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"raiders of the lost ark" is not set in ancient egypt!


!!Series that are set in this time period include:

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!!Series !!Works that are set in this time period include:



* ''Film/RaidersOfTheLostArk''.

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* ''Film/RaidersOfTheLostArk''.''Film/{{Pharaoh}}'', the adaptation of the novel by Bolesław Prus (see Literature below) is about a power struggle between a (fictional) young heir to the throne and the Egyptian priesthood, in the 11th century BC.
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->''"Behold the glory, behold the wonder, what we have made shall not be torn asunder. Such vast achievement, scroll and papyrus, beneath the gaze of Isis and Osiris. And the majesty, where the heavens smile. Jewel of history shining by the nile/"''

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->''"Behold the glory, behold the wonder, what we have made shall not be torn asunder. Such vast achievement, scroll and papyrus, beneath the gaze of Isis and Osiris. And the majesty, where the heavens smile. Jewel of history shining by the nile/"''nile!"''
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Better quote.


->''"Ancient Egypt has meant two things to Hollywood, Cleopatra and walking mummies."''
-->-- '''Creator/{{George MacDonald Fraser}}''', ''The Hollywood History of the World''

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->''"Ancient Egypt has meant two things to Hollywood, Cleopatra ->''"Behold the glory, behold the wonder, what we have made shall not be torn asunder. Such vast achievement, scroll and walking mummies."''
papyrus, beneath the gaze of Isis and Osiris. And the majesty, where the heavens smile. Jewel of history shining by the nile/"''
-->-- '''Creator/{{George MacDonald Fraser}}''', ''The Hollywood History of the World''
Marketplace lyrics from ''WesternAnimation/JosephKingOfDreams''
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Venturing through this country, O Bold Troper, you will likely find merchants from faraway lands, wily thieves, ill-tempered camels, and [[AmbiguouslyBrown olive-skinned]] seductresses with braided wigs and ''kohl''-painted eyes. Also home to fanatical bald priests in lapis collars and leopard-skin robes, who usually wind up being turned into mummies after calling down the wrath of the gods upon their heads (usually for getting involved with the aforementioned beautiful olive-skinned ''kohl''-painted seductresses in some way). Wretched slaves labour to build pyramids in the scorching sun beneath the whips of merciless overseers... despite the fact that the great monuments were actually built by paid labourers with their own guilds.

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Venturing through this country, O Bold Troper, you will likely find merchants from faraway lands, wily thieves, ill-tempered camels, and [[AmbiguouslyBrown olive-skinned]] seductresses with braided wigs and ''kohl''-painted eyes. Also home to fanatical bald priests in lapis collars and leopard-skin robes, who usually wind up being turned into mummies after calling down the wrath of the gods upon their heads (usually for getting involved with the aforementioned beautiful olive-skinned ''kohl''-painted seductresses in some way). Wretched loincloth-wearing slaves labour to build pyramids in the scorching sun beneath the whips of merciless overseers... despite the fact that the great monuments were actually built by paid labourers with their own guilds.
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* The country Stygia of ''ComicBook/RedSonja'' is ancient Egypt in all but name, from the pyramids to the fashions to the slave labor.
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* EyeOfHorusMeansEgypt: Where the [[https://en.wikipedia.org/wiki/Eye_of_Horus Eye Of Horus]] is being used to symbolize that something's Egyptian.

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* EyeOfHorusMeansEgypt: Where the [[https://en.''[[https://en.wikipedia.org/wiki/Eye_of_Horus Eye Of Horus]] Horus]]'' is being used to symbolize that something's Egyptian.
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* EyeOfHorusMeansEgypt

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* EyeOfHorusMeansEgyptEyeOfHorusMeansEgypt: Where the [[https://en.wikipedia.org/wiki/Eye_of_Horus Eye Of Horus]] is being used to symbolize that something's Egyptian.

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* Myth/EgyptianMythology



* Myth/EgyptianMythology
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* EyeOfHorusMeansEgypt
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* ''VideoGame/AssassinsCreedOrigins'' is the 2017 WideOpenSandbox game set in Ptolemaic-Era Egypt, during the reign of UsefulNotes/CleopatraVII.
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* The Tomb Kings of ''{{Warhammer}}'' are this UpToEleven. The liche-priests told the pharaohs that they knew how to prepare bodies for life after death, ensuring them a heavenly afterlife. Unfortunately, it turns out they were only capable of raising them as mummies. Now the Tomb Kings war with ''each other'', as every one of them still thinks himself the rightful king of Khemri with a bunch of related usurpers to eliminate.

