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** [[spoiler: While Jimmy definitely deserved his fate, Conny and Martin were visibly having second thoughts about drowning Oskar and wanted to leave, but Eli brutally kills them anyway]].
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** [[spoiler: While Jimmy definitely deserved his fate, Conny and Martin were visibly having second thoughts about drowning Oskar and wanted to leave, but Eli brutally kills them anyway]]. [[spoiler: This is partially subverted, though, as Andreas, who was even more reluctant, was not killed.]]
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Nothing indicating that he is seen as overweight in the movie - he is overweight in the novel that the "piggy" lines were taken from, but "piggy" can be used as an insult for reasons other than weight. Also, the note for this said the actor was "extremely skinny". He appears to be of average or maybe slightly above average weight, but is not skinny (you can't see his ribs in several shots where he has no top).
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* HollywoodPudgy: Oskar is considered this in universe, as the bullies default insult for him is piggy. Which makes no sense whatsever as he is played by an extremely skinny actor.
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This scene is only in the novel, not in either of the film adaptations
Deleted line(s) 49 (click to see context) :
* BringMyBrownPants: Tommy shits himself while [[spoiler:locked in a basement with Håkan, who at this point is now a zombie.]]
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* AdaptationalSlimness: Oskar is played by the normal-sized Kare Hedebrant, whereas in the original book, Oskar is overweight.
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Changed line(s) 137,138 (click to see context) from:
** Lacke tries to kill Eli with a kitchen knife...that he drops before she even wakes up. Or how about turning his back on a vampire without finishing the job? In the book it is stated that he couldn't bring himself to kill a child. Here is just startled by Oskar.
** Håkan does not seem so concerned with at least trying to cover his tracks by hiding the corpses of his victims or taking any other precaution, culminating in [[spoiler:killing a boy ''in a gym and trying to bleed him in the changing room'', without even make sure that none else was around. Needless to say, he gets caught mere minutes later]].
** Håkan does not seem so concerned with at least trying to cover his tracks by hiding the corpses of his victims or taking any other precaution, culminating in [[spoiler:killing a boy ''in a gym and trying to bleed him in the changing room'', without even make sure that none else was around. Needless to say, he gets caught mere minutes later]].
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** Lacke tries to kill Eli with a kitchen knife... that he drops before she even wakes up. Or how about turning his back on a vampire without finishing the job? In the book it is stated that he couldn't bring himself to kill a child. Here he is just startled by Oskar.
** Håkan does not seem so concerned with at least trying to cover his tracks by hiding the corpses of his victims or taking any other precaution, culminating in[[spoiler:killing [[spoiler: attempting to kill a boy ''in a gym and trying to bleed him in the changing room'', without even make making sure that none no one else was is around. Needless to say, he gets caught mere minutes later]].
** Håkan does not seem so concerned with at least trying to cover his tracks by hiding the corpses of his victims or taking any other precaution, culminating in
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Changed line(s) 101 (click to see context) from:
* MasculineGirlFeminineBoy: Oskar is somewhat effeminate in comparison to the more androgynous Eli ([[spoiler: who is, of course, really an emasculated boy]]).
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* MasculineGirlFeminineBoy: Oskar is somewhat effeminate in comparison to the more androgynous Eli ([[spoiler: who ([[spoiler:who is, of course, really an emasculated boy]]).
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Daylight Horror is no longer a trope, don't link it anywhere.
Deleted line(s) 58 (click to see context) :
* DaylightHorror: The climax takes place at a well-lit swimming pool, which allows [[spoiler:the bullies' demises to be shown that much more clearly.]]
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trope is renamed Prefers Going Barefoot. Dewicking old name
Deleted line(s) 66 (click to see context) :
* DoesNotLikeShoes: Eli is seen going barefoot a lot.
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Changed line(s) 10,11 (click to see context) from:
For tropes on the original book see, ''Literature/LetTheRightOneIn''. For tropes from the English-language remake, see ''Film/LetMeIn''.
