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* Too many military families to list.

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* Too many military families to list.list, but [[http://www.youtube.com/watch?v=xOrC-ipke9s&feature=related Sullivan Ballou]] gets a special mention:
-> Sarah, my love for you is deathless, it seems to bind me to you with mighty cables that nothing but Omnipotence could break; and yet my love of Country comes over me like a strong wind and bears me irresistibly on with all these chains to the battlefield.
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*Gone with the Wind - Rhett himself quotes this just before he leaves Scarlett, Melanie, the two children, and Prissy, to finally (and belatedly) join the war against the DamnYankees.
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Many writers, naturally, take a more cynical view of such cases, and are not averse to depicting such heroes as selfish jerks who are not only too weak to handle their burden alone but willing to make others miserable instead of declaring IWantMyBelovedToBeHappy. Note that cynical and more optimistic approaches to this trope both sympathize heavily with the girl. And, sorry, [[TheAeneid Aeneas]], but sleeping with the girl and then splitting the morning after to continue TheQuest doesn't count; try that, and you're asking for a WomanScorned.

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Many writers, naturally, take a more cynical view of such cases, and are not averse to depicting such heroes as selfish jerks who are not only too weak to handle their burden alone but willing to make others miserable instead of declaring IWantMyBelovedToBeHappy. Note that cynical and more optimistic approaches to this trope both sympathize heavily with the girl. And, sorry, [[TheAeneid [[Literature/TheAeneid Aeneas]], but sleeping with the girl and then splitting the morning after to continue TheQuest doesn't count; try that, and you're asking for a WomanScorned.
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* InspectorLynley's ''instincts'' where his partner-slash-NotLoveInterest Barbara Havers is concerned generally trend toward AlwaysSaveTheGirl; however, he trusts her so absolutely that, although he goes a bit to pieces whenever she's threatened, he follows this trope anyway - partly because he's just that honorable, and partly because if he didn't, he knows full well that she'd give him a tongue-lashing he'd never forget.
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[[AC:Webcomics]]
* In ''CityOfReality'', Todo acknowledges that despite his feelings for AV, his desire to help people is more important to him. However, as long as [[BattleCouple they can protect the peace together]], he can be happy on both counts.
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->''Tell me not, Sweet, I am unkind,''\\

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->''Tell ->''"Tell me not, Sweet, I am unkind,''\\



''Loved I not Honour more.''

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''Loved I not Honour more.''"''
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** Also applies to Han and Leia. In the TheThrawnTrilogy, Han reflects that as much as he hates seeing Leia go into danger without him, her determination to risk her life in the service of a good cause is a big part of why he loves her.

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[[AC:ComicBooks]]
* Contrary to Joe Quesada's opinion, plenty of superheroes find love and take this road. Yes, there's always a danger their beloved will get StuffedIntoTheFridge, but the greater risk is of them losing their anchors to humanity.






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* The StarWarsExpandedUniverse likes this one. Before Exar Kun's War, this was the policy for Jedi. The Force and the Order would always come first, but marriage and family were ''not'' forbidden. Noemi Sunrider, one of the greatest masters in the Order's history, literally [[TakeUpMySword took up her husband's lightsaber]] when he was slain. [[KnightsOfTheOldRepublic Jolee Bindo]] was also married, but his failure to adhere to this trope was what caused his downfall. After Luke Skywalker took charge, this policy was reinstated...then again, do ''you'' want to be the guy telling Han Solo "I forbid you from marrying my sister?"
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* Zuko on ''AvatarTheLastAirbender'' faces the assymetrical HeelFaceTurn complications.

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* Zuko on ''AvatarTheLastAirbender'' faces the assymetrical asymmetrical HeelFaceTurn complications.

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That\'s 100% Its Not You Its My Enemies; Harry\'s goal is 100% to protect her.


* A mixed example on HarryPooter. At the end of Half-Blood Prince, Harry does an IWantMyBelovedToBeHappy and breaks up with Ginny, knowing that he has to leave to hunt Horcruxes, and fearing that she may end up dead if they stay together. Ginny can't go with him because, being under age, magic done around her is Traced. But she leaves it clear, at that moment and at the beginning of Deatly Hallows, that ''she'' is not breaking up with ''him'', making her this trope. [[spoiler:However, they both seem to fall in this at the Epilogue, when they're married with children, ''and'' Harry is the Head of the Auror office.]]

