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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/1205-LRAINER-The-Artist_full_600_6867.jpg]]

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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/1205-LRAINER-The-Artist_full_600_6867.jpg]]
org/pmwiki/pub/images/artist_still_poster_3_500x760.jpg]]
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Grumpy Bear is no longer a trope. Moving examples to other tropes when applicable.


* GrumpyBear: Al Zimmer
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Corpsing is now trivia, in-universe examples stay.


* {{Corpsing}}: In-universe, Peppy and George's first interaction, when she's still an extra and they can't keep straight faces in a dance scene.

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* {{Corpsing}}: In-universe, InUniverse, Peppy and George's first interaction, when she's still an extra and they can't keep straight faces in a dance scene.



* HandsOnApproach: George and Peppy dancing together in a scene. At first, the pair erupt into some harmless {{corpsing}}. With each take, though...

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* HandsOnApproach: George and Peppy dancing together in a scene. At first, the pair erupt into some harmless {{corpsing}}.laughter. With each take, though...
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%% Please don't put any critical reception or box office data into the description. See Administrivia/HowToCreateAWorksPage under "Things not to include"

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%% Please don't put any critical reception or box office data into the description. See Administrivia/HowToCreateAWorksPage Administrivia/HowToCreateAWorkPage under "Things not to include"
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The movie stars Creator/JeanDujardin as George Valentin, a silent movie star in 1920s Hollywood whose career goes into decline with the Great Depression and the advent of talking pictures. He falls in love with a young ingenue named Peppy Miller, played by Berenice Bejo, whose Hollywood career arc is the exact opposite of Valentin's. Creator/JohnGoodman appears as Al Zimmer, the studio producer who tries to convince George to get over himself and make a talking film.

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The movie stars Creator/JeanDujardin as George Valentin, a silent movie star in 1920s Hollywood whose career goes into decline with the Great Depression and the advent of talking pictures. He falls in love with a young ingenue named Peppy Miller, played by Berenice Bejo, Creator/BereniceBejo, whose Hollywood career arc is the exact opposite of Valentin's. Creator/JohnGoodman appears as Al Zimmer, the studio producer who tries to convince George to get over himself and make a talking film.
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** The final dance scene is for a film called ''Sparkle of Love''.
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* DistiguishingMark: Peppy's trademark mole, although it's artificial (it was also George's idea, as she needed something to make her stand out from other actresses). It's even the name of one of her films -- the one that really hammers home George's downfall.

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* DistiguishingMark: DistinguishingMark: Peppy's trademark mole, although it's artificial (it was also George's idea, as she needed something to make her stand out from other actresses). It's even the name of one of her films -- the one that really hammers home George's downfall.

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* BeautyMark: Peppy's trademark, although it's artificial (it was also George's idea, as she needed something to make her stand out from other actresses). It's even the name of one of her films -- the one that really hammers home George's downfall.


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* DistiguishingMark: Peppy's trademark mole, although it's artificial (it was also George's idea, as she needed something to make her stand out from other actresses). It's even the name of one of her films -- the one that really hammers home George's downfall.
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** The premise is more than a little bit similar to the first two incarnations of ''''Film/{{A Star Is Born|1937}}''''.

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** The premise is more than a little bit similar to the first two incarnations of ''''Film/{{A ''Film/{{A Star Is Born|1937}}''''.Born|1937}}''.
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The movie stars Creator/JeanDujardin as George Valentin, a silent movie star in 1920s Hollywood whose career goes into decline with the Great Depression and the advent of talking pictures. He falls in love with a young ingenue named Peppy Miller, played by Berenice Bejo, whose Hollywood career arc is the exact opposite of Valentin's. Creator/JohnGoodman appears as Al Zimmer, the studio producer who tries to get George to get over himself and make a talking film.

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The movie stars Creator/JeanDujardin as George Valentin, a silent movie star in 1920s Hollywood whose career goes into decline with the Great Depression and the advent of talking pictures. He falls in love with a young ingenue named Peppy Miller, played by Berenice Bejo, whose Hollywood career arc is the exact opposite of Valentin's. Creator/JohnGoodman appears as Al Zimmer, the studio producer who tries to get convince George to get over himself and make a talking film.
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Dewicked trope


* StylisticSuck: Subverted. ''Tears of Love'' is set-up to be a terrible movie in the hands of a seeming PrimaDonnaDirector like George... but it comes off as a surprisingly competent, powerful film. [[RealityEnsues It doesn't stop the crowds from going to see the talkies instead.]]

