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* ''WesternAnimation/{{TheLoudHouseMovie}}'': Very noticeable autotune in the singing, particularly with Lincoln.
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* ''WesternAnimation/{{TheLoudHouseMovie}}'': ''WesternAnimation/TheLoudHouseMovie'': Very noticeable autotune in the singing, particularly with Lincoln.
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* ''WesternAnimation/{{TheLoudHouseMovie}}'': Very noticeable autotune in the singing, particularly with Lincoln.
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Changed line(s) 7 (click to see context) from:
->''"That's Auto-Tune, son! It lets you sing... even if you can't sing!''"''
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->''"That's Auto-Tune, son! It lets you sing... even if you can't sing!''"''sing!"''
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Changed line(s) 18,19 (click to see context) from:
With the wide adoption of Auto-Tune, the technique quickly became a source of controversy both within and in discussion about the music industry. The major criticism is how the program strips all the personality and subtle harmonics from a performer's voice, leaving those who utilize it sounding near-identical with each other. This ties in with the criticism that it is inherently lazy and dishonest: because the software ensures perfect pitch, the actual capabilities of the singer are a moot point. These arguments exclude artists who use it primarily to distort their voices into the aforementioned robotic sound, but ''they'' catch their own flak for their (perceived) [[FollowTheLeader unoriginality]]. Auto-Tune is such a source of InternetBackdraft that in many circles, it's actually used as a general insult against singers regardless of context.
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With the wide adoption of Auto-Tune, the technique quickly became a source of controversy both within and in discussion about the music industry. The major criticism is how the program strips all the personality and subtle harmonics from a performer's voice, leaving those who utilize it sounding near-identical with each other. This ties in with the criticism that it is inherently lazy and dishonest: because the software ensures perfect pitch, the actual capabilities of the singer are a moot point. These arguments exclude artists who use it primarily to distort their voices into the aforementioned robotic sound, but ''they'' catch their own flak for their (perceived) [[FollowTheLeader unoriginality]]. Auto-Tune is such a source of InternetBackdraft backlash that in many circles, it's actually used as a general insult against singers regardless of context.
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* The titular character in ''WesternAnimation/FreaknikTheMusical'', played by the master of autotune himself TPain, both speaks and sings with autotune jacked UpToEleven.
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* The titular character in ''WesternAnimation/FreaknikTheMusical'', played by the master of autotune himself TPain, T-Pain, both speaks and sings with autotune jacked UpToEleven.
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* Brian the robot's voice in British commercials for Confused dot com.[[note]]Replacing the cartoon ads based on the song "YMCA", to the disappointment of many.[[/note]]
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* Brian the robot's voice in British commercials for Confused dot com.[=Confused.com=].[[note]]Replacing the cartoon ads based on the song "YMCA", to the disappointment of many.[[/note]]
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Changed line(s) 33 (click to see context) from:
* Brian the robot's voice in British commercials for Confused dot com[[note]] Replacing the cartoon ads based on the song "YMCA", to the disappointment of many[[/note]]
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* Brian the robot's voice in British commercials for Confused dot com[[note]] Replacing com.[[note]]Replacing the cartoon ads based on the song "YMCA", to the disappointment of many[[/note]]many.[[/note]]
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Changed line(s) 224,228 (click to see context) from:
* One trailer for ''WesternAnimation/MrPeabodyAndSherman'' mentions that Peabody invented auto-tune, among other things.
* Though not explicitely mentioned, WesternAnimation/MyLittlePonyEquestriaGirlsRainbowRocks definitely references this. The villains of the movie are a trio of {{Enthralling Siren}}s who use their beautiful CompellingVoice to sow discord among the student body. In the final battle against them, [[spoiler:the heroes shatter their magical amulets. The sirens are visibly horrified by this, and when they try to sing again, they sound horribly off-key and are booed offstage. Their amulets were not just the source of their powers, they were their auto-tune!]]
* In ''WesternAnimation/{{Rio 2}}'', Nigel shows off his ability to mimic auto-tune.
** Interestingly, the original ''WesternAnimation/{{Rio}}'' used Auto-Tune for its original purpose--correcting pitch. You can faintly hear it on Raphael's one sung line in the grand finale--evidently, George Lopez can't carry a tune.
