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Moving to its own page
The 1988 film has [[Funny/Hairspray1988 its own page]].
Changed line(s) 2,14 (click to see context) from:
!!The 1988 film
* When Tracy says on ''live TV in TheSixties'' that if she were president, "I'd make every day Negro Day!"
* This one line from Edna:
-->'''Edna''': Could you turn that racket down?! I'm trying to IRON in here!
* The scene where Prudy tries to follow Tracy, Link, and Penny is a laugh riot because she freaks out as soon as she realizes she's in ''the Black community part of the city.'' She thinks they're all out to get her, and freaks out after finding a police officer, only to find out he's Black too!
* When Tracy, Penny, and Link arrive at Motor Mouth Mabel's shop, Nadine, who competed against both of them for the open spot on the Council sees them and storms off.
* When Prudy finally comes to take her daughter away, Motormouth even knows that Prudy is totally paranoid.
-->'''Maybelle''': Oh papa toony, we've got a loony!
* Tracy making out with Link in the alleyway, and right as she comments on how perfect the moment is, she has to kick a rat off her shoes.
* Edna tries to get Tracy to calm down when she starts loudly protesting for integration. As Edna's trying to placate Tracy, Velma goes up to her and says "Can I ask you a question" which causes Edna to bluntly respond "No you can't!" in a way that screams "Do you not see I'm busy right now?!"
* Another funny bit when Tracy is at the reformatory. While watching the news, after Link is mentioned and shows up on screen, she's making funny faces, licking, and kissing the TV screen, complete with showing her looking through the inside of the TV! She gasps in horror after Amber shows up on screen, recoiling in disgust.
to:
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* This one line from Edna:
-->'''Edna''': Could you turn that racket down?! I'm trying to IRON in here!
-->'''Edna''': Could you turn that racket down?! I'm trying to IRON in here!
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Added DiffLines:
* When Tracy, Penny, and Link arrive at Motor Mouth Mabel's shop, Nadine, who competed against both of them for the open spot on the Council sees them and storms off.
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Added DiffLines:
* Edna tries to get Tracy to calm down when she starts loudly protesting for integration. As Edna's trying to placate Tracy, Velma goes up to her and says "Can I ask you a question" which causes Edna to bluntly respond "No you can't!" in a way that screams "Do you not see I'm busy right now?!"
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Added DiffLines:
* Tracy making out with Link in the alleyway, and right as she comments on how perfect the moment is, she has to kick a rat off her shoes.
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Deleted line(s) 4,5 (click to see context) :
* "Good morning, Baltimore! There's the flasher who lives next door!" And Tracy smiles cordially at a beaming Creator/JohnWaters, [[MoodWhiplash who promptly flashes the neighbors.]]
* "Good morning, Baltimore! There's the flasher who lives next door!" And Tracy smiles cordially at a beaming Creator/JohnWaters, [[MoodWhiplash who promptly flashes the neighbors.]]
Deleted line(s) 14 (click to see context) :
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Changed line(s) 7 (click to see context) from:
* The scene where Prudy tries to follow Tracy, Link and Penny is one laugh riot because she freaks out once she gets to ''the Black community part of the city''- She thinks they're all out to get her and freaks out after finding an officer, only to find out he's Black too!
to:
* The scene where Prudy tries to follow Tracy, Link Link, and Penny is one a laugh riot because she freaks out once as soon as she gets to realizes she's in ''the Black community part of the city''- city.'' She thinks they're all out to get her her, and freaks out after finding an a police officer, only to find out he's Black too!
Changed line(s) 10 (click to see context) from:
to:
* Another funny bit when Tracy is at the reformatory. While watching the news, after Link is mentioned and shows up on screen, she's making funny faces, licking, and kissing the TV screen, complete with showing her looking through the inside of the TV! She gasps in horror after Amber shows up on screen, recoiling in disgust.
Changed line(s) 16,17 (click to see context) from:
** Also when she puts Penny's hand on her chest; prompting stares from others around and an awkward look from Penny.
** Plus, when Tracy gets hit by a dodge ball while singing the song. Made especially funny since Amber did this in the Broadway show and Tracy is in the midst of the line "Amber, much to your surprise" when the ball hits her, implying she was singing directly to Amber who threw the ball at her to shut her up.
