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* ''HarryPotter and the Deathly Hallows.'' After too many pages detailing a camping trip and other hairsbreadth escapes, suddenly the Trio arrives at [[spoiler: Hogwarts]] and [[spoiler: Horcruxes are destroyed lickety-split (even ''offscreen'')]], ''truckloads'' of important, nay, essential information is revealed, and the plot relevant (or irrelevant) deaths start cropping up all over the place.
* This occurred often in the early Discworld books, with a plot being set up in the first 200 hundred pages, and then resolved in five.

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* ''HarryPotter and the Deathly Hallows.'' ''HarryPotterAndTheDeathlyHallows''. After too many pages detailing a camping trip and other hairsbreadth escapes, suddenly the Trio arrives at [[spoiler: Hogwarts]] and [[spoiler: Horcruxes are destroyed lickety-split (even ''offscreen'')]], ''truckloads'' of important, nay, essential information is revealed, and the plot relevant (or irrelevant) deaths start cropping up all over the place.
* This occurred often in the early Discworld ''{{Discworld}}'' books, with a plot being set up in the first 200 hundred pages, and then resolved in five.
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* BrandonSanderson is known for what his fans and editors call "the Brandon Avalanche" - most of the book is spent with various characters [[ThirtyGambitPileup setting up the dominoes]] until ''someone'', by decision or accident, sets the entire thing off over the last five chapters.

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* BrandonSanderson is known for what his fans and editors call "the Brandon Avalanche" - most of the book is spent with various characters [[ThirtyGambitPileup [[GambitPileup setting up the dominoes]] until ''someone'', by decision or accident, sets the entire thing off over the last five chapters.
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** In [[TheStormlightArchive The Way Of Kings]], Sadeas betrays Dalinar and abandons him to die.

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** In [[TheStormlightArchive [[Literature/TheStormlightArchive The Way Of Kings]], Sadeas betrays Dalinar and abandons him to die.
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** YourMileageMayVary. Some felt that the first two prequels moved at [[FourLinesAllWaiting a glacial pace]], and the third movie was a reversion to both the original trilogy and movie standards in general.
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Nice quote, but demonstrated the /opposite/ of the trope


->''Sometimes we have a deadline for writing these songs.\\
Five minutes left to write this one... la, la la, la la, la la la.''
-->--'''FiveIronFrenzy''', "Superpowers"

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->''Sometimes we have -> ''As you approach the final confrontation with the villain, events will become increasingly awkward, contrived and disconnected from one another -- almost as if some cosmic Author was running up against a deadline for writing these songs.\\
Five minutes left
and had to write this one... la, la la, la la, la la la.slap together the ending at the last minute.''
-->--'''FiveIronFrenzy''', "Superpowers"
--> - '''TheGrandListOfConsoleRPGCliches''', item [[ConsoleRPGCliches169To192 #182]] ("Compression of Time")
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* This happened to a 1999 Brazilian drama named ''Brida'', a loose adaptation of a novel by Paulo Coelho. Most of the network's employees went on strike because of ''really late'' paychecks, [[CaptainObvious including the actors]]. So what did the writers do? The 52th episode ended with [[WhereAreTheyNowEpilogue narration summarizing everything that would happen in the ending with matching character shots.]]

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* This happened to a 1999 Brazilian drama named ''Brida'', a loose adaptation of a novel by Paulo Coelho. Most of the network's employees went on strike because of ''really late'' paychecks, [[CaptainObvious including the actors]]. So what did the writers do? The 52th 52nd episode ended with [[WhereAreTheyNowEpilogue narration summarizing everything that would happen in the ending with matching character shots.]]
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** In [[{{Mistborn}} The Well of Ascension]], Vin and Elend threaten Straff Venture by burning [[LimitBreak duralumin]] and [[EmotionBomb bronze]] at him.

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** In [[{{Mistborn}} The Well of Ascension]], Vin and Elend threaten Straff Venture by burning [[LimitBreak duralumin]] and [[EmotionBomb bronze]] brass]] at him.
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** In [[TheStormlightArchive The Way Of Kings]], Sadeas betrays Dalinar and abandons him to die.
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* The late fourth season of ''BabylonFive'' had to wrap up some plot threads more rapidly than JMichaelStraczynski had planned, because renewal for a fifth season was still up in the air when the scripts were written. (To be fair, most of these episodes are pretty darn good regardless; general consensus is it's the ''fifth'' season that suffered, from most of its planned plotlines being stuffed into the last half of season four.)