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* The Tomb Kings of ''{{Warhammer}}'' ''TabletopGame/{{Warhammer}}'' are this UpToEleven. The liche-priests told the pharaohs that they knew how to prepare bodies for life after death, ensuring them a heavenly afterlife. Unfortunately, it turns out they were only capable of raising them as mummies. Now the Tomb Kings war with ''each other'', as every one of them still thinks himself the rightful king of Khemri with a bunch of related usurpers to eliminate.
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* The first world of ''VideoGame/PlantsVsZombies2ItsAboutTime'' takes place here.

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* The first world of ''VideoGame/PlantsVsZombies2ItsAboutTime'' takes place here. Appropriately enough almost all the zombies are [[{{Mummy}} mummies]], and specialized zombies include stone slab workers, a zombie based on Ra that steals sun, another based on Anubis that creates tombstones, a Pharaoh with a heavily armored sarcophagus, and [[AnachronismStew modern pyramid explorers]] carrying deadly torches.
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* ''Literature/AGodAgainstTheGods'' and its sequels by Alan Drury, about Akhenaten, his family, and their attempt to institute the worship of one God, Aten, the Sun Disk.

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* ''Literature/AGodAgainstTheGods'' and its sequels by Alan Drury, about Akhenaten, UsefulNotes/{{Akhenaten}}, his family, and their attempt to institute the worship of one God, Aten, the Sun Disk.
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* The Tomb Kings of ''{{Warhammer}}'' are this UpToEleven. The liche-priests told the pharaohs that they knew how to prepare bodies for life after death, ensuring them a heavenly afterlife. Unfortunately, it turns out they were only capable of raising them as mummies. Now the Tomb Kings war with ''each other'', as every one of them still thinks himself the rightful king of Khemry with a bunch of related usurpers to eliminate.

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* The Tomb Kings of ''{{Warhammer}}'' are this UpToEleven. The liche-priests told the pharaohs that they knew how to prepare bodies for life after death, ensuring them a heavenly afterlife. Unfortunately, it turns out they were only capable of raising them as mummies. Now the Tomb Kings war with ''each other'', as every one of them still thinks himself the rightful king of Khemry Khemri with a bunch of related usurpers to eliminate.
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* DatedHistory: Although slavery existed in Ancient Egypt [[note]]and much of it may have been closer to voluntary indentured servitude[[/note]], it is generally accepted by modern historians that its crowning achievement, the Great Pyramid of Giza, was ''not'' built by slave labour, but by the equivalent of paid contractors who were mostly skilled workers (the equivalent, because the pay took the form of food and other supplies, money not having been invented yet).
** There was a period in history, particularly during the time between the Napoleonic invasion of Egypt and deciphering the hieroglyphics, but later on as well, even well into the 20th century, when Egypt was widely considered to be the actual cradle of most if not ''all'' civilizations. It was partly due to the fact that nobody had the slightiest clue what the hieroglyphics said, what the pyramids or the Sphinx were for, nor anybody knew anything about the gods, the mummies or pretty much anything Egyptian that we take for granted nowadays. All that people saw was gigantic buildings and tombs left behind by a mysterious civilization, possibly well above the 19th century Europeans in terms of technological advancement. [[note]]Seeing as gigantic pyramid-shaped structures had been found in the Americas as well as Southeast Asia, it's rather easy to see where these ideas might have come from.[[/note]] In a scientific frenzy dubbed as "Egyptomania", lots of historians and archeologists maintained that the Greeks and Romans owed all of their knowledge to the Ancient Egyptians. It wasn't until much later than people started to analyze these assumptions critically, coming to the conclusion that, while undoubtedly advanced for its time, Ancient Egypt was no {{Atlantis}} of the sands and its direct impact on the classical European civilizations of Greece and Rome was in fact rather limited.

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* DatedHistory: Although slavery existed in Ancient Egypt [[note]]and much of it may have been closer to voluntary indentured servitude[[/note]], it is generally accepted by modern historians that its crowning achievement, the Great Pyramid of Giza, was ''not'' built by slave labour, but by the equivalent of paid contractors who were mostly skilled workers (the equivalent, because the pay took the form of food and other supplies, money not having been invented yet).
supplies. [[http://www.ancientegyptianfacts.com/ancient-egyptian-money.html Money was just getting started as a concept]] and coins didn't come into common use until Cleopatra's time.).
** There was a period in history, particularly during the time between the Napoleonic invasion of Egypt and deciphering the hieroglyphics, but later on as well, even well into the 20th century, when Egypt was widely considered to be the actual cradle of most if not ''all'' civilizations. It was partly due to the fact that nobody had the slightiest slightest clue what the hieroglyphics said, what the pyramids or the Sphinx were for, nor anybody knew anything about the gods, the mummies or pretty much anything Egyptian that we take for granted nowadays. All that people saw was gigantic buildings and tombs left behind by a mysterious civilization, possibly well above the 19th century Europeans in terms of technological advancement. [[note]]Seeing as gigantic pyramid-shaped structures had been found in the Americas as well as Southeast Asia, it's rather easy to see where these ideas might have come from.[[/note]] In a scientific frenzy dubbed as "Egyptomania", lots of historians and archeologists maintained that the Greeks and Romans owed all of their knowledge to the Ancient Egyptians. It wasn't until much later than people started to analyze these assumptions critically, coming to the conclusion that, while undoubtedly advanced for its time, Ancient Egypt was no {{Atlantis}} of the sands and its direct impact on the classical European civilizations of Greece and Rome was in fact rather limited.
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** The Egyptian theme carried over to their stage set for the ensuing tour. It can be seen in their concert video, "Live After Death". The stage set was re-created for their 2008 Somewhere Back In Time tour (which coincided with the DVD release of "Live After Death" and can be seen in the documentary, ""Flight 666".