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* A mixed example on HarryPooter. At the end of Half-Blood Prince, Harry does an IWantMyBelovedToBeHappy and breaks up with Ginny, knowing that he has to leave to hunt Horcruxes, and fearing that she may end up dead if they stay together. Ginny can't go with him because, being under age, magic done around her is Traced. But she leaves it clear, at that moment and at the beginning of Deatly Hallows, that ''she'' is not breaking up with ''him'', making her this trope. [[spoiler:However, they both seem to fall in this at the Epilogue, when they're married with children, ''and'' Harry is the Head of the Auror office.]]
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* A mixed example on HarryPooter. At the end of Half-Blood Prince, Harry does an IWantMyBelovedToBeHappy and breaks up with Ginny, knowing that he has to leave to hunt Horcruxes, and fearing that she may end up dead if they stay together. Ginny can't go with him because, being under age, magic done around her is Traced. But she leaves it clear, at that moment and at the beginning of Deatly Hallows, that ''she'' is not breaking up with ''him'', making her this trope. [[spoiler:However, they both seem to fall in this at the Epilogue, when they're married with children, ''and'' Harry is the Head of the Auror office.]]
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* This shows up in, of all places, the 1960s cartoon ''{{Underdog}}'' in the episode "The Witch of Pickyune," when Underdog meets a witch who will only wake his love interest from an eternal sleep if he helps her TakeOverTheWorld. Proving himself to be smarter than [[StarWars Anakin Skywalker]], he flat out refuses (before accidentally saving the girl anyway with a TrueLovesKiss).

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* This shows up in, of all places, the 1960s cartoon ''{{Underdog}}'' ''WesternAnimation/{{Underdog}}'' in the episode "The Witch of Pickyune," when Underdog meets a witch who will only wake his love interest from an eternal sleep if he helps her TakeOverTheWorld. Proving himself to be smarter than [[StarWars Anakin Skywalker]], he flat out refuses (before accidentally saving the girl anyway with a TrueLovesKiss).
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* In ''BatmanTheBraveAndTheBold'' PlasticMan is married to Ramona, a woman [[HenpeckedHusband with a fairly abusive attitude]]. One of the episodes, "Long Arm of the Law!", even focuses on his difficulties in reconciling his family life with crime-fighting. The episode incorporates nearly all the tropes associated with LovedINotHonorMore - eventually his family is put in great danger as a result of his past involvement with a criminal group and he makes a HeroicSacrifice to save his family. [[spoiler: Obviously, a way to reverse it is later found - this is ''Brave And The Bold'' we're talking about.]] Different in that it sympathizes more with Plas than Ramona, and Ramona doesn't take her husband's heroic commitment to bringing justice very seriously, mocking him quite a few times onscreen. On the other hand, her attitude is somewhat justifiable - Plas can be rather ineffectual and irresponsible.
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Doesn't overlap with TheMasqueradeWillKillYourDatingLife because your significant other has to be in on any masquerade in cases of this trope. May overlap ItsNotYouItsMyEnemies but not necessarily. If the hero leaves his love interest to protect her, it's ItsNotYouItsMyEnemies; if the hero could recite Lovelace's poem in context, it's this trope (too).

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Doesn't overlap with TheMasqueradeWillKillYourDatingLife because your significant other has to be in on any masquerade in cases of this trope. May overlap with ItsNotYouItsMyEnemies but not necessarily. If the hero leaves his love interest to protect her, it's ItsNotYouItsMyEnemies; if the hero could recite Lovelace's poem in context, it's this trope (too).

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-->''John, it pleases me that you care for what I have become...but never forget who I was...what I am and what I can do.''
-->BabylonFive



* Delenn talking to Sheridan in BabylonFive ''Lines of Communication''.

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* Delenn talking to Sheridan in BabylonFive ''Lines ''BabylonFive'' "Lines of Communication''.
Communication":
-->"John, it pleases me that you care for what I have become... but never forget who I was... what I am and what I can do."
* {{Lampshaded}} by David Cassidy in Season 1 of ''LawAndOrderSVU'':
-->'''David Cassidy:''' As long as you have this job, your marriage will only be an affair.
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* Invoked in ''[[{{Nightside}} A Hard Day's Knight]]'', complete with the TropeNamer quotation.
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-->''John, it pleases me that you care for what I have become...but never forget who I was...what I am and what I can do.''
-->BabylonFive
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-->Husband: ''Emma had to do it, right? She didn't have a choice.''
-->Gibbs: ''No, she had a choice. That's what makes her a hero.''
-->Husband: ''A hero...''

