was writing ''New Teen Titans'' back then.

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* ''Franchise/{{Superman}}'' storyline ''ComicBook/{{Superman}}'':
**
''ComicBook/TwoForTheDeathOfOne'' is eight issues long.an eight-issue-long storyline. Four of those issues have Superman fight villains unrelated to his plight, as well as cross over with the ''Omega Men'' and the ''Teen Titans'', and do little to push the main plot forward. Most of it could be cut to fit the few relevant scenes in the remainder issues. It may come across as Marv Wolfman using Superman as a self-promoting vehicle since the Omega Men are his own creations and he was writing ''New Teen Titans'' back then.then.
** ''ComicBook/TheLeperFromKrypton'': Most of issue #365 could have been cut off without detriment to the story because, except for the first and last pages, it is largely a flashback chapter where Superman lies in his rocket as his life flashes before his eyes.
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* ''WebAnimation/DoubleRainboom'' was first envisioned as standard-length fan episode of ''WesternAnimation/MyLittlePonyFriendshipIsMagic''. Unfortunately, the project's director was made it as his final project for animation school, and said project had a minimum length of 30 minutes, while the episode script was intended to be a 22-minute episode. In the end, this trope ensued.

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* ''WebAnimation/DoubleRainboom'' was first envisioned as standard-length fan episode of ''WesternAnimation/MyLittlePonyFriendshipIsMagic''. Unfortunately, the project's director was made it as his final project for animation school, and said that the project had to be a minimum length of 30 minutes, while the episode script was intended to be a 22-minute episode. In the end, this trope ensued.
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* ''Literature/ASongOfIceAndFire'' takes this UpToEleven. New Dornish and Ironborn [=POVs=] are introduced and most are largely unimportant to the main plot. Areo Hotah, Arys Oakheart and Aeron Greyjoy's chapters and especially the eight Brienne chapters in A Feast for Crows, which are long sequences of traveling through the Riverlands looking for Sansa have almost no bearing whatsoever to the main plot aside from a bit of character development and world-building. A Dance With Dragons continues the padding with the Quentyn chapters, which follow the story of a completely inconsequential character whose only point is getting burned by Daenerys' dragons at the end.

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* The fourth and fifth books of ''Literature/ASongOfIceAndFire'' takes take this UpToEleven. New Dornish and Ironborn [=POVs=] are introduced and most are largely unimportant to the main plot. Areo Hotah, Arys Oakheart and Aeron Greyjoy's chapters and especially the eight Brienne chapters in A ''A Feast for Crows, Crows'', which are long sequences of traveling through the Riverlands looking for Sansa have almost no bearing whatsoever to the main plot aside from a bit of character development and world-building. A ''A Dance With Dragons Dragons'' continues the padding with the Quentyn chapters, which follow the story of a completely inconsequential character whose only point is getting burned by Daenerys' dragons at the end.

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* ''Literature/LandOfOz'': This became a problem in the sequels to ''Literature/TheWonderfulWizardOfOz''. That book itself had a chapter featuring a WackyWaysideTribe of people made of china; a harmless diversion in the plot that only lasted one chapter and was never mentioned again afterwards, but it would turn out to be a FranchiseOriginalSin. Creator/LFrankBaum was writing Oz sequels basically against his will, forced to write book after book due to poor sales of his other books and failed business ventures. So gimmicky Wacky Wayside Tribes became a fixture in the books, most notoriously in ''Literature/TheRoadToOz'', a book with practically nothing more to the plot. Once it became clear to Baum that he was stuck with the series, he started to put a bit more effort into the plots, and relied on padding less in his final few books. Then he died, and the series was passed onto a new author, Creator/RuthPlumlyThompson, who absolutely loved using the WackyWaysideTribe trope as padding. Later books in the series by other authors normally don’t use padding too heavily, but it’s practically a tradition to have one or two WackyWaysideTribe chapters.
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* ''WesternAnimation/KevinSpencer'':
** "Hogtown Hogwild" has Kevin thinking about whether or not he should go with his parents to the bus station, which eats up 36 seconds. During which Percy and Anastasia are barely even moving.
** "Operators Are Standing By" has its musical number, which goes on for 48 seconds seemingly to show Kevin's squeegee skills.
** "Quest" has a scene in the opening where Kevin needs to steal Percy's money and smokes, which, from the moment Kevin goes into the living room to when he exits the house, takes '''''3 minutes and 36 seconds'''''. There's also the scene at the end where Kevin and Allen are waiting for an old man to slip and fall over, which eats up '''1 minute and 29 seconds''' before anything happens. At which point Allen points out a couple days have passed.
** A lot of Percy and Anastasia's conversations, especially in the later episodes where entire scenes consist of them arguring for a good solid minute or more. "Blow Job" takes a coversation and uses it as the opening to the episode, which goes on for '''2 minutes and 36 seconds''' before the plot even starts.
** "Die a Lot More and Also Once Again" lampshades this and plays it straight, with their conversation lasting a minute and eight seconds:
-->'''Percy''': Jesus, it's like this conversation has no purpose and is just some cheap excuse to fill time.
-->'''Anastasia''': Well, why the hell would we do that?
-->'''Percy''': I don't know, but I will tell you what I ''do'' know. Anytime I gotta do somethin' I don't fuckin' wanna do, you can bet your fat ass some dumb cocksucker somewhere is makin' fuckin' money off it.
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* ''Film/MackennasGold'': The movie drags on a lot longer than it needs to, such as by having Tibbs needlessly bargain his his way into the gang (which goes nowhere), lots of riding through the desert, and some of the more underwhelming fight scenes dragging on.
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* Fans point to the battle against the Hungry Wolf Knights in anime of ''Manga/FairyTail'' during the Grand Magic Games arc as a major offender of this. In the manga the fight is over fairly quickly but the anime spreads it out over four episodes. Nobody bought them as credible antagonists and it clear they were filling time for Natsu and co. while the final event of the games was ongoing, delaying fights people wanted to see and causing ArcFatigue.
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* ''Music/MitchBenn's 24 Hour Album'' was written and recorded in 24 hours for charity. The final song, "Party Animals Need Not Apply" is about the difficulties of doing this, and ends with an extended riff on how this song needs to be three minutes long if he's going to fit the criteria.

