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* In ''Webcomic/{{Sinfest}}'',
** [[http://www.sinfest.net/view.php?date=2007-12-26 Lil' E tries this. Jesus ignores him. He's got no right to do that.]]
** [[http://www.sinfest.net/view.php?date=2004-02-27 An appreciation of Satan dwells on this.]]
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* Played for laughs with Britta Perry on ''Series/{{Community}}''; she clearly ''believes'' this, about herself especially, but her overall cluelessness about many of the things she protests about (or life in general) and the fact that deep down she's basically sweet and {{Adorkable}} no matter how much she wishes she wasn't means that she generally tends to come across as self-righteous, annoying and not nearly as cool as she believes.

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* Played for laughs with Britta Perry on ''Series/{{Community}}''; she clearly ''believes'' this, cool people rebel, about herself especially, but her overall cluelessness about many of the things she protests about (or life in general) and the fact that deep down she's basically sweet and {{Adorkable}} no matter how much she wishes she wasn't means that she generally tends to come across as self-righteous, annoying and not nearly as cool as she believes.

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* In the ''Film/{{Solo}}'' movie, this is essentially Han Solo's motivation in all things. He is chronically disrespectful of every sort of authority that attempts to impose itself on him. While understandable with crime lords and TheEmpire, he can't even hold it back with his mentor figure or allies. It, indeed, gets him into massive amounts of trouble.






* This is essentially the central premise of ''Literature/TheSupervillainySaga'' by Creator/CTPhipps. Gary Karkofsky is a wannabe supervillain with anarchist tendencies. He is anti-authority and the system as a lifestyle with the belief it makes him cool. The trope is played with as most superheroes are a ReasonableAuthorityFigure and supervillains find the idea of his CardCarryingVillainy ridiculous.

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* This is essentially the central premise of ''Literature/TheSupervillainySaga'' by Creator/CTPhipps. Gary Karkofsky is a wannabe supervillain with anarchist tendencies. He is anti-authority and the system as a lifestyle with the belief it makes him cool. The trope is played with as most superheroes are a ReasonableAuthorityFigure and supervillains find the idea of his CardCarryingVillainy CardCarryingVillain status ridiculous.




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* This is essentially the hat of the Brujah clan in ''TabletopGame/VampireTheMasquerade.'' They are literally cursed with anger and it tends to manifest in hatred of their particular brand of oppression. However, Brujah can be just as likely oppressors as the oppressed.
* It also shows up in ''TabletopGame/MageTheAscension'' where the primary enemies are the incarnation of authority and technology, the Technocracy. This is played with as the Technocracy has a substantial VillainHasAPoint as well as RootingForTheEmpire fandom.
* While the Rebel Alliance is LaResistance, many of the licensed ''TabletopGame/StarWars'' games emphasize playing a Han Solo-esque LovableRogue rather than someone committed to overthrowing the Empire.
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* ''Film/BonnieAndClyde'':
* ''Film/FerrisBuellersDayOff'':

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* ''Film/BonnieAndClyde'':
''Film/BonnieAndClyde'': The eponymous pair are shown to be cool rebels rather than the brutal murderers they were in real life. This actually sparked real life outrage from the families of their victims.
* ''Film/FerrisBuellersDayOff'':''Film/FerrisBuellersDayOff'': Ferris is shown to be a fantastically cool individual who exists solely to defy every rule in society while being a KarmaHoudini.




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* This is essentially the central premise of ''Literature/TheSupervillainySaga'' by Creator/CTPhipps. Gary Karkofsky is a wannabe supervillain with anarchist tendencies. He is anti-authority and the system as a lifestyle with the belief it makes him cool. The trope is played with as most superheroes are a ReasonableAuthorityFigure and supervillains find the idea of his CardCarryingVillainy ridiculous.
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* ''Manga/RanmaOneHalf'': Ranma Saotome has little to no respect for authority. He physically fights with teachers on a regular basis and goes out of his way to piss them off. Then again, one of his teachers disciplines him with [[KiAttacks Ki Attacks]], another one [[ShipperOnDeck tried to make him confess love to Akane]] during his time as a teacher, and the principal of the school is just batshit insane, so it's kind of understandable.