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* StylisticSuck: Subverted. ''Tears of Love'' is set-up to be a terrible movie in the hands of a seeming PrimaDonnaDirector like George... but it comes off as a surprisingly competent, powerful film. [[RealityEnsues It doesn't stop the crowds from going to see the talkies instead.]]
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* WhamLine: [[spoiler: "Cut!"]]
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* FiveSecondForeshadowing: [[spoiler: George and Peppy are audibly panting after their dance routine at the end, hinting it's no longer a silent film and now a talkie.]]
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** [[{{Series/Grimm}} Bitsie Tulloch]] as Norma, George's female co-star in his last silent film.

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** [[{{Series/Grimm}} Bitsie Tulloch]] Creator/ElizabethTulloch as Norma, George's female co-star in his last silent film.
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** The old movie that George watches on a home projector just before his breakdown is an actual silent movie, ''Film/TheMarkOfZorro'', with Jean Dujardin inserted in close-ups in place of Creator/DouglasFairbanks. In fact, George's whole on-screen persona, as present in the Films Within the Film, pretty strongly resembles Fairbanks.

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** The old movie that George watches on a home projector just before his breakdown is an actual silent movie, ''Film/TheMarkOfZorro'', ''Film/{{The Mark of Zorro|1920}}'', with Jean Dujardin inserted in close-ups in place of Creator/DouglasFairbanks. In fact, George's whole on-screen persona, as present in the Films Within the Film, pretty strongly resembles Fairbanks.
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* RichesToRags: George starts the film as a wealthy movie star and is brought low in stages: first the coming of sound and his failed attempt to continue the silent era, then the stock market crash, and finally his alcoholism and other bad decisions.

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* SuddenlyVoiced: [[spoiler:The ending.]] Also doubles up as SuddenlyEthnicity, [[spoiler:because George's accent reveals he's French]].

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* SuddenlyVoiced: SuddenlySpeaking: [[spoiler:The ending.]] Also doubles up as SuddenlyEthnicity, [[spoiler:because George's accent reveals he's French]].
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starting Michel Hazanavicius page


''The Artist'' is a 2011 French film emulating the style of cinema in the [[TheRoaringTwenties 1920s]] written and directed by Michel Hazanavicius and produced by Thomas Langmann.

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''The Artist'' is a 2011 French film emulating the style of cinema in the [[TheRoaringTwenties 1920s]] written and directed by Michel Hazanavicius Creator/MichelHazanavicius and produced by Thomas Langmann.

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%%
%% Please don't put any critical reception or box office data into the description. See Administrivia/HowToCreateAWorksPage under "Things not to include"
%%



''The Artist'' is a 2011 French film emulating the style of cinema in the [[TheRoaringTwenties 1920s]], and the UsefulNotes/AcademyAward winner for Best Picture of the year. Written and directed by Michel Hazanavicius and produced by Thomas Langmann, it stars Creator/JeanDujardin as George Valentin, a silent movie star in 1920s Hollywood whose career goes into decline with the Great Depression and the advent of talking pictures. He falls in love with a young ingenue named Peppy Miller, played by Berenice Bejo, whose Hollywood career arc is the exact opposite of Valentin's.

''The Artist'' is unique not just for being shot in black-and-white, and in the old 4:3 AspectRatio, but being an almost completely '''silent film''', possibly the first feature-length SilentMovie to receive wide distribution since Creator/MelBrooks put out ''Film/SilentMovie'' in 1976. It should also be noted that this was one of the first Best Picture Oscar winners in years to be filmed entirely in Hollywood, the first black and white film to win Best Picture since 1993's ''Film/SchindlersList'' (and only the second since 1960's ''Film/TheApartment''), the first film from a non-English-speaking country ever to win Best Picture (but being a silent film, not the first one ''in'' a non-English language; that would have to wait until 2019's ''Film/{{Parasite|2019}}'') and the first silent movie to win Best Picture since the very ''first'' Best Picture winner, ''Film/{{Wings}}'', way back in 1929. It also won four other Oscars, including Best Director for Michel Hazanavicius and Best Actor for Jean Dujardin.

