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History Film / WilliamShakespearesRomeoAndJuliet

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* ShotgunsAreJustBetter: Capulet's line in I.i. of "Give me my long sword, ho!" now refers to his shotgun.
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It notably [[SettingUpdate updates the setting]] to modern California (in a fictional modern American city with heavy Hispanic influences called "Verona Beach"), but keeps most of the original dialogue from the play, creating a rather unique adaptation. For example, the Montagues and Capulets are shown as warring mafia empires, and swords are replaced with guns (with brand names like "Sword" and "Dagger"). Consequently, apart from the setting, the film is, surprisingly, one of the most dialogue-faithful adaptations of the play ever made. Due to its faithfulness and modern setting, [[MediaNotes/SchoolStudyMedia it has been presented in numerous high school English classes]].

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It notably [[SettingUpdate updates the setting]] to modern California (in a fictional modern American city with heavy Hispanic influences called "Verona Beach"), but keeps most of the original dialogue from the play, creating a rather unique adaptation. For example, the Montagues and Capulets are shown as warring mafia empires, and swords are replaced with guns (with brand brand/model names like "Sword" and "Dagger"). Consequently, apart from the setting, the film is, surprisingly, one of the most dialogue-faithful adaptations of the play ever made. Due to its faithfulness and modern setting, [[MediaNotes/SchoolStudyMedia it has been presented in numerous high school English classes]].

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* EmpathicEnvironment: The wind begins to pick up as Mercutio lays down his DyingCurse.



* GunPorn: Benvolio, Tybalt, and Mercutio sport some of the most [[http://www.imfdb.org/images/f/fe/Benvoliogun.jpg beautifully]] [[http://www.imfdb.org/images/1/1c/Tybaltgun.jpg awesome]] [[http://www.imfdb.org/images/0/02/RJ-02092.jpg pistols]] to ever grace the silver screen. Even guns that belong to nameless extras and only get maybe a second of screen time are decked out with gold detailing and the like.

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* GunPorn: Benvolio, Tybalt, and Mercutio sport some of the most [[http://www.[[https://www.imfdb.org/images/f/fe/Benvoliogun.jpg beautifully]] [[http://www.[[https://www.imfdb.org/images/1/1c/Tybaltgun.jpg awesome]] [[http://www.[[https://www.imfdb.org/images/0/02/RJ-02092.jpg pistols]] to ever grace the silver screen. Even guns that belong to nameless extras and only get maybe a second of screen time are decked out with gold detailing and the like.
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* BlingBlingBang: Romeo, Sampson, Mercutio and Tybalt carry some of the most elaborately decorated pistols in film history with gold plating, custom magazines with family crests and decorated grips. Tybalt's Rapier 9mm particularly stands out. Even his pistol's magazines have the Capulet family crest on them.

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* BlingBlingBang: Romeo, Sampson, Mercutio and Tybalt carry some of the most elaborately decorated pistols in film history with gold plating, custom magazines with family crests and decorated grips. Tybalt's Rapier 9mm particularly stands out. Even his pistol's magazines have the Capulet family crest on them. Sampson's P-13 is gold-plated.

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* TheMafia: While they're never actually described as such, the Montagues and Capulets operate like classic gangland families, engaging in dubiously legal activities and engaging in turf wars for control of the city.



%%This refers to stories set in the future* NextSundayAD: The setting is in the mid-1990s, presumably 1996, the year the film came out.
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It notably [[SettingUpdate updates the setting]] to modern California (in a fictional modern American city with heavy Hispanic influences called "Verona Beach"), but keeps most of the original dialogue from the play, creating a rather unique adaptation. For example, the Montagues and Capulets are shown as warring mafia empires, and swords are replaced with guns (with brand names like "Sword" and "Dagger"). Consequently, apart from the setting, the film is, surprisingly, one of the most dialogue-faithful adaptations of the play ever made. Due to its faithfulness and modern setting, [[UsefulNotes/SchoolStudyMedia it has been presented in numerous high school English classes]].

Of course, most of the tropes which apply to ''Romeo and Juliet'' also apply to this film. Compare the 1936 version, ''Film/{{Romeo and Juliet|1936}}'', and the acclaimed 1968 version, ''Film/{{Romeo and Juliet|1968}}''. Of course, one should not confuse this adaptation with the various others, especially one other that also uses a mathematical symbol in its title, ''Anime/RomeoXJuliet''.

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It notably [[SettingUpdate updates the setting]] to modern California (in a fictional modern American city with heavy Hispanic influences called "Verona Beach"), but keeps most of the original dialogue from the play, creating a rather unique adaptation. For example, the Montagues and Capulets are shown as warring mafia empires, and swords are replaced with guns (with brand names like "Sword" and "Dagger"). Consequently, apart from the setting, the film is, surprisingly, one of the most dialogue-faithful adaptations of the play ever made. Due to its faithfulness and modern setting, [[UsefulNotes/SchoolStudyMedia [[MediaNotes/SchoolStudyMedia it has been presented in numerous high school English classes]].

