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* ''Film/TronLegacy'' had a cameo from DaftPunk as the dj's inside a virtual club while a BallroomBlitz broke out, thanks to Clu's forces.
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* ''Film/TronLegacy'' had a cameo from DaftPunk Music/DaftPunk as the dj's inside a virtual club while a BallroomBlitz broke out, thanks to Clu's forces.
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[[/folder]]
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[[folder:Music]]
* Reggae singer Frankie Paul's 'Worries In The Dance' invokes this trope.
* Reggae singer Frankie Paul's 'Worries In The Dance' invokes this trope.
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* A majority of ''DevilMayCry's'' soundtrack.
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* A majority of ''DevilMayCry's'' ''VideoGame/DevilMayCry's'' soundtrack.
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* In ''ArcanaHeart's'' story mode, should you be defeated by Mildred Avalon's first form, her boss theme becomes one of these. It's much more intense than her normal battle theme, and because she starts with a full Super Meter when you lose the first round, it serves to underline [[ThisIsGonnaSuck how badly you're screwed]].
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* In ''ArcanaHeart's'' ''VideoGame/ArcanaHeart's'' story mode, should you be defeated by Mildred Avalon's first form, her boss theme becomes one of these. It's much more intense than her normal battle theme, and because she starts with a full Super Meter when you lose the first round, it serves to underline [[ThisIsGonnaSuck how badly you're screwed]].
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[[/folder]]
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[[/folder]]
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creating a link for the \"up to eleven\" trope
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Since the decline of rave culture, many of these songs such as 2 Unlimited's 'Get Ready For This' are frequently played at hockey games to amp the testosterone levels in the crowds up to 11.
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Since the decline of rave culture, many of these songs such as 2 Unlimited's 'Get Ready For This' are frequently played at hockey games to amp the testosterone levels in the crowds up to 11.
UpToEleven.
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* ''TronLegacy'' had a cameo from DaftPunk as the dj's inside a virtual club while a BallroomBlitz broke out, thanks to Clu's forces.
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* ''TronLegacy'' ''Film/TronLegacy'' had a cameo from DaftPunk as the dj's inside a virtual club while a BallroomBlitz broke out, thanks to Clu's forces.
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* The most famous example is the film adaption of ''Film/MortalKombat'' with the track from The Immortals, which underscores the first phase of the final showdown between Liu Kang and Shang Tsung.
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* The most famous example is In the film adaption of ''Film/MortalKombat'' with ''Film/MortalKombat'', the track from The Immortals, which Immortals underscores the first phase of the final showdown between Liu Kang and Shang Tsung.
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-> --'''Castor''', ''[[TronLegacy TRON: Legacy]]''
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-> --'''Castor''', ''[[TronLegacy ''[[Film/TronLegacy TRON: Legacy]]''
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* [[http://www.youtube.com/watch?v=rJ7hNc_BcHY Galba-Roa's battle theme]] from ''{{Ys}}: The Ark of Napishtim''.
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* [[http://www.youtube.com/watch?v=rJ7hNc_BcHY Galba-Roa's battle theme]] from ''{{Ys}}: ''VideoGame/{{Ys}}: The Ark of Napishtim''.
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In video games, this is a type of BattleThemeMusic, mostly reserved for [[BossBattle BossBattles]].
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In video games, this is a type of BattleThemeMusic, mostly reserved for [[BossBattle BossBattles]].
{{Boss Battle}}s.
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* The most famous example is the film adaption of ''Film/MortalKombat'' with the titular track from The Immortals, which underscores the first phase of the final showdown between Liu Kang and Shang Tsung.
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* The most famous example is the film adaption of ''Film/MortalKombat'' with the titular track from The Immortals, which underscores the first phase of the final showdown between Liu Kang and Shang Tsung.
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* ''MortalKombat3'', especially the title theme.
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* ''MortalKombat3'', ''VideoGame/MortalKombat3'', especially the title theme.
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* Too Cool was an interesting subverison. They would have a dance number to a techno / hip hop beat in a environment that is normally reserved for fighting and aggression.
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* The nihilists from TheBigLebowski actually brought a ghetto blaster playing techno music to a battle with the Dude and his posse.
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* Some of the boss battle music from both ''SuperMarioGalaxy'' and ''SuperMarioGalaxy2'', especially the music played during the final boss battle with [[BigBad Bowser]] at the end of the first game.
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* Some of the boss battle music from both ''SuperMarioGalaxy'' ''VideoGame/SuperMarioGalaxy'' and ''SuperMarioGalaxy2'', ''VideoGame/SuperMarioGalaxy2'', especially the music played during the final boss battle with [[BigBad Bowser]] at the end of the first game.
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Named for the orchestra hit synth that is frequently used in early [[TheNineties 90's]] techno groups such as 2 Unlimited and of course The Immortals and their [[MortalKombat Mortal Kombat ]] remix. The film adaption of Mortal Kombat is probably the most notable example of utilizing this trope as well as being the TropeCodifier.