* Guy Diamond from ''WesternAnimation/{{Trolls}}'' can Auto-Tune his voice at will, and does this randomly when he talks.
* Though not explicitely mentioned, WesternAnimation/MyLittlePonyEquestriaGirlsRainbowRocks definitely references this. The villains of the movie are a trio of {{Enthralling Siren}}s who use their beautiful CompellingVoice to sow discord among the student body. In the final battle against them, [[spoiler:the heroes shatter their magical amulets. The sirens are visibly horrified by this, and when they try to sing again, they sound horribly off-key and are booed offstage. Their amulets were not just the source of their powers, they were their auto-tune!]]
* In ''WesternAnimation/{{Rio 2}}'', Nigel shows off his ability to mimic auto-tune.
** Interestingly, the original ''WesternAnimation/{{Rio}}'' used Auto-Tune for its original purpose--correcting pitch. You can faintly hear it on Raphael's one sung line in the grand finale--evidently, George Lopez can't carry a tune.
* Guy Diamond from ''WesternAnimation/{{Trolls}}'' can Auto-Tune his voice at will, and does this randomly when he talks.
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* ''WesternAnimation/MrPeabodyAndSherman'': One trailer for ''WesternAnimation/MrPeabodyAndSherman'' mentions that Peabody invented auto-tune, among other things.
*Though not explicitely mentioned, WesternAnimation/MyLittlePonyEquestriaGirlsRainbowRocks definitely references this. ''WesternAnimation/MyLittlePonyEquestriaGirlsRainbowRocks'': The villains of the movie are a trio of {{Enthralling Siren}}s [[OurSirensAreDifferent sirens]] who use their beautiful CompellingVoice to sow discord among the student body. In the final battle against them, [[spoiler:the heroes shatter their magical amulets. The sirens are visibly horrified by this, and when they try to sing again, they sound horribly off-key and are booed offstage. Their amulets were not just the source of their powers, they were their auto-tune!]]
*In ''WesternAnimation/{{Rio 2}}'', Nigel shows off his ability to mimic auto-tune.
** Interestingly, the original''WesternAnimation/{{Rio}}'' used uses Auto-Tune for its original purpose--correcting purpose -- correcting pitch. You can faintly hear it on Raphael's one sung line in the grand finale--evidently, George Lopez can't carry a tune.
%%* ''WesternAnimation/Rio2'': Nigel shows off his ability to mimic auto-tune.
* ''WesternAnimation/{{Trolls}}'': Guy Diamondfrom ''WesternAnimation/{{Trolls}}'' can Auto-Tune his voice at will, and does this randomly when he talks.
*
*
** Interestingly, the original
%%* ''WesternAnimation/Rio2'': Nigel shows off his ability to mimic auto-tune.
* ''WesternAnimation/{{Trolls}}'': Guy Diamond
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* The main characters discover a crystal in ''Film/LandOfTheLost'' that essentially does this to the voice of whomever touches it, netting a comment from Rick Marshall that you'd normally need to pay money for this kind of effect.
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* ''Film/LandOfTheLost'': The main characters discover a crystal in ''Film/LandOfTheLost'' that essentially does this to the voice of whomever touches it, netting a comment from Rick Marshall that you'd normally need to pay money for this kind of effect.
Changed line(s) 236,237 (click to see context) from:
* PlayedForLaughs on a ''Series/{{Jeopardy}}'' category [[https://www.youtube.com/watch?v=Te4E1cx2J44 from June 2010]]. You haven't lived until you've heard Alex Trebek sing "Go Down, Moses" with the help of Auto-Tune.
* Also PlayedForLaughs on a sketch on ''Series/SaturdayNightLive'' with host Kristin Wiig; an infomercial advertising a CD for socialites and by socialites entitled "Classy Sexy Elegnace" ([[TyopOnTheCover yeah, that's what it's called]]). Everything on that album is [[StylisticSuck haphazardly produced]], by their HUSBANDS, no less, (Except for one song in which [[ItMakesSenseinContext her husband Craig T. Nelson]] hires a black producer who "pretends to like her music..."), which results in HEAVY use of the Auto-Tune. The real payoff moment comes near the end, when all three women are singing one song using EACH OF THEIR RESPECTIVE AUTO-TUNE SETTINGS (in different keys and modes). The result is hilariously [[SensoryAbuse scary]]. Hell, EVEN THE ENDING ANNOUNCEMENT is auto-tuned!