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* ''Music/MitchBenn's 24 Hour Album'' was written and recorded in 24 hours for charity. The final song, "Party Animals Need Not Apply" is [[HowIWroteThisArticleArticle about the difficulties of doing this, this]], and ends with an extended riff on how this song needs to be three minutes long if he's going to fit the criteria.
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* Director [[Creator/NeilBreen Neil Breen's]] debut feature, ''Double Down'', would be roughly 30 minutes long had he not made extensive use of stock footage and not inserted unused takes of previous sequences throughout the runtime.

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* Director [[Creator/NeilBreen Neil Breen's]] debut feature, ''Double Down'', ''Film/DoubleDown'', would be roughly 30 minutes long had he the director not made extensive use of stock footage and not inserted unused takes of previous sequences throughout the runtime.
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* ''Music/MitchBenn's 24 Hour Album'' was written and recorded in 24 hours for charity. The final song, "Party Animals Need Not Apply" is about the difficulties of doing this, and ends with an extended riff on how this song needs to be three minutes long if he's going to fit the criteria.
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Correcting misquote.


--->'''Theme Song:''' ''Anyone who counts loves Ned Flanders!''

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--->'''Theme Song:''' ''Anyone ''Everyone who counts loves Ned Flanders!''
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** The "[=SpongeBob=]'s Runaway Roadtrip" episodes (aka the vacation miniseries) each began with a FramingDevice of whoever is having the vacation presenting a slideshow of how it went, leading into a WholeEpisodeFlashback; said scene was never seen again at the end.
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* Another [=NBC=] game, ''Series/TheWall'', is another offender. In one episode, the contestant's father inadvertantly padded the game further by constantly monologuing in the SoundProofBooth about personal stories related to the question subjects (to the point that when a question about cars came up, the ''contestant'' warned host Chris Hardwick that he was [[ThisIsGonnaSuck likely going to tell a long story about their old Dodge Caravan.]] Which he did.)

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* Another [=NBC=] game, ''Series/TheWall'', is another offender. padded to the brim with excessive melodrama (especially during the endgame). In one episode, the contestant's father inadvertantly inadvertently padded the game further by constantly monologuing in the SoundProofBooth about personal stories related to the question subjects (to subjects, to the point that when a question about cars came up, the ''contestant'' warned host Chris Hardwick that he was [[ThisIsGonnaSuck likely going to tell a long long-winded story about their old Dodge Caravan.]] Which Caravan]] (Which he did.)did).

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* Another [=NBC=] game, ''Series/TheWall'', is another offender. In one episode, the contestant's father inadvertantly padded the game further by constantly monologuing in the SoundProofBooth about personal stories related to the question subjects (to the point that when a question about cars came up, the ''contestant'' warned host Chris Hardwick that he was [[ThisIsGonnaSuck likely going to tell a long story about their old Dodge Caravan.]] Which he did.)



** Another trick involves having an audience being invited to play an abbreviated or modified version of the game for a nominal prize. This often happens when there isn't enough time to begin a new game (or if played more regularly, on Friday episodes). Some examples:

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** Another trick involves having an audience being invited to play an [[AudienceGame abbreviated or modified version of the game for a nominal prize.prize]]. This often happens when there isn't enough time to begin a new game (or if played more regularly, on Friday episodes). Some examples:

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