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* {{Hypocrite}}: Despite the Austrian officials proudly proclaiming they'll return all stolen artwork to their rightful owners, they constantly refuse to give Maria back the Woman In Gold painting despite it being rightfully hers. Even when Maria approaches them with reasonable terms, they refuse at every opportunity and do their best to hold onto the painting no matter what. Even when Maria ultimately wins once the Austrian arbitrators rule in her favor, one of the officials begs Maria to let the painting stay in Austria. [[TheDogBitesBack Having enough of their hypocrisy and deliberate refusal to willfully return what's hers by right, Maria outright refuses.]]
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* EurekaMoment: After teaching a dead-end in the proceedings, Randy realizes how they can go further when he sees an art book in an American gift shop that has the painting on the cover.

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* EurekaMoment: After teaching reaching a dead-end in the proceedings, Randy realizes how they can go further when he sees an art book in an American gift shop that has the painting on the cover.
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In 1938, Maria Altmann, a member of a prominent Jewish family, was forced to flee her homeland of Austria to escape the Nazis. Among the things the Nazis stole was a [[https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I painting of her aunt]] by Creator/GustavKlimt, one of the few remaining attachments to her family. Half a century later, she hires Randol "Randy" Schönberg, the son of a family friend, to seek litigation to reclaim the painting and make peace with the past.

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In 1938, Maria Altmann, a member of a prominent Jewish family, was forced to flee her homeland of Austria to escape the Nazis. Among the things the Nazis stole was a [[https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I painting of her aunt]] aunt]], the eponymous ''Art/TheWomanInGold'' by Creator/GustavKlimt, one of the few remaining attachments to her family. Half a century later, she hires Randol "Randy" Schönberg, the son of a family friend, to seek litigation to reclaim the painting and make peace with the past.
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In 1938, Maria Altmann, a member of a prominent Jewish family, was forced to flee her homeland of Austria to escape the Nazis. Among the things the Nazis stole was a [[https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I painting of her aunt]] by Gustav Klimt, one of the few remaining attachments to her family. Half a century later, she hires Randol "Randy" Schönberg, the son of a family friend, to seek litigation to reclaim the painting and make peace with the past.

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In 1938, Maria Altmann, a member of a prominent Jewish family, was forced to flee her homeland of Austria to escape the Nazis. Among the things the Nazis stole was a [[https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I painting of her aunt]] by Gustav Klimt, Creator/GustavKlimt, one of the few remaining attachments to her family. Half a century later, she hires Randol "Randy" Schönberg, the son of a family friend, to seek litigation to reclaim the painting and make peace with the past.

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* OnlyInItForTheMoney: Randy agrees to take the case after learning that the painting is worth $100 million. However, he has a change of heart once he visits Vienna and witnesses the Holocaust Memorial in Judenplatz.

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* OnlyInItForTheMoney: Randy agrees to take the case after learning that the painting is worth $100 million. However, he has a change of heart once he visits Vienna and witnesses the Holocaust Memorial in Judenplatz.Judenplatz[[note]]Schoenberg ultimately received 40% of the proceeds from the sale of Altmann's paintings and used part of his earnings to fund an expansion of the Los Angeles Museum of the Holocaust[[/note]].
* PragmaticAdaptation: Maria Altmann actually sued for the return of five Klimt paintings and a family home. The film focused on the portrait of her aunt to emphasize the personal nature of the suit.



** Randy builds his first case upon the fact that it was Maria's Uncle Frederick who actually paid Gustav Klimt, making him, and not her Aunt Adele, the rightful owner of the paintings, meaning that Adele's bequeathment of her portraits to the Belvedere Gallery is invalid.

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** Randy builds his first case upon the fact that it was Maria's Uncle Frederick who actually paid Gustav Klimt, making him, and not her Aunt Adele, the rightful owner of the paintings, meaning that Adele's bequeathment bequeathement of her portraits to the Belvedere Gallery is invalid.
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In 1938, Maria Altmann, a member of a prominent Jewish family, was forced to flee her homeland of Austria to escape the Nazis. Among the things the Nazis stole was a painting of her aunt, one of the few remaining attachments to her family. Half a century later, she hires Randol "Randy" Schönberg, the son of a family friend, to seek litigation to reclaim the painting and make peace with the past.

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In 1938, Maria Altmann, a member of a prominent Jewish family, was forced to flee her homeland of Austria to escape the Nazis. Among the things the Nazis stole was a [[https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I painting of her aunt, aunt]] by Gustav Klimt, one of the few remaining attachments to her family. Half a century later, she hires Randol "Randy" Schönberg, the son of a family friend, to seek litigation to reclaim the painting and make peace with the past.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/mv5bmtexmtuxndq5mjdeqtjeqwpwz15bbwu4mdk4ntgxmzqx_v1_sx640_sy720.jpg]]

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[[quoteright:350:https://static.[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/mv5bmtexmtuxndq5mjdeqtjeqwpwz15bbwu4mdk4ntgxmzqx_v1_sx640_sy720.jpg]]
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** Hubertus Czernin did not learn about his father's Nazi past until 2006, well after the events of this film.