Creator/JohnGoodman appears as Al Zimmer, the studio producer who tries to get George to get over himself and make a talking film.

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''The Artist'' is a 2011 French film emulating the style of cinema in the [[TheRoaringTwenties 1920s]], and the UsefulNotes/AcademyAward winner for Best Picture of the year. Written 1920s]] written and directed by Michel Hazanavicius and produced by Thomas Langmann, it Langmann.

The movie
stars Creator/JeanDujardin as George Valentin, a silent movie star in 1920s Hollywood whose career goes into decline with the Great Depression and the advent of talking pictures. He falls in love with a young ingenue named Peppy Miller, played by Berenice Bejo, whose Hollywood career arc is the exact opposite of Valentin's.

Valentin's. Creator/JohnGoodman appears as Al Zimmer, the studio producer who tries to get George to get over himself and make a talking film.

''The Artist'' is unique not just for being shot in black-and-white, and in the old 4:3 AspectRatio, but being an almost completely '''silent film''', possibly the first feature-length SilentMovie to receive wide distribution since Creator/MelBrooks put out ''Film/SilentMovie'' in 1976. It should also be noted that this was one of the first Best Picture Oscar winners in years to be filmed entirely in Hollywood, the first black and white film to win Best Picture since 1993's ''Film/SchindlersList'' (and only the second since 1960's ''Film/TheApartment''), the first film from a non-English-speaking country ever to win Best Picture (but being a silent film, not the first one ''in'' a non-English language; that would have to wait until 2019's ''Film/{{Parasite|2019}}'') and the first silent movie to win Best Picture since the very ''first'' Best Picture winner, ''Film/{{Wings}}'', way back in 1929. It also won four other Oscars, including Best Director for Michel Hazanavicius and Best Actor for Jean Dujardin.

Creator/JohnGoodman appears as Al Zimmer, the studio producer who tries to get George to get over himself and make a talking film.
1976.
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''The Artist'' is unique not just for being shot in black-and-white, and in the old 4:3 AspectRatio, but being an almost completely '''silent film''', possibly the first feature-length SilentMovie to receive wide distribution since Creator/MelBrooks put out ''Film/SilentMovie'' in 1976. It should also be noted that this was one of the first Best Picture Oscar winners in years to be filmed entirely in Hollywood, the first black and white film to win Best Picture since 1993's ''Film/SchindlersList'' (and only the second since 1960's ''Film/TheApartment''), and the first silent movie to win Best Picture since the very ''first'' Best Picture winner, ''Film/{{Wings}}'', way back in 1929. It also won four other Oscars, including Best Director for Michel Hazanavicius and Best Actor for Jean Dujardin.

to:

''The Artist'' is unique not just for being shot in black-and-white, and in the old 4:3 AspectRatio, but being an almost completely '''silent film''', possibly the first feature-length SilentMovie to receive wide distribution since Creator/MelBrooks put out ''Film/SilentMovie'' in 1976. It should also be noted that this was one of the first Best Picture Oscar winners in years to be filmed entirely in Hollywood, the first black and white film to win Best Picture since 1993's ''Film/SchindlersList'' (and only the second since 1960's ''Film/TheApartment''), the first film from a non-English-speaking country ever to win Best Picture (but being a silent film, not the first one ''in'' a non-English language; that would have to wait until 2019's ''Film/{{Parasite|2019}}'') and the first silent movie to win Best Picture since the very ''first'' Best Picture winner, ''Film/{{Wings}}'', way back in 1929. It also won four other Oscars, including Best Director for Michel Hazanavicius and Best Actor for Jean Dujardin.
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* AlanSmithee: One of the {{Easter Egg}}s during the various credits Peppy is in.
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Compare ''Film/{{Blancanieves}}'', a Spanish movie released in 2012 that was similar, being a silent, black-and-white film in {{Retraux}} style set in the 1920s.
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** The premise is more than a little bit similar to the first two incarnations of ''Film/AStarIsBorn''.

to:

** The premise is more than a little bit similar to the first two incarnations of ''Film/AStarIsBorn''.''''Film/{{A Star Is Born|1937}}''''.
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None