* Also PlayedForLaughs on a sketch on ''Series/SaturdayNightLive'' with host Kristin Wiig; an infomercial advertising a CD for socialites and by socialites entitled "Classy Sexy Elegnace" ([[TyopOnTheCover yeah, that's what it's called]]). Everything on that album is [[StylisticSuck haphazardly produced]], by their HUSBANDS, no less, (Except for one song in which [[ItMakesSenseinContext her husband Craig T. Nelson]] hires a black producer who "pretends to like her music..."), which results in HEAVY use of the Auto-Tune. The real payoff moment comes near the end, when all three women are singing one song using EACH OF THEIR RESPECTIVE AUTO-TUNE SETTINGS (in different keys and modes). The result is hilariously [[SensoryAbuse scary]]. Hell, EVEN THE ENDING ANNOUNCEMENT is auto-tuned!
to:
* ''Series/{{Jeopardy}}'': PlayedForLaughs on in a ''Series/{{Jeopardy}}'' category [[https://www.youtube.com/watch?v=Te4E1cx2J44 from June 2010]]. You haven't lived until you've heard Alex Trebek sing "Go Down, Moses" with the help of Auto-Tune.
*Also ''Series/SaturdayNightLive'': PlayedForLaughs on in a sketch on ''Series/SaturdayNightLive'' with host Kristin Wiig; an infomercial advertising a CD for socialites and by socialites entitled "Classy Sexy Elegnace" ([[TyopOnTheCover yeah, that's what it's called]]). Everything on that album is [[StylisticSuck haphazardly produced]], by their HUSBANDS, no less, (Except for one song in which [[ItMakesSenseinContext her husband Craig T. Nelson]] hires a black producer who "pretends to like her music..."), which results in HEAVY use of the Auto-Tune. The real payoff moment comes near the end, when all three women are singing one song using EACH OF THEIR RESPECTIVE AUTO-TUNE SETTINGS (in different keys and modes). The result is hilariously [[SensoryAbuse scary]]. Hell, EVEN THE ENDING ANNOUNCEMENT is auto-tuned!
*
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* Creator/DanielThrasher: [[{{Satan}} Stan]] speaks entirely in Auto-Tune
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* Music/SelfInsert is an experimental hip-hop group that uses autotune as a way of identifying with machines, something outside of themselves. Sebastian Hedge stated in an interview that he "wanted to channel thoughts about music from a detached standpoint, like talking into a microphone" and make that into the art.
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* Music/SelfInsert is an experimental hip-hop group that uses autotune as a way of identifying with machines, something outside of themselves. Sebastian Hedge stated in an interview that he "wanted to channel thoughts about music from a detached standpoint, like talking into a microphone" and make that into as a basis for the art.
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* Music/SelfInsert is an experimental hip-hop group that uses autotune as a way of identifying with machines, something outside of themselves. Sebastian Hedge stated in an interview that he "wanted to channel thoughts about music from a detached standpoint, like talking into a microphone" and make that into the art.
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* Music/SelfInsert is an experimental hip-hop group that uses autotune as a way of identifying with machines, something outside of themselves. Sebastian Hedge stated in an interview that he "wanted to channel thoughts about music from a detached standpoint, like talking into a microphone" and make that into the art.
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Changed line(s) 116 (click to see context) from:
to:
* Music/SelfInsert is an experimental hip-hop group that uses autotune as a way of identifying with machines, something outside of themselves. Sebastian Hedge stated in an interview that he "wanted to channel thoughts about music from a detached standpoint, like talking into a microphone" and make that into the art.
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Changed line(s) 7 (click to see context) from:
->''"That's Auto-Tune, son! It lets you sing... '''''even if you can't sing!'''''"''
to:
->''"That's Auto-Tune, son! It lets you sing... '''''even even if you can't sing!'''''"''sing!''"''
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Changed line(s) 7 (click to see context) from:
->''"That's Auto-Tune, son! It lets you sing... ''even if you can't sing!''"''
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->''"That's Auto-Tune, son! It lets you sing... ''even '''''even if you can't sing!''"''sing!'''''"''