** Plus, when Tracy gets hit by a dodge ball while singing the song. Made especially funny since Amber did this in the Broadway show and Tracy is in the midst of the line "Amber, much to your surprise" when the ball hits her, implying she was singing directly to Amber who threw the ball at her to shut her up.
to:
** Also when she puts Penny's hand on her chest; chest, prompting stares from others around and an awkward look from Penny.
** Plus, when Tracy gets hit by adodge ball dodgeball while singing the song. Made especially funny since Amber did this in the Broadway show and Tracy is in the midst of the line "Amber, much to your surprise" when the ball hits her, implying she was singing directly to Amber who threw the ball at her to shut her up.
** Plus, when Tracy gets hit by a
Changed line(s) 21 (click to see context) from:
* When Penny is on TV and while she kisses Seaweed, her mother is watching and screams "Penny!!" and trips over a table.
to:
* When Penny is on TV and while she kisses Seaweed, her mother is watching and watching, screams "Penny!!" "Penny!!", and trips over a table.
Changed line(s) 50,51 (click to see context) from:
* Another funny bit when Tracy is at the reformatory, while watching the news, after Link is mentioned and shows up on screen, she's making funny faces and lick and kisses the TV screen, complete with showing her look through the inside of the TV! And she gasps in horror after Amber shows up on screen.
* "The Big Dollhouse," where ''all'' the women of the cast are arrested following the riot outside the tv station, and they sing about how much they hate prison.
* "The Big Dollhouse," where ''all'' the women of the cast are arrested following the riot outside the tv station, and they sing about how much they hate prison.
to:
Changed line(s) 56 (click to see context) from:
* The entirety of the song "It's Hairspray". It's the theme to the Miss Hairspray pageant and as such paints hairspray as the key to eternal happiness.
to:
* The entirety of the song "It's Hairspray". It's the theme to the Miss Hairspray pageant pageant, and as such paints hairspray as the key to eternal happiness.
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Changed line(s) 1,6 (click to see context) from:
* "I Can Hear the Bells."
** The part where Tracy pins a random guy to a locker and continues singing as Penny visibly struggles to get her to release him in the background.
** Also when she puts Penny's hand on her chest; prompting stares from others around and an awkward look from Penny.
** Plus, when Tracy gets hit by a dodge ball while singing the song. Made especially funny since Amber did this in the Broadway show and Tracy is in the midst of the line "Amber, much to your surprise" when the ball hits her, implying she was singing directly to Amber who threw the ball at her to shut her up.
** In the Broadway show and Hairspray Live, during basically the entire song Penny can be seen wandering around out of the spotlight in the background, constantly putting her ear to random places and trying to pinpoint the sound of the bells Tracy keeps insisting she can hear.
** In the film, by the time Tracy emerges from a restroom stall wearing a toilet paper bridal veil (yes, really), Penny's pretty much stopped questioning it and spends the rest of the song wearing a face that says "Welp, I guess Tracy's insane now. Oh well."
** The part where Tracy pins a random guy to a locker and continues singing as Penny visibly struggles to get her to release him in the background.
** Also when she puts Penny's hand on her chest; prompting stares from others around and an awkward look from Penny.
** Plus, when Tracy gets hit by a dodge ball while singing the song. Made especially funny since Amber did this in the Broadway show and Tracy is in the midst of the line "Amber, much to your surprise" when the ball hits her, implying she was singing directly to Amber who threw the ball at her to shut her up.
** In the Broadway show and Hairspray Live, during basically the entire song Penny can be seen wandering around out of the spotlight in the background, constantly putting her ear to random places and trying to pinpoint the sound of the bells Tracy keeps insisting she can hear.
** In the film, by the time Tracy emerges from a restroom stall wearing a toilet paper bridal veil (yes, really), Penny's pretty much stopped questioning it and spends the rest of the song wearing a face that says "Welp, I guess Tracy's insane now. Oh well."
to:
**
** Also when she puts Penny's hand on her chest; prompting stares from others around and an awkward look from Penny.
** Plus, when Tracy gets hit by a dodge ball while singing the song. Made especially funny since Amber did this in the Broadway show and Tracy is in the midst of the line "Amber, much to your surprise" when the ball hits her, implying she was singing directly to Amber who threw the ball at her to shut her up.
** In the Broadway show and Hairspray Live, during basically the entire song Penny can be seen wandering around out of the spotlight in the background, constantly putting her ear to random places and trying to pinpoint the sound of the bells Tracy keeps insisting she can hear.
