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\n* Meta: some reviewers complained that the plot points in the movie were re-hashes of the same plot points in the original (animated sequence, visiting one of Mary's magical relatives, heartfelt lullaby sung in the nursery, etc.). However, this is pretty much exactly what P.L. Travers' first sequel ''Mary Poppins Comes Back'' did with regard to the original novel! Each chapter in the book directly corresponded with one in its predecessor: visiting one of Mary's relatives and finding out they have some kind of magical eccentricity (this was adapted, though altered for ''Mary Poppins Returns''), one of the children is naughty and faces consequences for their actions (Bad Tuesday/Bad Wednesday), the baby of the family (the twins John and Barbara in the original, Annabelle in the sequel) speak to a starling (and his son in the sequel) about how babies understand things that are lost as they grow up (in the original, it's the language of animals, in the sequel, it's a mystic connection to the Universe), and so on. Disney wasn't being lazy in recycling plot ideas...in their own way, they were following the original creator's intent!

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* From a meta-standpoint, that we won't see Bert, George and Winifred Banks. RealityEnsues in that eventually they would pass on (and not of old age at that, since the movie happens some twenty years after the first one and they were not old at all in the first film, Admiral Boom is still around despite being much older than them), and not make it to see Michael's children.

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* From a meta-standpoint, that we won't see Bert, George and Winifred Banks. RealityEnsues in that eventually Eventually they would pass on (and not of old age at that, since the movie happens some twenty years after the first one and they were not old at all in the first film, Admiral Boom is still around despite being much older than them), and not make it to see Michael's children.
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* From a meta-standpoint, that we won't see Bert, George and Winifred Banks. RealityEnsues in that eventually they would pass on (and not of old age at that, since the movie happens some twenty years after the first one and they were not old at all in the first film, Admiral Boom is still around despite being much older than them), and not make it to see Michael's children.
** The fact that George was likely one of the hundreds of thousands of British soldiers who went to France and never returned.
** When Mary asks about Bert early on in the film, Jack mentions that he's traveling the world, hence why he's not involved with the film's events.
** A bit of FridgeHorror: Perhaps Winifred died during [[https://en.wikipedia.org/wiki/German_strategic_bombing_during_World_War_I World]][[https://en.wikipedia.org/wiki/World_War_I_casualties War I]] or more likely, the [[https://en.wikipedia.org/wiki/Spanish_flu Influenza Pandemic]].
** Unfortunately, ''more'' fridge horror in the fact that World War 2 is literally about to begin. Even if Michael is given deferment due to being a single father, his family is still right in the path of the oncoming bombings of London (unless they become BlitzEvacuees).
** Mrs. Brill, Constable Jones, and Uncle Albert are absent from the movie, implying they too have passed away.
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* Mr Dawes ''finally'' gets the Wooden Leg named Smith joke.

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* Mr Dawes ''finally'' gets the Wooden Leg named Smith joke.

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* Mr Dawes ''finally'' gets the Wooden Leg named Smith joke.
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* At the end of the movie, the Banks' house is redeemed. But then you'll realize on what will happen to the houses in London [[UsefulNotes/WorldWarII a few years after the film takes place]], assuming their house survives.
** Worse yet, Michael is of age to be enlisted, and it's bad enough that his children have no mother and would have to evacuate. What happens if they have no father?
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** Speaking of that sequence, her accent change makes for a nice homage to English music halls of that day and age; much like the American Vaudeville, it was a place of lower class performers entertaining their kind. A cockney accent and a bawdy number, both usually associated with lower classes, are very appropriate considering all that.

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* Mr. Dawes Jr's claim that the Michael's tuppence had grown into a large enough sum to pay off the loan on his house seems... outlandish. His mention of "clever investments" seems to suggest the possibility that he's lying about the source of the money. Either he paid it off with his own money, or, being the guy who ''runs'' the bank, he decided to just forgive the loan with a cover story to let Michael save face.
** On the other hand, given Michael's absent-mindedness where it comes to money, it also seems perfectly likely that he just ''doesn't know'' he's financially well-off.
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* Mary Poppins acts the proper English lady, speaking the Queen's English at all times, and always agrees reluctantly (or seems to) to any suggestion or idea placed before her, often with a deep sigh and an "oh, very well." When on stage, she can't help but cut loose into a bawdy Cabaret-style number, slip into a heavy Cockney accent, and agree enthusiastically to every idea. ''A Cover is Not the Book'', indeed.
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** Assuming of course they weren't [[StealthMentor subtly warning to the children that Wilkins isn't friendly as their father likes to believe]]. The fact they are voiced by the actors who played Wilkins and his lawyers as well as using a pocket watch as their object motif (something that the Banks children would later identify Wilkins' true nature) indicates that this is the case.

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* The relationship between Shamus the dog, a FunnyAnimal, and Clyde the horse, a less anthropomorphic TalkingAnimal, seems like typical harmless FurryConfusion at first glance... but in the [[https://www.instagram.com/p/BrlNJX5B07j/ concept art]], Shamus is clearly brandishing a ''[[WhipItGood whip]]'', implying that Clyde is a ''slave''.
** Actually, Seamus has a riding crop in the actual animation. When he attempts to use it, Clyde's response is "Don't you dare," implying that Clyde has more than a decent amount of autonomy in their relationship.