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general cleanup
* Not necessarily Auto-Tune, but Assemblage 23's "Automaton" uses a robotic vocoder, which is fairly uncommon for him.
* ATC's "Around the World (La La La La La)" didn't originally use Auto-Tune, but Auburn's "La La La", which samples that song, uses it to excess.
* ATC's "Around the World (La La La La La)" didn't originally use Auto-Tune, but Auburn's "La La La", which samples that song, uses it to excess.
* Music/{{Covenant}} and Necro Facility's "Lightbringer" uses a T-Pain-like vocoder on the verse vocals.
* Cylab, in the bridge section of "Greys".
* Cylab, in the bridge section of "Greys".
* Dune -- [[https://www.youtube.com/watch?v=4pzzz7xcCyo "Dark Side of the Moon"]].
Deleted line(s) 71 (click to see context) :
* Music/{{Vaniru}} heavily uses it for effect.
* Genki Rockets, the band of Tetsuya Mizuguchi, creator of ''VideoGame/{{Lumines}}'', ''VideoGame/{{Rez}}'', and ''VideoGame/ChildOfEden''. Most notably in "Breeze".
* Groove Coverage used it in the chorus of [[https://www.youtube.com/watch?v=2k6A6VZ3KWE "A Million Tears"]], and a few other songs.
* Groove Coverage used it in the chorus of [[https://www.youtube.com/watch?v=2k6A6VZ3KWE "A Million Tears"]], and a few other songs.
* Inna uses it in "Wow", "Club Rocker", "More Than Friends", and many other songs on ''I am the Club Rocker'' and ''Party Never Ends''.
Deleted line(s) 79,82 (click to see context) :
* Just about all Nu Italo does this. E.g.: Eiffel 65 -- "Blue"; Kim Lukas -- "All I Really Want"; Sarina Paris -- "Just About Enough". It's a defining feature (and, depending on [[http://techno.org/electronic-music-guide/ who you ask]], not necessarily bad.)
* ATC's "Around the World (La La La La La)" didn't originally use Auto-Tune, but Auburn's "La La La", which samples that song, uses it to excess.
* Oscillator X, particularly "Party People All Night Long", "Dynamo", and "Safety Net".
* Genki Rockets, the band of Tetsuya Mizuguchi, creator of ''VideoGame/{{Lumines}}'', ''VideoGame/{{Rez}}'', and ''VideoGame/ChildOfEden''. Most notably in "Breeze".
* ATC's "Around the World (La La La La La)" didn't originally use Auto-Tune, but Auburn's "La La La", which samples that song, uses it to excess.
* Oscillator X, particularly "Party People All Night Long", "Dynamo", and "Safety Net".
* Genki Rockets, the band of Tetsuya Mizuguchi, creator of ''VideoGame/{{Lumines}}'', ''VideoGame/{{Rez}}'', and ''VideoGame/ChildOfEden''. Most notably in "Breeze".
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* Music/OwlCity uses Melodyne, a program similar to Auto-Tune, with the result (especially on his older songs) sounding like [=GLaDOS=] from VideoGame/{{Portal}}.
* Music/{{Covenant}} and Necro Facility's "Lightbringer" uses a T-Pain-like vocoder on the verse vocals.
* Dune -- [[https://www.youtube.com/watch?v=4pzzz7xcCyo "Dark Side of the Moon"]].
* Groove Coverage used it in the chorus of [[https://www.youtube.com/watch?v=2k6A6VZ3KWE "A Million Tears"]], and a few other songs.
* Not necessarily Auto-Tune, but Assemblage 23's "Automaton" uses a robotic vocoder, which is fairly uncommon for him.
* Music/{{Covenant}} and Necro Facility's "Lightbringer" uses a T-Pain-like vocoder on the verse vocals.
* Dune -- [[https://www.youtube.com/watch?v=4pzzz7xcCyo "Dark Side of the Moon"]].
* Groove Coverage used it in the chorus of [[https://www.youtube.com/watch?v=2k6A6VZ3KWE "A Million Tears"]], and a few other songs.
* Not necessarily Auto-Tune, but Assemblage 23's "Automaton" uses a robotic vocoder, which is fairly uncommon for him.
Changed line(s) 90,91 (click to see context) from:
* Inna uses it in "Wow", "Club Rocker", "More Than Friends", and many other songs on ''I am the Club Rocker'' and ''Party Never Ends''.