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For tropes on the original book see, book, see ''Literature/LetTheRightOneIn''. For tropes from the English-language remake, see ''Film/LetMeIn''.
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Deleted line(s) 30 (click to see context) :
* AluminumChristmasTrees: Much was made of the scene where Oskar's dad's friend coming over in slippers to have a drink, but social drinking like this is more common in Sweden.
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Changed line(s) 63 (click to see context) from:
* DeathSeeker: Virginia is turned into this after being bitten by Eli, telling Lakie that she wants to die, and telling him to open the blinds, [[ManOnFire in order to make her burst into flames]]. When he won't do it, she gets a nurse too.
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* DeathSeeker: Virginia is turned into this after being bitten by Eli, telling Lakie that she wants to die, and telling him to open the blinds, [[ManOnFire in order to make her burst into flames]]. When he won't do it, she gets a nurse too.to.
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Changed line(s) 151 (click to see context) from:
* VillainProtagonist: Calling either Eli or Oskar good guys would be debatable. Eli murders perfectly innocent people without remorse [[spoiler: and mercilessly slaughters Oskar’s bullies]], while Oskar is obsessed with serial killers, fantasizes about killing his bullies, and has no problem with Eli’s murders [[spoiler: and is okay with her murdering children when they’re the bullies in question]].
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* VillainProtagonist: Calling either Eli or Oskar good guys would be debatable. Eli murders perfectly innocent people without remorse [[spoiler: and mercilessly slaughters Oskar’s bullies]], while Oskar is obsessed with serial killers, fantasizes about killing his bullies, [[spoiler: and has no problem with Eli’s murders [[spoiler: and is okay with her murdering children when they’re the bullies in question]].Eli ''does'' kill his bullies]].
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Changed line(s) 62 (click to see context) from:
** Sort-of did with [[spoiler: Hå kan.]] He still dies, but in the film, it happens [[spoiler: after falling out of the hospital window, and he doesn't come back as a RevenantZombie like in the book.]]
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** Sort-of did with [[spoiler: Hå kan.Håkan.]] He still dies, but in the film, it happens [[spoiler: after falling out of the hospital window, and he doesn't come back as a RevenantZombie like in the book.]]
Changed line(s) 65 (click to see context) from:
* DemotedToExtra: Hå kan and the alcoholics have significantly reduced roles in the film adaptation.
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* DemotedToExtra: Hå kan Håkan and the alcoholics have significantly reduced roles in the film adaptation.
Changed line(s) 73 (click to see context) from:
* EvenEvilHasLovedOnes: Oskar to Eli, if you consider Eli evil. Certainly Eli to Hå kan, and Conny and Jimmy to each other.
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* EvenEvilHasLovedOnes: Oskar to Eli, if you consider Eli evil. Certainly Eli to Hå kan, Håkan, and Conny and Jimmy to each other.
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** Hå kan's efforts to drain the blood of a passerby that he's just killed are thwarted when a dog comes by and begins barking, forcing him to flee as his owners come.
* FacialHorror: Hå kan after he pours hydrochloric/sulfuric acid on his face to disfigure him well enough to be non-detectable by the cops. And yes, we get to see the results, which as detailed above in AdaptationalAttractiveness are less horrific than the book's example.
* FacialHorror: Hå kan after he pours hydrochloric/sulfuric acid on his face to disfigure him well enough to be non-detectable by the cops. And yes, we get to see the results, which as detailed above in AdaptationalAttractiveness are less horrific than the book's example.
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** Hå kan's Håkan's efforts to drain the blood of a passerby that he's just killed are thwarted when a dog comes by and begins barking, forcing him to flee as his owners come.
* FacialHorror:Hå kan Håkan after he pours hydrochloric/sulfuric acid on his face to disfigure him well enough to be non-detectable by the cops. And yes, we get to see the results, which as detailed above in AdaptationalAttractiveness are less horrific than the book's example.