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* The relationship between Shamus ** If the dog, a FunnyAnimal, and Clyde the horse, a less anthropomorphic TalkingAnimal, seems like typical harmless FurryConfusion at first glance... but in the [[https://www.instagram.com/p/BrlNJX5B07j/ concept art]], Shamus is clearly brandishing a ''[[WhipItGood whip]]'', implying that Clyde is a ''slave''.
** Actually, Seamus
animated world has a riding crop some sort of prison, they most likely would have been thrown in the actual animation. When he attempts to use it, Clyde's response is "Don't you dare," implying that Clyde has more than a decent amount of autonomy in their relationship.there.

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** And how does he get his revenge? By stealing Michael's money.


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** Actually, Seamus has a riding crop in the actual animation. When he attempts to use it, Clyde's response is "Don't you dare," implying that Clyde has more than a decent amount of autonomy in their relationship.

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Not sure if the whip was in the final film or not, because I've only seen it once.


*What does Mary Poppins do to the wolf and his associates after discovering his deception and attempts to harm the kids?

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*What * What does Mary Poppins do to the wolf and his associates after discovering his deception and attempts to harm the kids?kids?
* The relationship between Shamus the dog, a FunnyAnimal, and Clyde the horse, a less anthropomorphic TalkingAnimal, seems like typical harmless FurryConfusion at first glance... but in the [[https://www.instagram.com/p/BrlNJX5B07j/ concept art]], Shamus is clearly brandishing a ''[[WhipItGood whip]]'', implying that Clyde is a ''slave''.
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* Wilkins may not just be a MorallyBankruptBanker in attempting to seize the Banks' house. Remember that Michael made a ruckus about investing tuppence into the bank, hoping to donate it to "feed the birds" instead. This resulted in the bank suffering a significant loss as his outburst when the phrase "they're stealing my money" spread out like dominoes. He may be hoping to get back at him this way in particular.
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* Jane becomes an activist like her mother, but how did this upper middle class girl end up fighting for the working class specifically? Perhaps her friendship with Bert and the other chimney sweeps led to her learning about the not so magical aspects of their lives.

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* Jane becomes an activist like her mother, but how did this upper middle class girl end up fighting for the working class specifically? Perhaps her friendship with Bert and the other chimney sweeps led to her learning about the not so magical aspects of their lives.lives.

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*What does Mary Poppins do to the wolf and his associates after discovering his deception and attempts to harm the kids?
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* During ''A Conversation'', Michael asks the biggest question on his mind, the one he says he most longs to know: "My question, Kate, is: Where'd you go?" Of course, Mary has the answer: ''The Place Where Lost Things Go.''

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* During ''A Conversation'', Michael asks the biggest question on his mind, the one he says he most longs to know: "My question, Kate, is: Where'd you go?" Of course, Mary has the answer: ''The Place Where Lost Things Go.''''
* Jane becomes an activist like her mother, but how did this upper middle class girl end up fighting for the working class specifically? Perhaps her friendship with Bert and the other chimney sweeps led to her learning about the not so magical aspects of their lives.
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* During the ''Nowhere to Go but Up'' sequence, when everyone floats away on balloons, Gooding is clinging to Frye rather than floating on a balloon of his own. Why? Because he had [[EvilerThanThou much more enthusiastically]] assisted Wilkins in screwing over the Banks family than [[TokenGoodTeammate Frye]] did, so much like Wilkins, a balloon wouldn't work for him. Although unlike Wilkins, he seemed willing to see the error of his ways and give good-natured whimsy a chance, hence why Frye apparently let him share a balloon.

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* During the ''Nowhere to Go but Up'' sequence, when everyone floats away on balloons, Gooding is clinging to Frye rather than floating on a balloon of his own. Why? Because he had [[EvilerThanThou much more enthusiastically]] assisted Wilkins in screwing over the Banks family than [[TokenGoodTeammate Frye]] did, so much like Wilkins, a balloon wouldn't work for him. Although unlike Wilkins, he seemed willing to see the error of his ways and give good-natured whimsy a chance, hence why Frye apparently let him share a balloon.balloon.
* During ''A Conversation'', Michael asks the biggest question on his mind, the one he says he most longs to know: "My question, Kate, is: Where'd you go?" Of course, Mary has the answer: ''The Place Where Lost Things Go.''
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* During the ''Nowhere to Go but Up'' sequence, when everyone floats away on balloons, Gooding is clinging to Frye rather than floating on a balloon of his own. Why? Because he had [[EvilerThanThou much more enthusiastically]] assisted Wilkins in screwing over the Banks family than [[TokenGoodTeammate Frye]] did, so much like Wilkins, a balloon wouldn't work for him. Although unlike Wilkins, he seemed willing to see the error of his ways and give good-natured whimsy a chance, hence why Frye apparently let him share a balloon.

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