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* ''Manga/RanmaOneHalf'': Ranma Saotome has little to no respect for authority. He physically fights with teachers on a regular basis and goes out of his way to piss them off. Then again, one of his teachers disciplines him with [[KiAttacks [[KiManipulation Ki Attacks]], another one [[ShipperOnDeck tried to make him confess love to Akane]] during his time as a teacher, and the principal of the school is just batshit insane, so it's kind of understandable.
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* In ''Manga/DemonSlayerKimetsuNoYaiba'', Sanemi Shinazugawa at first behaves like this upon meeting Kagaya Ubuyashiki, he is rude, dismissive and outright insulting to Kagaya for never risking his own life while the demon slayers do all the fighting. Kagaya's apology and the revelation that he takes time to memorize the names and backgrounds of every single dead warrior, including Sanemi's best friend, absolutely stun Sanemi into silence and make him realize how wrong he was about him. To top it off, Kagaya says he doesn't need to respect or like him; just keep protecting innocent people.

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** Likewise, the Avengers' habit of acting on more or less their own whim and following their own consciences, combined with their raw power, is not portrayed as a good thing. As the narrative points out, it indirectly causes the rise of the HYDRA-Death Eater alliance, and the actions of Victor von Doom, on the grounds that both are aware that the Avengers can and will go after them off the books, so feel the need to strike first/prepare for the possibility.
** Doctor Strange, despite technically being an Authority in his own right, is brilliant, ruthless, and arrogant, accepting no authority but his own, often mocking authority. This is portrayed as occasionally having awesome results - throwing down the gauntlet to the White Council over a young Wanda, and then bullying the entire Council Elite of Skyfathers - it's also ''not'' a good thing, particularly where the White Council is concerned: the Council is the definition of TheFettered, keeping wandless practitioners in check, as well as other, darker forces. Strange, by contrast, is practically defined by being TheUnfettered, doing more or less whatever he likes and breaking whatever rules he hasn't made. However, he did once accept authority, serving [[spoiler: Arthur Pendragon]] and his Queen, [[spoiler: Guinevere]] with devoted loyalty, and it's implied that at least part of his attitude is because he feels that no authority group/figure since has lived up to the standard they set.



* In ''Literature/TheDresdenFiles'', a traumatic experience with an EvilMentor leaves Harry Dresden heavily jaded about the MagicalSociety of the White Council, and he makes a point of mocking their authority as much as he can get away with in the early books. [[ZigZaggingTrope Zig-zagged]] when he attends a Council meeting in a bathrobe and unkempt beard, [[YouNoTakeCandle hopelessly mangles]] the Latin that they speak in formal occasions, and slowly comes to realize that they have even less respect for him than he has for them. Although he continues to distrust the Council, CharacterDevelopment leads him to build a better working relationship with them.

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* In ''Literature/TheDresdenFiles'', a traumatic experience with an EvilMentor leaves Harry Dresden heavily jaded about the MagicalSociety of the White Council, and he makes a point of mocking their authority as much as he can get away with in the early books. [[ZigZaggingTrope Zig-zagged]] when he attends a Council meeting in a bathrobe and unkempt beard, [[YouNoTakeCandle hopelessly mangles]] the Latin that they speak in formal occasions, occasions (in fairness, the bathrobe and Latin aren't really his fault - his cat had used his formal robe as a litterbox and he learned Latin by a correspondence course), and slowly comes to realize that they have even less respect for him than he has for them. Although he continues to distrust the Council, Moreover, as time goes by, CharacterDevelopment leads him to build understand their rules, the reasons for them, and why the Council is important in the first place, leading to him building a better working relationship with them.
them - which is not to say that he doesn't think that a lot of them are hidebound jerks, because he does, and reckons they need to be challenged. But as he explains to his apprentice later on, the picture is much more nuanced than either he thought or she thinks.



* ''{{Series/Firefly}}'' has this going on with the crew of the Serenity. They rebel by avoiding their not exactly well-meaning government while earning a living in a number of morally ambigious ways.