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* ArtisticLicenseHistory:
** Maria is shown saying goodbye to her parents before fleeing Austria with her husband. In actuality, she refused to leave without her father and fled after he died from natural causes in 1938.
** The convoluted question that Chief Justice Rehnquist asks was actually asked by Justice David Souter, though the confused reaction is accurate.



* JewishMother: Maria, towards Randy (even though he's not actually her son)

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* JewishMother: Maria, towards Randy (even though he's not actually her son)son).
* JustPlaneWrong: In the flashbacks, Maria and her husband are shown fleeing Vienna on a Douglas DC-3, rather than a Junkers Ju-52.
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* EurekaMoment: After teaching a dead-end in the proceedings, Randy realizes how they can go further when he sees an art book in an American gift shop that has the painting on the cover.
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* UsefulNotes/TheHolocaust: The film's flashbacks take place in 1938, in which Austria joined Hitler's Reich. We see Jews forcibly shaven, forced to scrub anti-Anschluss graffiti with acid, and writing "Jude" ("Jew") on their shops.
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''Woman in Gold'' is a 2015 drama film starring Helen Mirren and Ryan Reynolds, based on a true story.

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''Woman in Gold'' is a 2015 drama film starring Helen Mirren Creator/HelenMirren and Ryan Reynolds, Creator/RyanReynolds, based on a true story.
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* ThoseWackyNazis: Prominently shown in the flashbacks, in all their brutality.

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* ThoseWackyNazis: Prominently shown in the flashbacks, in all their brutality.brutality.
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* CoolOldGuy: Chief Justice William Rehnquist comes across as this, both gently teasing Randy after asking a (self-admittedly) confusing question to the latter, as well as chiding the Austrian and US government's claims that giving back Maria's painting would somehow [[InsaneTrollLogic destabilize global diplomacy.]] Considering he is played by Creator/JonathanPryce, this is somewhat of a given.


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* SmugSnake: The director of the Belvedere museum frequently acts as standoffishly unhelpful to Maria every step of the way.
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** Randy builds his first case upon the fact that it was Maria's Uncle Frederick who actually paid Gustav Klimt making him, and not her Aunt Adele, the rightful owner of the paintings, meaning that Adele's bequeathment of her portraits to the Belvedere Gallery is invalid.
** Randy later invokes a loophole within the American Foreign Sovereigns Immunity Act (the Belvedere Gallery was using the illegally obtained "Woman in Gold" to engage in commercial activity in the US) to sue the Austrian government in the United States (The Austrian government required a prohibitively expensive filing fee to even hear restitution cases). This causes enough of a ruckus for the case to be taken all the way to the US Supreme Court and for the Austrian government to finally hear the case.
* [[invoked]]{{Squick}}: Invoked. Maria is visibly unnerved as she learns that some of the art from her home adorned the walls of the Berghof, Hitler's alpine residence, and that her aunt's favorite necklace was later worn by Göring's wife.

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** Randy builds his first case upon the fact that it was Maria's Uncle Frederick who actually paid Gustav Klimt Klimt, making him, and not her Aunt Adele, the rightful owner of the paintings, meaning that Adele's bequeathment of her portraits to the Belvedere Gallery is invalid.
** Randy later invokes a loophole within the American Foreign Sovereigns Immunity Act (the Belvedere Gallery was using the illegally obtained "Woman in Gold" to engage in commercial activity in the US) to sue the Austrian government in the United States (The (the Austrian government required a prohibitively expensive filing fee to even hear restitution cases). This causes enough of a ruckus for the case to be taken all the way to the US Supreme Court and for the Austrian government to finally hear the case.
* [[invoked]]{{Squick}}: Invoked.{{Invoked}}. Maria is visibly unnerved as she learns that some of the art from her home adorned the walls of the Berghof, Hitler's alpine residence, and that her aunt's favorite necklace was later worn by Göring's wife.
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* PrecisionFStrike: Randy drops an F-bomb and another swear word in the same sentence after Maria tells him she no longer wants to pursue the lawsuit. This constitutes the only objectionable material in the movie, and was surely done to AvoidTheDreadedGRating.