* FacialHorror:
Changed line(s) 105 (click to see context) from:
* MoodWhiplash: The film switches between sweet and scary at the drop of a hat, sometimes mixing both in one scene. A strangely funny example: the news reporter who discusses Hå kan's apprehension ends the story by saying "And now, the sports."
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* MoodWhiplash: The film switches between sweet and scary at the drop of a hat, sometimes mixing both in one scene. A strangely funny example: the news reporter who discusses Hå kan's Håkan's apprehension ends the story by saying "And now, the sports."
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** Hå kan doesn't look too good after pouring acid on their face.
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** Hå kan Håkan doesn't look too good after pouring acid on their face.
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Up To Eleven is a defunct trope
Changed line(s) 152 (click to see context) from:
* ViolentlyProtectiveGirlfriend: Eli takes this UpToEleven. [[spoiler:At the ending, she brutally massacres the gang of bullies trying to drown Oscar.]]
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* ViolentlyProtectiveGirlfriend: Eli takes this UpToEleven.up to eleven. [[spoiler:At the ending, she brutally massacres the gang of bullies trying to drown Oscar.]]
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Changed line(s) 89 (click to see context) from:
* Growling Gut: Eli's stomach growls due her being a vampire and her hunger for blood.
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* Growling Gut: GrowlingGut: Eli's stomach growls due her being a vampire and her hunger for blood.
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Changed line(s) 27 (click to see context) from:
** [[spoiler: While Jimmy definitely deserved his fate, Conny and Martin were visibly having second thoughts about drowning Oskar and wanted to leave, but Eli mercilessly kills them anyway]].
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** [[spoiler: While Jimmy definitely deserved his fate, Conny and Martin were visibly having second thoughts about drowning Oskar and wanted to leave, but Eli mercilessly brutally kills them anyway]].
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* WouldHurtAChild: [[spoiler: Eli’s pool massacre. She mercilessly slaughters Conny and Martin, who were starting to have second thoughts and wanted to leave at that point]].
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Changed line(s) 25 (click to see context) from:
* AlasPoorVillain: Håkan might be the only time in movie history where you could cry for the death of a ''serial-killing pedophile'', [[spoiler:holding a sobbing Eli in his arms and letting her feed on him before falling out the hospital window to his death]]. Especially considering [[spoiler:[[BodyHorror what he does to his face]] [[HeroicSacrifice to keep Eli safe]] beforehand.]]
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* AlasPoorVillain: AlasPoorVillain:
** Håkan might be the only time in movie history where you could cry for the death of a ''serial-killing pedophile'', [[spoiler:holding a sobbing Eli in his arms and letting her feed on him before falling out the hospital window to his death]]. Especially considering [[spoiler:[[BodyHorror what he does to his face]] [[HeroicSacrifice to keep Eli safe]] beforehand.]]]]
** [[spoiler: While Jimmy definitely deserved his fate, Conny and Martin were visibly having second thoughts about drowning Oskar and wanted to leave, but Eli mercilessly kills them anyway]].
** Håkan might be the only time in movie history where you could cry for the death of a ''serial-killing pedophile'', [[spoiler:holding a sobbing Eli in his arms and letting her feed on him before falling out the hospital window to his death]]. Especially considering [[spoiler:[[BodyHorror what he does to his face]] [[HeroicSacrifice to keep Eli safe]] beforehand.
** [[spoiler: While Jimmy definitely deserved his fate, Conny and Martin were visibly having second thoughts about drowning Oskar and wanted to leave, but Eli mercilessly kills them anyway]].
Changed line(s) 118 (click to see context) from:
* ProtagonistCentredMorality: We're clearly meant to root for Eli and Oskar, despite the fact that [[spoiler: the former spends the movie murdering perfectly innocent people, and the latter is perfectly okay with her doing so because she's nice to him and saved him from his bullies [[DisproportionateRetribution (by violently murdering them]]]].