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* ''{{Series/Firefly}}'' has this going on with the crew of the Serenity. They rebel by avoiding their not exactly well-meaning government while earning a living in a number of morally ambigious ambiguous ways.
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This is the general portrayal in fiction that any character who displays any sort of aloofness, indifference, or outright antagonism to an authority figure, for any reason, must be incredibly cool. Quite often the authority against whom the "rebellion" is directed is an ObstructiveBureaucrat, MegaCorp, EvilEmpire, or some variant, and also the usual reason why TheRevolutionWillNotBeVilified.

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This is the general portrayal in fiction that any character who displays any sort of aloofness, indifference, or outright antagonism to an authority figure, for any reason, must be incredibly cool. Quite often the authority against whom the "rebellion" is directed is an ObstructiveBureaucrat, MegaCorp, EvilEmpire, or some variant, and also variant. Usually the usual reason why TheRevolutionWillNotBeVilified.
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This is the general portrayal in fiction that any character who displays any sort of aloofness, indifference, or outright antagonism to an authority figure, for any reason, must be incredibly cool. Quite often the authority against whom the "rebellion" is directed is an ObstructiveBureaucrat, MegaCorp, EvilEmpire, or some variant. Often the reason why TheRevolutionWillNotBeVilified.

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This is the general portrayal in fiction that any character who displays any sort of aloofness, indifference, or outright antagonism to an authority figure, for any reason, must be incredibly cool. Quite often the authority against whom the "rebellion" is directed is an ObstructiveBureaucrat, MegaCorp, EvilEmpire, or some variant. Often variant, and also the usual reason why TheRevolutionWillNotBeVilified.
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This is the general portrayal in fiction that any character who displays any sort of aloofness, indifference, or outright antagonism to an authority figure, for any reason, must be incredibly cool. Quite often the authority against whom the "rebellion" is directed is an ObstructiveBureaucrat, MegaCorp, EvilEmpire, or some variant. Often the reason why TheRevolutionWillNotBeVillified.

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This is the general portrayal in fiction that any character who displays any sort of aloofness, indifference, or outright antagonism to an authority figure, for any reason, must be incredibly cool. Quite often the authority against whom the "rebellion" is directed is an ObstructiveBureaucrat, MegaCorp, EvilEmpire, or some variant. Often the reason why TheRevolutionWillNotBeVillified.
TheRevolutionWillNotBeVilified.
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This is the general portrayal in fiction that any character who displays any sort of aloofness, indifference, or outright antagonism to an authority figure, for any reason, must be incredibly cool. Quite often the person against whom the "rebellion" is directed is an ObstructiveBureaucrat or some variant.

Expect "authority" to be heavily tainted in TheWarOnStraw in some way or another, when the audience inevitably asks "[[FridgeLogic What's so bad]] about [[ReasonableAuthorityFigure the authority figure]], anyway?". Indeed, {{deconstruction}}s and {{parodies}} of this trope [[DeadHorseTrope are becoming more and more common]]. Some works may point out that acting 'rebellious' to be cool is [[TheManIsStickingItToTheMan just another way to conform to a different authority]]. Others might portray the rebel as a needlessly belligerent and pretentious douchebag. They might also remind us that "TheMan" is capable of good things (Governments protect people and provide services while big businesses produce things and hire people) as well as bad. This ValuesDissonance can result in audiences RootingForTheEmpire. See also SillyRabbitCynicismIsForLosers.

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This is the general portrayal in fiction that any character who displays any sort of aloofness, indifference, or outright antagonism to an authority figure, for any reason, must be incredibly cool. Quite often the person authority against whom the "rebellion" is directed is an ObstructiveBureaucrat ObstructiveBureaucrat, MegaCorp, EvilEmpire, or some variant.

variant. Often the reason why TheRevolutionWillNotBeVillified.

Expect "authority" to be heavily tainted in TheWarOnStraw in some way or another, when the audience inevitably asks "[[FridgeLogic "[[DesignatedVillain What's so bad]] about [[ReasonableAuthorityFigure the authority figure]], anyway?". Indeed, {{deconstruction}}s and {{parodies}} of this trope [[DeadHorseTrope are becoming more and more common]]. Some works may point out that acting 'rebellious' to be cool is [[TheManIsStickingItToTheMan just another way to conform to a different authority]]. Others might portray the rebel as a needlessly belligerent and pretentious douchebag. They might also remind us that "TheMan" is capable of good things (Governments protect people and provide services while big businesses produce things and hire people) as well as bad. This ValuesDissonance can result in audiences RootingForTheEmpire. See also SillyRabbitCynicismIsForLosers.
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This is the general portrayal in fiction that any character who displays any sort of aloofness or indifference to an authority figure, for any reason, must be incredibly cool. Quite often the person against whom the "rebellion" is directed is an ObstructiveBureaucrat or some variant.