* Cylab, in the bridge section of "Greys".
* Cylab, in the bridge section of "Greys".
to:
* Inna uses Unusual for {{darkwave}}, Midnight Resistance used it in "Wow", "Club Rocker", "More Than Friends", and many other songs on ''I am the Club Rocker'' and ''Party Never Ends''.
* Cylab, in the bridge section of "Greys"."Wastelands".
* Cylab, in the bridge section of "Greys".
* Just about all Nu Italo does this. It's a defining feature (and depending on [[http://techno.org/electronic-music-guide/ who you ask,]] not necessarily bad). Examples:
** Eiffel 65 -- "Blue"
** Kim Lukas -- "All I Really Want"
** Sarina Paris -- "Just About Enough".
** Eiffel 65 -- "Blue"
** Kim Lukas -- "All I Really Want"
** Sarina Paris -- "Just About Enough".
Changed line(s) 94,95 (click to see context) from:
* Unusual for {{darkwave}}, Midnight Resistance used it in "Wastelands".
* Most of Music/WoodenToaster's songs use a vocoder, but the chorus of [[https://www.youtube.com/watch?v=gUptKs5Fccw "Tough Luck"]] just goes for straight Auto-Tune.
* Most of Music/WoodenToaster's songs use a vocoder, but the chorus of [[https://www.youtube.com/watch?v=gUptKs5Fccw "Tough Luck"]] just goes for straight Auto-Tune.
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* Unusual for {{darkwave}}, Midnight Resistance used it in "Wastelands".
Oscillator X, particularly "Party People All Night Long", "Dynamo", and "Safety Net".
*Most of Music/WoodenToaster's songs use Music/OwlCity uses Melodyne, a vocoder, but program similar to Auto-Tune, with the chorus of [[https://www.youtube.com/watch?v=gUptKs5Fccw "Tough Luck"]] just goes for straight Auto-Tune.result (especially on his older songs) sounding like [=GLaDOS=] from VideoGame/{{Portal}}.
*
* Music/{{Vaniru}} heavily uses it for effect.
* Most of Music/WoodenToaster's songs use a vocoder, but the chorus of [[https://www.youtube.com/watch?v=gUptKs5Fccw "Tough Luck"]] just goes for straight Auto-Tune.
* Most of Music/WoodenToaster's songs use a vocoder, but the chorus of [[https://www.youtube.com/watch?v=gUptKs5Fccw "Tough Luck"]] just goes for straight Auto-Tune.
Changed line(s) 101 (click to see context) from:
** You can hear it a bit when will.i.am sings "[[https://www.youtube.com/watch?v=cyVzjoj96vs What I Am]]" on ''Series/SesameStreet''.
to:
** You can hear it a bit when will.i.am sings "[[https://www.[[https://www.youtube.com/watch?v=cyVzjoj96vs What "What I Am]]" Am"]] on ''Series/SesameStreet''.
Changed line(s) 105 (click to see context) from:
** Kanye has also used Auto-Tune for rapping (like on T.I. and Jay-Z's "Swagga Like Us") and in combination with distortion and other processing for more dramatic effects (like the coda to his song "Runaway", where he sounds like a guitar solo.)
to:
** Kanye has also used Auto-Tune for rapping (like on T.I. and Jay-Z's "Swagga Like Us") and in combination with distortion and other processing for more dramatic effects (like the coda to his song "Runaway", where he sounds like a guitar solo.)solo).
* Music/{{Babymetal}}'s lead singer Suzuka "Su-Metal" Nakamoto is Auto-Tuned on some songs for a robotic effect. Fans mostly don't take issue with it in those cases, but ''do'' often complain about the tendency of studio albums to over-correct her vocals since she's known even amongst the music press to be a highly skilled live singer.
** Su's voice is Auto-Tuned on "Kingslayer", her collaboration with Music/BringMeTheHorizon, a deliberate choice to fit with the lyrics referencing a malfunctioning computer system (metaphor for life). Oli Sykes's voice is even more absurdly over-processed near the end.
** Su's voice is Auto-Tuned on "Kingslayer", her collaboration with Music/BringMeTheHorizon, a deliberate choice to fit with the lyrics referencing a malfunctioning computer system (metaphor for life). Oli Sykes's voice is even more absurdly over-processed near the end.
