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* Somewhat surprisingly, opera tends to avert this trope more often than not, partially because the pitch of the voice is perhaps more commonly correlated to a character's age than to their moral alignment, and also because sopranos tend to hog most of the bigger female roles. Some of the most notable evil or borderline evil female roles - the Queen of the Night from ''The Magic Flute'', Lady Macbeth from Verdi's ''Macbeth'', Puccini's ''Turandot'', Alban Berg's ''Lulu'', and Katerina from Shostakovich's ''Lady Macbeth of Mzensk'' - thus are soprano parts. However, Bizet's femme fatale Carmen was originally scored for a mezzo, but has also often been performed as an alto (or a soprano) and thus usually has a deeper voice than her foil, the angelic Micaela.
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* Somewhat surprisingly, opera tends to avert this trope more often than not, partially because the pitch of the voice is perhaps more commonly correlated to a character's age than to their moral alignment, and also because sopranos tend to hog most of the bigger female roles. Some of the most notable evil or borderline evil female roles - the Queen of the Night from ''The Magic Flute'', Lady Macbeth from Verdi's ''Macbeth'', Puccini's ''Turandot'', Richard Strauss's ''Salome'', Alban Berg's ''Lulu'', and Katerina from Shostakovich's ''Lady Macbeth of Mzensk'' - thus are soprano parts. However, Bizet's femme fatale Carmen was originally scored for a mezzo, but has also often been performed as an alto (or a soprano) and thus usually has a deeper voice than her foil, the angelic Micaela.
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** Gioacchino Rossini subverts expectations in ''La Cenerentola'', a modernized "Cinderella". [[SignificantName Angelina]] is a mezzo, her two stepsisters are an alto and a soprano.
** RichardWagner averts this trope with Venus and Ortrud (soprano, sometimes mezzo), Fricka (mezzo, though she's more an antagonist than a villainess), and Kundry (mezzo or soprano).
** GiuseppeVerdi has scored both Azucena from ''Il Trovatore'' and Amneris from ''Aida'' as altos (they can also be played by mezzos)
** The Countess from Tchaikovsky's ''Pique Dame'' is played by a mezzo or alto.
** RichardWagner averts this trope with Venus and Ortrud (soprano, sometimes mezzo), Fricka (mezzo, though she's more an antagonist than a villainess), and Kundry (mezzo or soprano).
** GiuseppeVerdi has scored both Azucena from ''Il Trovatore'' and Amneris from ''Aida'' as altos (they can also be played by mezzos)
** The Countess from Tchaikovsky's ''Pique Dame'' is played by a mezzo or alto.
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** In ''The Love of the Three Oranges'' Prokofiev averts it with Fata Morgana (soprano), plays it straight with Princess Clarisse (alto), and turns it up to eleven with the cook (a bass in drag). He also scores Hélène as an alto in his operatic adaptation of ''WarAndPeace''.
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* Somewhat surprisingly, opera tends to avert this trope more often than not, partially because the pitch of the voice is perhaps more commonly correlated to a character's age than to their moral alignment, and also because sopranos tend to hog most of the bigger female roles. Some of the most notable evil or borderline evil female roles - the Queen of the Night from ''The Magic Flute'', Lady Macbeth from Verdi's ''Macbeth'', Puccini's ''Turandot'', Alban Berg's ''Lulu'', and Katerina from Shostakovich's ''Lady Macbeth of Mzensk'' - thus are soprano parts. However, Bizet's femme fatale Carmen was originally scored for a mezzo, but has also often been performed as an alto (or a soprano) and thus usually has a deeper voice than her foil, the angelic Micaela.
** The Witch in Engelbert Humperdinck's ''Hänsel und Gretel'' can be performed by a soprano, mezzo or a tenor.
** The Witch in Engelbert Humperdinck's ''Hänsel und Gretel'' can be performed by a soprano, mezzo or a tenor.
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* Ursula the sea witch the main antagonist in ''Disney/TheLittleMermaid'', voiced by Pat Carroll.
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* Ursula the sea witch witch, the main antagonist in ''Disney/TheLittleMermaid'', voiced by has Pat Carroll. Carroll's throaty alto, opposing the more crisp and pure higher range of Ariel, the protagonist. The contrast is most clear at the end of Ursula's "Poor Unfortunate Souls", when she commands Ariel to sing. (This is reduced in the stage version, where Ursula sings in a generally higher register.)
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* Madame Morrible from ''{{Theatre/Wicked}}''.