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This is the general portrayal in fiction that any character who displays any sort of aloofness aloofness, indifference, or indifference outright antagonism to an authority figure, for any reason, must be incredibly cool. Quite often the person against whom the "rebellion" is directed is an ObstructiveBureaucrat or some variant.
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* ''Fanfic/{{Ageless}}'': If Ryou does not like the decisions authority figures have made, he is not afraid to behave as though they don't exist and get his own hands dirty, helping Korra leave the South Pole in spite of the White Lotus and jokingly telling Lin that the laws of man do not apply to him.
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Expect "authority" to be heavily tainted in TheWarOnStraw in some way or another, when the audience inevitably asks "[[FridgeLogic What's so bad]] about [[ReasonableAuthorityFigure the authority figure]], anyway?". Indeed, {{deconstruction}}s and {{parodies}} of this trope [[DeadHorseTrope are becoming more and more common]]. Some works may point out that acting 'rebellious' to be cool is just another way to conform to a different authority. Others might portray the rebel as a needlessly belligerent and pretentious douchebag. They might also remind us that "TheMan" is capable of good things (Governments protect people and provide services while big businesses produce things and hire people) as well as bad. This ValuesDissonance can result in audiences RootingForTheEmpire. See also SillyRabbitCynicismIsForLosers.

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Expect "authority" to be heavily tainted in TheWarOnStraw in some way or another, when the audience inevitably asks "[[FridgeLogic What's so bad]] about [[ReasonableAuthorityFigure the authority figure]], anyway?". Indeed, {{deconstruction}}s and {{parodies}} of this trope [[DeadHorseTrope are becoming more and more common]]. Some works may point out that acting 'rebellious' to be cool is [[TheManIsStickingItToTheMan just another way to conform to a different authority.authority]]. Others might portray the rebel as a needlessly belligerent and pretentious douchebag. They might also remind us that "TheMan" is capable of good things (Governments protect people and provide services while big businesses produce things and hire people) as well as bad. This ValuesDissonance can result in audiences RootingForTheEmpire. See also SillyRabbitCynicismIsForLosers.
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* ''Anime/TengenToppaGurrenLagann'' plays with the trope. Once Team Dai-Gurren ''wins'' they become their own authority, and the epilogue features the kind of ultra-high-tech society (and its military) that wouldn't get built if everyone spent their time rebelling for the sake of rebelling.

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* ''Anime/TengenToppaGurrenLagann'' plays with the trope. Once Team Dai-Gurren ''wins'' ''wins'', they become their own authority, and the epilogue features the kind of ultra-high-tech society (and its military) that wouldn't get built if everyone spent their time rebelling for the sake of rebelling.
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exposition


** Other episodes play with this trope. For instance, Frank Burns was left in temporary command and decided that the medical staff were verging on alcoholism, and declares the 4077th 'dry'. By the end of the episode, despite Hawkeye's furious protests and rants, it's become clear and is portrayed as such that Frank ''did'' have a point, he just took it a bit too far. More brutally, on a later occasion Hawkeye himself is left in temporary command of the 4077th, and rapidly gains a different perspective on the sort of shenanigans he himself often pulls, to the point that he actually muses over charging B.J. Hunnicutt with being AWOL because he wasn't there when Hawkeye needed him for a medical crisis (he was responding to a different problem on his own, without authorization). Margaret even teases Hawkeye about this realization.