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-->Husband: ''Emma -->'''Husband:''' Emma had to do it, right? She didn't have a choice.''
-->Gibbs: ''No,
choice.
-->'''Gibbs:''' No,
she had a choice. That's what makes her a hero.''
-->Husband: ''A
hero.
-->'''Husband:''' A
hero...''



-->'''Blossom:''' It was never becasue we didn't like you, it's just...

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-->'''Blossom:''' It was never becasue because we didn't like you, it's just...
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* Delenn talking to Sheridan in BabylinFive ''Lines of Communication''.

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* Delenn talking to Sheridan in BabylinFive BabylonFive ''Lines of Communication''.
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*Delenn talking to Sheridan in BabylinFive ''Lines of Communication''.
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[AC: Real Life]]

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[AC: [[AC: Real Life]]
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-->'''Lizzie:''' I'm tired of competing with the Kids Next Door.

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-->'''Lizzie:''' I'm tired of competing with the Kids Next Door.Door.

[AC: Real Life]]
* Too many military families to list.
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-->Husband: ''Emma had to do it, right? She didn't have a choice.

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-->Husband: ''Emma had to do it, right? She didn't have a choice.''
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-->Husband: ''A hero...


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-->Husband: ''A hero...

hero...''

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[[AC: LiveActionTV]]

*In {{NCIS}} ''Power Down'' a USO officer(and spy) is kidnapped and forced to work for enemy agents. She resists and is killed in a place where she knows her body will be found and investigated. Gibbs addresses her bereaved husband thus:

-->Husband: ''Emma had to do it, right? She didn't have a choice.
-->Gibbs: ''No, she had a choice. That's what makes her a hero.''
-->Husband: ''A hero...

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[[AC:Video Games]]
* Keldorn in ''BaldursGate II'' is in this kind of relationship. He is married, and has two daughters, but his duties as a [[KnightInShiningArmour paladin]] takes precedence.
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-->'''Lizzie:''' I'm tired of competing with the Kids Mext Door.

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-->'''Lizzie:''' I'm tired of competing with the Kids Mext Next Door.
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Instead of becoming a CelibateHero, heroes who say "loved I not honor more" enter a committed relationship and accept the strain that their role will put on that relationship. They allow themselves to fall in love, but the romance must take a backseat to duty. They'll dislike having to leave the wife or girl home alone to go save the world, but they won't hesitate (long) to do it. Making a HeroicSacrifice to [[AlwaysSaveTheGirl save the girl]] is perfectly acceptable, but [[LoveMakesYouEvil turning the Dark Side]] isn't. There will be times when the lovers can't spend as much time together as they want, when the girl will get jealous of her non-human rival, and when he will have to make a SadisticChoice. There will be tears for his safety on her part, guilt on his part for making his beloved suffer, and periods of believing that she would be better off without him. But in the end, she will have to admit that his devotion to a heroic cause is one of the things she loves and admires most about him, and they will have the satisfaction of knowing (and making sure their enemies know, too) that withstanding so much tension and danger makes their love all the stronger.

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Instead of becoming a CelibateHero, heroes who say "loved I not honor more" enter a committed relationship and accept the strain that their role will put on that relationship. They allow themselves to fall in love, but the romance must take a backseat to duty. They'll dislike having to leave the wife or girl home alone to go save the world, but they won't hesitate (long) to do it. Making a HeroicSacrifice to [[AlwaysSaveTheGirl save the girl]] girl is perfectly acceptable, but [[LoveMakesYouEvil turning to the Dark Side]] isn't. There will be times when the lovers can't spend as much time together as they want, when the girl will get jealous of her non-human rival, and when he will have to make a SadisticChoice. There will be tears for his safety on her part, guilt on his part for making his beloved suffer, and periods of believing that she would be better off without him. But in the end, she will have to admit that his devotion to a heroic cause is one of the things she loves and admires most about him, and they will have the satisfaction of knowing (and making sure their enemies know, too) that withstanding so much tension and danger makes their love all the stronger.



This trope can be particularly hard on villains who make a HeelFaceTurn while in a committed relationship. They'll have to rely on LoveRedeems to get their significant other to understand why he suddenly left ehr to side with the enemy.

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This trope can be particularly hard on villains who make a HeelFaceTurn while in a committed relationship. They'll have to rely on LoveRedeems to get their significant other to understand why he suddenly left ehr her to side with the enemy.
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''And with a stronger faith embrace''\\

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''And with a stronger faith embrace''\\ embrace''\\
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''The first foe in the field;\\

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''The first foe in the field;\\field;''\\

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