Of course, most of the tropes which apply to ''Romeo and Juliet'' also apply to this film. Compare the 1936 version, ''Film/{{Romeo and Juliet|1936}}'', and the acclaimed 1968 version, ''Film/{{Romeo and Juliet|1968}}''. Of course, one should not confuse this adaptation with the various others, especially the one other that also uses a mathematical symbol in its title, ''Anime/RomeoXJuliet''.



A song Music/{{Radiohead}} wrote for the movie, "Exit Music (For a Film)", would later be included on their album ''Music/OKComputer'' the following year; it was excluded from the film's soundtrack album as a result.

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A song Music/{{Radiohead}} wrote for the movie, "Exit Music (For a Film)", would later be included on their album ''Music/OKComputer'' the following year; it was excluded from the film's soundtrack album as a result.
result, which instead contains their 1996 B-side "Talk Show Host".
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** "A plague, ON BOTH YOUR HOUSES!" ([Mercutio, right before his death)

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** "A plague, ON BOTH YOUR HOUSES!" ([Mercutio, (Mercutio, right before his death)
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* DiedInIgnorance: Only ''just'' subverted for dramatic effect in. The film twists the knife even deeper by having Juliet wake up and touch Romeo's face ''just'' as Romeo has consumed poison, believing Juliet to be dead. He visibly realises his mistake as he [[DiedInYourArmsTonight dies in her arms]].
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* SunshineNoir: There's a good amount of influence from ''Film/{{Scarface}}'' and ''Series/MiamiVice'' on the film's aesthetic, in addition to dovetailing with the similar aesthetic of pop stars such as Music/RickyMartin and Music/GloriaEstefan who were popular when the movie came out.

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* SunshineNoir: There's a good amount of influence from ''Film/{{Scarface}}'' ''[[Film/Scarface1983 Scarface]]'' and ''Series/MiamiVice'' on the film's aesthetic, in addition to dovetailing with the similar aesthetic of pop stars such as Music/RickyMartin and Music/GloriaEstefan who were popular when the movie came out.

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* AdaptationalJobChange: Since America doesn't have titled nobility, Escalus is changed to Verona Beach's chief of police.

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* AdaptationalJobChange: Since America doesn't have titled nobility, Escalus is changed to Verona Beach's chief of police. He is referred to as "Captain Prince".



* DiesDifferentlyInAdaptation: Due to the modernization of this film replacing the swords with guns, instead of stabbing herself in the heart at the end, Juliet shoots herself in the head.

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* DiesDifferentlyInAdaptation: DiesDifferentlyInAdaptation:
** In the original play, Mercutio stumbles into a nearby building while spitting out his DyingCurse and dies off-stage. In this film, he dies in Romeo's arms.
**
Due to the modernization of this film replacing the swords with guns, instead of stabbing herself in the heart at the end, Juliet shoots herself in the head.



* TheFilmOfThePlay: In spite of the Setting Update, this adaptation keeps the original dialogue.

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* TheFilmOfThePlay: In spite of the Setting Update, this adaptation largely keeps the original dialogue.dialogue, with only relatively minor switches in motive and timeframe.

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* AdaptationalJerkass: Many characters:

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* AdaptationalJerkass: Many characters:There are a few characters who get this treatment.


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* AdaptationalJobChange: Since America doesn't have titled nobility, Escalus is changed to Verona Beach's chief of police.
* AdaptationDyeJob: In the poem Shakespeare's play was based on, Juliet was described as blonde. This version of Juliet is brunette.
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Changed VPBD (Verona Police Beach Department) to VBPD (Verona Beach Police Department)


** Romeo originally said the line "Tempt not a desperate man" when confronting Paris in the Capulet family vault. In the movie, where Paris is SparedByTheAdaptation, he says it when taking a human shield against the VPBD SWAT cops outside the vault.

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** Romeo originally said the line "Tempt not a desperate man" when confronting Paris in the Capulet family vault. In the movie, where Paris is SparedByTheAdaptation, he says it when taking a human shield against the VPBD VBPD SWAT cops outside the vault.
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The Montague family is played by Creator/BrianDennehy, Creator/ChristinaPickles (Lord and Lady Montague, here named Ted and Caroline), and Creator/DashMihok (Benvolio); Creator/JesseBradford, Creator/ZakOrth, and Creator/JamieKennedy play Montague cousins. The Capulet family is played by Creator/PaulSorvino, Creator/DianeVenora (Lord and Lady Capulet, here named Fulgencio and Gloria), Creator/JohnLeguizamo (Tybalt), Creator/VincentLaresca (Abra), and Creator/MiriamMargolyes (Nurse). The supporting cast is rounded out by Creator/HaroldPerrineau as Mercutio, Creator/PaulRudd as Paris, and Creator/VondieCurtisHall as the Prince Escalus figure.
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* ArtisticLicenseLaw: Captain Prince is a modern police chief, but seems to have unlimited authority, threatening to execute the families' leaders over a street brawl, and Romeo is "exiled" for killing Tybalt, rather than arrested.
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-> -- The Prologue, delivered via television news anchor

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-> -- The Prologue, -->-- '''The prologue''', delivered via television news anchor
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-> -- The Prologue, delivered via television news anchor.