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** The Egyptian theme carried over to their stage set for the ensuing tour. It can be seen in their concert video, "Live After Death". The stage set was re-created for their 2008 Somewhere Back In Time tour (which coincided with the DVD release of "Live After Death" Death") and can be seen in the documentary, ""Flight 666".
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** There was a period in history, particularly during the time between the Napoleonic invasion of Egypt and deciphering the hieroglyphics, but later on as well, even well into the 20th century, when Egypt was widely considered to be the actual cradle of most if not ''all'' civilizations. It was partly due to the fact that nobody had the slightiest clue what the hierpglyphics said, what the pyramids or the Sphinx were for, nor anybody knew anything about the gods, the mummies or pretty much anything Egyptian that we take for granted nowadays. All that people saw was gigantic buildings and tombs left behind by a mysterious civilization, possibly well above the 19th century Europeans in terms of technological advancement. [[note]]Seeing as gigantic pyramid-shaped structures had been found in the Americas as well as Southeast Asia, it's rather easy to see where these ideas might have come from.[[/note]] In a scientific frenzy dubbed as "Egyptomania", lots of historians and archeologists maintained that the Greeks and Romans owed all of their knowledge to the Ancient Egyptians. It wasn't until much later than people started to analyze these assumptions critically, coming to the conclusion that, while undoubtedly advanced for its time, Ancient Egypt was no {{Atlantis}} of the sands and its direct impact on the classical European civilizations of Greece and Rome was in fact rather limited.

to:

** There was a period in history, particularly during the time between the Napoleonic invasion of Egypt and deciphering the hieroglyphics, but later on as well, even well into the 20th century, when Egypt was widely considered to be the actual cradle of most if not ''all'' civilizations. It was partly due to the fact that nobody had the slightiest clue what the hierpglyphics hieroglyphics said, what the pyramids or the Sphinx were for, nor anybody knew anything about the gods, the mummies or pretty much anything Egyptian that we take for granted nowadays. All that people saw was gigantic buildings and tombs left behind by a mysterious civilization, possibly well above the 19th century Europeans in terms of technological advancement. [[note]]Seeing as gigantic pyramid-shaped structures had been found in the Americas as well as Southeast Asia, it's rather easy to see where these ideas might have come from.[[/note]] In a scientific frenzy dubbed as "Egyptomania", lots of historians and archeologists maintained that the Greeks and Romans owed all of their knowledge to the Ancient Egyptians. It wasn't until much later than people started to analyze these assumptions critically, coming to the conclusion that, while undoubtedly advanced for its time, Ancient Egypt was no {{Atlantis}} of the sands and its direct impact on the classical European civilizations of Greece and Rome was in fact rather limited.
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** There was a period in history, particularly during the time between the Napoleonic invasion of Egypt and deciphering the hieroglyphics, but later on as well, even well into the 20th century, when Egypt was widely considered to be the actual cradle of most if not ''all'' civilizations. It was partly due to the fact that nobody had the slightiest clue what the hierpglyphics said, what the pyramids or the Sphinx were for, nor anybody knew anything about the gods, the mummies or pretty much anything Egyptian that we take for granted nowadays. All that people saw was gigantic buildings and tombs left behind by a mysterious civilization, possibly well above the 19th century Europeans in terms of technological advancement. [[note]]Seeing as gigantic pyramid-shaped structures had been found in the Americas as well as Southeast Asia, it's rather easy to see where these ideas might have come from.[[/note]] In a scientific frenzy dubbed as "Egyptomania", lots of historians and archeologists maintained that the Greeks and Romans owed all of their knowledge to the Ancient Egyptians. It wasn't until much later than people started to analyze these assumptions critically, coming to the conclusion that, while undoubtedly advanced for its time, Ancient Egypt was no {{Atlantis}} of the sands and its direct impact on the classical European civilizations of Greece and Rome was in fact rather limited.
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* BrotherSisterIncest: With a religious reason (or possibly excuse). The Pharaoh's family was supposed to be descended from Ra, the chief deity of Egypt (most of the time). Thus keeping it in the family meant less human blood to dilute the divine heritage.