** In the film, by the time Tracy emerges from a restroom stall wearing a toilet paper bridal veil (yes, really), Penny's pretty much stopped questioning it and spends the rest of the song wearing a face that says "Welp, I guess Tracy's insane now. Oh well."
!!The 1988 film
Changed line(s) 9,13 (click to see context) from:
** A lot of the stuff Tracy says and does is hilarious, really.
* Link finally growing a spine and telling his history teacher to "kiss my ass" in the film version.
** What makes the line even funnier is that it's said, dead serious, as an answer to the question "What were the immortal words of Patrick Henry?"
* Link's utterly sincere line when he shows up at the Turnblad residence.
-->'''Link:''' I can't believe Tracy savagely bludgeoned an Eagle Scout! That's just not ''like'' her.
* Link finally growing a spine and telling his history teacher to "kiss my ass" in the film version.
** What makes the line even funnier is that it's said, dead serious, as an answer to the question "What were the immortal words of Patrick Henry?"
* Link's utterly sincere line when he shows up at the Turnblad residence.
-->'''Link:''' I can't believe Tracy savagely bludgeoned an Eagle Scout! That's just not ''like'' her.
to:
*
-->'''Maybelle''': Oh papa toony, we've got a loony!
!!The musical:
* The brilliant way Allison Janney's Prudy goes over the coffee table to get to the television in the
* "I Can Hear the Bells."
**
** Also when she puts Penny's hand on her chest; prompting stares from others around and an awkward look from Penny.
** Plus, when Tracy gets hit by a dodge ball while singing the song. Made especially funny since Amber did this in the Broadway show and Tracy is in the midst of the line
* Link's utterly sincere line
-->'''Link:''' I can't believe
** In the Broadway show and Hairspray Live, during basically the entire song Penny can be seen wandering around out of the spotlight in the background, constantly putting her ear to random places and trying to pinpoint the sound of the bells Tracy
Deleted line(s) 45,47 (click to see context) :
* In the 1988 movie, The scene where Prudy tries to follow Tracy, Link and Penny is one laugh riot because she freaks out once she gets to ''the Black community part of the city''- She thinks they're all out to get her and freaks out after finding an officer, only to find out he's Black too!
** When Prudy finally comes to take her daughter away, Motormouth even knows that Prudy is totally paranoid.
-->'''Maybelle''': Oh papa toony, we've got a loony!
** When Prudy finally comes to take her daughter away, Motormouth even knows that Prudy is totally paranoid.
-->'''Maybelle''': Oh papa toony, we've got a loony!
Changed line(s) 49,51 (click to see context) from:
* Some ''Theatre/{{Hamilton}}'' fans watching Creator/{{NBC}}'s telecast got a chuckle out of Link telling Tracy, "I'm not throwin' away my shot."[[note]]As opposed to the play's "I'm not gonna throw it away," or the 2007 movie's "That's my shot, Trace. I can't jeopardize that."[[/note]] Possibly an ActorAllusion to Ephraim Sykes (Seaweed), part of the original Broadway cast of Hamilton.
* The brilliant way Allison Janney's Prudy goes over the coffee table to get to the television in the 2007 film.
* From the stage musical, "The Big Dollhouse," where ''all'' the women of the cast are arrested following the riot outside the tv station, and they sing about how much they hate prison.
* The brilliant way Allison Janney's Prudy goes over the coffee table to get to the television in the 2007 film.
* From the stage musical, "The Big Dollhouse," where ''all'' the women of the cast are arrested following the riot outside the tv station, and they sing about how much they hate prison.
to:
* The brilliant way Allison Janney's Prudy goes over the coffee table to get to the television in the 2007 film.
* From the stage musical,
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Added DiffLines:
* The entirety of the song "It's Hairspray". It's the theme to the Miss Hairspray pageant and as such paints hairspray as the key to eternal happiness.
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None
Changed line(s) 9 (click to see context) from:
** Alot of the stuff Tracy says and does is hilarious, really.
to:
** Alot A lot of the stuff Tracy says and does is hilarious, really.
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Changed line(s) 49 (click to see context) from:
* Some ''Theatre/{{Hamilton}}'' fans watching Creator/{{NBC}}'s telecast got a chuckle out of Link telling Tracy, "I'm not throwin' away my shot."[[note]]As opposed to the play's "I'm not gonna throw it away," or the 2007 movie's "That's my shot, Trace. I can't jeopardize that."[[/note]]
to:
* Some ''Theatre/{{Hamilton}}'' fans watching Creator/{{NBC}}'s telecast got a chuckle out of Link telling Tracy, "I'm not throwin' away my shot."[[note]]As opposed to the play's "I'm not gonna throw it away," or the 2007 movie's "That's my shot, Trace. I can't jeopardize that."[[/note]]"[[/note]] Possibly an ActorAllusion to Ephraim Sykes (Seaweed), part of the original Broadway cast of Hamilton.