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* The late fourth season of ''BabylonFive'' had to wrap up some plot threads more rapidly than JMichaelStraczynski had planned, because renewal for a fifth season was still up in the air when the scripts were written. (To be fair, most of these episodes are pretty darn good regardless; general consensus is it's the ''fifth'' season [[PostscriptSeason that suffered, suffered]], from most of its planned plotlines being stuffed into the last half of season four.)
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** Especially when you consider the rate at which the villains collect the Vessels of Anima; one is collected early on, another presumably just after, cut ahead a long timr, and the rest are collected within the span of two or three hours. There are ''twelve'' of them in total. Naturally, the villains can't take the four being used by the heroes for obvious reasons, but ''still''.
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* BrandonSanderson is known for what his fans and editors call "the Brandon Avalanche" - most of the book is spent with various characters [[ThirtyXanatosPileUp setting up the dominoes]] until ''someone'', by decision or accident, sets the entire thing off over the last five chapters.

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* BrandonSanderson is known for what his fans and editors call "the Brandon Avalanche" - most of the book is spent with various characters [[ThirtyXanatosPileUp [[ThirtyGambitPileup setting up the dominoes]] until ''someone'', by decision or accident, sets the entire thing off over the last five chapters.
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* In season 5 of ''{{Lost}}'', the flaming arrow attack on the camp slaughters every [[RedShirt minor background character]] because [[CosmicDeadline the show was due to end in season 6]] and they needed to be gotten rid of before then
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* Slasher films are like this. It's perfectly reasonable to guess how much longer the movie will go by knowing how many people were introduced in the TwentyMinutesWithJerks part of the film and how many of those are still alive.

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* Slasher films are like this. It's perfectly reasonable to guess how much longer the movie will go by knowing how many people were introduced in the TwentyMinutesWithJerks part of the film and how many of those are still alive. If the movie has gone on for a while and there's still a crowd left, there's going to be a bloodbath soon.
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* Slasher films are like this. It's perfectly reasonable to guess how much longer the movie will go by knowing how many people were introduced in the TwentyMinutesWithJerks part of the film and how many of those are still alive.
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killing wallbanger redlink


** And if the pre-DLC forced choice at the very end hadn't been such a WallBanger.
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* ''HarryPotter and the Deathly Hallows.'' After too many pages detailing a camping trip and other hairsbreadth escapes, suddenly the Trio arrives at [[spoiler: Hogwarts]] and [[spoiler: Horcruxes are destroyed lickety-split (even ''offscreen'',)]] ''truckloads'' of important, nay, essential information is revealed, and the plot relevant (or irrelevant) deaths start cropping up all over the place.

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* ''HarryPotter and the Deathly Hallows.'' After too many pages detailing a camping trip and other hairsbreadth escapes, suddenly the Trio arrives at [[spoiler: Hogwarts]] and [[spoiler: Horcruxes are destroyed lickety-split (even ''offscreen'',)]] ''offscreen'')]], ''truckloads'' of important, nay, essential information is revealed, and the plot relevant (or irrelevant) deaths start cropping up all over the place.
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None


* ''HarryPotter and the Deathly Hallows.'' After too many pages detailing a camping trip and other hairsbreadth escapes, suddenly the Trio arrives at [[spoiler: Hogwarts]] and [[spoiler: Horcruxes are destroyed lickety-split (even ''offscreen''), ''truckloads'' of important, nay, essential information is revealed, and the plot relevant (or irrelevant) deaths start cropping up all over the place.]]

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* ''HarryPotter and the Deathly Hallows.'' After too many pages detailing a camping trip and other hairsbreadth escapes, suddenly the Trio arrives at [[spoiler: Hogwarts]] and [[spoiler: Horcruxes are destroyed lickety-split (even ''offscreen''), ''offscreen'',)]] ''truckloads'' of important, nay, essential information is revealed, and the plot relevant (or irrelevant) deaths start cropping up all over the place.]]
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* The last part of [[HeraldsOfValdemar Exile's Valor]] rushes to cover many of the background events mentioned in the first HeraldsOfValdemar trilogy.
** The end of StormBreaking may have rushed to finish things as well.
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As the end of the story nears, antagonists suddenly start dying at an incredible rate, {{McGuffin}}s that eluded the heroes for the whole story are recovered, and mysteries are quickly wrapped up. Now this can be normal for a story as it reaches its climax, but in this case the rate is so absurdly high compared to before that it's almost as if some invisible cosmic author realised that he has one hundred pages left of a thousand-page book to write and has yet to resolve most of the stray plot threads.