In some cases, the song itself only has to be about fighting as in the case of the aforementioned Mortal Kombat remix.
Since the decline of rave culture, many of these songs such as 2 Unlimited's 'Get Ready For This' are frequently played at hockey games to amp the testosterone levels in the crowds up to 11.
In some cases, the song itself only has to be about fighting as in the case of the aforementioned Mortal Kombat remix.
Since the decline of rave culture, many of these songs such as 2 Unlimited's 'Get Ready For This' are frequently played at hockey games to amp the testosterone levels in the crowds up to 11.
to:
Named for the orchestra hit synth that is frequently used in early [[TheNineties 90's]] techno groups such as 2 Unlimited and of course The Immortals and their [[MortalKombat Mortal Kombat ]] ''Film/MortalKombat'' remix. The film adaption of Mortal Kombat ''Mortal Kombat'' is probably the most notable example of utilizing this trope as well as being the TropeCodifier.
In some cases, the song itself only has to be about fighting as in the case of the aforementionedMortal Kombat ''Mortal Kombat'' remix.
Since the decline of rave culture, many of these songs such as 2 Unlimited's 'Get Ready For This' are frequently played at hockey games to amp the testosterone levels in the crowds up to11.
11.
In some cases, the song itself only has to be about fighting as in the case of the aforementioned
Since the decline of rave culture, many of these songs such as 2 Unlimited's 'Get Ready For This' are frequently played at hockey games to amp the testosterone levels in the crowds up to
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* ''MortalKombat 3'', especially the title theme.
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* ''MortalKombat 3'', ''MortalKombat3'', especially the title theme.
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* {''{Terminator}}'' used an electronic soundtrack with synthesized orchestra hits for many of the chase scenes. Long before the days of techno but the idea is the same. Arguably, movies like Terminator retroactively helped inspire techno's dystopian aesthetic to begin with.
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* {''{Terminator}}'' ''{{Terminator}}'' used an electronic soundtrack with synthesized orchestra hits for many of the chase scenes. Long before the days of techno but the idea is the same. Arguably, movies like Terminator retroactively helped inspire techno's dystopian aesthetic to begin with.
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* The most famous example is the film adaption of Mortal Kombat with the titular track from The Immortals, which underscores the first phase of the final showdown between Liu Kang and Shang Tsung.
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* The most famous example is the film adaption of Mortal Kombat ''Film/MortalKombat'' with the titular track from The Immortals, which underscores the first phase of the final showdown between Liu Kang and Shang Tsung.
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* A particularly brutal and gritty version exists in TrueRomance during the fight scene between Clarence and Drexl, Nymphomania's 'I Want Your Body' is playing in the background. The music in the scene is pretty loud, which almost drowns out Gary Oldman's dialog.
* TronLegacy had a cameo from Daft Punk as the dj's inside a virtual club while a BallroomBlitz broke out, thanks to Clu's forces.
* {{Terminator}} used an electronic soundtrack with synthesized orchestra hits for many of the chase scenes. Long before the days of techno but the idea is the same. Arguably, movies like Terminator retroactively helped inspire techno's dystopian aesthetic to begin with.
* The [[TheMatrix Matrix]] series was fond of this, and would often mix pumping techno from Juno Reactor and others with more orchestral fare by Don Davis and crew.
* ScottPilgrimVsTheWorld features a rave soundtrack during the fight with Roxxy. Understandable, since it takes place in a nightclub.
* TronLegacy had a cameo from Daft Punk as the dj's inside a virtual club while a BallroomBlitz broke out, thanks to Clu's forces.
* {{Terminator}} used an electronic soundtrack with synthesized orchestra hits for many of the chase scenes. Long before the days of techno but the idea is the same. Arguably, movies like Terminator retroactively helped inspire techno's dystopian aesthetic to begin with.
* The [[TheMatrix Matrix]] series was fond of this, and would often mix pumping techno from Juno Reactor and others with more orchestral fare by Don Davis and crew.
* ScottPilgrimVsTheWorld features a rave soundtrack during the fight with Roxxy. Understandable, since it takes place in a nightclub.
to:
* A particularly brutal and gritty version exists in TrueRomance ''TrueRomance'' during the fight scene between Clarence and Drexl, Nymphomania's 'I Want Your Body' is playing in the background. The music in the scene is pretty loud, which almost drowns out Gary Oldman's dialog.
*TronLegacy ''TronLegacy'' had a cameo from Daft Punk DaftPunk as the dj's inside a virtual club while a BallroomBlitz broke out, thanks to Clu's forces.
*{{Terminator}} {''{Terminator}}'' used an electronic soundtrack with synthesized orchestra hits for many of the chase scenes. Long before the days of techno but the idea is the same. Arguably, movies like Terminator retroactively helped inspire techno's dystopian aesthetic to begin with.
* The[[TheMatrix Matrix]] ''[[TheMatrix Matrix]]'' series was fond of this, and would often mix pumping techno from Juno Reactor and others with more orchestral fare by Don Davis and crew.