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* ProtagonistCentredMorality: We're clearly meant to root for Eli and Oskar, despite the fact that [[spoiler: the former spends the movie murdering perfectly innocent people, and the latter is perfectly okay with her doing so because she's nice to him and saved him from his bullies [[DisproportionateRetribution (by violently murdering them]]]].them)]]]].
Changed line(s) 136 (click to see context) from:
* TrappedInVillainy: Eli. She kills because she has to; she'll die if she doesn't. She makes no excuses for what she does beyond its necessity for her continued existence.
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* TrappedInVillainy: Eli. She Eli didn’t choose to be a vampire, and tells Oskar that she kills because she has to; she'll die if to, which she doesn't. She makes no excuses claims is better than killing for what she does beyond its necessity for her continued existence.revenge.
Changed line(s) 149 (click to see context) from:
* VillainProtagonist: Calling either Eli or Oskar good guys would be debatable. Eli murders perfectly innocent people without remorse [[spoiler: and mercilessly slaughters Oskar’s bullies]], while Oskar is obsessed with serial killers, fantasizes about killing his bullies, and has no problem with Eli’s murders [[spoiler: and doesn’t mind when she ''does'' kill the bullies]].
to:
* VillainProtagonist: Calling either Eli or Oskar good guys would be debatable. Eli murders perfectly innocent people without remorse [[spoiler: and mercilessly slaughters Oskar’s bullies]], while Oskar is obsessed with serial killers, fantasizes about killing his bullies, and has no problem with Eli’s murders [[spoiler: and doesn’t mind is okay with her murdering children when she ''does'' kill they’re the bullies]].bullies in question]].
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Changed line(s) 118 (click to see context) from:
* ProtagonistCentredMorality: We're clearly meant to root for Eli and Oskar, despite the fact that [[spoiler: the former spends the movie murdering perfectly innocent people, and the latter is perfectly okay with her doing so because she's nice to him]].
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* ProtagonistCentredMorality: We're clearly meant to root for Eli and Oskar, despite the fact that [[spoiler: the former spends the movie murdering perfectly innocent people, and the latter is perfectly okay with her doing so because she's nice to him]].him and saved him from his bullies [[DisproportionateRetribution (by violently murdering them]]]].
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Changed line(s) 149 (click to see context) from:
* VillainProtagonist: Calling either Eli or Oskar good guys would be debatable.
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* VillainProtagonist: Calling either Eli or Oskar good guys would be debatable. Eli murders perfectly innocent people without remorse [[spoiler: and mercilessly slaughters Oskar’s bullies]], while Oskar is obsessed with serial killers, fantasizes about killing his bullies, and has no problem with Eli’s murders [[spoiler: and doesn’t mind when she ''does'' kill the bullies]].
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This isn’t really sympathetic, since she has no problem with murdering perfectly innocent people.
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** Eli kills people to survive. Oskar wants to kill the bullies for torturing him.
** Likewise, Håkan kills for Eli but hates doing it, being even more dispassionate about it than in the novel.
** Likewise, Håkan kills for Eli but hates doing it, being even more dispassionate about it than in the novel.
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** Eli kills people to survive. Oskar wants to kill the bullies for torturing him.
**Likewise, Håkan kills for Eli but hates doing it, being even more dispassionate about it than in the novel.
**
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Changed line(s) 4,5 (click to see context) from:
''Låt den rätte komma in'' (''Let The Right One In'') is a 2008 film. It was adapted by [[UsefulNotes/{{Sweden}} Swedish]] author John Ajvide Lindqvist himself for this film version.
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''Låt den rätte komma in'' (''Let The Right One In'') is a 2008 film. It was adapted is an adaptation of the [[Literature/LetTheRightOneIn novel of the same name]] by [[UsefulNotes/{{Sweden}} Swedish]] author John Ajvide Lindqvist himself Creator/JohnAjvideLindqvist, who also wrote the screenplay for this film version.