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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/mv5bmtexmtuxndq5mjdeqtjeqwpwz15bbwu4mdk4ntgxmzqx_v1_sx640_sy720.jpg]]




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* BerserkButton: Maria is insistent that she will not go back to Austria (although she eventually changes her mind) and pointedly refuses to speak German while there. This sort of thinking is TruthInTelevision among survivors of the Holocaust

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* BerserkButton: Maria is insistent that she will not go back to Austria (although she eventually changes her mind) and pointedly refuses to speak German while there. This sort of thinking is TruthInTelevision among survivors of the HolocaustHolocaust.
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* BerserkButton: Maria is insistent that she will not go back to Austria (although she eventually changes her mind) and pointedly refuses to speak German while there. This sort of thinking is TruthInTelevision among survivors of the Holocaust


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* JewishMother: Maria, towards Randy (even though he's not actually her son)
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!!This Film Contains Tropes Of:

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!!This Film Contains Tropes Of:Examples of the Following Tropes:

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* RulesLawyer: Randy builds his case upon the fact that it was Maria's Uncle Frederick who actually paid Gustav Klimt making him, and not her Aunt Adele, the rightful owner of the paintings, meaning that Adele's bequeathment of her portraits to the Belvedere Gallery is invalid.

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* RulesLawyer: RulesLawyer:
**
Randy builds his first case upon the fact that it was Maria's Uncle Frederick who actually paid Gustav Klimt making him, and not her Aunt Adele, the rightful owner of the paintings, meaning that Adele's bequeathment of her portraits to the Belvedere Gallery is invalid.invalid.
** Randy later invokes a loophole within the American Foreign Sovereigns Immunity Act (the Belvedere Gallery was using the illegally obtained "Woman in Gold" to engage in commercial activity in the US) to sue the Austrian government in the United States (The Austrian government required a prohibitively expensive filing fee to even hear restitution cases). This causes enough of a ruckus for the case to be taken all the way to the US Supreme Court and for the Austrian government to finally hear the case.
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* HeelRealization: Randy initially takes the case because of the potential financial reward. He's filled with self-loathing upon visiting the Holocaust Memorial in Vienna and comes to better understand the legacy of the Holocaust, why people like Maria continue to be affected by it, and why it should matter to descendants like himself.


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* RulesLawyer: Randy builds his case upon the fact that it was Maria's Uncle Frederick who actually paid Gustav Klimt making him, and not her Aunt Adele, the rightful owner of the paintings, meaning that Adele's bequeathment of her portraits to the Belvedere Gallery is invalid.
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* UsefulNotes/TheHolocaust: The film's flashbacks take place in 1938, in which Austria joined Hitler's Reich. We see Jews forcibly shaven, forced to scrub anti-Anschluss graffiti with acid, and writing "Jude" on their shops.

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* UsefulNotes/TheHolocaust: The film's flashbacks take place in 1938, in which Austria joined Hitler's Reich. We see Jews forcibly shaven, forced to scrub anti-Anschluss graffiti with acid, and writing "Jude" ("Jew") on their shops.
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* [[invoked]]{{Squick}}: Invoked. Maria is visibly unnerved as she learns that some of the art from her home adorned the walls of the Berghof, Hitler's alpine residence, and that her aunt's favorite necklace was later worn by Göring's wife.
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* ThoseWhackyNazis: Prominently shown in the flashbacks, in all their brutality.

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* ThoseWhackyNazis: ThoseWackyNazis: Prominently shown in the flashbacks, in all their brutality.
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''Woman in Gold'' is a 2015 drama film starring Helen Mirren and Ryan Reynolds, based on a true story.

In 1938, Maria Altmann, a member of a prominent Jewish family, was forced to flee her homeland of Austria to escape the Nazis. Among the things the Nazis stole was a painting of her aunt, one of the few remaining attachments to her family. Half a century later, she hires Randol "Randy" Schönberg, the son of a family friend, to seek litigation to reclaim the painting and make peace with the past.

!!This Film Contains Tropes Of:
* BittersweetEnding: Though Maria wins back the painting, the end credits say that roughly 100,000 works of art stolen by the Nazis have not been returned to their rightful owners.
* BrickJoke: When Maria and Randy meet, she notes that she has little money and is saving for a new dishwasher. At the end of the film, when he says that she'll earn as much money as she wishes, she says she'll take enough for a new dishwasher.
* BrokenPedestal: Hubertus Czernin says that he worshipped his father and wanted to be just like him. When he was fifteen, he learned that his father was actually an enthusiastic Nazi supporter.
* TheDogBitesBack: Throughout the proceedings, Maria approaches the Austrian officials with reasonable terms, such as allowing Austria to keep the painting but note that it was acquired under illegal circumstances. Once the Austrian arbitrators rule in her favor, one of the officials begs to let the painting stay. She immediately refuses.
* UsefulNotes/TheHolocaust: The film's flashbacks take place in 1938, in which Austria joined Hitler's Reich. We see Jews forcibly shaven, forced to scrub anti-Anschluss graffiti with acid, and writing "Jude" on their shops.
* OnlyInItForTheMoney: Randy agrees to take the case after learning that the painting is worth $100 million. However, he has a change of heart once he visits Vienna and witnesses the Holocaust Memorial in Judenplatz.
* ThoseWhackyNazis: Prominently shown in the flashbacks, in all their brutality.

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