*ScottPilgrimVsTheWorld ''ScottPilgrimVsTheWorld'' features a rave soundtrack during the fight with Roxxy. Understandable, since it takes place in a nightclub.
*
*
* The
*
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* ScottPilgrimVsTheWorld features a rave soundtrack during the fight with Roxxy. Understandable, since it takes place in a nightclub.
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* SpaceChannel5 Part 2 has Desperate Dance Showdown for Dancing Purge's battle. It certainly fits the atmosphere of the battle at the time.
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* When the battle really starts to heat up in the HalfLife series, expect it to be underscored by some pretty [[CrowningMusicOfAwesome awesome]] beats! Even more notable in that the game has no BGM except for dramatic events.
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* Some of the boss battle music from both ''SuperMarioGalaxy'' and ''SuperMarioGalaxy2'', especially the music played during the final boss battle with [[BigBad Bowser]] at the end of the first game.
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* The [[TheMatrix Matrix]] series was fond of this, and would often mix pumping techno from JunoReactor and others with more orchestral fare by Don Davis and crew.
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* The [[TheMatrix Matrix]] series was fond of this, and would often mix pumping techno from JunoReactor Juno Reactor and others with more orchestral fare by Don Davis and crew.
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--> ''"Change the scheme, alter the mood! ''Electrify'' the boys and girls, if you'd be so kind."''
--> --'''Castor''', ''[[TronLegacy TRON: Legacy]]''
--> --'''Castor''', ''[[TronLegacy TRON: Legacy]]''
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** The fight scene between Liu Kang and Reptile features an instrumental remix of Traci Lords 'Control'
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** The fight scene between Liu Kang and Reptile features an instrumental remix of Traci Lords 'Control'Lords' 'Control.'
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* The [[TheMatrix Matrix]] series was fond of this, and would often mix pumping techno from Juno Reactor and others with more orchestral fare by Don Davis and crew.
to:
* The [[TheMatrix Matrix]] series was fond of this, and would often mix pumping techno from Juno Reactor JunoReactor and others with more orchestral fare by Don Davis and crew.
crew.
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* The [[TheMatrix Matrix]] series was fond of this, and would often mix Juno Reactor techno with more orchestral fare by Don Davis and crew.
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* The [[TheMatrix Matrix]] series was fond of this, and would often mix pumping techno from Juno Reactor techno and others with more orchestral fare by Don Davis and crew.
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* The {{Matrix}} saga was fond of this, and would often mix Juno Reactor techno with more orchestral fare by Don Davis and crew.
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* The {{Matrix}} saga [[TheMatrix Matrix]] series was fond of this, and would often mix Juno Reactor techno with more orchestral fare by Don Davis and crew.
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* {{Terminator}} used an electronic soundtrack with synthesized orchestra hits for many of the chase scenes. Long before the days of techno but the idea is the same. Arguably, movies like Terminator retroactively helped inspire techno's dystopian aesthetic to begin with.
to:
* {{Terminator}} used an electronic soundtrack with synthesized orchestra hits for many of the chase scenes. Long before the days of techno but the idea is the same. Arguably, movies like Terminator retroactively helped inspire techno's dystopian aesthetic to begin with.
with.
* The {{Matrix}} saga was fond of this, and would often mix Juno Reactor techno with more orchestral fare by Don Davis and crew.
* The {{Matrix}} saga was fond of this, and would often mix Juno Reactor techno with more orchestral fare by Don Davis and crew.
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Ah, forgot to add the italics there. Mea culpa. >_<
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--> --'''Castor''', [[TronLegacy TRON: Legacy]]
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--> --'''Castor''', [[TronLegacy ''[[TronLegacy TRON: Legacy]]
Legacy]]''
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--> ''"Change the scheme, alter the mood! ''Electrify'' the boys and girls, if you'd be so kind."''
--> --'''Castor''', [[TronLegacy TRON: Legacy]]
--> --'''Castor''', [[TronLegacy TRON: Legacy]]
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* [[CrowningMusicOfAwesome Chaotic Dance]] from BatenKaitos, TheDragon and the QuirkyMiniBossSquad's theme.
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* TronLegacy had a cameo from Daft Punk, DJing inside a virtual club while a BallroomBlitz broke out, thanks to Clu's forces.
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* TronLegacy had a cameo from Daft Punk, DJing Punk as the dj's inside a virtual club while a BallroomBlitz broke out, thanks to Clu's forces.
* {{Terminator}} used an electronic soundtrack with synthesized orchestra hits for many of the chase scenes. Long before the days of techno but the idea is the same. Arguably, movies like Terminator retroactively helped inspire techno's dystopian aesthetic to begin with.
* {{Terminator}} used an electronic soundtrack with synthesized orchestra hits for many of the chase scenes. Long before the days of techno but the idea is the same. Arguably, movies like Terminator retroactively helped inspire techno's dystopian aesthetic to begin with.
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* Laguna's theme song in FinalFantasyVIII