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Changed line(s) 54 (click to see context) from:
-->'''Edna:''' (Deep male voice) And it's just us girls in the big dollhouse...(Depending on the production, Edna either starts pawing Velma seductively or is ready to beat her ass)
to:
-->'''Edna:''' (Deep (Pawing Velma and singing in a deep male voice) And it's just us girls in the big dollhouse...(Depending on the production, Edna either starts pawing Velma seductively or is ready to beat her ass)
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Changed line(s) 54 (click to see context) from:
-->'''Edna:''' (Puts her hand on Velma's shoulder and sings in a deep male voice) And it's just us girls in the big dollhouse...
to:
-->'''Edna:''' (Puts her hand on Velma's shoulder and sings in a deep (Deep male voice) And it's just us girls in the big dollhouse...(Depending on the production, Edna either starts pawing Velma seductively or is ready to beat her ass)
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Added DiffLines:
* From the stage musical, "The Big Dollhouse," where ''all'' the women of the cast are arrested following the riot outside the tv station, and they sing about how much they hate prison.
-->'''Random Hooker:''' (to Tracy) Don't you have an old man that can bail you out?
-->'''Velma:''' Oh please, her father's a pervert, a loser, a lout!
-->'''Edna:''' (Puts her hand on Velma's shoulder and sings in a deep male voice) And it's just us girls in the big dollhouse...
** Also from that song, the prison matron is a total OneSceneWonder.
-->'''Random Hooker:''' (to Tracy) Don't you have an old man that can bail you out?
-->'''Velma:''' Oh please, her father's a pervert, a loser, a lout!
-->'''Edna:''' (Puts her hand on Velma's shoulder and sings in a deep male voice) And it's just us girls in the big dollhouse...
** Also from that song, the prison matron is a total OneSceneWonder.
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* The brilliant way Allison Janney's Prudy goes over the coffee table to get to the television in the 2007 film.
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Changed line(s) 44 (click to see context) from:
-->'''Velma''': They do it all the time on "Lassie"!
to:
-->'''Velma''': *Beat* They do it all the time on "Lassie"!
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**** In the 2016 Live TV production, it's '''living''' without permission.
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Changed line(s) 5 (click to see context) from:
** In the Broadway show, during basically the entire song Penny can be seen wandering around out of the spotlight in the background, constantly putting her ear to random places and trying to pinpoint the sound of the bells Tracy keeps insisting she can hear.
to:
** In the Broadway show, show and Hairspray Live, during basically the entire song Penny can be seen wandering around out of the spotlight in the background, constantly putting her ear to random places and trying to pinpoint the sound of the bells Tracy keeps insisting she can hear.
Changed line(s) 45 (click to see context) from:
** When Prudy finally comes to take her daughter away, Motormouth even says that she knows Prudy is totally paranoid.
to:
** When Prudy finally comes to take her daughter away, Motormouth even says that she knows that Prudy is totally paranoid.
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** In the film, by the time Tracy emerges from a restroom stall wearing a toilet paper bridal veil (yes, really), Penny's pretty much stopped questioning it and spends the rest of the song wearing a face that says "Welp, I guess Tracy's insane now. Oh well."
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Changed line(s) 47 (click to see context) from:
* Some ''Theatre/{{Hamilton}}'' fans watching Creator/{{NBC}}'s telecast got a chuckle out of Link telling Tracy, "I'm not throwin' away my shot."[[note]]As opposed to the play's "I'm not gonna throw it away," or the 2007 movie's "That's my shot, Trace. I'm can't jeopardize that."[[/note]]
to:
* Some ''Theatre/{{Hamilton}}'' fans watching Creator/{{NBC}}'s telecast got a chuckle out of Link telling Tracy, "I'm not throwin' away my shot."[[note]]As opposed to the play's "I'm not gonna throw it away," or the 2007 movie's "That's my shot, Trace. I'm I can't jeopardize that."[[/note]]