Changed line(s) 137 (click to see context) from:
** Parodied by [[Series/HarryHillsTVBurp Harry Hill]] who "performed" the song with a Cher-styled ventriloquist doll. When it got to the bit in the song which is clearly studio-enhanced, he did the classic ventriloquist's trick of seemingly drinking a glass of water while the doll "sang" on, in lyp-sync to the song.
to:
** Parodied by [[Series/HarryHillsTVBurp Harry Hill]] who "performed" the song with a Cher-styled ventriloquist doll. When it got to the bit in the song which is clearly studio-enhanced, he did the classic ventriloquist's trick of seemingly drinking a glass of water while the doll "sang" on, in lyp-sync lip-sync to the song.
Changed line(s) 139 (click to see context) from:
-->'''[[http://dlisted.com/2015/04/09/open-post-hosted-by-these-two-messes-shooting-a-video-together/ Michael K.]]''': Because the music industry is run by the Illuminati and they get off on hearing our blood-curdled screams as our eardrums melt, they paired Music/IggyAzalea with Brit Brit Spears for a new song called [[strike:“Pretty Messy”]] “Pretty Girls.” The song hasn’t been released yet, but I’m guessing it’ll sort of sound like an auto-tuned chipmunk exorcism in a warehouse full of ponies Riverdancing on Casio keyboards.
to:
-->'''[[http://dlisted.com/2015/04/09/open-post-hosted-by-these-two-messes-shooting-a-video-together/ Michael K.]]''': Because the music industry is run by the Illuminati and they get off on hearing our blood-curdled screams as our eardrums melt, they paired Music/IggyAzalea with Brit Brit Spears for a new song called [[strike:“Pretty Messy”]] “Pretty Girls.” Girls”. The song hasn’t been released yet, but I’m guessing it’ll sort of sound like an auto-tuned chipmunk exorcism in a warehouse full of ponies Riverdancing on Casio keyboards.
Changed line(s) 157 (click to see context) from:
* {{Music/Rihanna}} uses this in a few songs, notably "Disturbia" and her T.I. collaboration "Live Your Life". Justified in these two; in "Disturbia" it is used to create distortion to aid the dark atmosphere and vibe of the song, and in "Live Your Life" it's used only on the chorus, and there's a slight surprise when it's not used on her verse.
to:
* {{Music/Rihanna}} Music/{{Rihanna}} uses this in a few songs, notably "Disturbia" and her T.I. collaboration "Live Your Life". Justified in these two; in "Disturbia" it is used to create distortion to aid the dark atmosphere and vibe of the song, and in "Live Your Life" it's used only on the chorus, and there's a slight surprise when it's not used on her verse.
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* Many acts in modern JapanesePopMusic. Notable examples include Music/{{Perfume}} and Music/KyaryPamyuPamyu (who happen to share the same producer).
to:
* Many acts in modern JapanesePopMusic. Notable examples include include:
** Music/{{Perfume}}and Music/KyaryPamyuPamyu (who happen to share is well-known for this, especially early on in their major career when the same producer).shtick was they were robots from the near-future. The effect has been toned back a lot since ''LEVEL 3''.
** Music/KyaryPamyuPamyu. Not coincidentally, her music producer is also Perfume's (Yasutaka Nakata).
** Music/{{Ladybaby}} used Auto-Tune on their studio tracks, rarely for effect. It's easy to tell when one compares how they sound in the studio versus at live shows – Ladybaby never lipsynced or used any live pitch-correction, so the different singing chops of each member was obvious. To their credit, they ''did'' continue improving until the final lineup disbanded in early 2020.
** Music/PassCode uses some type of vocoder for effect on many of their songs, especially ones that use a lot of chiptune. This also crops up at live shows where even their ''speaking'' will sound robotic.
** Music/{{Perfume}}
** Music/KyaryPamyuPamyu. Not coincidentally, her music producer is also Perfume's (Yasutaka Nakata).
** Music/{{Ladybaby}} used Auto-Tune on their studio tracks, rarely for effect. It's easy to tell when one compares how they sound in the studio versus at live shows – Ladybaby never lipsynced or used any live pitch-correction, so the different singing chops of each member was obvious. To their credit, they ''did'' continue improving until the final lineup disbanded in early 2020.