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As the end of the story nears, antagonists suddenly start dying at an incredible rate, {{McGuffin}}s {{MacGuffin}}s that eluded the heroes for the whole story are recovered, and mysteries are quickly wrapped up. Now this can be normal for a story as it reaches its climax, but in this case the rate is so absurdly high compared to before that it's almost as if some invisible cosmic author realised that he has one hundred pages left of a thousand-page book to write and has yet to resolve most of the stray plot threads.
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* ''DarthWiki/PowerupComics''. Since the artist was departing for college, necessitating the end of the comic, every single plot twist and dramatic reveal from a few years' worth of story lines was crammed into the final weeks' comics. Of course, [[{{Metafiction}} since the author and artist were fictional, too,]] [[StylisticSuck this was completely intentional]].
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* NightsDawn ends in between 50 and 100 pages, after taking more than ''3000'' to get to that point.

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* NightsDawn [[{{Literature/ptitleeiku6qu3}} Night's Dawn]] ends in between 50 and 100 pages, after taking more than ''3000'' to get to that point.
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Added example of Dead Like Me

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* This is also incredibly apparent in the last few episodes of DeadLikeMe, which had been canceled.
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* This happened to a 1999 Brazilian drama named ''Brida'', a loose adaptation of a novel by Paulo Coelho. Most of the network's employees went on strike because of ''really late'' paychecks, [[CaptainObvious including the actors]]. So what did the writers do? The 52th episode ended with [[WhereAreTheyNowEpilogue narration summarizing everything that would happen in the ending with matching character shots.]]

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* All of Richard Hooker and William Butterworth's ''M*A*S*H Goes to...'' sequels are subject to this, more pronouncedly as the series continues. The books have six to ten plots and subplots that get more and more convoluted and intertwined until roughly page 170. Then suddenly ''everything is resolved'' (happily for the protagonists and the young lovers, of course) in the space of 10 to 15 pages.

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* All of Richard Hooker and William Butterworth's ''M*A*S*H Goes to...'' sequels are subject to this, more pronouncedly as the series continues. The books have six to ten plots and subplots that get more and more convoluted and intertwined until roughly page 170. Then suddenly ''everything is resolved'' (happily for the protagonists and the young lovers, of course) in the space of 10 to 15 pages. pages.
* Many of the books in the WheelOfTime series have far more plot in the last 50 to 100 pages than they do in the several hundred it takes to get to that point.
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* ''{{Psychonauts}}'', thanks to rushed development, is much faster paced and less well-written toward the end. This complaint was also leveled at BrutalLegend, though TimSchafer does not have development time as an excuse for that one.

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* ''{{Psychonauts}}'', thanks to rushed development, is much faster paced and less well-written toward the end. This complaint was also leveled at BrutalLegend, though TimSchafer does not have development time as an excuse for that one.one - just ExecutiveMeddling.

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* ''CodeGeass'' - after getting a whole extra season to play with, the plot suddenly races off around the 20th episode of the OddlyNamedSequel. It probably didn't help that ExecutiveMeddling moved the show to a new time slot, changed the staff's original plans and forced the first several episodes to basically recycle the plot for the new audience though.

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* ''CodeGeass'' - after getting a whole extra season to play with, the plot suddenly races off around the 20th episode of the OddlyNamedSequel. It probably didn't help that ExecutiveMeddling moved the show to a new time slot, changed the staff's original plans and forced the first several episodes to basically recycle the plot for the new audience though.



* [[AuthorExistenceFailure Morbid though it may be to comment on]], ''Knife of Dreams'', the eleventh book of Robert Jordan's ''{{Wheel of Time}}'' and the last one the original author completed before his death, resolved more subplots than the three previous books.



** That didn't stop him from making every single one of those books at least 300 pages longer than they needed to be.
** This is somewhat standard for him sadly, a lot of hi books tend to have great build ups..and endings that just kind of fizzle.



* Just about everything by Neal Stephenson.
** Have you ever read the Baroque Cycle? No such problem there. If not, I really suggest you do.



** Same goes for ''HarryPotterAndTheHalfBloodPrince'': endless romantic subplots and Quidditch nonsense, before one explosive night which sees the death of a main character. Lord Voldemort is depressingly predictable, always planning his schemes for June.