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* BrotherSisterIncest: With a religious reason (or possibly excuse). The Pharaoh's family was supposed to be descended from Ra, the [[TopGod chief deity deity]] of Egypt (most of the time). Thus keeping it in the family meant less human blood to dilute the divine heritage.
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* French animated series ''La Princesse du Nil'' (lit. Princess of the Nile) is [[ExactlyWhatItSaysOnTheTin about Ancient Egypt]].
* ''WesternAnimation/MummiesAlive'' has many flashbacks to the lives of the characters in Ancient Egypt.
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* ''Film/TheTenCommandments'' -- which used so many costumes, sets and props[[note]]and a couple of actors, although [=DeMille=] tried to avoid this[[/note]] from ''TheEgyptian'' that it created a sense of continuity unintended by the producers.

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* ''Film/TheTenCommandments'' -- which used so many costumes, sets and props[[note]]and a couple of actors, although [=DeMille=] tried to avoid this[[/note]] from ''TheEgyptian'' ''Film/TheEgyptian'' that it created a sense of continuity unintended by the producers.
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[[folder:Webcomics]]
* ''Webcomics/{{Deities}}'' has an arc set in Ancient Egypt where Chaos and Law/Order discuss the building of the pyramids.
[[/folder]]
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* Creator/EstherFriesner's ''Princesses of Myth'' series takes a turn here with a duology focusing on Queen Nefertiti as a young woman. The books are called ''Sphinx's Princess'' and ''Sphinx's Queen''.
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* The first world of ''VideoGame/PlantsVsZombies2ItsAboutTime'' takes place here.
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** Simple exposure to the elements could have done away with the Sphinx's nose. The entire structure has been slowly crumbling for the past 2,000 years and some ancient attempts at restoration have accentuated the damage over time.
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[[folder: Theme Parks]]
* [[Ride/BuschGardens Busch Gardens Tampa]] has an Egypt-themed area, that's naturally based around its ancient roots.
* [[Ride/UniversalStudios Universal Studios Singapore]] also has an Egypt area, that's outright called "Ancient Egypt", themed around Film/TheMummyTrilogy.
[[/folder]]
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Created new folder for series that are influenced by this time period and added The Green-Eyed Sniper to webcomic folder

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----
!!Series that are influenced by this time period include:

[[foldercontrol]]

[[folder:Webcomics]]
* ''Webcomic/TheGreenEyedSniper'' is a webcomic set in a parallel universe, where Ancient Egypt has influenced the rest of the world for a very long time period. All commercial and public signs are written both in hieroglyphs and in English. Several people, such as Sekhmet (see the characters' page for ''Characters/TheGreenEyedSniper''), carry Egyptian names.
[[/folder]]
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* ''Film/XMenApocalypse'': The DistantPrologue takes place in 3600 BC somewhere in the Nile Valley, and En Sabah Nur rules the region as a god-king.






[[folder: Live Action TV ]]

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[[folder: Live Action Live-Action TV ]]
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* In the third book of ''TheBartimaeusTrilogy'' there are parts set in Ptolemaic Egypt. They're backstory bits of Bartimaeus with his long dead, and much cared for, master...Ptolemy.

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* In the third book of ''TheBartimaeusTrilogy'' ''Literature/TheBartimaeusTrilogy'' there are parts set in Ptolemaic Egypt. They're backstory bits of Bartimaeus with his long dead, and much cared for, master...Ptolemy.



* The Literature/{{Discworld}} novel ''{{Pyramids}}'' sends up Ancient Egypt to way past eleven. Terry Pratchett creates a country where building pyramids is all and everything and which is up to 3,000 years behind the rest of the Discworld. It takes a gifted Assassin to bring it all crumbling down.

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* The Literature/{{Discworld}} novel ''{{Pyramids}}'' ''Discworld/{{Pyramids}}'' sends up Ancient Egypt to way past eleven. Terry Pratchett creates a country where building pyramids is all and everything and which is up to 3,000 years behind the rest of the Discworld. It takes a gifted Assassin to bring it all crumbling down.
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* A number of DCComics' legacies have their origin here: ComicBook/BlueBeetle, ComicBook/{{Hawkman}}, ComicBook/DoctorFate, ComicBook/BlackAdam...

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* A number of DCComics' Creator/DCComics' legacies have their origin here: ComicBook/BlueBeetle, ComicBook/{{Hawkman}}, ComicBook/DoctorFate, ComicBook/BlackAdam...

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