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** Other episodes play with this trope. For instance, Frank Burns was left in temporary command and decided that the medical staff were verging on alcoholism, and declares the 4077th 'dry'. By the end of the episode, despite Hawkeye's furious protests and rants, it's become clear and is portrayed as such that Frank ''did'' have a point, he just took it a bit too far. More brutally, on a later occasion Hawkeye himself is left in temporary command of the 4077th, and rapidly gains a different perspective on the sort of shenanigans he himself often pulls, to the point that he actually muses over charging B.J. Hunnicutt with being AWOL because he wasn't there when Hawkeye needed him for a medical crisis (he was responding to a different problem on his own, without authorization). Margaret even teases calls Hawkeye out about this realization.by saying, "It's not so easy to be the clown when you have to run the whole circus. If Frank Burns could see you now."
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* In ''Literature/TheDresdenFiles'', a traumatic experience with an EvilMentor leaves Harry Dresden heavily jaded about the MagicalSociety of the White Council, and he makes a point of mocking their authority as much as he can get away with in the early books. [[ZigZaggingTrope Zig-zagged]] when he attends a Council meeting in a bathrobe and unkempt beard, [[YouNoTakeCandle hopelessly mangles]] the Latin that they speak in formal occasions, and slowly comes to realize that they have even less respect for him than he has for them. Although he continues to distrust the Council, CharacterDevelopment leads him to build a better working relationship with them.
Is there an issue? Send a MessageReason:
None


* ''Film/FightClub'': Tyler Durden's loud and brash anti-establishment way of thinking clicks taps very well into the frustration and resentment of the working class. While harmless at first (at least as harmless as therapeutic punching of other people go), as the movie goes on, Tyler is shown to be increasingly destructive, narcissistic, and mean-spirited. By the end of the movie, Tyler is, for all intents and purposes, the leader of a terrorist organization, blowing up buildings without any care for what harm they might do to bystanders.

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* ''Film/FightClub'': Tyler Durden's loud and brash anti-establishment way of thinking clicks taps very well into the frustration and resentment of the working class. While harmless at first (at least as harmless as therapeutic punching of other people go), as the movie goes on, Tyler is shown to be increasingly destructive, narcissistic, and mean-spirited. By the end of the movie, Tyler is, for all intents and purposes, the leader of a terrorist organization, blowing up buildings without any care for what harm they might do to bystanders.
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Fixed a link


* In ''Webcomic/QuentynQuinnSpaceRanger'', Quinn explains he expects no trouble from his {{Pirate}} prisoners because [[http://www.rhjunior.com/QQSR/00013.html their attempt to play this trope showed how stupid they were.]]

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* In ''Webcomic/QuentynQuinnSpaceRanger'', Quinn explains he expects no trouble from his {{Pirate}} prisoners because [[http://www.rhjunior.com/QQSR/00013.html com/quentyn-quinn-space-ranger-0013/ their attempt to play this trope showed how stupid they were.]]
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* Hawkeye from ''{{Series/Mash}}'' might fall under this, although he usually only rebels against authority when authority is being stupid. Which is, admittedly, [[OnceAnEpisode every episode]]. This is the whole purpose of the show, to rebel against authority. Hawkeye even interrupts the peace talks because he feels they aren't doing enough.

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* Hawkeye from ''{{Series/Mash}}'' ''{{Series/MASH}}'' might fall under this, although he usually only rebels against authority when authority is being stupid. Which is, admittedly, [[OnceAnEpisode every episode]]. This is the whole purpose of the show, to rebel against authority. Hawkeye even interrupts the peace talks because he feels they aren't doing enough.
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* ''Webcomic/ExistentialComics'': How Creator/KarlMarx usually appears as. Either bare-chested in a circle of German philosophers, as the main goal scorer for the group (since he felt it was important for philosophers and thinkers to "make" history), and as an ''[[Film/MadMaxFuryRoad Mad Marx]]: The Class Warrior fighting Hayek in single combat and killing Creator/AynRand. In the comic with Chomsky, Fanon and Foucault, he appears as Gimli the Dwarf to join Fanon's proposed Fellowship of Revolutionaries appointed to help overthrow all the old oligarchs of Middle-Earth.
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->''"You don't wanna get mixed up with a guy like me. I'm a loner, Dottie. A rebel."''
-->-- '''Pee Wee Herman''', ''Film/PeeWeesBigAdventure''
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Emphasis and definition added to make it more clear the complainer is not part of Rogue squadron and that that's his point.