* StylisticSuck: Subverted. ''Tears of Love'' is set-up to be a terrible movie in the hands of a seeming PrimaDonna Director like George... but it comes off as a surprisingly competent, powerful film. [[RealityEnsues It doesn't stop the crowds from going to see the talkies instead.]]

to:

* StylisticSuck: Subverted. ''Tears of Love'' is set-up to be a terrible movie in the hands of a seeming PrimaDonna Director PrimaDonnaDirector like George... but it comes off as a surprisingly competent, powerful film. [[RealityEnsues It doesn't stop the crowds from going to see the talkies instead.]]
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* JobTitle
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Added DiffLines:

* StylisticSuck: Subverted. ''Tears of Love'' is set-up to be a terrible movie in the hands of a seeming PrimaDonna Director like George... but it comes off as a surprisingly competent, powerful film. [[RealityEnsues It doesn't stop the crowds from going to see the talkies instead.]]

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Creator/JohnGoodman appears as Al Zimmer, the studio producer who tries to get George to get over himself and make a talking film.



* AwfulWeddedLife: Doris

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* AwfulWeddedLife: DorisDoris. She and George can't stand each other.



* DreamSequence: With a unique effect to get the unreality across when [[spoiler:the lead character starts experiencing synchronized sound around him in ever more exaggerated forms while he is still silent]].

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* DreamSequence: With a unique effect to get the unreality across when [[spoiler:the the lead character starts experiencing synchronized sound around him in ever more exaggerated forms while he is still silent]].silent.



* DrivesLikeCrazy: There's a reason Peppy needs a chauffeur. Justified in that in the 1920s and 1930s female drivers were relatively rare, and by most accounts the vehicles of the day were pigs to drive, even by experienced motorists.

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* DrivesLikeCrazy: There's a reason Peppy needs a chauffeur. Justified in that in the 1920s and 1930s female drivers were relatively rare, and by most accounts the vehicles of the day were pigs to drive, even by experienced motorists.



** Peppy starring in a film called [[spoiler:''Guardian Angel'']].

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** Peppy starring in a film called [[spoiler:''Guardian Angel'']].''Guardian Angel''.

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doesn't qualify because the scene tells us right ahead that a gun shot is about to happen


* JumpScare:
** [[spoiler:At the end of George's DreamSequence, a small feather is seen drifting lazily to the ground, with no other sounds playing... and it lands with the sound of a ten-ton weight. This is what [[CatapultNightmare wakes George up.]]]]
** BANG! qualifies too.

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* JumpScare:
**
JumpScare: [[spoiler:At the end of George's DreamSequence, a small feather is seen drifting lazily to the ground, with no other sounds playing... and it lands with the sound of a ten-ton weight. This is what [[CatapultNightmare wakes George up.]]]]
** BANG! qualifies too.
]]]]
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* UnsoundEffect: A TitleCard reading "Bang!"
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''The Artist'' is unique not just for being shot in black-and-white, and in the old 4:3 AspectRatio, but being an almost completely '''silent film''', possibly the first feature-length SilentMovie to receive wide distribution since Creator/MelBrooks put out ''Film/SilentMovie'' in 1976. It should also be noted that this is one of the first Best Picture Oscar winners in years to be filmed entirely in Hollywood, the first black and white film to win Best Picture since 1993's ''Film/SchindlersList'', and the first silent movie to win Best Picture since the very ''first'' Best Picture winner, ''Film/{{Wings}}'', way back in 1929. It also won four other Oscars, including Best Director for Michel Hazanavicius and Best Actor for Jean Dujardin.

to:

''The Artist'' is unique not just for being shot in black-and-white, and in the old 4:3 AspectRatio, but being an almost completely '''silent film''', possibly the first feature-length SilentMovie to receive wide distribution since Creator/MelBrooks put out ''Film/SilentMovie'' in 1976. It should also be noted that this is was one of the first Best Picture Oscar winners in years to be filmed entirely in Hollywood, the first black and white film to win Best Picture since 1993's ''Film/SchindlersList'', ''Film/SchindlersList'' (and only the second since 1960's ''Film/TheApartment''), and the first silent movie to win Best Picture since the very ''first'' Best Picture winner, ''Film/{{Wings}}'', way back in 1929. It also won four other Oscars, including Best Director for Michel Hazanavicius and Best Actor for Jean Dujardin.

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