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-> -- The Prologue, delivered via television news anchor.
anchor



Music/{{Radiohead}}'s song for the movie, "Exit Music (For a Film)", would later be included on ''Music/OKComputer'' the following year; it was excluded from the film's soundtrack album as a result.

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Music/{{Radiohead}}'s A song Music/{{Radiohead}} wrote for the movie, "Exit Music (For a Film)", would later be included on their album ''Music/OKComputer'' the following year; it was excluded from the film's soundtrack album as a result.
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YMMV


* AmbiguouslyGay: Mercutio. He plays a drag queen to boot. Tybalt manages to provoke Mercutio into hostilities with a homophobic taunt of "Mercutio! [[HoYay Thou consortest with Romeo!]]", removing a considerable amount of ambiguity to many viewers.

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* AmbiguouslyGay: Mercutio. He plays a drag queen to boot. Tybalt manages to provoke Mercutio into hostilities with a homophobic taunt of "Mercutio! [[HoYay Thou consortest with Romeo!]]", Romeo!", removing a considerable amount of ambiguity to many viewers.
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* PeriodPieceModernLanguage: Inverted. The film is set in the 1990s, but keeps the original play's dialogue down to the Elizabethan dialect, with only a few minor changes.
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** Romeo originally said the line "Tempt not a desperate man" when confronting Paris in the Capulet family vault. In the movie, where Paris is SparedByTheAdaptation, he says it when taking a Human Shield against the VPBD SWAT cops outside the vault.

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** Romeo originally said the line "Tempt not a desperate man" when confronting Paris in the Capulet family vault. In the movie, where Paris is SparedByTheAdaptation, he says it when taking a Human Shield human shield against the VPBD SWAT cops outside the vault.
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None


It notably [[SettingUpdate updates the setting]] to modern California (in a fictional modern American city with heavy Hispanic influences called "Verona Beach"), but keeps most of the original dialogue from the play, creating a rather unique adaptation. For example, the Montagues and Capulets are shown as warring mafia empires, and swords are replaced with guns (with brand names like "Sword" and "Dagger"). Consequently, apart from the setting, the film is, surprisingly, one of the most dialogue-faithful adaptations of the play ever made. Due to its faithfulness and modern setting, [[SchoolStudyMedia it has been presented in numerous high school English classes]].

to:

It notably [[SettingUpdate updates the setting]] to modern California (in a fictional modern American city with heavy Hispanic influences called "Verona Beach"), but keeps most of the original dialogue from the play, creating a rather unique adaptation. For example, the Montagues and Capulets are shown as warring mafia empires, and swords are replaced with guns (with brand names like "Sword" and "Dagger"). Consequently, apart from the setting, the film is, surprisingly, one of the most dialogue-faithful adaptations of the play ever made. Due to its faithfulness and modern setting, [[SchoolStudyMedia [[UsefulNotes/SchoolStudyMedia it has been presented in numerous high school English classes]].
Is there an issue? Send a MessageReason:
None


It notably [[SettingUpdate updates the setting]] to modern California (in a fictional modern American city with heavy Hispanic influences called "Verona Beach"), but keeps most of the original dialogue from the play, creating a rather unique adaptation. For example, the Montagues and Capulets are shown as warring mafia empires, and swords are replaced with guns (with brand names like "Sword" and "Dagger"). Consequently, apart from the setting, the film is, surprisingly, one of the most dialogue-faithful adaptations of the play ever made. Due to its faithfulness and modern setting, it has been presented in numerous high school English classes.

to:

It notably [[SettingUpdate updates the setting]] to modern California (in a fictional modern American city with heavy Hispanic influences called "Verona Beach"), but keeps most of the original dialogue from the play, creating a rather unique adaptation. For example, the Montagues and Capulets are shown as warring mafia empires, and swords are replaced with guns (with brand names like "Sword" and "Dagger"). Consequently, apart from the setting, the film is, surprisingly, one of the most dialogue-faithful adaptations of the play ever made. Due to its faithfulness and modern setting, [[SchoolStudyMedia it has been presented in numerous high school English classes.
classes]].
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** Some viewers interpret this as the Montagues being NORTHERN Italians, [[RealityIsUnrealistic who had a lot of French and German influence compared to southern Italians.]]
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* SeriousWorkComedicScene: This film has Mercutio dressed in drag at the party scene, along with Tybalt roaring. The rest of the film is as serious as the original play, albeit set in a modern era.
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* AnachronismStew: One of the most memorable parts of this adaptation is that the setting has been modernized but everyone [[FloweryElizabethanEnglish still speaks in Shakespeare's famous flowery dialect.]]

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