** Not just the early ones, sadly. If it says "A Tale of Discworld" on the cover, or is called ''Monstrous Regiment''... OTOH, "Going Postal" is an example of this done right.



* ''Star Wars: Legacy of the Force: Invincible'' (which is VERY short) has [[spoiler: Jaina Solo killing Caedus in a duel and then recovering at a medical facility, while the plot wraps up off-screen - it is being recounted by Han and Leia later. Only partially, since it's never mentioned exactly how the war ended.]]


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* All of Richard Hooker and William Butterworth's ''M*A*S*H Goes to...'' sequels are subject to this, more pronouncedly as the series continues. The books have six to ten plots and subplots that get more and more convoluted and intertwined until roughly page 170. Then suddenly ''everything is resolved'' (happily for the protagonists and the young lovers, of course) in the space of 10 to 15 pages.
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**It is notable as an example that combines HighOctaneNightmareFuel and NoFourthWall Jeane's backstory goes from TearJerker to [[BeyondTheImpossible unimaginablely screwed up]] quickly, making the reaction portrayed beliveable.
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[[folder:Film]]
*''StarWars'': Episode 3 felt like this. Things are moving at a steady pace through the first two movies and... suddenly everyone holds the IdiotBall long enough for Palpatine to take over, prompting the surviving characters to say "better hurry and get to where they found me in the original trilogy!"
[[/folder]]

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* This arguably worked out for the best for PointPleasant. When it became evident that the show was going to be cancelled the writers started rushing to resolve things, and the results were actually kind of thrilling. Prior to this the show had featured demon-sponsored dance-off with the characters facing the horror of...a disco ball coming unscrewed.
* The second season of ''Series{{Heroes}}'' suffered from this. The writers' strike hit halfway through production of the season, and the writers were basically forced to end the season in about half an episode, instead of another 11 or so. This caused several plot lines, which eventually would have been woven into the main thread, to be left completely hanging, most notable being Peter stranding Caitlin in a horrifying alternate future, never to escape according to WordOfGod.

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* This arguably worked out for the best for PointPleasant.''PointPleasant''. When it became evident that the show was going to be cancelled the writers started rushing to resolve things, and the results were actually kind of thrilling. Prior to this the show had featured demon-sponsored dance-off with the characters facing the horror of...a disco ball coming unscrewed.
* The second season of ''Series{{Heroes}}'' ''Series/{{Heroes}}'' suffered from this. The writers' strike hit halfway through production of the season, and the writers were basically forced to end the season in about half an episode, instead of another 11 or so. This caused several plot lines, which eventually would have been woven into the main thread, to be left completely hanging, most notable being Peter stranding Caitlin in a horrifying alternate future, never to escape according to WordOfGod.



* Jeane's backstory in NoMoreHeroes is literally fast-forwarded in game to get to the "final" boss. Not only a cosmic deadline, but a cosmic limitation. The characters seem to believe theres a limit to how much messed-up stuff they can say before the game gets cancelled/delayed. If the scene is replayed at a slowed rate, the story becomes understandable.

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* Jeane's backstory in NoMoreHeroes ''NoMoreHeroes'' is literally fast-forwarded in game to get to the "final" boss. Not only a cosmic deadline, but a cosmic limitation. The characters seem to believe theres a limit to how much messed-up stuff they can say before the game gets cancelled/delayed. If the scene is replayed at a slowed rate, the story becomes understandable.



* [[StarOcean1 Star Ocean]] is well paced at first, but when you expect you're halfway done, you get sent to an AssPull final dungeon and introduced to a new (final) villain who monologues, explaining what would have been the second half of the game.

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* [[StarOcean1 ''[[StarOcean1 Star Ocean]] Ocean]]'' is well paced at first, but when you expect you're halfway done, you get sent to an AssPull final dungeon and introduced to a new (final) villain who monologues, explaining what would have been the second half of the game.



[[folder:Webcomic]]

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[[folder:Webcomic]][[folder:Webcomics]]



* Lampshaded by Belkar in [[http://www.giantitp.com/comics/oots0649.html this]] OrderOfTheStick strip, though the plot slows down again after that burst of accomplishment.

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* Lampshaded by Belkar in [[http://www.giantitp.com/comics/oots0649.html this]] OrderOfTheStick ''OrderOfTheStick'' strip, though the plot slows down again after that burst of accomplishment.



<<|PacingProblems|>>
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* NightsDawn ends in between 50 and 100 pages, after taking more than ''3000'' to get to that point.

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