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* Madame Morrible [[spoiler:Madame Morrible]] from ''{{Theatre/Wicked}}''.''{{Theatre/Wicked}}''. Though [[spoiler:the wizard]] is the one initially responsible for the oppression in Oz, [[spoiler: Morrible]] pushes him to greater levels of tyranny and [[spoiler: summons the storm that brings Dorthy's house to Oz and kills Nessa]]. Her "surrpetitially" in "Thank Goodness" falls on one of the lowest female-sung notes in the musical, and her contralto contrasts with the voices of the two protagonists: superficially heroic Glinda has a peppy soprano, and main character Elphaba belts out many of her songs. Not so coincidentally, [[spoiler: Morrible]]'s only two songs each feature one of those two, highlighting the contrast.
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* Mother Gothel from Disney's ''{{Tangled}}''.
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* Mother Gothel from Gothel, witch and main antagonist in Disney's ''{{Tangled}}''.''{{Tangled}}'', voiced by Donna Murphy.
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* Winnie from ''Film/HocusPocus''.
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* Winnie from ''Film/HocusPocus''.
Winifred "Winnie" Sanderson, the leader of the Sanderson sisters and the main antagonist in ''Film/HocusPocus'', played by Bette Midler.
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* Ursula from ''Disney/TheLittleMermaid''.
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* Ursula from ''Disney/TheLittleMermaid''.the sea witch the main antagonist in ''Disney/TheLittleMermaid'', voiced by Pat Carroll.
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A subtrope of EvilSoundsDeep. In musical theatre, opera, etc., the main hero will often be [[TenorBoy tenor]] if male or [[TheSoprano soprano]] if female. If the villain is female, however, she will often sing alto. This is quite often the case if the villainess is LargeAndInCharge.
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A subtrope of EvilSoundsDeep. In musical theatre, opera, etc., the main hero will often be [[TenorBoy tenor]] if male or [[TheSoprano soprano]] if female. If the villain is female, however, she will often sing alto. This is quite often the case if the villainess is LargeAndInCharge. Compare BassoProfundo.
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* Madame Morrible from ''{{Theatre/Wicked}}''
* Miss Hannigan from ''{{Annie}}''
* Mayoress Cora Hoover Hooper in ''AnyoneCanWhistle''
* Mrs. Lovett in ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet''
* Miss Hannigan from ''{{Annie}}''
* Mayoress Cora Hoover Hooper in ''AnyoneCanWhistle''
* Mrs. Lovett in ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet''
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* Madame Morrible from ''{{Theatre/Wicked}}''
''{{Theatre/Wicked}}''.
* Miss Hannigan from''{{Annie}}''
''{{Annie}}''.
* Mayoress Cora Hoover Hooper in''AnyoneCanWhistle''
''AnyoneCanWhistle''.
* Mrs. Lovett in''Theatre/SweeneyToddTheDemonBarberOfFleetStreet''''Theatre/SweeneyToddTheDemonBarberOfFleetStreet''.
* Miss Hannigan from
* Mayoress Cora Hoover Hooper in
* Mrs. Lovett in
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* The Killer Queen from WeWillRockYou
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* The Killer Queen from WeWillRockYou
''WeWillRockYou''.
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* Winnie from ''Film/HocusPocus''
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* Winnie from ''Film/HocusPocus''
''Film/HocusPocus''.
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* Katrina Stoneheart from the 1980s PoundPuppies series (who was voiced by the same actress as Ursula).
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* Katrina Stoneheart from the 1980s PoundPuppies ''[[WesternAnimation/PoundPuppies1980s Pound Puppies]]'' series (who was voiced by the same actress as Ursula).
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* Katrina Stoneheart from the 1980s PoundPuppies series (who was voiced by the same actress as Ursula).
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* Audrey II from ''LittleShopOfHorrors''. Though voiced by a man, she does refer to herself as a mother.
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* Audrey II from ''LittleShopOfHorrors''.''Theatre/LittleShopOfHorrors''. Though voiced by a man, she does refer to herself as a mother.
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* The Killer Queen from WeWillRockYou
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* Winnie from ''HocusPocus''
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* Winnie from ''HocusPocus''
''Film/HocusPocus''
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* Mrs. Lovett in ''SweeneyToddTheDemonBarberOfFleetStreet''
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* Mrs. Lovett in ''SweeneyToddTheDemonBarberOfFleetStreet''''Theatre/SweeneyToddTheDemonBarberOfFleetStreet''
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* Lucy from ''Theatre/{{Thirteen}}''.