* Comes up briefly a time or two in the ''Literature/XWingSeries''. In Creator/MichaelStackpole's run Rogue Squadron - who got that name in the first place purely for the coolness factor - is MildlyMilitary and quite happy to ignore minor directives and rules... which is usually seen as quite positive, with most people accepting it because they get amazing results, and [[TheComplainerIsAlwaysWrong the one who thinks they're irresponsible]] generally getting ignored. Then the complainer saves their skins after ignoring a rule himself - and rather than shrugging it off, insists that he be reported, because rigid rulebound discipline is all that keeps his people alive in the long run. In the end Rogue Leader Wedge Antilles has to accept this as valid.

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* Comes up briefly a time or two in the ''Literature/XWingSeries''. In Creator/MichaelStackpole's run Rogue Squadron - who got that name in the first place purely for the coolness factor - is MildlyMilitary and quite happy to ignore minor directives and rules... which is usually seen as quite positive, with most people accepting it because they get amazing results, and [[TheComplainerIsAlwaysWrong the one who thinks they're irresponsible]] generally getting ignored. Then the complainer complainer, who is the commander of a bomber training squadron, saves their skins after ignoring a rule himself - and rather than shrugging it off, insists that he be reported, because rigid rulebound discipline is all that keeps his ''his'' people alive in the long run. In the end Rogue Leader Wedge Antilles has to accept this as valid.
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The line didn't make it to the movie.


-->'''Jyn''' (to [[IronLady Mon Mothma]], while handcuffed): It's a rebellion, isn't it? I ''rebel''.
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* In ''{{Film/Serenity}}'' Mal finally has enough of TheAlliance following [[spoiler:the crew's discovery of what happened on Miranda]] and decides to pay them back for everything, starting with his famous line "I aim to misbehave". His statement of rebellion is not exactly unreasonable as TheAlliance is not a well-meaning government and did many truly despicable things, and would just not leave him and his crew the hell alone.

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* In ''{{Film/Serenity}}'' Mal finally has enough of TheAlliance following [[spoiler:the crew's discovery of [[GoneHorriblyRight just what happened the hell happened]] on Miranda]] and decides to pay them back for everything, starting with his famous line "I aim to misbehave". His statement of rebellion is not exactly unreasonable as TheAlliance is not a well-meaning government and did many truly despicable things, and would just not leave him and his crew the hell alone.things.
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* In ''{{Film/Serenity}}'' Mal finally had enough of TheAlliance and decides to pay them back for everything, starting with his famous line "I aim to misbehave". His statement of rebellion is not exactly unreasonable as TheAlliance is not well-meaning government and did many truly despicable things.

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* In ''{{Film/Serenity}}'' Mal finally had has enough of TheAlliance following [[spoiler:the crew's discovery of what happened on Miranda]] and decides to pay them back for everything, starting with his famous line "I aim to misbehave". His statement of rebellion is not exactly unreasonable as TheAlliance is not a well-meaning government and did many truly despicable things.things, and would just not leave him and his crew the hell alone.
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Updating the N Chick's entry.


* WebVideo/TheNostalgiaChick rips this trope apart in her review of ''Film/RealityBites''.

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* WebVideo/TheNostalgiaChick rips this trope apart in her review of ''Film/RealityBites''. She does it again when she takes on the film ''{{Theatre/RENT}}'', stating that rejecting the system that has left you behind also denies you any voice within it.
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* ''Film/FightClub'': Tyler Durden's loud and brash anti-establishment way of thinking clicks taps very well into the frustration and resentment of the working class. While harmless at first (at least as harmless as therapeutic punching of other people go), as the movie goes on, Tyler is shown to be increasingly destructive, narcissistic, and mean-spirited. By the end of the movie, Tyler is, for all intents and purposes, the leader of a terrorist organization, blowing up buildings without any care for what harm they might do to bystanders.
Is there an issue? Send a MessageReason:
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* Sal of ''Webcomic/DumbingOfAge'' has a leather jacket, a CoolBike, a knack for attracting admirers whether or not she actually wants to, and zero patience for rules. This applies to everything from maths to room-mate agreements to Franchise/MarioKart.

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* Sal of ''Webcomic/DumbingOfAge'' has a leather jacket, a CoolBike, a knack for attracting admirers whether or not she actually wants to, and zero patience for rules. This applies to everything from maths to room-mate agreements to Franchise/MarioKart.VideoGame/MarioKart.
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A very common trait of the MarySue.

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A very common trait of the a MarySue.

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