** Music/PassCode uses some type of vocoder for effect on many of their songs, especially ones that use a lot of chiptune. This also crops up at live shows where even their ''speaking'' will sound robotic.
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* [[https://www.youtube.com/watch?v=gkWdCU6m71A A version of]] "Dragon Soul" from ''Anime/DragonBallZKai'' has some rather noticeable spots where Auto-Tune is applied to Creator/SeanSchemmel's voice.
to:
* [[https://www.youtube.com/watch?v=gkWdCU6m71A com/watch?v=OiowSqMhgF4 A version of]] "Dragon Soul" from ''Anime/DragonBallZKai'' has some rather noticeable spots where Auto-Tune is applied to Creator/SeanSchemmel's voice.
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Created "Musical Theater" Folder, Added "Ride the Cyclone"
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[[folder:Musical Theater]]
* Discussed and Invoked by the character Mischa Bachinski in the 2008 musical ''Theatre/RideTheCyclone''. Mischa is an aspiring rapper (he goes by the name "Bad Egg" on his youtube page) who idealizes the wealthy, bad-boy lifestyle of famous HipHop artists as the antithesis to his unhappy circumstances in the tiny Canadian town of Uranium, Saskatchewan. His signature song is a BoastfulRap that makes gratuitous use of autotuning, parodying the "the last bastion of pure strength and masculinity in society: self-aggrandizing commercialized hiphop" of the 2000's.
--> '''Mischa''': I feel the rage. And when I rage, I rap about money and auto-tune. Auto-tune will never die!
[[/folder]]
* Discussed and Invoked by the character Mischa Bachinski in the 2008 musical ''Theatre/RideTheCyclone''. Mischa is an aspiring rapper (he goes by the name "Bad Egg" on his youtube page) who idealizes the wealthy, bad-boy lifestyle of famous HipHop artists as the antithesis to his unhappy circumstances in the tiny Canadian town of Uranium, Saskatchewan. His signature song is a BoastfulRap that makes gratuitous use of autotuning, parodying the "the last bastion of pure strength and masculinity in society: self-aggrandizing commercialized hiphop" of the 2000's.
--> '''Mischa''': I feel the rage. And when I rage, I rap about money and auto-tune. Auto-tune will never die!
[[/folder]]
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[[folder:Roleplay]]
* On ''Roleplay/NoPixel'', Outto-Tune Tyrone, or OTT, had an auto-tuner installed into his vocal chords, and talks/sings in a constant Auto-Tune.
[[/folder]]
* On ''Roleplay/NoPixel'', Outto-Tune Tyrone, or OTT, had an auto-tuner installed into his vocal chords, and talks/sings in a constant Auto-Tune.
[[/folder]]
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* On ''WebVideo/NoPixel'', Outto-Tune Tyrone, or OTT, had an auto-tuner installed into his vocal chords, and talks/sings in a constant Auto-Tune.
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* [[https://www.youtube.com/watch?v=gkWdCU6m71A A version of]] "Dragon Soul" from ''Anime/DragonBallKai'' has some rather noticeable spots where Auto-Tune is applied to Creator/SeanSchemmel's voice.
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* [[https://www.youtube.com/watch?v=gkWdCU6m71A A version of]] "Dragon Soul" from ''Anime/DragonBallKai'' ''Anime/DragonBallZKai'' has some rather noticeable spots where Auto-Tune is applied to Creator/SeanSchemmel's voice.
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* Practically a trademark of Joey Moi's production style when working with CountryMusic artists. It's most noticeable with Music/FloridaGeorgiaLine, but he has also done it on songs by Music/JakeOwen, Chris Lane, and Dallas Smith. The remix of Florida Georgia Line's "Cruise" featuring Music/{{Nelly}} drowns the whole song in it, and "May We All" also applies it liberally to duet partner Music/TimMcGraw's voice.
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* Practically a trademark of Joey Moi's production style when working with CountryMusic artists. It's most noticeable with Music/FloridaGeorgiaLine, but he has also done it on songs by Music/JakeOwen, Music/MorganWallen, Chris Lane, and Dallas Smith. The remix of Florida Georgia Line's "Cruise" featuring Music/{{Nelly}} drowns the whole song in it, and "May We All" also applies it liberally to duet partner Music/TimMcGraw's voice.