* Madame Morrible from ''{{Wicked}}''
* Madame Morrible from ''{{Wicked}}''
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* Lucy from ''Theatre/{{Thirteen}}''.
''{{Theatre/Thirteen}}''.
* Madame Morrible from''{{Wicked}}''''{{Theatre/Wicked}}''
* Madame Morrible from
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* Mrs. Lovett in ''SweeneyTodd''
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* Mrs. Lovett in ''SweeneyTodd''''SweeneyToddTheDemonBarberOfFleetStreet''
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A subtrope of EvilSoundsDeep. In musical theatre, opera, etc. the main protagonist will often be [[TenorBoy tenor]] if male or [[TheSoprano soprano]] if female. If the villain is female, however, she will often sing alto. This is quite often the case if the villainess is LargeandinCharge.
to:
A subtrope of EvilSoundsDeep. In musical theatre, opera, etc. , the main protagonist hero will often be [[TenorBoy tenor]] if male or [[TheSoprano soprano]] if female. If the villain is female, however, she will often sing alto. This is quite often the case if the villainess is LargeandinCharge.LargeAndInCharge.
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* Lucy from ''{{13}}''.
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* Lucy from ''{{13}}''.''Theatre/{{Thirteen}}''.
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[[AC: Western Animation]]
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* Madame Morrible from ''Theatre/Wicked''
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* Madame Morrible from ''Theatre/Wicked''''{{Wicked}}''
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* Audrey II from ''LittleShopOfHorrors''. Though voiced by a man, she does refer to herself as a mother.
[[AC:Film]]
* Winnie from ''HocusPocus''
[[AC:Film]]
* Winnie from ''HocusPocus''
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* Mayoress Cora Hoover Hooper in ''AnyoneCanWhistle''
* Mrs. Lovett in ''SweeneyTodd''
* Mrs. Lovett in ''SweeneyTodd''
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* Miss Hannigan from ''{{Annie}}''
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A subtrope of EvilSoundsDeep. In musical theatre, opera, etc. the main protagonist will often be [[TenorBoy tenor]] if male or [[TheSoprano soprano]] if female. If the villain is female, however, she will often sing alto.
to:
A subtrope of EvilSoundsDeep. In musical theatre, opera, etc. the main protagonist will often be [[TenorBoy tenor]] if male or [[TheSoprano soprano]] if female. If the villain is female, however, she will often sing alto. This is quite often the case if the villainess is LargeandinCharge.
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* Madame Morrible from ''Theatre/Wicked''
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* Lucy from ''{{13}}''.
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* Mother Gothel from Disney's {{Tangled}}
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* Mother Gothel from Disney's {{Tangled}}
''{{Tangled}}''.
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* Mother Gothel from ''Disney/Tangled''.
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* Mother Gothel from ''Disney/Tangled''.
Disney's {{Tangled}}
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* Mother Gothel from ''Disney/Tangled''.
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[[foldercontrol]]
[[folder:Theatre]]
* Mrs. Meers from ThoroughlyModernMillie
[[folder: Western Animation]]
* Ursula from TheLittleMermaid
[[folder:Theatre]]
* Mrs. Meers from ThoroughlyModernMillie
[[folder: Western Animation]]
* Ursula from TheLittleMermaid
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[[folder:Theatre]]
* Mrs. Meers from
[[folder:
[[AC: Western Animation]]
* Ursula from
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A subtrope of EvilSoundsDeep. In musical theatre, opera, etc. the main protagonist will often be [[TenorBoy tenor]] if male or Soprano if female. If the villain is female, however, she will often sing alto.
to:
A subtrope of EvilSoundsDeep. In musical theatre, opera, etc. the main protagonist will often be [[TenorBoy tenor]] if male or Soprano [[TheSoprano soprano]] if female. If the villain is female, however, she will often sing alto.
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A subtrope of EvilSoundsDeep. In musical theatre, opera, etc. the main protagonist will often be [[TenorBoy tenor]] if male or Soprano if female. If the villain is female, however, she will often sing alto.
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!!Examples
[[foldercontrol]]
[[folder:Theatre]]
* Mrs. Meers from ThoroughlyModernMillie
[[folder: Western Animation]]
* Ursula from TheLittleMermaid
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!!Examples
[[foldercontrol]]
[[folder:Theatre]]
* Mrs. Meers from ThoroughlyModernMillie
[[folder: Western Animation]]
* Ursula from TheLittleMermaid