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Gottle of Geer!
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* Creator/HarryHill skewered AutoTune on one of his shows by using a Cher ventriloquist dummy to mime "Believe". When it got to the bits which are "enhanced" by AT, the doll mimed along to the vocals whilst Harry, playing the ventriloquist, made a big thing of drinking a glass of water. [[note]]This is a traditional ventriloquist illusion - the dummy carries on talking while the vent "drinks" the water, but the voice seemingly coming out of the dummy becomes correspondingly distorted[[/note]].
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* All the songs from ''[[WesternAnimation/TotalDrama Total Drama World Tour]]''. Oddly, two of the songs you can download on their website right now lack the Auto-Tune, and everyone is ridiculously off-key.
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* All the songs from ''[[WesternAnimation/TotalDrama Total Drama World Tour]]''. Tour]]'' are autotuned. Oddly, two of the songs you can download on their website right now lack the Auto-Tune, and everyone is ridiculously off-key.off-key.
* Brutally spoofed in the ''WesternAnimation/{{Grojband}}'' episode "Helmet", where Kin builds an autotuning helmet to hide Corey's voice cracks, only for Trina to sabotage the helmet and transform it into a rampaging robot obsessed with making everything perfect.
* Brutally spoofed in the ''WesternAnimation/{{Grojband}}'' episode "Helmet", where Kin builds an autotuning helmet to hide Corey's voice cracks, only for Trina to sabotage the helmet and transform it into a rampaging robot obsessed with making everything perfect.
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* Music/{{Lifehouse}}: Used on "Wrecking Ball" and "Here Tomorrow, Gone Today". Jason's used it in some live performances.
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** Farrah Abraham's album "My Teenage Dream Ended" is an unusual case. She decided to produce a form of audiobook, by reading extracts from her autobiography of the same name, and having a music producer autotune them and build pop-dance songs around them. The album is distinctively unmusical, and though poorly received by its intended pop audience, is considered an unintentional masterpiece by fans of avant-garde music.
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** Farrah Abraham's album "My Teenage Dream Ended" is an unusual case. She decided to produce a form of audiobook, by reading extracts from her autobiography of the same name, and having a music producer autotune them and build pop-dance songs around them. The album is distinctively unmusical, and though poorly received by its intended pop audience, is considered an unintentional masterpiece by fans of avant-garde music.
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* ''WebAnimation/WebAnimation'': The titular faggot's "Eeeeh" is auto-tuned after he gets in trouble with school security.
* In ''WebVideo/FriendshipIsWitchcraft'', Sweetie Belle has distinct RoboSpeak which is created by running all her lines through auto-tune with a limited number of pitches.
* In ''WebVideo/FriendshipIsWitchcraft'', Sweetie Belle has distinct RoboSpeak which is created by running all her lines through auto-tune with a limited number of pitches.
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* In ''WebVideo/FriendshipIsWitchcraft'', Sweetie Belle has distinct RoboSpeak which is created by running all her lines through auto-tune with a limited number of pitches.
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* [[https://www.youtube.com/watch?v=GR6qkN5plVIThe background jingle]] in the Loquendo [[SyntheticVoiceActor text-to-speech]] demo has this.
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* [[https://www.youtube.com/watch?v=GR6qkN5plVIThe com/watch?v=GR6qkN5plVI The background jingle]] in the Loquendo [[SyntheticVoiceActor text-to-speech]] demo has this.
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* [[https://www.youtube.com/watch?v=GR6qkN5plVIThe background jingle]] in the Loquendo text-to-speech demo has this.
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* [[https://www.youtube.com/watch?v=GR6qkN5plVIThe background jingle]] in the Loquendo text-to-speech [[SyntheticVoiceActor text-to-speech]] demo has this.
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* The background jingle in the [[https://www.youtube.com/watch?v=2gGGOoqgR8k Loquendo text-to-speech demo]] may count.
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* The background jingle in the [[https://www.youtube.com/watch?v=2gGGOoqgR8k com/watch?v=GR6qkN5plVIThe background jingle]] in the Loquendo text-to-speech demo]] may count.demo has this.
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* The background jingle in the [[https://www.youtube.com/watch?v=2gGGOoqgR8k Loquendo text-to-speech demo]] may count.